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Theme of the gift of the magi story
Literary analysis of the gift of magi
Theme of the gift of the magi story
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The Most Precious Present Many times we express our love by giving presents that we can afford, but real love is shown through sacrificing to make the other person happy. This is why the couple in O. Henry’s, “The Gift of the Magi,” stay hopeful and their love remains, considering all the circumstances of financial difficulties. The theme is then inferred to be that love is shown through the sacrifices made not the possessions given. Henry supported this theme by the use of foreshadowing, internal conflict, and situational irony. To present the Dillingham Youngs’ strong love, despite their many financial and economical struggles, Henry states the couple’s most valuable belongings at the beginning. This foreshadows that the characters might …show more content…
Starting with the first sentence of the story, Della had been mainly thinking about buying a nice present for Jim and reconsidering the one dollar and eighty-seven cents. She was struggling trying to figure out how to get a nice present. She was so dismal that she thought it was hopeless before deciding to cut her hair: “There was clearly nothing to do but flop down on the shabby little couch and howl” (350). This is showing how the matter was really important for Della, and she had been thinking too much that she began breaking down and crying. She thought the situation was so hopeless that she just “flopped down” which shows that she was so hopeless and had a heavy burden that she believed she had to do something, but didn’t know how. She also didn’t only cry, but was “howling.” She just had no solution and this caused a tremendous inner pain that she was just putting all of her pain and emotions into a howl. The reader is left with sympathy toward Della and perplexed why would this caused that much pain and will cause her to sell her most precious possession, her hair. It is then concluded that her sacrifice and pain was the most valuable present and what showed a tremendous amount of real
Derricotte’s conclusive paragraph begins with, “My mother helps me. She sends me signs: her African violet bloomed for the first time on my windowsill three years after her death, on the first day of her death month…I love my mother now in ways I could not have loved her when she was alive, fierce, terrifying, unpredictable, mad, shame-inducing, self-involved, relentless, and determined by any means necessary” (53). The timing of her love for her mother became insignificant. It wasn’t about when she finally reached the point of loving her mother but the mere fact that she loved her. The utilization of descriptive writing and the emotional implementation in “Beginning Dialogues” are a couple of ways Derricotte enraptures her readers in this short story. Regardless of a painful past or a traumatic childhood she allows herself to see that love truly conquers
Previously, the narrator has intimated, “She had all her life long been accustomed to harbor thoughts and emotions which never voiced themselves. They had never taken the form of struggles. They belonged to her and were her own.” Her thoughts and emotions engulf her, but she does not “struggle” with them. They “belonged to her and were her own.” She does not have to share them with anyone; conversely, she must share her life and her money with her husband and children and with the many social organizations and functions her role demands.
Her family life is depicted with contradictions of order and chaos, love and animosity, conventionality and avant-garde. Although the underlying story of her father’s dark secret was troubling, it lends itself to a better understanding of the family dynamics and what was normal for her family. The author doesn’t seem to suggest that her father’s behavior was acceptable or even tolerable. However, the ending of this excerpt leaves the reader with an undeniable sense that the author felt a connection to her father even if it wasn’t one that was desirable. This is best understood with her reaction to his suicide when she states, “But his absence resonated retroactively, echoing back through all the time I knew him. Maybe it was the converse of the way amputees feel pain in a missing limb.” (pg. 399)
The story began with the picture of Sunday's night after church, at eleven o'clock in the evening. Delia was still working. As a washwoman, Monday's morning was important for her because she would return all the clean clothes and earn her money. That money was to pay for the house, her food, and the pony which Sykes, her husband, had gone with. After 15 years of marriage, Delia had lost all hopes in Sykes. The countless beatings and painful acts of Sykes had brought her to her limit. Sykes had gotten home, and as usual, the fight happened between two former lovers. Sykes's appearance by a scary scene was like the ev...
...her to feel despair. Her misery resulted in her doing unthinkable things such us the unexplainable bond with the woman in the wallpaper.
From the information delivered by Shakespeare on King Henry, it symbolizes the significance of Henry’s multifaceted personality in becoming a successful ruler, and the fact that relationships will be torn apart, in order to achieve success on the battlefield.
The effects of love and sacrifice on one’s life can be shown through the character of Lucie Manette in the novel A Tale of Two Cities by Charles Dickens. The way Lucie applies warmth to her friends and family and sacrifices for them has a greater impact than anything else could possibly do. In fact, loving gestures have the power to do anything. They can brighten moods and ameliorate one’s day. Overall, Love is a powerful feeling. It can be defined in many ways, but is always an important emotion to have. Without it, humans are empty. It is a necessary part of living; with it, anything is possible.
I looked around at everyone in the room and saw the sorrow in their eyes. My eyes first fell on my grandmother, usually the beacon of strength in our family. My grandmother looked as if she had been crying for a very long period of time. Her face looked more wrinkled than before underneath the wild, white hair atop her head. The face of this once youthful person now looked like a grape that had been dried in the sun to become a raisin. Her hair looked like it had not been brushed since the previous day as if created from high wispy clouds on a bright sunny day.
The reader reads in order to feel sorrow for the protagonist in a manner the reader can assimilate. Yet, it seems that the nature of Margaret’s thoughts is inherently dialogic or, to work with Duke’s terms, empathic: neither Margaret nor the reader uses the text in order to solicit pity from the other. What function would a “pity party” serve a reader by herself? To the contra...
"What say you? can you love the gentleman? This night you shall behold him at our feast; Read o'er the volume of young Paris' face, And find delight writ there with beauty's pen; Examine every married lineament, And see how one another lends content; And what obscur'd in this fair volume lies Find written in the margent of his eyes. This precious book of love, this unbound lover, To beautify him, only lacks a cover: The fish lives in the sea; and 'tis much pride For fair without the fair within to hide: That book in many's eyes doth share the glory, That in gold clasps locks in the golden story; So shall you share all that he doth possess, By having him, maki...
Henry, who wrote “Gift of the Magi”, showed the crazy love between a man and a woman in a serious relationship. Even though giving up their most prized possession was difficult, they did it out of loe for each other. They wanted to give each other the best life possible, even though that meant taking some of their own happiness
gifts but realize how much affection they each have. O. Henry describes the scene where
Mrs. James Dillingham Young, also known as “Della” in this short story. Della is in her early twenties and is married to Mr. James Dillingham Young known as “Jim.” Della is very thin and seems to move around in a fast paste. “Her hair reached below her knees and made itself almost a garment for her.” (O.Henry 166). Della takes a lot of pride in her hair. “Had the Queen of Sheba lived in the flat across the airshaft, Della would have let her hair hang out the window some day to dry just to depreciate Her Majesty’s jewels and gifts.” (O.Henry 166). Della wanted to buy Jim an expensive gift for Christmas. “Pennies saved one and two at a time by bulldozing the grocer and the vegetable man and the butcher until one’s cheeks burned with the silent imputation of parsimony that such close dealing implied.” (O.Henry 165).
Many critics agree, “The Gift of the Magi” is, in all respects, an amazing and one of a kind story. One critic says, “Ironically, Fagin arrives at something utterly crucial to the success of 'The Gift of the Magi': that it has everything—an absorbing (if short) narrative drive and a twist ending that makes it wholly original” (Korb). Even renowned critic, Rena Korb, agrees; O.Henry did an excellent job with this story. Though O. Henry wrote many great stories, one of his most famous, and favorite, stories of all time is “The Gift of the Magi.” “The gift of the Magi” is a classic about a couple who sacrifices their happiness for the other. It is one of Henry’s most popular stories by far; even being remade many times. Such a popular story must have a powerful base with which to explain its message. That message is incorporated quite well into a few major themes; though, many different themes were used in this story. These themes ranged from materialism, generosity and love to more subtle undertones like selflessness and poverty. Of course, the most prominent is materialism; though, Henry goes to great lengths to show such a complex theme to his audience. He uses excellent literary devices like setting, conflict, creative syntax, and even figurative language all to his advantage. O. Henry uses many different, complex, literary elements to portray these different themes in “The Gift of the Magi.”
We trace her struggles with personal grief, a restricted social life, socio-economic decline, and romantic misfortune, a long history of trauma and repression.”(445)