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Symbolism in alice walker's everyday use
Symbolism in alice walker's everyday use
Symbolism in alice walker's everyday use
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Silence or revolt
Different environment makes people gradually different way of thinking and values, the roles have their own experience of background influence in the formation of their personality. Maggie and Dee has an opposite trait to generate their mother’s attitude toward different way. Alice has cleverly written with black people of generation complex attitude on the ideas and cultural heritage in Everyday Use. Mother-daughter relationship also is complicated in those two articles. In No Name Woman, the mother tells the daughter a story about her aunt and do not allow tell anyone else. The mother is traditional person and she hopes the daughter go with her. Both two articles shows conflict between traditional and new, mother and daughters
Dee is the healthy one who have new thinking’s college student. But she still wants find black culture. However, the mother and Maggie did not think it. Thus, when Dee requirements took two quilt cultural heritage, and the mother a fierce conflict. “‘But they’re priceless!’ she was saying now… ‘Maggie would put them on bed and in five years they’d be in rags. Less than that!’ ‘She can always make some more,’ I said. ‘Maggie knows how to quilt.’” (Walker, 477) Sentence in the form of direct speech that readers understand Dee’s attitude of the traditional culture in this time, but also depicts she treats national culture hypocritical side: she was the only recognition of traditional cultural values, Maggie impossible to appreciate. It seems that every family which has the advantages of a successor of the child, and another child always without it. Maggie that is the second child, she is ugly, inferior, clumsy, weak, these features seem to symbolize the pain of African-American culture. For Maggie, She understood that in the blood and emotionally. Maggie inherited the history and tradition of black, she is the family culture and tradition of the best successor. That 's why Walker written at the end of the novel the mother snatched the quilt from the hands of Dee, gave Maggie. This is the mother 's choice, but also the writer 's own
The narrator has two daughters, Dee and Maggie. Dee was this cute girl who was super intelligent and sophisticated. She often saw herself as being above her mother and sister and would often make them feel stupid and bad about themselves. "She used to read to us without pity, forcing words, lies, other folks' habits, whole lives upon us two, sitting trapped and ignorant underneath her voice". She shows that Dee enjoyed making her mother and younger sister feel dumb about themselves because it made her feel superior. Her whole life Dee detested her family and where she came from and couldn’t wait to get away. But, still her mother worked her booty off to provide her with high education and a good life. Dee goes away to college and when she returns she is a completely different person, suddenly interested in her family; photographing them upon arrival. With her guest, new "Wangero Leewanika Kemanjo", invades her mothers house taking everything in like it’s a cute display for her. Finally, when Wangero (Dee) demands that her mother give her some quilts, her mum can not take anymore. She tells Dee that Maggie, not her, will be receiving the quilts and she snaps. "I did something I never had done before: hugged Maggie to me, then dragged her on into the room, snatched the quilts out of Miss Wangero's hands, and dumped them into Maggie's lap. Maggie just sat
She went to college after high school and didn’t return home after she graduated. She got married to a Muslim man and she became so concerned with her family’s history. When she arrived, she became so concerned with taking pictures of the farmhouse she grew up in a soon as she got their she didn’t even greet her mother and sister Maggie right away. When she entered the home she immediately began to scan the room for things that she felt were good enough to go into her apartment in the city, she also wanted included things that she felt were good enough to impress her friends and to show her where they are from. When she reached the home, she mentioned a few things that stood out to her which included a butter churn and 2 quilts. The two quilts in particular stuck out to her because the two were hand sew by her grandmothers and aunt , along with her mother. Maggie her sister states, “She can have them, Mama,” She said, like somebody used to never winning anything, or having anything reserved for her. “I can member’ Grandma Dee without the quilts’” (Walker). Maggie her younger sister who still lived at home with her family let her sister know she could have them simply because she knew that it wasn’t the quilts that were going to make her remember she’s remembers the years they spent together unlike her sister who was never really around the house as much as Maggie and this was giving Maggie as sense of pride
Throughout “Everyday Use” mama compares the two sisters very often. For instance, “Dee is lighter than Maggie, with nicer hair and a fuller figure. She is a woman now” (744) Mama is saying Dee is much more attractive than Maggie and how she has the figure of a grown woman, it also shows that Dee is more cherished and appreciated because she is light skin. In the slavery days, Dee would have been an in-house slave while Maggie would have been an outside slave which is based on their physical appearance. Mama also showed bias when she said “Dee feet were always neat looking like God himself shaped them with a certain style.” (745). Mama put Dee on a high pedal stool while she always brought down Maggie, like when she said “she isn’t bright . . . good looks. . . passed her by”. Mama has shown bias between the two sisters since the very beginning of “Everyday Use” comparing the two physical traits. Mama was vey bias throughout the story but between her bias Maggie’s potential and her ignorance tied together brought family themes in this
Maggie relationship with Dee is full of jealousy and envy. Maggie thinks that her sister is better, prettier, and smarter than she will ever be. Because of that, Maggie is shy and intimidated when her sister and her boyfriend come home to visit for the first time in years. Dee on the other hand does not make it any better, because of her jealousy and judgmental ways make Maggie feel unloved and unappreciated. When Maggie is burn in the house fire Dee shows no concern if her sister lives or die. Even their mother knows that their relationship is nonexistent. Dee’s mother said “I used to think she hated Maggie” (Walker 154). Even as adults Dee and Maggie love for one another is arm distance away. Dee feels that her mother and sister are not claiming their heritage and are close minded country
As you can see, I strongly agree with the narrator of the story and her choice in giving Maggie the quilts. Dee (Wangero) has been given enough in her life. She has beauty, confidence and her education. Maggie has wonderful qualities too, but has been through hardships. All which make her more deserving of the family quilts.
Everyday Use ends with Dee leaving, not with the quilts, thus making room for the new bond between Mama and Maggie. Dee may believe that she has won in some way because she is the educated sister who appreciates her heritage, but the reader sees it is in fact Maggie who has become victorious by having her way of life validated by Mama’s support and Dee’s envy. Maggie’s system of values is redeemed by creating a new relationship, with herself, in which she is no longer silenced and can truly appreciate the beauty of her home even in its everyday use. While there is little growth seen from the experience on Dee’s side, we know that Maggie is forever changed, giving her more power than she ever had. There is still and will always be a struggle between her and her sister, but Maggie now knows she does not need redemption from Dee, nor anyone else, because it is she who carries the importance of the past into the future.
The quilts were pieced together by Mama, Grandma Dee, and Big Dee symbolizing a long line of relatives. The quilts made from scraps of dresses worn by Grandma Dee, Grandpa Jarrell’s Paisley shirts, and Great Grandpa Ezra’s Civil War uniform represented the family heritage and values, and had been promised to Mama to Maggie when she married. However, Dee does not understand the love put into the making of the quilts, neither does she understand the significance of the quilts as part of her family heritage. It is evident she does not understand the significance of the quilt, having been offered one when went away to college declaring them “as old-fashioned” and “out of style”. She does not care about the value of the quilts to her family, rather she sees it as a work of art, valuable as an African heritage but not as a family heirloom. She wants the quilts because they are handmade, not stitched with around the borders. She tells Mama, “Maggie can’t appreciate these quilts!... She’d probably be backward enough to put them to everyday use… But, they’re priceless!.. Maggie would put them on her the bed and in five years they’d be in rags. Less than that!” (317). The quilt signifies the family pride and history, which is important to Mama. She makes the decision to give the quilt to Maggie who will appreciate it more than Dee, to whom she says, “God knows I been saving ‘em for long enough with
When we meet our narrator, the mother of Maggie and Dee, she is waiting in the yard with Maggie for Dee to visit. The mother takes simple pleasure in such a pleasant place where, "anyone can come back and look up at the elm tree and wait for the breezes that never come inside the house." (Walker 383) This is her basic attitude, the simple everyday pleasures that have nothing to do with great ideas, cultural heritage or family or racial histories. She later reveals to us that she is even more the rough rural woman since she, "can kill and clean a hog as mercilessly as a man." (Walker 383) Hardly a woman one would expect to have much patience with hanging historical quilts on a wall. Daughter Maggie is very much the opposite of her older sister, Dee. Maggie is portrayed as knowing "she is not bright." (Walker 384)
The way that Dee wanted to preserve the quilts her ancestors crafted instead of their traditional everyday use was similar to when the main character in Araby originally thought that love was not something that needs to be won over or bought. Dee rejected what was known to be true by trying to preserve her family's useful quilts like artifacts. She explained that her sister did not understand by saying "’Maggie can't appreciate these quilts! She'd probably be backward enough to put them to everyday use.’" The quilts showed the hard working people of her family's past, yet she attempted to reject that in a twisted modernist way. The way that Dee tried to move away from tradition was similar to how the main character in Araby realized the wrongness of his perception of love’s tradition. He started out by putting his crush on a pedestal, and believing that the way to someone's heart was through gifts and money. It was almost like he was bribing her to an event called the Bazaar with him when he said “`If I go, I will bring you something.'” Then he had an epiphany. Love must be reciprocal, not something that can be won.This traditional way of trying to win one’s love instead of it being a reciprocal concept was then discovered to be false to him. The way of questioning what is true led to enlightenment in Araby, whereas in Everyday Use it led to regression. Both
Dee's physical beauty can be defined as one of her biggest assets. The fact that Maggie sees Dee "with a mixture of envy and awe" (409) cues the reader to Dee's favorable appearance. The simplistic way in which Walker states that "Dee is lighter than Maggie, with nicer hair and a fuller figure" (410) gives the reader the idea that Dee's beauty has made it easier for her to be accepted outside her family in society. We are left with the impression that Dee's appearance is above average. Walker plays on Dee's physical beauty to contrast the homeliness of Maggie and her mother. Walker goes so far as to describe her feet as "always neat-looking, as if God himself had shaped them with a certain style" (411). In describing Dee's feet, Walker is giving the impression of perfection from head to toe. Dee's outward beauty has "made her transition from poor farm girl to that of an educated, middle-class black woman possible" (Allen-Polley 11). Needless to say, Dee doesn't seem comfortable with her past and therefore has a difficult time accepting her future. It is as though she is not really connected with her family anymore. She simply needs them to fulfill their positions in her recreated past.
One of the daughters named Dee was a woman who went to college and found herself and what she wanted to become and live. She even changes her name to be more African-American as she was raised in a white family. Through the story we can see that this means she completely forgets the way she was raised who her family is and what her culture is about. Now on the other hand the second daughter, Maggie is more the shy one and always more close to her mom compare to Dee who knows what she wants. Maggie stayed home with her mother and lived this shelter lifestyle as she always believed her sister to be better than her in a matter of looks and knowledge. In the end we see the mom completely confused and doesn’t understand Dee anymore and why choose that different life to what she’s been though. We read that the mother chooses to give the quilts to Maggie as she knows that she’ll wear them as an honor of her culture and not for
Dee is shallow and manipulative. Not only does her education separate her from her family identity and heritage, it prevents her from bonding with her mother and sister. If Dee could only push her arrogance aside, she would be able to develop a deep connection with her family. While connecting with her family, Dee would also develop a deeper understanding of her heritage. Maggie and Mama did not give in to the “whim of an outside world that doesn’t really have much to do with them” (Farrell par.1). In the attempt to “fit” in, Dee has become self-centered, and demanding with her very own family; to the extent of intimidation, and
Quilts symbolize a family’s heritage. Maggie adheres the tradition by learning how to quilt from her grandmother and by sewing her own quilts. Maggie also puts her grandmother’s quilts into everyday use. Therefore, when Dee covets the family’s heirloom, wanting to take her grandmother’s hand-stitched quilts away for decoration, Mama gives the quilts to Maggie. Mama believes that Maggie will continually engage with and build upon the family’s history by using the quilts daily rather than distance herself from
Cultures can shape the identities of individuals. Kingston identity was shape by Chinese and Chinese American culture. "No Name Woman," begins with a talk-story, about Kingston’ aunt she never knew. The aunt had brought disgrace upon her family by having an illegitimate child. In paragraph three, “she could not have been pregnant, you see, because her husband had been gone for years” (621). This shows that Kingston’s aunt had an affair with someone and the result was her pregnancy. She ended up killing herself and her baby by jumping into the family well in China. After hearing the story, Kingston is not allowed to mention her aunt again. The ideas of gender role-play an important role in both cultures. Kingston in her story “No Name Woman” describes some of the gender roles and expectations both women and men had to abide. Some of the gender roles in Kingston story have a semblance with the contemporary American culture.
The quilts play an important role in depicting symbolism of heritage because they signify Dee’s family origins. For instance, Dees’ significant family members all have pieces of their fabric sown on to the quilts as a remembrance of who they were and their importance in the family. Nevertheless, Dee is overlooking important facets of her family history because she does not see the quilts her ancestors made as valuable, hand-made, pieces of fabric that should be passed down and taken care of to keep their history alive. As Mama stated, “In both of them were scraps of dresses Grandma Dee had worn fifty years and more years ago. Bits and pieces of Grandpa Jarrell’s paisley shirts. And one teeny faded blue piece, about the size of a penny matchbox, that was from Great Grandpa Ezra’s uniform that he wore in the civil war.” (1129). Despite her family’s history, Dee continues to misinterpret the...