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Depression analysis essay
Depression analysis essay
Depression analysis essay
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The author uses internal conflict to show a woman’s struggle to overcome depression. One struggle that the narrator faces personally is the way she feels towards her husband. She blames her mental illness for the way she feels about John who now makes her mad. The narrator writes, “I get unreasonably angry with John sometimes. I’m sure I never used to be so sensitive. I think it’s due to this nervousness condition” (222). Readers see how she now resents her husband because he doesn’t understand her. She feels misunderstood and belittled by him. This lowers her self- esteem which can causes her to struggle with depression. Another conflict the narrator struggles with personally is her wanting to be around her baby. She seems to distance herself from her baby due to her mental state. She states that. “It is fortunate Mary is so good with the baby. Such a dear baby! And yet I cannot be with him, it makes me so nervous” (222). Readers see how the narrator may be struggling with postpartum depression; therefore, she doesn’t …show more content…
seem to care much for the baby. She is probably thinks that it’s best to keep him with someone else while she battles with depression. First person limited omniscient point of view is used to explain a woman’s struggle to overcome depression.
The narrator’s thoughts are seen in the story. During her stay at the house she fights the urge to write because her husband claims it is not good for her. She sometimes thinks that if she is “only well enough to write a little it would relieve the press ideas and rest me” (223). The narrator recognizes that if she writes in her journal, it will help her break through this depression. The narrator loves to write and believes it will help her relieve her negative thoughts which can be cause by depression. In the end, she locks herself in her room and writes, “I don’t want to go out, and I don’t want to have anybody come in, until john comes. I want to astonish him” (228). Readers see how she is no longer herself but a complete insane person. She forgets who she is and begins acting as a child. This can be a result of her giving into
depression. An emotional setting supports a woman’s struggle to overcome depression. For example, the story takes place in a mansion that is rented for the summer. When the couple first arrive, the wife describes the mansion as a “hunted house” that is, “quite alone, standing well back from the road, quite three miles from the village” (221). She thinks the house is strange and is frightened by it. Readers see how she is afraid of being isolated from the rest of the world. She feels if she stays in alone in this scary house, she may lose her mind. So she pleads with her husband to leave the house, but he completely ignores her. This shows how John thinks she is fine when she is actually struggling with her depression alone. The author uses symbolism to generate an oppressive tone and prove a woman’s struggle to overcome depression. For example readers see the wallpaper symbolizes her feeling trap. She mentions how she sees, “a women stooping down and creeping about behind that pattern” (225). Readers see how she is giving into her depression by hallucinating of a woman being trap behind the wallpaper. This woman she sees is a reflection of herself. She feels misunderstood and in her mind she feels like she is trap battling with depression. For example, readers begin seeing her defeat to depression when she mentions how the woman in the wallpaper seems to move by night. She writes, “By moonlight- the moon shines in all night when there is a moon- I wouldn’t know it was the same paper. Moonlight symbolizes light to giving into her depression. It also brings light to her insanity when she finally knows what that figure is on the wallpaper. The figure seems to be a woman who, by day is still, and, by night, the pattern begins to move. Gillman also uses personification to generate an oppressive tone and proves a woman’s struggle to overcome depression. When the narrator begins to describe the wall, she gives it a human like quality. For example she writes how “the lame uncertain curves for a little distance they suddenly commit suicide- plunge off at outrageous angles, destroy themselves in unheard –of contraction” (222) This personifies the way she feels, which is death, and, cast that feeling onto the wall. This shows readers how depression has clouded thoughts by her thinking of death. Her depression is now oppressing her thoughts. She also mentions that the paper is “One of those sprawling, flamboyant patterns committing every artistic sin” (222). She gives it a human like quality to describe how she feels within her mind with chaos. As chaos begins to manifest in her mind she begins to give into depression. Gillman makes this story seem very interesting. Reader sees how the only way to cure depression in the late eighteen hundreds was through the “Rest Cure”. These days, there are many people who take medication to relieve them from depression. For instance, when I was diagnosed with severe anxiety disorder, I was immediately given medication to keep me from having panic attacks. I always felt nervous like the narrator and had negative thoughts. What got me out of depression was finding time to do things I like to do. Overall I liked the story because it reminded me how many women including myself are dealing with depression.
The narrator, a new mother, is revoked of her freedom to live a free life and denied the fact that she is “sick”, perhaps with postpartum depression, by her husband, a physician, who believes whatever sorrows she is feeling now will pass over soon. The problematic part of this narrative is that this woman is not only kept isolated in a room she wishes to have nothing to do with, but her creative expression is revoked by her husband as we can see when she writes: “there comes John, and I must put this away, - he hates to have me write a word (Gilman,
In the "The Yellow Wallpaper," Charlotte Perkins Gilman describes her postpartum depression through the character of Jane. Jane was locked up for bed rest and was not able to go outside to help alleviate her nervous condition. Jane develops an attachment to the wallpaper and discovers a woman in the wallpaper. This shows that her physical treatment is only leading her to madness. The background of postpartum depression can be summarized by the symptoms of postpartum depression, the current treatment, and its prevention. Many people ask themselves what happens if postpartum depression gets really bad or what increases their chances. Jane's treatment can show what can happen if it is not treated correctly. If Jane would have had different treatment, then she would not have gone insane.
The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression. " In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
The woman suffers from depression and is prescribed a rest cure. John believes that she is not sick, but she is just fatigued and needs some rest. John took her to a summer home and placed her in a room upstairs. He then instructs her to rest and not to do any writing. John's views as a doctor forbid any type of activity, even writing, for he feels it will only worsen her already fragile condition. The woman believes she would feel better if she could write: "Personally, I believe that congenial work, with excitement and change, would do me good" (470). The woman did not like the room that John put her in: "I don't like our room a bit. I wanted one downstairs that opened on the piazza and had roses all over the window, and such pretty old-fashioned chintz hangings! But John would not hear of it" (470).
The story begins when she and her husband have just moved into a colonial mansion to relieve her chronic nervousness. An ailment her husband has conveniently diagnosed. The husband is a physician and in the beginning of her writing she has nothing but good things to say about him, which is very obedient of her. She speaks of her husband as if he is a father figure and nothing like an equal, which is so important in a relationship. She writes, "He is very careful and loving, and hardly lets me stir without special direction." It is in this manner that she first delicately speaks of his total control over her without meaning to and how she has no choices whatsoever. This control is perhaps so imbedded in our main character that it is even seen in her secret writing; "John says the very worst thing I can do is to think about my condition...so I will let it alone and talk about the house." Her husband suggests enormous amounts of bed rest and no human interaction at all. He chooses a "prison-like" room for them to reside in that he anticipates will calm our main character even more into a comma like life but instead awakens her and slowly but surely opens her eyes to a woman tearing the walls down to freedom.
The Yellow Wallpaper was written by Charlotte Perkins Gilman in 1982. The time period it was written in contributes to the overall theme of the short story as it is a socio-political metaphor on the treatment of women during the late 19th century. The main character as well as narrator is a young upper middle class woman who is presumably named Jane (her name is never outwardly mentioned). She is suffering from what today might be diagnosed as some form of depression or other (some sources have speculated that she is suffering from postpartum depression since she has a new child she longs to care for). However, during the time period, women suffering from mental illness were often cast off as hysterical or simply nervous, as her husband,
Writing in her journal is the only thing that keeps her sane; yet John takes that away from her: “I must put this away-he hates to have me write” (Gilman 41). The narrator yearns to confess to John how she really feels, but she prefers to keep her feelings bottled up: “I think sometimes that if I were to write a little it would relieve the pressure of ideas and rest me” (Gilman 42). Instead, she is passive and hides her emotions. “I cry at nothing and cry most of the time. Of course I don’t when John is here, or anybody else,” only “when I am alone” (Gilman 44). She tells us that “John doesn’t know how much I really suffer” (Gilman 41). Even when the narrator tries to communicate with him, he immediately dismisses her: “I tried to have a real earnest reasonable talk with him,” but “John wouldn’t hear of it” (Gilman 40). Instead of speaking her mind and standing up for herself, she withdraws and does “not say another word”(Gilman 47).
In “Happy Endings”, Mary’s interior conflict fabricates meaning. An example of this in the text is when Atwood narrates, “Mary falls in love with John, but John doesn’t love Mary” (Atwood 1). This excerpt is an explanation of her conflict with John. Being that she is deeply in love with John, although John contains little to no feelings for her. A significant part of this sentence from the story is when Atwood writes, “John doesn’t love Mary” (1). This phrase indicates what produces Mary’s inner conflict. Following the idea of the first quotation, another key point in the story is, “Inside John, she thinks, is another John, who is much nicer” (1). A word in the above sentence that stands out is the word, “Inside” (1). This depicts that what Mary is conflicted with is inside, thus making it her inner conflict. The over all noteworthiness of these quotations from the novel is that they convey Mary’s person versus self-conflict.
Gilman shows through this theme that when one is forced to stay mentally inactive can only lead to mental self-destruction. The narrator is forced into a room and told to be passive, she is not allowed to have visitors, or write, or do much at all besides sleep. Her husband believes that a resting cure will rid her of her “slight hysterical tendency” (Gilman 478). Without the means to express herself or exercise her mind in anyway the narrator begins to delve deeper and deeper into her fantasies. The narrator begins to keep a secret journal, about which she states “And I know John would think it absurd. But I must say what I feel and think in some way - it is such a relief” (Gilman 483)! John tells his wife that she must control her imagination, lest it run away with her. In this way John has asserted full and complete dominance over his wife. The narrator, though an equal adult to her husband, is reduced to an infancy. In this state the narrator begins her slow descent into hysteria, for in her effort to understand herself she fully and completely loses herself.
Depression is an illness often misunderstood by the individual and their family. One symptom of depression is isolation and in Charlotte Perkins Gilman’s short story “The Yellow Wallpaper” and Doris Lessing’s short story, “To Room Nineteen” the protagonists feel trapped and unfulfilled in their ordinary lives causing them to become depressed. The emotional and physical battle both these characters undergo reveal many striking similarities, despite the origin and breaking points of their provoking thoughts and actions. In Charlotte Perkins Gilman’s short story “The Yellow Wallpaper” and Doris Lessing’s short story “To Room Nineteen,” both protagonists experience isolation from the world and people around them.
For example, when they recently moved in to the summer home they are staying at throughout the story, she suggested to her husband what room she’d like, she said “I don't like our room a bit. I wanted one downstairs that opened on the piazza and had roses all over the window, and such pretty old-fashioned chintz hangings! but John would not hear of it.” The narrator knows what she wants but she doesn’t want to tell her husband because she knows he will not understand because he thinks that isolation is what’s best for her condition but it is what is making her worse. She is now stuck in the nursery, taking medication every hour of the day, unable to see her own child and even unable to write in her personal journal although it is what makes her feel better. The narrator is unable to break free from her husband, she has gotten used to the fact that whatever her husband says must be right therefore, now she is not able to express herself.
The narrator writes furtively in her room, having to hide her writing from her family. They feel that her only road to recovery is through total R & R, that she should not have to lift a finger, let alone stimulate a single neuron in her female brain. While she appreciates their concern she feels stifled and bored. She feels that her condition is only being worsened by her lack of stimulus, but it is not simply boredom that bothers her. She is constantly feeling guilty and unappreciative for questioning her family's advice. This causes her to question her self-awareness and her own perception of reality. "I sometimes fancy that in my condition if I had less opposition and more society and stimulus; but John says the very worst thing I can do is to think about my condition, and I confess it always makes me feel bad." She also faults...
The conflict in her environment showed her internal conflict with her husband. A critique of “The Yellow Wallpaper” says, “[The narrator] even challenges John’s treatment of her. Yet, while one part of her may believe John wrong, another part that has internalized the negative definitions of womanhood believes that since he is the man, the doctor, and therefore the authority, then he may be right” (Magill). This internal conflict between wanting to believe herself while still living in agreement with her husband causes the narrator to doubt every move that she makes and overanalyze every detail of her life. The narrator says, “He said we came here solely on my account, that I was to have perfect rest and all the air I could get” (1). The narrator’s idea that she must do everything her husband tells her forces her to doubt herself and her ability to make proper judgments for
...rts to feel she is a prisoner inside this paper. The wife, narrator, proves that her husband John is oppressive when she shows how afraid she is of him. She says, “There comes John, and I must put this away-he hates to have me write a word” (Pike & Acosta (2014). The wife at the end “I’ve got out at last,” Said I, “in spite of you and Jane. And I’ve pulled off most of the paper, so you can’t put me back!” (Pike & Acosta (2014).
He knows there is no reason to suffer, and that satisfies him”. 649 Gilman. During the course of her treatment, the narrator gets to a point where she no longer attempts to confess her feelings to her husband and turns to writing to express herself. Writing in the journal allows the narrator a new form of introspection. Introspection allows her to process the experience of going through the rest of the treatment.