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Noah and the ark king james version
The Noah Ark research paper
Noah and the ark
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One of the most recognizable ocean storm stories is that of Noah’s Ark in Genesis 6. God warns Noah of the coming flood, and because Noah walks in close fellowship with God, he follows His command to build an ark. God tells Noah, “‘Look! I am about to cover the earth with a flood that will destroy every living thing that breathes. Everything on earth will die” (New Living Translation, Genesis 6:17). This is one of the few instances in Christianity where water is destructive; it is mostly a cleansing element, one in which sinners can become new again. Robert Frost’s poem “Once by the Pacific” gives another example of destructive water, and he uses a fearful tone combated with a protective tone to help create the theme of the impossibility to …show more content…
The storm and its waves are eager to do “something to the shore that water never did to land before” (ln. 3-4). The use of the word “something” instead of a specific act leaves the reader and the speaker fearful of what the waves can do; they can do absolutely anything, from ripping apart a landscape to just barely crashing on the shore. The speaker “could not tell” what the waves are planning to do, furthering the sense of uncertainty, a large source of fear (ln. 7). The speaker does not know what to expect from this storm, so they are terrified and do not have anyone to turn to. They are left abandoned on the shoreline, simply awaiting the “dark intent” the storm promises (ln. 10). The storm’s dark intent is so intense that God even threatens to “Put out the Light” that He created at the beginning of the earth (ln. 14; New Living Translation, Genesis 1:3). Without that light, the speaker would be in complete darkness, and life would be over. The speaker’s greatest fear is not the ocean, but death and destruction. Amidst all of the destruction that the ocean threatens, the speaker becomes increasingly terrified when they realize the storm may not pass, and that it can last “an age” (ln. 11). With no perceived end and no comfort, the speaker succumbs to their fear like a wave crashing over
*A man is warned by a god to build a ship so he could survive a coming flood, sent by the divine powers.
Flood myths help to explain events which cannot be controlled, such as natural disasters. The Hebrew flood myth tells of a man named Noah, who is selected, along with his family, to survive an epic flood. The flood must occur to cleanse the world of its impurities (Leeming, 47-53). The “flood” in Mabel’s own life involves the many things she loses: her mother, her family’s money, her idea of the future. However, these losses allow her to become a stronger person, to move away from merely being a daughter or a sister and become Mabel (Lawrence, 1-15).
Author James Perloff studied two hundred or so flood legends and provides examples of the percentage of these similarities. Ninety five percent of them depicted the flood as being worldwide. Eighty eight percent gave an account of a special family that was singled out for saving. Seventy percent had building a boat as the method of their survival, and fifty seven percent had them finally coming to rest on a mountain. (Perloff 1999:168)
Writing in the Journal of Symbols & Sandplay Therapy, Mi-yeon Eom states that "water is rich with psychological meaning for it represents the source of life, maternity, potential energy, healing, wisdom, as well as destruction. It embodies all possibilities and potentiality, both harmful and helpful (2014). " In making this comment, Eom reminds us that water has been and will continue to be a necessity for humanity, therefore, it is inevitable that water signifies various meanings. The storyline begins with an example of water symbolizing purification and healing: "Every four days [Hana] washes his black body, beginning at the destroyed feet. She wets a washcloth and holding it above his ankles squeezes the water onto him, looking up as he murmurs, seeing his smile" (Ondaatje 3).
All that which lives must grow and flourish, and so too did the storm grow and flourish. The ocean itself nourished the fledgling storm, for all hurricanes derive their energy from the evaporation of water from the ocean surface. The wind itself powered the hurricane, as all parents seek to raise their children above themselves. With such sustenance, the cyclone swiftly deepened Longshore. Yet as all younglings do, the hurricane drifted away from its progenitors.
Isaak, Mark. "Flood Stories from Around the World." The Talk. Origins Archive. 4 July 2004. <http://www.talkorigins.org/faqs/flood-myths.html>
He uses lots of onomatopoeia in this stanza. Words like ‘drip’ and ‘splash’ create an image of a small amount of water falling into a tin mug. This also creates a mood of thirst and drought. The stanza is finished with the line “the voice of a kindly god.” This personifies the water and makes it seem heavenly.
Author Joan Didion’s strategical diction used in his essay Santa Ana Winds creates a strange new tone causing the reader to feel uncomfortable and scared. Words such as “unnatural stillness” (Didion, par 1) and “surreal” (Didion, par 2) connote concern and apprehensiveness. These words reveal Didion’s own fear and astonishment toward the winds in order to convince the reader that the winds create are violent, unpredictable, and affect the entire quality of life in Los Angeles. The somber imagery construct the scene and uses sense to convey the foreboding tone to the audience. This majestic imagery is projected through phrases like “the edge of the carving knife” (Didion, par 3) and “the sky had a yellow cast” (Didion, par 2). Additionally,
Summary There are a variety of trails and tribulation people face from day to day that affect their lives and the things around them tremendously. However, some people are faced with more difficult situations than others. There are a variety of disasters that come throughout a lifetime, some that are controllable and some that are not. Therefore, one of many natural disaster that cannot be controlled is a flood. “Everything in Its Path” by Kai Erikson speaks of the tragic flood in 1972 that not only damaged the people of Buffalo Creek, but also the land.
The first mention of water comes in the first stanza and is the initial showing of the author's inclination to the belief that flowing with life and the ability to adapt to new situations is the most fruitful route to success. The second stanza begins by clarifying that church would be a critical point of his man-made religion. Larkin goes into detail by stating that the church ceremony would include a symbolic journey or "a fording" over some river or lake or body of water to a safe place signified by the dry and different clothes. This is the first sign that the author's religious prejudices run deep, due to the fact that as an atheist he would create a religion where the church is a place of safety and continuous new growth rather, than a worship service conducted over past thoughts and actions. This is also the first showing of the belief that water and the "fording" or crossing after becoming wet signifies the increase of the nature of flow in oneself while simultaneously the dry special clothes signified life after the new beginning created by the flow. Larkin's third stanza begins with the author stating that his liturgy or worship ceremonial text would mainly be made up of images of baptisms, water submerging and other water-based rituals. He also continues by calling it a furious devout drench, signifying even more that the drinking in the water is the ability to learn how to flow more and be more flowing in life. It is worth notice that the author does not signify that text would be at the center of his liturgy rather than images. This is important because it shows the "non-root" factor of the author's created religion showing that the interpretation and the journey of water is not constricted by a specific set of rules or text to follow, but rather an image of the correct path or process with the results to be taken internally and individually analyzed. In
Throughout the play A Man for All Seasons, the symbol of water communicates a significant idea of corruption. In the play, water, specifically the river, symbolizes corruption. During King Henry’s reign, the Thames River was extremely dirty because all of the city’s garbage was dumped into that river. In Act One, Scene 5, King Henry says, “I happened to be on the river. Thomas, the river; my river” (1.5, 26).
The sentiment of the lines, "You know you could never / swim fast enough," works for both parts of the metaphor. If a sea creature is coming after the ocean-swimmer, she might not be able to outpace it, and in life, if one bites off more than one can chew, one might find it difficult to swallow. Also an interesting point in the poem is the use of the word “Holy” and it is only used once in the second stanza, it’s interesting how God is only remembered when in fear. The third part reveals how all of our fears were just invested in, “a piece of wood or a dolphin.” But the greater thing here is how we only found out about this piece of wood was by getting closer to it to get a better look despite our fears.
Picture this, you laying on top of you car as you are being violently slung down your street, which was once dry and calm and is now wet and foreign, at an extremely rapid pace. You can’t find your family and all you can do is hope that they haven’t drowned and are able to stay afloat against the violent waters that are angrily attempting to destroy everything in its path. You look around the weather is gray and it’s raining heavily. It is a struggle to breathe between the rapid rain and the violent waters which are attempting to pull you under, forever. Your house no longer exists it is broken down from the pounding waters and fast winds. That is exactly what it would be like if you were in the midst of a hurricane. After hurricanes are over the confusion is crazy, children who had loving families are now orphaned, people become homeless, and people miss certain joys such as walking due to becoming paralyzed.
Storms on the ocean are more formidable than those on land because there is less cover available. The character in the storm is simply at its mercy with little means of escaping. In The Truman Show, the protagonist’s final obstacle is braving an artificial but vicious storm in a tiny sailboat. In The Life of Pi, a massive ocean storm acts as the initial obstacle of the film, separating the protagonist from his family and stranding him on a boat with a hungry tiger. Additionally, ocean storms serve as a follow up or precursor to giant tsunamis in several of the aforementioned disaster films.
The Perfect Storm by Sebastian Junger is an account of an immense storm and its destructive path through the North Atlantic. In late October of 1991, crews of several different fishing ships left their port for their final haul. Little did they know that they would soon cross paths with one of the greatest storms ever recorded. This particular storm would create huge swells, high winds, and hard rain. The system, was said to be a “perfect storm” because all of the elements were just right to create the worst imaginable storm ever seen, “… a hundred-year event,” claimed some meteorologists. These types of storms are caused when: “Warm air is less dense than cool air; it rises off the surface of the ocean, cools in the upper atmosphere, and then dumps its moisture before rushing back to earth. Huge cumulus clouds develop over the zones of rising air, with thunder, lightning, and terrifically strong rain. As long as there's a supply of warm water, the thunderstorm sustains itself, converting moisture into sheeting rain and downdraft winds. Other thunderclouds might line up along the leading edge of a cold front into a "squall line," a towering convective engine that stretches from horizon to horizon.” (The Perfect Storm Foundation)