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20th century gender roles in literature
20th century gender roles in literature
American Dream in the 1920's negatives and positives
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Modernist authors of the 1920s showed a negative light on the women of this generation. There were a lot of people who experienced disillusionment of the American Dream which included the ‘perfect’ family. In “Portrait D’une Femme”, by Ezra Pound, it shows the view of a woman from a man who clearly had a disillusionment of his idea of women of a perfect life. In The Great Gatsby by F. Scott Fitzgerald, the narrator also has a disillusionment of women of the 1920’s. In this piece, it shows the differences and similarities of the social classes; this showed how women act based on their social status in society. Both of these pieces reflect the fast and abrupt changes of women of the 1920’s. The Great Gatsby and “Portrait D’une Femme” both reflect …show more content…
Both of the women are presented as women of no morals who only have a love of money and possessions. Both of these women are introduced as the women in white, this color being purity. We evenly see these women the least bit pure and this represents one of the first main examples of inverted symbolism. Evaluating these women one by one, when we look at Daisy we see the ‘trophy wife’. She is the women that every man wanted and every woman wanted to be. As Carol Wershoven puts it, “She is the golden girl in the white palace” (Wershoven). As we get to know Daisy she kind of comes off as the ‘clueless blonde’. She is always seen contemplating what she is doing and what she should be doing in life; almost as if it’s a game and she is still looking for a set of rules to guide her. She herself views girls as fools and mentions this when she talks about her daughter, “I m glad it’s a girl. And I hope she’ll be a fool- that’s …show more content…
While her, Tom, and Nick are in the car she spontaneously decides she wants Tom to buy her a “police dog”, so he buys her what the sales person calls a police dog without questioning her (Fitzgerald 27). Hence, this shows Myrtles craving for the materialistic things that come with money. On the other hand, at her party, she talks about how marrying her husband was a mistake, and leaves you to believe it is because of his lack of money. “I knew right away I had made a mistake. He borrowed somebody’s best suit to get married in” (Fitzgerald 35). Here we see has little she thinks of George, her husband, and she almost shows a sense of disgust for him. She is clearly “bored of her husband” (Wershoven). In the novel, she does mention how she did once love George, but the love is long gone. Consequently, she sleeps with Tom, and he buys her anything she wants. This gives her the role as the woman who “sells herself” (Weshoven). Myrtle also gets the title of having the ultimate betrayal which represents the difference of high class and low class women (Wershoven). Of all the adultery displayed in the novel, Myrtle is the only one who didn’t have a partner having an affair as well. George was true to Myrtle, which gave her infidelity, a more shunned look; epically when her
Wershoven, Carol. "Insatiable Girls." Child Brides and Intruders. Bowling Green: Bowling Green State University Popular Press, 1993. 92-99. Rpt. in Twentieth-Century Literary Criticism. Ed. Linda Pavlovski. Vol. 157. Detroit: Gale, 2005. Literature Resources from Gale. Web. 14 Jan. 2014.
She is supposed to be like an angel seen always wearing white or white accessories. Daisy is portrayed as pure and innocent. On the other hand Myrtle is describes as a fat unpleasant woman, who is only with Tom for the things he gets her. Another difference is both woman have different roles in society. Daisy is married to a rich man living in a big house wearing the best clothes.
Set in the Roaring ‘20s, The Great Gatsby focuses mainly on the lives of men as Tom Buchanan and Jay Gatsby. However, it also clearly outlines the lives of several women : Daisy Buchanan, Myrtle Wilson, and Jordan Baker. On the surface, the lives of these women couldn’t be more different. Daisy, a rich debutante, is torn between her husband, Tom, or her first love, Jay Gatsby. Lower on the social ladder is Myrtle, who is having an affair with Tom, hoping to rise above her station in life. Jordan, on the other hand, is unmarried and a successful golfer, who travels the country participating in tournaments. While these women may have seemed independent, they’re still subject to the will of society which sees them as inferior and objects to be controlled by men.
She views her husband as nothing as clearly illustrated in The Great Gatsby when the novel states “walking through her husband as if he were a ghost, shook hands with Tom, looking him flush in the eye.” walking through him is showing she doesn't even view George, Her husband, as though he is in the room, She just goes straight to Tom because he’s her ticket out of this life Myrtle put herself into. She then says to her George, “Get some chairs, why don’t you, so somebody can sit down.” She just wants to make plans with Tom. Her husband is only distraction to her. She has no relationship with her husband. As soon as she found out that he had borrowed his suit she knew her would all be going downhill. Myrtle was now a victim of her own desperation, because of her marriage to
The twentieth century was filled with many advances which brought a variety of changes to the world. However, these rapid advances brought confusion to almost all realms of life; including gender roles, a topic which was previously untouched became a topic of discourse. Many authors of the time chose to weigh in on the colloquy. In F. Scott Fitzgerald’s The Great Gatsby and Kate Chopin’s The Awakening, gender role confusion, characteristic of modernist literature, is seen in Nick Carraway and Edna Pontillier as they are the focal points in the exploration of what it means to be a man or a woman, their purpose, place, and behavior in society.
With the increasing popularity of female-oriented post-secondary education, the growing number of women working outside the home in professional occupations and the newly granted right to suffrage, women directly challenged the traditional notions of American Womanhood in the 1920’s. In just seventy one years since the Seneca Falls Convention, feminists in America accomplished sweeping changes for women politically, economically, and socially. Attempting to reconcile the changing concept of womanhood with more traditional female roles, male writers often included depictions of this “New Woman” in their novels. Frequently, the male writers of the Progressive Era saw the New Woman as challenging the very fabric of society and, subsequently, included
For example, Tom and George are abusive, dominant and violent figures towards women, but Fitzgerald shines a positive light on the male’s treatment of women in the form of Gatsby and Nick. He shows that not all men are terrible, just a select few with the addition of Gatsby and Nick as characters. Both these men treat the women they meet kindly, courteously, and go above and beyond for them. By adding Gatsby and Nick in The Great Gatsby, Fitzgerald shows there are a few good men left in society when it comes towards the treatment of women.
Cam, Heather American Literature; Oct87, Vol. 59 Issue 3, p429, 4p Academic Search Complete Ebesco. Web. 25 July 2011
For readers who observe literature through a feminist lens, they will notice the depiction of female characters, and this makes a large statement on the author’s perception of feminism. Through portraying these women as specific female archetypes, the author creates sense of what roles women play in both their families and in society. In books such as The Grapes of Wrath by John Steinbeck and The Great Gatsby by F. Scott Fitzgerald, the roles that the main female characters play are, in different instances, both comparable and dissimilar.
During the 1920’s, the role women had under men was making a drastic change, and it is shown in The Great Gatsby by two of the main female characters: Daisy and Jordan. One was domesticated and immobile while the other was not. Both of them portray different and important characteristics of the normal woman growing up in the 1920’s. The image of the woman was changing along with morals. Females began to challenge the government and the society. Things like this upset people, especially the men. The men were upset because this showed that they were losing their long-term dominance over the female society.
The 1920’s was a time of great change to both the country lived in as well as the goals and ambitions that were sought after by the average person. During this time, priorities shifted from family and religion to success and spontaneous living. The American dream, itself, changed into a self centered and ongoing personal goal that was the leading priority in most people’s lives. This new age of carelessness and naivety encompasses much of what this earlier period is remembered for. In addition, this revolution transformed many of the great writers and authors of the time as well as their various works. The Great Gatsby, written by F. Scott Fitzgerald, perfectly symbolizes many emergent trends of the 1920’s. More importantly the character of Jay Gatsby is depicted as a man amongst his American dream and the trials he faces in the pursuit of its complete achievement. His drive for acquiring the girl of his dreams, Daisy Buchanan, through gaining status and wealth shows many aspects of the authors view on the American dream. Through this, one can hope to disassemble the complex picture that is Fitzgerald’s view of this through the novel. Fitzgerald believes, through his experiences during the 1920’s, that only fractions of the American Dream are attainable, and he demonstrates this through three distinct images in The Great Gastby.
Throughout time women have been written as the lesser sex, weaker, secondary characters. They are portrayed as dumb, stupid, and nothing more than their fading beauty. They are written as if they need to be saved or helped because they cannot help themselves. Women, such as Daisy Buchanan who believes all a woman can be is a “beautiful little fool”, Mrs Mallard who quite died when she lost her freedom from her husband, Eliza Perkins who rights the main character a woman who is a mental health patient who happens to be a woman being locked up by her husband, and then Carlos Andres Gomez who recognizes the sexism problem and wants to change it. Women in The Great Gatsby, “The Story of an Hour,” “The Yellow Wall Paper” and the poem “When” are oppressed because the fundamental concept of equality that America is based on undermines gender equality.
From the start of the book we can see that women in the book are
“I hope she’ll be a fool - that’s the best thing a girl can be in this world, a beautiful little fool” (Fitzgerald 20). This quote is as true now as it was when Daisy Buchanan said it about her daughter in The Great Gatsby. Women grow up in a box of expectations. They are told to act a certain way and do certain things. Daisy knew that this was the world that her daughter was going to be growing up in, and that if she grew up to be a fool then she would fit into the world very nicely. If she grew up and became someone who noticed inequality, or who wanted independence, she would struggle in the world. While woman are no longer put in such a black and white box, there are still many expectations and limitations that woman have to face in their
Women are seen from a biased point of view in pop culture as they are often criticized and portrayed in degrading ways. The Great Gatsby takes place in the early part of the 20th century which is also known as the Roaring 20's. In regards to feminism, the women in The Great Gatsby are mainly depicted as second class to men. The story gives readers an insight of the roles that gender played in past World War I America. In The Great Gatsby, the author Scott Fitzgerald shines a light on the submissiveness of females toward males during the Roaring Twenties by giving the women in the novel an unfair representation as they are often identified as passive or negative “objects”.