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Role of Desdemona in her husband Othello
Analysis of the character of Othello
Analysis of the character of Othello
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In Shakespeare 's Othello, Desdemona is Othello’s loyal wife. Desdemona has a high status due to her father being a Venetian senator and she’s also married to the general Othello. No matter what Othello did to her, whether it was calling her vulgar names or hitting her, she never blamed her husband. No matter what her husband does she always forgive her husband. With the situation of Othello being blinded by jealousy and not treating his wife well, Desdemona should be pitied rather than be admired. In the beginning of the scene, Desdemona is loyal to her husband. When her father was against her marriage with Othello because he’s black, she defended her husband. She proved to her father and the other people that her love is pure. Othello didn’t do anything to force her into marriage, it took place after they both fell in love with each other at first sight. This is how Desdemona proved her loyalty to her husband. She wasn’t afraid to voice her thoughts about her husband to other people. However, when Iago came into the story and started to fabricate ideas about Desdemona to Othello, that is when the relationship changed. Iago was spreading lies about Desdemona about how she was …show more content…
Her effort in making Othello feel loved was just not working out how she wanted it to be. As Iago started to manipulate Othello by persuading him that Desdemona was the bad person, Desdemona was blamed and made to feel victimized for an act she didn’t commit. She somehow said the right things at the wrong time without realizing what effect it had on her husband. Desdemona always told Othello to hire Cassio back into his position, which had only made Othello more angry. When Othello called his wife a whore, she allowed her husband to call her names if it made him happy. She didn’t express her true emotions when she was talking to her husband. Whatever made her husband happy was what she was going to
Iago clearly does not have a high opinion of women, and it is because of his low opinion of women that Iago does not feel any guilt in using Desdemona for his gain. Had Iago had a better opinion of women, he may have not used Desdemona as a means to an end, which is an action frowned upon in philosophy (Johnson, “Kant’s Moral Philosophy”). Othello should have kept Desdemona at home, which, according to Vives, would have limited Desdemona’s exposure to men. With Desdemona spending most of her time at home, Othello would not have had to worry about his wife spending too much time with his crew. It is because of Othello exposing Desdemona to “evil” that he should be held accountable for some of the misfortunes that occur in Othello (Vives 274).
Though her world was fall apart with Iago creating false images of an affair between her and Cassio to Othello, Desdemona strangely remains kind, innocent, and willing to grant grace. When Cassio approaches her for help, she quickly agrees to help her old friend. While she discusses relationships with Emilia, she rejects all thoughts of infidelity. She had every reason to fight Othello when Othello carries out her murder, yet she resist only a little, She responses, “The Lord have mercy on me…[and] mercy on you too” to Othello’s “Thou diest” (Othello 5.2.50; 71-74). When she is briefly revived and quested by Emilia as to who her murderer is, Desdemona only replies, “I myself” (Othello 5.2.152).
Throughout the play Othello is convinced by Iago that Desdemona has had an affair with Cassio, when really Iago is trying to bring as much misery into Othello’s life as he possibly can. At one point Othello, Desdemona, and a few others are talking with Desdemona’s cousin and everything that Desdemona says helps to convince Othello that she is in love with Cassio. Eventually Othello gets mad enough and slaps her in which she reacts in a much different manner than most women of that time period would have. “Othello: I am glad to see you mad. Desdemona: Why, sweet Othello - Othello:Devil! [Strikes her.] Desdemona: I have not deserved this (4,1,217-220).” This is not the only time we see Desdemona tell Othello that he is wrong in his actions. Later, in act four, he calls her a “whore” and accuses her of sleeping around and rather than taking the heat and dealing with the verbal abuse Desdemona speaks out. “Othello:...Impudent strumpet! Desdemona: By heaven, you do me wrong! (4,2,81-82).” Desdemona tries throughout the rest of the play to convince Othello that she is faithful to him and loves him, but as hard much as she tries Othello does not believes any of it and ends up killing her. Shakespeare has made this very vocal female character to show women that even if they were to speak their mind and try to defend themselves no man would ever believe
The love between Othello and Desdemona is a great venture of faith. He is free; she achieves her freedom, and at a great cost. Shakespeare, in creating the figure of her wronged father, who dies of grief at her revolt, sharpened and heightened, as everywhere, the story in the source. Her disobedience and deception of him perhaps cross her mind at Othello’s ominous ‘Think on thy sins.’ If so, she puts the thought aside with ‘They are loves I bear you.’ . . . Othello is a drama of passion and runs to the time of passion; it is also a drama of love which, failing to sustain its height of noon, falls at once to night. (141)
Othello is a Moor, and outsider who earns acceptance by being a brave soldier. He also is a great commander and this leads to his nobility. There are many underlying themes in “Othello” such as envy and betrayal; all of which can be attributed to pride. Othello loves Desdemona very deeply, but he soon lets his pride get in the way and causes him to lose all self-control and reason. Once the seed of doubt is planted by Iago that Desdemona might be involved with Cassio his world begins to fall apart. Othello is too prideful to see that Iago is deceiving him. As Iago is pushing the doubt and fear into Othello in Act 3 he says this: "My name, that was as fresh / As Dian 's visage, is now begrimed and black (1059 384-385).” This gives us thought that perhaps his biggest fear is not whether Desdemona loves him, but that his pride is more concerned with what other men think of him, concern that his name will be tarnished. Othello has had to work very hard as an outsider to be respected and honored and he can’t bear to lose the good name he has earned. When Othello goes to Desdemona and confronts her she denies ever being unfaithful, but Othello is too prideful to listen to the women he loves and hear her side of the story. His mind is made up before he even gives her a chance as we see in Act 5, scene 2: “Therefore confess thee feely of they sin/For to deny each article with oath/Cannot remove nor choke the strong conception/That I do groan withal. Thou art to die.” (1088). So, Othello proceeds with killing his loving wife who defended herself until her last breath. Othello then finally learns the truth about Desdemona’s innocence. He accepts full responsibility for the crime, but the cost is too high. He then takes his own life. Pride is
As the details of her recent marriage to Othello unfold, Desdemona appears to be a woman driven by emotions. She marries a man because he has shared his stories of grand adventure. In order to do so, she elopes from her loving father’s house in the middle of the night. These seem like actions of emotion stemming from her love – or possibly infatuation – for Othello. Contradictory to this, when asked to speak about her willingness to enter the marriage, she responds with a very clear and sensible reason for staying with Othello:
In Act 1. Desdemona admits that she fell in love with Othello's eloquence and harrowing adventures; 'I saw Othello's visage in his mind'. This outlines his sense of nobility in language,which empahsis how much of an experienced warrior ans revered noble man he is. Moreover Desdemona reveals Othello's nobility of love, 'She loved me for the dangers I had passed/ I loved her that she did pity them'. She succeeds in unveiling a side in Othello's nature which show him as a loving, respectful husband. He is clearly trustful of Desdemona and is not by any means jealous of him, as he allows her to travel to Cyprus with Iago,' To his conveyance I assign my wife'.
Othello is a man of romantic nature. He fell in love with the beautiful Desdemona. He was accused of stealing her away from her father. Othello was of a different race and did not fit in with her family. Othello makes a plea for Desdemona and tells his story which wooed her to begin with. Othello tells of the love that her father showed him since his boyish days. This was like a match made in heaven that overcame many obstacles which got in their way. Othello could not understand why he was good enough to work and fight alongside of her father, but was not good enough for his daughter.
that completely destroys his life”("Othello"). Othello is shown he is a good man within the first few scenes of the play: “She wished she had not heard it; yet she wished That heaven had made her such a man” (1.3.162-163). This line in Act I spoken by Othello, is an indication that he is a good person although it may appear that he has stolen Desdemona away from her father. Othello speaks that although he has taken Desdemona as his wife without Brabantio’s consent, he is a good person for stating his reasons for his actions as well as standing his ground. After Othello’s marriage to Desdemona, the conflict is started when Iago insinuates t...
These lines are the first hint given that Desdemona may not have always been completely captivated by her husband. These words, not denied by Othello, sit in contrast to his own. Upon hearing her words, Othello seems a changed man, depressed and submissive, his new attitude brought on by “Desdemona’s own honest account of her original feelings for Othello and the role Cassio played in Othello’s winning of her” (Macaulay 269). With just a little concern for Othello’s own pride, Desdemona have chosen to withhold some words or soften their blow. Instead, her own pride continues to lead her headlong onto a destructive
Desdemona demonstrates weakness in her love for Othello and by taking his abuse. At the beginning of the play, Desdemona feels she must accompany Othello to Cyprus in war. This can be looked at as her being a strong woman, but she truly is not since the real reason she wants to go is because she can not be seperated from Othello. "If I be left behind A moth of peace and he go to the war, The rites for which I love him are bereft me,And I a heavy interim shall support by his dear absence. Let me go with him." (Act 1, scene 3, line 250) She feels that she loves him so much, she can not be alone or without him. This is a trait of the stereotypical damsel. When Othello hits her in public, she does not get angry with him but begins to cry. " 'Tis very much.Make her amends, she
Once Iago has poisoned Othello’s mind with lies about an affair between Cassio and Desdemona, Othello becomes suspicious and distrusting of Desdemona. He is convinced that his wife is a whore, but never speaks to her about his suspicions. Othello refuses to confront Desdemona because, just as their society mandates, to him women are untrustworthy and decietful. Othello (and society) truly believes that if he asks her about Cassio, she will deny sleeping with him. Because Desdemona is a woman, she is not given a chance to speak on her own behalf. It is this same societal issue that played a part in her death. Othello the man and thus obviously stronger and more logical, suffocates Desdemona without hearing her side of the story first. The society in which they live gave Othello permission to kill Desdemona without her even really knowing why.
The Relationship Between Othello and Desdemona We first learn of there being a relationship between Othello and Desdemona when Iago and Roderigo are telling Roderigo (Desdemona's). Father, that ''an old black ram is tupping your white ewe''. This is referring to Othello and Desdemona having sexual intercourse, and. Shortly after hearing this, we became informed that Desdemona is "Tying" her duty, Beauty, Wit, and Fortunes In an extravagant and wheeling. stranger''.
But Iago says that’s what she wants you to think, which makes Othello believe that Desdemona is being too honest. This highlights many important things, such as Othello’s feeling of discernment and skepticism that her own wife could possibly be hiding more than he was already made aware of. This is one of the causes of jealousy, which is insecurity and fear, which is a major impact on relationships because relationships such as Othello and Desdemona are meant to have minimal security. As well as the comfort of the other partner being comfortable with one another. In addition, the skepticism increases when Othello says, “If she be false, heaven mocks itself.
The society in which Othello takes place is a patriarchal one, where men had complete control over women. They were seen as possessions rather than being just as equally human and capable of duties performed by men. All women of the Elizabethan were to obey all men, fathers, brothers, husbands, etc. Which leads me to the most reliable and trustworthy character of Desdemona, whom goes through many trials just to satisfy her love. Shakespeare brings the thought of Desdemona into the play by Barbantio, her father, “It is too true an evil. Gone she is....Oh, she deceives me Past thought! …” (1.1.163)(1.1.168-169), whom has just found she has taken off with Othello and firstly suspects they have been hitched. Shakespeare gives reader the impression Desdemona is a devious imp full of disrespect towards her father. However, surpassing normal tradition of asking of her fathers’ permission to wed, Desdemona ran off and did marry the moor. This in a sense was her emancipation of her father’s possessiveness and oblivion of Othello’s dominance over her. Othello replies to Barbantio’s accusation, sedating or using black magic on his daughter, by saying, “My very noble and approved good masters, That I have ta’en away this old man’s daughter. It is most true.” (1.3.79-81), which brings me to the claim that Desdemona’s character in this tragedy, was only to become and to serve as Othello’s private possession rather than a typical beloved daughter or wife as in modern time. Shakespeare bases this tragedy on the foundation of Desdemona’s character by the symbol of the discrimination of women in the Shakespearean time era. Desdemona even for the first and only time within the play stands up and challenges her inferiority under her father’s aut...