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Stylistics of kate chopin in the awakening
Stylistics of kate chopin in the awakening
Critical essay on the awakening
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To demoralize someone is to dishearten or discourage them and cause them to lose hope. Demoralization is a relatively new term so Chopin uses words like “depressed” (56), “hopeless” (56) and “despondency” (p115) to describe Edna. Coupled with Edna taking her life at the end of the novel, the natural conclusion is that, The Awakening is a work of “great personal demoralization” (Companion 5). Additionally, The Awakening was universally despised when it first came out and Chopin, who never wrote another novel, was likely demoralized. However, The Awakening does not portray Edna as a demoralized character for most of the novel, which is why her death is a shock to the reader. To say that it is a work of “great personal demoralization” (Companion …show more content…
The church and patriarchy reined over women who were considered inferior to men, with no sexual desire, and the property of their husband. Some women thrive in this culture as Chopin demonstrates through Mrs. Ratignolle. However, for many women, like Edna this world was suffocating. The natural reaction to this oppression is feminism, but Chopin does not preach feminism in her novel. Instead, she paints a realistic portrait of society and marriage through Edna’s viewpoint, allowing the audience to identify the problems. Unfortunately, Chopin’s honesty was not appreciated in 1899 as the novel “aroused a storm of controversy for its then unprecedented treatment of female independence and sexuality, and for its unromantic portrayal of marriage” (Head Note). It was not just Edna’s awakening that was at issue, but how Chopin depicted Edna’s use of her newly discovered …show more content…
The first action Edna takes is standing up to her husband by saying, “Don’t speak to me like that again; I shall not answer you” (p 31). Mr. Pontellier does not react harshly to this; rather, he acquiesces, which gives Edna confidence to continue discovering her sovereignty. The next morning she sends for Robert to join her on a day trip, which is something she has not done before. For a married woman to send for a single man and leave for the day was audacious and Edna knows this, but she is determined to explore her desire for Robert. Edna continues to defy female convention as he then stops taking callers on Tuesdays, which is a customary practice where women have social interaction, but do not leave the home. She gets some opposition from her husband, but she does not care. Instead she ceases the practice completely and leaves the house to visit her friends and interacts with the world on her terms. She also continues to explore her sexual desires and passions. With her husband and the person she loves away, Edna finds another man, Alcee Arobin, and has an affair. Chopin writes, “It was the first kiss of her life to which her nature had really responded” (p 83). Edna is not only acting upon her desires, but feels free enough to enjoy sex, even if it is not with the person she loves. Non-conforming women were not typically young sexual beings; they were older, unattractive
Prior to chapter XI, we only see Edna’s growing curiosity and self-discovery expressed through her thoughts, rather than actions. Now for the first time Edna is refusing to do as her husband asks her to do, speaking out against his control and doing
Edna’s Fall from Grace in The Awakening. In the novel The Awakening, Kate Chopin tells of Edna Pontellier's struggle with fate. Edna Pontellier awakens from a slumber only to find that her life is displeasing, but these displeasing thoughts are not new to Edna. The actions taken by Edna Pontellier in the novel The Awakening clearly determine that she is not stable.
The Awakening is a novel about the growth of a woman becoming her own person; in spite of the expectations society has for her. The book follows Edna Pontellier as she struggles to find her identity. Edna knows that she cannot be happy filling the role that society has created for her. She did not believe that she could break from this pattern because of the pressures of society. As a result she ends up taking her own life. However, readers should not sympathize with her for taking her own life.
In Chopin’s The Awakening two opposing viewpoints tend to surface regarding the main character, Edna’s, suicide. Was it an artistic statement or did Edna’s selfish and childlike character lead to her demise. These two perspectives consistently battle one another, both providing sufficient evidence. However, Chopin intentionally wrote two equally supported interpretations of the character in order to leave the book without closure.
Essentially, Edna is not able to fulfill any of the roles that are presented by Chopin in the novel: mother, sister, daughter, wife, friend, artist, lover to either man, and finally the traditional role of a woman in society. She does not quite fit into any niche, and thus her suicide at the end of the novel is the only way for Edna’s story to end. Chopin must have Edna die, as she cannot survive in this restrained society in which she does not belong to. The idea of giving yourself completely to serve another, Edna declares “that she would never sacrifice herself for her children, or for any one” (47). However, her awakening is also a realization of her underprivileged position in a male dominated society. The first sign that Edna is becoming comfortable with herself, and beginning to loosen the constrictions of not being an individual is when she asks Robert, her husband, to retrieve her shawl: "When he returned with the shawl she took it and kept it in her hand. She did not put it around her" (30). Edna is trying to establish herself as an artist in a society where there is no tradition of women as creative beings. For any woman to suggest a desire for a role outside the domestic sphere, as more than a mother or housewife, was perceived as
Throughout Kate Chopin’s The Awakening, Edna Pontellier, the main protagonist, experiences multiple awakenings—the process in which Edna becomes aware of her life and the constraints place on it—through her struggles with interior emotional issues regarding her true identity: the confines of marriage vs. her yearning for intense passion and true love. As Edna begins to experience these awakenings she becomes enlightened of who she truly and of what she wants. As a result, Edna breaks away from what society deems acceptable and becomes awakened to the flaws of the many rules and expected behavior that are considered norms of the time. One could argue that Kate Chopin’s purpose in writing about Edna’s inner struggles and enlightenment was to
Edna’s first action that starts off her route to freedom from her relationship is when she fell in love with Robert. Edna had already married a man that she had not loved but he has not been treating her a...
Unfortunately Edna has no clue that she is being treated so poorly in the beginning of this story. With Mr. Pontellier being absent from home so often she finds plenty of time to spend with Robert. Through the whole summer she does not realize the feelings she is developing for Robert and only sees him as a friend. She enjoys spending all of her free time with him and gets along with him much better than her husband. It is not until she is back home and Robert leaves for Mexico that she starts to "awaken" and realize her true feelings not just for Robert but also for life in general.
In Kate Chopin’s The Awakening, Edna Pontellier’s suicide is an assertion of her independence and contributes to Chopin’s message that to be independent one must choose between personal desires and societal expectations. Chopin conveys this message through Edna’s reasons for committing suicide and how doing so leads her to total independence. Unlike the other women of Victorian society, Edna is unwilling to suppress her personal identity and desires for the benefit of her family. She begins “to realize her position in the universe as a human being and to recognize her relationship as an individual to the world within and about her” (35).
Edna marries her husband, not out of love, but out of expectation of society and her family’s dislike of him. She is a young woman when they marry; she has never had a great romance. The closest thing to passion she
When Kate Chopin's "The Awakening" was published at the end of the 19th Century, many reviewers took issue with what they perceived to be the author's defiance of Victorian proprieties, but it is this very defiance with which has been responsible for the revival in the interest of the novel today. This factor is borne out by Chopin's own words throughout her Preface -- where she indicates that women were not recipients of equal treatment. (Chopin, Preface ) Edna takes her own life at the book's end, not because of remorse over having committed adultery but because she can no longer struggle against the social conventions which deny her fulfillment as a person and as a woman. Like Kate Chopin herself, Edna is an artist and a woman of sensitivity who believes that her identity as a woman involves more than being a wife and mother. It is this very type of independent thinking which was viewed as heretical in a society which sought to deny women any meaningful participation.
In it they find a forerunner of Liberation. Though The Awakening has a similar path with Madame Bovary of Flaubert, it doesn’t share a lot with that amazing precursor. Emma Bovary awakens tragically and belatedly indeed, but Edna only goes from one reverie mode to another, until she frowns in the sea, which represents to her mother and the night, the inmost self and death. Edna is more isolated in the end than before. It is a very particular academic fashion that has had Edna transformed into some sort of a feminist heroine. In The Awakening, the protagonist, thus Edna, is a victim because she made herself one. Chopin shows it as having a hothouse atmosphere, but that doesn’t seem to be the only context for Edna, who loves no one in fact- not her husband, children, lovers, or friends- and the awakening of whom is only that of
During this time period, women were expected to be obedient and listen to their male authoritative figures; neither the author or her character conform, as they rebel which leads to society’s disapproval . Edna does not idolize her children and worship her husband. Whenever her children would be away from her for a short period of time, “their absence was a sort of relief…” (Chopin 17). Edna does not feel as strongly about her motherly duties as the other women do, which makes her seem like a bad mother.
Everybody is different in every unique way, and that a group of people being in the same roof doesn’t mean they are similar, but that they influence by each other time through time. Through Edna’s transformation, Chopin, under the feminism lense, condemns the sexist society and stand up for the equality, rights of a woman. Chopin portrays how society affects to people behave and thinking which is a two slide knife that could whether more useful or more harmful.
The sexual aspect of Edna’s awakening is formed through her relationship with a supporting character, Robert LeBrun. In the beginning of the novel, Robert assigns himself to become the helper of Mrs. Pontellier and his advances help to crack the barrier in which Edna is placed in due to her role as a woman of the Victorian era. Her feelings begin to manifest themselves as she intends to liberate herself from her husband and run away with Robert. He on the other hand has no intention of having a sexual affair because of the role placed upon him as a man of the Victorian era which is not to destroy families. Her quest for complete independence ultimately brings her to committing suicide at the end of the story. Her suicide does not represent a disappointment in how she cannot conform to the society around her but a final awakening and symbol for her liberation.