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Compare and contrast tragedy and comedy shakespeare
Hamlet Oedipus complex
Does Shakespeare believe revenge is an acceptable course of action in certain circumstances
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Recommended: Compare and contrast tragedy and comedy shakespeare
“Revenge is sweet but you got to stay alive to taste it” composed by David and Leigh Eddings is a beautiful way revenge can be illustrated. By definition, revenge is a legitimate response to political, family, personal or legal transgression. This act of supposed justice is epically epitomized in “William Shakespeare’s Hamlet”, arguably the greatest drama of all time. Being a revenge tragedy, William Shakespeare draws on interiority, external and internal conflict as well as moral justification to illustrate a mosaic of images and in doing so, demonstrates the dichotomy of whether or not revenge is as simple as it seems to be.
The concept of a revenge tragedy is evoked when we are in the presence of a character who is ready to lay down his
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The ghost seen in act one is can be seen as a catalyst in speeding up revenge process. Hamlet, after his father’s death is full of melancholy and wishes to suicide however refrains from doing so only because it is a sin. In Hamlet’s first soliloquy we see no drive for him to take revenge but rather a clutter of ‘explicitly salty’ thoughts which are disorganised. He, in all fury curses the current state of politics and family dynamics as an “incestuous” and manipulative man rules the state, and his mother in all “frailty” naively agrees to marry him. This soliloquy is full of thought rather than action however the ghost gives Hamlet a motive and application for his …show more content…
In this scene Hamlet acts strictly out of spontaneity. His rage is far from ‘sugar coated’ as he outpours the grief burdening his heart in most shocking and vile fashion. His outburst of now exteriorised interiority is heavily centred on the “incestuous pleasures” of his mother and uncle. This follows close suit to the Oedipus complex – a Freudian view of psychology that all toddlers are in love or lust with the opposite parent sex. Freud himself saw Claudius “the man who shows [Hamlet] the repressed wishes of his own childhood realised”. This means to say that the marriage of Claudius and Gertrude revoked the passions of his youthful subconscious and because he cannot define them or know what they are, he sees the need to take revenge on Claudius upon a superficial yet tangible enough
Claudius is the king of Denmark, who is a very powerful and assertive man. He is the type of person that will do anything to get what he wants and everything in his power to stay king. He will do what it takes to get his way, even if that means betraying the person he is supposed to be committed to and love, his wife Gertrude. Gertrude is the mother of Hamlet, who she deeply cares for and loves. She is convinced that Claudius does as well. In order for Claudius to stay as king he must keep Gertrude happy and pleased. He accomplishes this by pretending to love Hamlet in front of Gertrude when in reality he wants to kill Hamlet. Claudius faces the truth that his secret got out and Hamlet knows he killed King Hamlet. Not wanting to ruin his reputation and of course stay king he plans to have Hamlet killed. He lets Gertrude believe...
Oddly, it appears that Gertrude possess more significance to Hamlet than one first anticipates. Her swift call to matrimony leads Hamlet into a spiraling quarry of depression and grieving. This mirrors the Oedipus complex. Gertrude sexually commits herself to Claudius causing Hamlet to feel a sense of jealousy and disappointment. In retaliation, he expresses his repressed desire of love through his unruly comments. He even goes as far as to say that the love is incestuous. Furthermore, in Act 3 scene 4, Hamlet confronts his mother directly in a closet. Addressing concern over her sexual actions, he exclaims “In the rank sweat of an enseamèd bed, / Stewed in corruption, honeying and making love / Over the nasty sty” (III.iv.104-106). Not only does this quote show that Hamlet disapproves his mother’s marriage, but also that he believes Claudius is a wicked criminal. Aligning with the Oedipus complex, Hamlet strangely obsesses over his mother’s love life while viewing his uncle in
In Hamlet Shakespeare is able to use revenge in an extremely skillful way that gives us such deep insight into the characters. It is an excellent play that truly shows the complexity of humans. You can see in Hamlet how the characters are willing to sacrifice t...
Upon meeting his father’s ghost, he learns that Claudius killed his father, and that he must take on the task of avenging his death. This encounter changed who he is completely. He said that he will wipe away books, the past, and all of the things he was taught. He will live “within the book and volume of …brain”(a.1, sc.5, l.). He only will live through this purpose in life, and everything else is erased from his memory. He is possibly trying to shut down the part of him that knows right from wrong. His purpose his more important than all else, even if it means destroying on people along the way. He was on a mission that was larger than he had ever imagined. He was driven by grief and ambition.
After Hamlet’s father passed, Claudius took the opportunity to take over the throne and marry Hamlet’s mother. Through this union, Claudius increased his power and social status. Even though Claudius tried to be on Hamlet’s good side as a ‘father’, Hamlet still classified him as “A little more kin, and less than kind” (1.2.65). The phrase “more kin” stands out significantly because the word “kin” means to cousin. By stating “more kin”, Hamlet implies he still classifies Claudius as an uncle. Hamlet also indirectly jabs at Claudius, stating an opinion on what Hamlet thinks of him. This jab is shown through completely ignoring Claudius and only responding to his mother: “I shall in all my best obey you, madam” (1.2.120). This raises the question whether the irony of Hamlet’s jabs are lost on Claudius. Hamlet’s connection with his biological father exhibited stark contrasts to his relationship with Claudius. He not only continued seeing his father as a role model but could not move past that fact that he was no longer able to rely on his counsel. When given the chance to kill Claudius for his father, it not only shows that Hamlet, as well as his father, are seeking revenge at Claudius but also illustrates how he looks up to his father: “May sweep to my revenge” (1.5.31). The term “revenge” typically adds intensity and depth in a phrase. By using “revenge” it brings up the assumption that Hamlet wants to free his father’s soul but also wants to get back at Claudius even more so than before. Factors such as Hamlet’s power, political and emotional status are what influence his reactions to Claudius and his loyalty to his biological
Throughout Hamlet, each character’s course of revenge surrounds them with corruption, obsession, and fatality. Shakespeare shows that revenge proves to be extremely problematic. Revenge causes corruption by changing an individual’s persona and nature. Obsession to revenge brings forth difficulties such as destroyed relationships. Finally, revenge can be the foundation to the ultimate sacrifice of fatality. Hamlet goes to show that revenge is never the correct route to follow, and it is always the route with a dead
Revenge is a recurring theme in Hamlet. Although Hamlet wants to avenge his father’s death, he is afraid of what would result from this. In the play Hamlet, Hamlet’s unwillingness to revenge appears throughout the text; Shakespeare exhibits this through Hamlet’s realization that revenge is not the right option, Hamlet‘s realization that revenge is the same as the crime which was already committed, and his understanding that to revenge is to become a “beast” and to not revenge is as well (Kastan 1).
Claudius is seen in Hamlets eyes as a horrible person because he convicted murder and incest. Claudius had killed the king of Denmark, Old Hamlet, to obtain the position of the throne. He had been jealous of Old Hamlet’s wife Gertrude and wanted to marry her for her power. Although, such an act would be called incest and considered unnatural he did not care, all he had cared about was the power that he would be stealing from Hamlet and Old Hamlet, Gertrude’s son and husband (R). When Hamlet had talked to his f...
The story of the tormented prince who desires revenge but is unable to take action delves deeper into the human mind than it plays before it. While some uninformed readers may write off Hamlet’s behavior for poor writing, it is clear that the Oedipus complex is the true driving force behind Hamlet’s actions when delaying his revenge.
The core of the play then unfolds from the actions and words of this ghost. Hamlet's revenge against his uncle is certainly fueled by the ghost's words, but the ghost seems to serve a more subtle and internal part here. In the famous "To be or not to be" soliloquy (III.i.55-88), Hamlet makes it clear his is not only unsure of what action to take, but unsure of himself as well. It seems his father's aberration confuses Hamlet ...
Engaging the Elizabethans - Hamlet Essay The concept of revenge is utilized in both the old and the new when it comes to literature. In regards to Hamlet, written by none other than William Shakespeare, this theme is recurring and plays a major role in the protagonist’s soliloquy in Act IV scene iv (lines 31-66). The Elizabethan audience is targeted by the lengthy soliloquy as it reflects social, economic and cultural ideals. It is important to have such an effect as a playwright, as it shapes the perspectives of its viewers.
During the first act, Hamlet’s father appears to him as a ghost. As Bridget O’Connor states, the ghost serves as a “catalyst that sets the play in motion” (“The Ghost of King Hamlet”). It is the King’s ghost that allows Hamlet to learn the awful truth that his Uncle Claudius committed the“unnatural murder” of the King, Hamlet’s father (1.5.25). Immediately, Hamlet is determined to seek justice and revenge. He says, “Haste me to know ’t, that I / with wings as swift, / As meditation or the thoughts of love, / May sweep to my revenge (1.5.29-31).
Driven by the influence of Renaissance humanism, Shakespeare presents an avant-garde protagonist whose fate was forced upon him as he grappled with the philosophical quandaries of duty, reality and mortality. (1.26) Shakespeare’s commentary on the deterioration of an individual’s values and morals due to seeking revenge is exemplified through dramatic soliloquies. In order to construct Hamlet’s conflicted psyche Shakespeare adopts a sardonic tone of the rhyming couplets “O cursed spite, that ever I was born to set right”, foreshadowing his extensive thoughts, regarding the consequences of enacting revenge. Hamlet stresses his individuality and unpredictability but undeniably, his resolve seems crippled by ambivalence and irresolution. George Stubbes in 1736 suggested that the play’s delay was plot driven rather than due to any psychological inadequacy or symptom of the Prince’s character.
Hamlet is one of Shakespeare’s most well-known tragedies. At first glance, it holds all of the common occurrences in a revenge tragedy which include plotting, ghosts, and madness, but its complexity as a story far transcends its functionality as a revenge tragedy. Revenge tragedies are often closely tied to the real or feigned madness in the play. Hamlet is such a complex revenge tragedy because there truly is a question about the sanity of the main character Prince Hamlet. Interestingly enough, this deepens the psychology of his character and affects the way that the revenge tragedy takes place. An evaluation of Hamlet’s actions and words over the course of the play can be determined to see that his ‘outsider’ outlook on society, coupled with his innate tendency to over-think his actions, leads to an unfocused mission of vengeance that brings about not only his own death, but also the unnecessary deaths of nearly all of the other main characters in the revenge tragedy.
The perfection of Hamlet’s character has been called in question - perhaps by those who do not understand it. The character of Hamlet stands by itself. It is not a character marked by strength of will or even of passion, but by refinement of thought and sentiment. Hamlet is as little of the hero as a man can be. He is a young and princely novice, full of high enthusiasm and quick sensibility - the sport of circumstances, questioning with fortune and refining on his own feelings, and forced from his natural disposition by the strangeness of his situation.