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Metaphors with Robert Frost
Symbolism of woods on robert frost poem stopping by woods on a snowy evening
Metaphors in Robert Frost poetry
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The poem Desert Places was written by American poet Robert Frost. The poem uses a sullen tone to describe a snowy field. Frost uses the field is a metaphoric device to express his own internal turmoil. He uses repeatedly uses words such as “lonely” and “absent-spirited” and “indifferent” to obviously show that he feels isolated from any kind of happiness. Frost begins the poem by symbolically combing darkness and snow. He describes both “snow” and “night” “falling fast” so that the reader will see that the snow in the field equates to darkness in Frost’s heart. The repetition of “falling fast, oh fast” is used to emphasis the suddenness of the falling snow. Frost does this to express his anxiety about the sudden gloom falling over his life …show more content…
The “woods” represents life and “it” is his happiness. The animals are now “smothered in their lairs” and cannot be seen. This is meant to parallel Frost’s inability to see beauty in his life. The animals are a part of what makes the field beautiful and like the animals in the field Frost is unable to see anything positive. He explains that he is “too absent-spirited to count”, which clearly illustrates how Frost has given up on trying to see the bright side. Frost adds that the “loneliness includes [him] unawares.” This oxymoron adds dramatic effect and reestablishes that the field represents Frost. He did not feel emptiness inside until he compared himself to the …show more content…
He uses the word lonely three times so the reader will certainly know he is alone. The speaker mentions also that he will become even more lonely “ere” or “before” he will becomes less lonely. The field is now described as being a “blanker whiteness of benighted snow.” At this point of the poem, it is assumed that the snow has grown and now covers even those “weeds and stubble.” The field has been striped of it’s geological markings and is now a blank canvas. Without its grasses and hills to give the field identity it becomes nothing. Frost does this because he feels as though he has lost his sense of identity. Benighted literally means to be overtaken by darkness. So by describing the snow as benighted, Frost way of arches back to the idea that snow symbolizes darkness and its suffocation of the land and of himself. In the fourth stanza the speaker uses third person pronouns to personify his fears. However “they” do not scare him with “their” empty spaces. The emptiness of the field or the dark void of space does not scare the speaker because he has more emptiness already in himself. In fact, the speaker is so filled with emptiness and darkness that he scares himself. Frost is saying that his thoughts might actually terrify himself. Frost uses feminine rhyme in a humorous effect by rhyming spaces/race is/places. He is insinuating that his fears are a
The night is a symbol for dark moments of solitude during the speaker’s life. Through being “acquainted with the night” (line 1), the speaker is saying that he is familiar with darkness, proving how symbolism brings out a detached tone with the help of diction, saying that isolated darkness is something the speaker experiences regularly. The exertion of the night as symbolism creates an image for readers to realize that Frost did not actually mean nighttime in his poem; he used the night as symbolism to provide deeper insight and bring the image of our own dark times to describe as “the night”(line 1) just as the speaker of “Acquainted With the Night” did. Symbolism goes on to present itself in line 2, the “rain” is used as a symbol for tears and melancholy. The rain was not meant to be read literally, but rather symbolically as tears, or times of mourning over the harsh struggles in life, just as the speaker did when he “walked out in rain and back in rain” (line 2) meaning he walked into and out of life’s struggles. If the weather is cold and rainy, no one goes outside because of the gloomy clouds and cold rain. Similarly, no one reached out to the speaker in “Acquainted With the Night” during his gloomy periods of “rain”(line 2) or sadness, which expresses
The poem’s diction is fairly simple so that educated and uneducated people alike would be able to read and understand the poem somewhat easily. Because Frost prided himself upon being accessible and relatable to all people,
Frost's use of imagery and parallelism of what the dark night sky looks like indicates that he is often alone and wanders the empty, cold streets late at night. This also makes it seem as though he was the only one out at night this late and that he feels depressed about his devastating situation. His uses of, "I have been..." repeatedly in lines 1-7 suggests that his depression is ongoing from the past, unclear if he would recover from his depressing past. The reader can feel through his words that even though he can hear sounds of people ("an interrupted cry") on the streets and occasionally bumps into people, he feels alone in this world. Through his actions, Frost makes it seem as though no one in the world cares for him and he is completely isolated and restricted from interacting with people. At one point in the poem, he hears a cry from a nearby street, but realizes that it was not meant for him and that no one is ever waiting for him. He uses the phrase, "I have passed by the watchman on his beat/And dropped my eyes, unwilling to explain, " to show his experiences with depression and how it has made him incapable of interacting in normal society. While normal people are typically associated with the day, enjoying happiness, sunlight, and optimism, he focuses the narrator to being solely with the night, finding
Frost uses different stylistic devices throughout this poem. He is very descriptive using things such as imagery and personification to express his intentions in the poem. Frost uses imagery when he describes the setting of the place. He tells his readers the boy is standing outside by describing the visible mountain ranges and sets the time of day by saying that the sun is setting. Frost gives his readers an image of the boy feeling pain by using contradicting words such as "rueful" and "laugh" and by using powerful words such as "outcry". He also describes the blood coming from the boy's hand as life that is spilling. To show how the boy is dying, Frost gives his readers an image of the boy breathing shallowly by saying that he is puffing his lips out with his breath.
Frost uses a religious allusion to further enforce the objective of the poem. Whether Frost's argument is proven in a religious or scientific forum, it is nonetheless true. In directly citing these natural occurrences from inanimate, organic things such as plants, he also indirectly addresses the phenomena of aging in humans, in both physical and spiritual respects. Literally, this is a poem describing the seasons. Frosts interpretation of the seasons is original in the fact that it is not only autumn that causes him grief, but summer.
Robert Frost was a very successful poet with a wife and loving family which begs the question, "Why would Robert Frost choose to write this poem at this period in his life? " When attempting to answer this question, one must first analyze the poem. " Desert Places" is a poem told by a third person observer who initially is focusing on a snowy field.
To begin with, the understanding of loneliness and desolation is identified through the use of the dark night in one of Frost’s most popular poems, “Acquainted With the Night.” Briefly, this poem revolves around a lonely speaker who is endlessly taking a walk beyond the city he or she lives in but is not able to locate anything or anyone that would comfort the speaker in his or her stage of depression. Loneliness and isolation are actually two of the crucial themes associated with this poem. The speaker is being “acquainted with the night,” because the night shares the same emotion that the speaker carries. They carry the same emotion because from personal references, the nighttime is often referred to as the time of reflection, sadness, loneliness, and indeed isolation. There is and evident choice of diction to depict isolation like, “the furthest city light,” (L3) as the speaker grows farther away from the city and loses light, which contributes more to the idea of the dark night. This also heightens the understanding of the speaker’s depression and isolation. “The s...
Although this poem also is connected with nature, the theme is more universal in that it could be related to Armageddon, or the end of the world. Even though this theme may seem simple, it is really complex because we do not know how Frost could possibly relate to the events leading to the end of the world. It is an "uncertain" and sometimes controversial topic, and even if everyone was certain it was coming, we do not know exactly how it will occur and when. Therefore, how did Frost envision this event? Is he portraying it in a religious context, a naturalistic one, or both? The last line (14) speaks of God putting out the light, which brings out a religious reference, but the bulk of the poem deals with nature entirely. Physical images of water, clouds, continents, and cliffs present a much more complex setting than the simple setting in "Stopping by Woods on a Snowy Evening" or the yellow wood in "The Road Not Taken."
The words “fire” and “ice” are being rhymed with themselves. By using this scheme it means that the poem falls soundly and flows. By using the rhyme scheme Frosts creates a connection between the words. For example “fire” and “desire,” which make it clear that the words are related on a deeper level. As well the rhyming of “fire” and “ice” with themselves made it work to cre... ...
Frost’s sentence structure is long and complicated. Many meanings of his poems are not revealed to the reader through first glance, but only after close introspection of the poem. The true meanings contained in Frost’s poems, are usually lessons on life. Frost uses symbolism of nature and incorporates that symbolism into everyday life situations. The speaker in the poems vary, in the poem “The Pasture”, Frost seems to be directly involved in the poem, where as in the poem “While in the Rose Pogonias”, he is a detached observer, viewing and talking about the world’s beauty. Subsequently, the author transfers that beauty over to the beauty of experiences that are achieved through everyday life.
Nature is an important theme in every frost poem. Nature usually symbolizes age or other things throughout Frost’s poems. In lines 5-10 it says, “Often you must have seen them loaded with ice a sunny winter morning after a rain. They click upon themselves as the breeze rises, and turn many-colored as the stir cracks and crazes their enamel. Soon the sun’s warmth makes them shed crystal shells.” This demonstrates how nature can sometimes symbolize something. Also in lines 29-33 it says, “ By riding them down over and over again until he took the stiffness out of them, and not one but hung limp, not one was left for him to conquer. He learned all there was to learn about not launching too soon.” In lines 44-48 it says, And life is too much like a pathless wood where your face burns and tickles with the cobwebs broken across it, and one eye is weeping from a twig’s having lashed across it open. I’d like to get away from earth for a while.”
This poem is darker than most of Frost’s poems. One of the most depressing lines that are in this poem is, “Now if it was dusk outside Inside it was dark,” (Frost, Lines 3 to 4). From this line, the reader could take that even though there is some happiness outside, all Frost feels on the inside is sadness. It comes up in the poem that it is easier to feel sad than to be happy. In the middle stanza of the poem is when Frost’s positivity starts to reveal itself. He states, “The last of the light of the sun That had died in the west Still lived for one song more In a thrush’s breast.” (Frost, lines 9 to 12). From this statement, it can be gathered from the light that had died still living on. Even though it can’t be seen, Frost still knows that it is there. This is a main focus point of the poem. Having been sad for so long, it is a nice feeling to be happy. Frost is holding on to the feeling of it because he so desperately wants to be happy. This stanza gives a glimpse of hope to the readers, and that is the focus point of Come In, the poem written by Robert
Robert Frost’s love of nature is expressed in the setting of his poem "Stopping by the Woods on a Snowy Evening." His elaborate description of the woody setting brings vivid images to the reader’s mind. Frost explains the setting so descriptively that the reader feels he is in the woods alsoThe setting is a very important tool Frost uses in writing this poem. The setting is obviously in the woods, but these are not just any old woods. Something caught the speaker’s eyes in these woods making them a special place for the speaker. It seems as if the speaker has associated these woods with an aspect of his "personal paradise". The peacefulness, tranquillity, darkness, and silence are all important parts of this "paradise".
Frost uses nature as a reflection of human experiences; just like humanity it can have seasons and life cycles. He uses different scenes to depict a certain mood for readers to step into the psychological happening of a man. The idea of how seasons change, Frost compares it through the life cycles that humans encounter. Contrary to popular opinion, I believe that nature is not Frost’s central theme in his poetry; it is about the relationship that man has with nature in which can be seen from “Stopping by Woods on a Snowy Evening”, “The Road Not Taken”, and “An Old Man’s Winter Night.”
Robert Frost is an amazing poet that many admire today. He is an inspiration to many poets today. His themes and ideas are wonderful and are valued by many. His themes are plentiful however a main one used is the theme of nature. Frost uses nature to express his views as well as to make his poetry interesting and easy to imagine in your mind through the detail he supplies.