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What is desdemona's function in othello
Othello critical analysis
Othello analysis in beginnign
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In the play Othello by William Shakespeare the role Desdemona plays has been greatly argued. Several critics say that Desdemona is a pawn, that she is submissive and may even be responsible for her own death. However; even if Desdemona appears to be fragile at the end of the play when Othello becomes aggressive and later when he kills her, Desdemona proves that she is much smarter, stronger, and even has a certain power over those who around her, than the women in the time period that Shakespeare wrote Othello. With further investigation of Desdemona’s character considering the role of women in the Renaissance age in England, Desdemona more than surpasses the expectation and the authority that women were allowed at that time. Women in the renaissance era did not have much power in society, their gender roles were very “clearly defined with men reigning superior over women” (“The Life and Roles of Elizabethan Era Women”). In the book Wooing, Wedding, and Power: Women in Shakespeare’s plays Irene Dash believes that Desdemona "is a woman slowly tamed in the crucible of marriage." Dash argues that more is expected …show more content…
Desdemona constantly tries to rationalize Othello’s behavior and regularly adds her input into decisions usually made by a man. Desdemona repeatedly discusses with Othello as if there was mutual respect between them. Desdemona exhibits boldness in the way he argues with Othello about reinstating Michael Cassio into his previous position. “A man that all his time/ Hath founded his good fortune on your love,/ Shared dangers with you —”, Desdemona asserts (3,4, 2282). Sadly Othello is too overwhelmed with jealousy to admire her logical argument. Even his jealousy she takes well, she, unlike many women in the time period defends herself saying she has “not deserved this” and Othello is doing wrong by accusing her (4, 1,
In equation with the Elizabethan era, Shakespeare offers us a male dominated society in his renowned tragedy, Othello. Consequently, this definitely persuades a negative attitude and demeanor towards the women of the times. The female characters in the play: Desdemona, Emilia, and Bianca; play relevant roles in contributing to one’s understanding of this exhausted Elizabethan view. In contrast to the larger portion of the play, Emilia, spouse to the scandalous Iago, takes an opinionated stand for Desdemona in relation to her wholesome gone sour relationship with the Moor of Venice, Othello. I recognize Emilia’s “Betrayal lecture” as a justified outlook in accordance with today’s period and events surrounding Desdemona’s and Othello’s fatal misunderstanding.
Desdemona is altogether more simply drawn, She embodies the principle of ‘good’ in the play. Act two gives the audience a more indepth understanding of Desdemona by her actions and responses and they way she is described by other characters. She is perceived as a Venetian woman, with its contemporary connotations of sexual lasciviousness, which Iago exploits, and as a whore. More positively, but equally stereotypically, she is perceived as 'divine' by Cassio. There is this ironic gap between how Desdemona speaks and behaves and how she is perceived.
In order to analyse Shakespeare’s women, one must be aware of the female situation in both the playwright's own time period, and in the period in which his play was written. The ladies in Othello suggest that they have “internalised society's’ expectations of them, and apart from in moment of private conversation, behave as men expect, believing this to be ‘natural’” (. Emilia’s (and Desdemona’s) behaviour towards men for the most part of the play is an example of this behavior considered normal at the time. This conformity to social norms can be perceived as weaknes...
In Shakespeare’s “Othello”, the role of women is deeply emphasized; the significant characters of the play Othello, Iago, and Casio, each have a lady that stands behind him. These women each have commitment to remain faithful and respect their husband's needs, especially Desdemona and Emilia.
Othello is a play that asks us to examine the position of women in society. This play explores issues such as clandestine marriage, accusations of adultery, and it includes three different social classes of women. First, we have Desdemona, this is a woman from a noble family in Venice and has the least amount of freedom. Her behavior was watched very carefully. The perception of Desdemona is created by the language that other characters use to describe her. In Act 2, Scene 1, Cassio refers to Desdemona as ‘a maid/That paragons description and wild fame’; that she
The definition of Renaissance women is fundamentally important in William Shakespeare's play Othello. One of the major causes of Othello's tragedy is his belief that Desdemona is not chaste. According to the men of the Renaissance, chastity, silence, and obedience are three attributes that define Renaissance women. Although Othello takes place during the Renaissance, the women in the play, Bianca, Desdemona and Emilia, defy traditional norms by lacking at least one of the major attributes defining women; Bianca's lack of chastity is clearly displayed when she unlawfully sleeps with Cassio; Desdemona's lack of silence is clearly displayed when she constantly urges Othello to give Cassio's position back. However, in the last two acts, Emilia displays the strongest challenge to the definition of Renaissance women as silent, chaste, and obedient, mainly to defend Desdemona.
In the drama of Othello, Shakespeare shows the interpretation of how this story involves critical theories. After Desdemona is allowed to accompany Othello to Cyprus, Othello conveys to the duke, that he "assigns his wife" and implies Desdemona as his wife, is his possession. This shows and proves what the expectation of women of this time was. Women to be obedient and quiet toward their men. Act II scene 2 sees Othello devote his love to Desdemona, the tone within Othello's voice is briefly defined as slightly demanding, speaking of hi...
Within Shakespeare’s Othello there is an analysis into the context of the female. Brabantio’s rhyming couplet “Look to her, Moor, If thou hast eyes to see/ She has deceived her father, and may thee,” demonstrates his domineering and patronising attitude, as the Elizabethan era was a patriarchal society and the role of the female was to be ‘obedient’ to their father or husband. Brabantio also endeavours into placing a seed of doubt in Othello’s mind as a result of his jealousy. Consequentially Brabantio objectifies Desdemona when he states, “Where has thou stow’d my daughter?” exemplifying how he deems her as a possession, which can be stolen like any other. Othello prolongs this objectification through asserting that he “won his daughter” portraying Desdemona as a prize to be won, and a possession to be owned and argued over by husband and father. Desdemona is depicted early on in the play as the “angel” wi...
In Shakespeare’s play “Othello” the main characters Othello and Desdemona suffer a tragic fate due to their actions and unforeseen circumstances. A majority of Desdemona’s suffering is down to Iago’s manipulation. However, it could also be argued that Iago is not completely to blame for the misfortune of Desdemona. We as the readers can see evidence of this at certain points in the play where Iago has planted the seeds of despair and Desdemona and Othello have fallen for his plans. In this essay, I will look at key moments in the play where Desdemona is presented as a tragic victim by the writer and justify why she is a tragic victim using quotes from the play.
The basis of Shakespeare’s plays appears to focus mainly around the dominant male character and his conflicts, which tend to deal with a woman. There are only three women in the play Othello; Desdemona, Emilia and Bianca. The way in which these women behave and present themselves strongly reflects the ideological expectations of women within Shakespeare’s imagined Venetian society as well as the Elizabethan society in which he lived. This patriarchal Venetian society presented in the play depicts women as possessions of men who should remain submissive and meek at all times. The women are expected to unselfishly and unreservedly devote their lives to serve their fathers until they are of age to do so, their husbands. All three women love their respective partners; however, all three are also rejected by them because they each devote more to their men than their men are capable of returning. Desdemona and Emilia display genuine emotions toward each other that are not reflected in any of the male to male associations.
Since women are possessions and are supposed to obey their husbands every command, one could assume that women were also weak and submissive, Desdemona is seen as the epitome of the downtrodden woman by some modern day feminists, and there is a sufficient amount of evidence to support this claim. Desdemona herself states 'I am obedient' (III...
All through history, the role of women and their place in the general public has tremendously changed. William Shakespeare’s Othello was established during a time period where the role of women and their collective value were downgraded in the Venetian and Elizabethan era. During the Venetian era women were dominated by their sexual orientation. The Venetian era had a patriarchal society. In a patriarchal society, the father is the head of the household and men have authority over women and children. During the Elizabethan era the conduct toward women was vicious. Women were considered second class citizens. Males only consider women as possession, who is obligated to remain submissive and meek. Additionally, women are expected to be quiet, obedient to male figures, and chaste. Women were either considered a good wife or a whore. There are only three women in Othello; Desdemona, Emilia, and Bianca. Desdemona is the passive wife of Othello who has a quite idealistic take on life and marriage. Emilia is the cynical, perceptive women who seem to have a bitter take on her marriage to Iago. Bianca is portrayed as the whore of the play, and she has relations with Cassio. Although, each woman varies in roles and personality, they all had a common trait; they lived in a patriarchal society and suffered together. Each of them live in a society where it was ideal to think women were psychologically and physiologically inferior to men, however in reality each of them knew their role in society.
The Role of Desdemona in Shakespeare’s Othello. In Othello’s society, only men make decisions. Thus, in Othello, the title character and other male characters drive the plot, leaving the women to deal with the consequences. Desdemona’s role in the play shows the way the male-dominated society treats women.
The play Othello is presented as a male-dominated society where women are only recognized as property; objects to own and to bear children. Women in the Elizabethan society and in Shakespeare society were not seen as equal to men and were expected to be loyal to their husbands, be respectful, and to not go against their husbands judgements or actions. Shakespeare presents Desdemona, Emilia , and Bianca as women in the Elizabethan time where they were judged based on their class, mortality, and intelligence. Shakespeare makes his female characters act the way they would be expected to act in an Elizabethan society. The role of these women in Othello is crucial because they show how women were treated and how unhealthy their relationships between men really were in both Elizabethan and Shakespeare's society.
The society in which Othello takes place is a patriarchal one, where men had complete control over women. They were seen as possessions rather than being just as equally human and capable of duties performed by men. All women of the Elizabethan were to obey all men, fathers, brothers, husbands, etc. Which leads me to the most reliable and trustworthy character of Desdemona, whom goes through many trials just to satisfy her love. Shakespeare brings the thought of Desdemona into the play by Barbantio, her father, “It is too true an evil. Gone she is....Oh, she deceives me Past thought! …” (1.1.163)(1.1.168-169), whom has just found she has taken off with Othello and firstly suspects they have been hitched. Shakespeare gives reader the impression Desdemona is a devious imp full of disrespect towards her father. However, surpassing normal tradition of asking of her fathers’ permission to wed, Desdemona ran off and did marry the moor. This in a sense was her emancipation of her father’s possessiveness and oblivion of Othello’s dominance over her. Othello replies to Barbantio’s accusation, sedating or using black magic on his daughter, by saying, “My very noble and approved good masters, That I have ta’en away this old man’s daughter. It is most true.” (1.3.79-81), which brings me to the claim that Desdemona’s character in this tragedy, was only to become and to serve as Othello’s private possession rather than a typical beloved daughter or wife as in modern time. Shakespeare bases this tragedy on the foundation of Desdemona’s character by the symbol of the discrimination of women in the Shakespearean time era. Desdemona even for the first and only time within the play stands up and challenges her inferiority under her father’s aut...