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In the play, “A Streetcar Named Desire”, by Tennessee Williams, the protagonist Blanche Dubois faces grandeur delusions when moving into her sisters house. Her sister, Stella Kowalski is married to a Polish man named Stanley who has many issues with Blanche’s personality and many conflicts arise. Throughout the play the author portrays more and more of Blanche’s inner personality and flaws. The author brings this out through Stanley, who constantly over powers her and is always trying to figure out more and more information about Blanche’s past and bad things that she has done. She is always on a defensive mode and is constantly trying to cover up her past. As time went on in the play we revealed more and more about her past. Many clues and …show more content…
poorly covered up lies led to Stanley revealing that Blanche was a prostitute when she lived down south. She always kept a grandeur lifestyle, constantly trying to look her best. She wore the finest clothes, bathed in the finest perfumes, and constantly pampered herself. Dubois lived in a constant struggle of her past affecting her future. She feared people’s perception of her if they were to find out about what she has done for a living back home. Stanley constantly tried to get to the bottom of the situation and was determined to catch her in her own lie. Blanche was in a constant delusional state of mind where she would constantly deny and try to cover up her past.
She was at a point in her life where she believed her own lies. Many of the things she did were symbolic as to why she did them. For example, Blanche would always keep the light dim wherever she stayed, which was later on obvious that she did that to try her best to hide her imperfections. Another reason she did that was so that people wouldn't see her ‘aging’ skin. Her appearance was always the most important thing to her and her biggest agenda was to keep up that look. Towards the end of the play Stanley got Blanche to her breaking point and after she gets raped by him, she gets committed into a mental …show more content…
institution. Blanche’s type of personality is a very sensitive, weak personality. If I were to be her psychologist I would take a very calm, simple approach as to her treatment. When very aggressive personalities approach her, such like Stanley’s; she breaks down and easily becomes weak. My first method of approach would be the biographical one. I would slowly have her open up about her life, starting very early in her childhood. This way I would be able to get her to loosen up a bit. Knowing that she is a pathological liar, I would keep in mind any reasons that may have created this light switch in her head. I wouldn't be surprised if I found a past experience earlier in her life that made her who she is today. I believe that getting a person to open up an speak about their life would take her out of her delusional state of mind and she would finally realize and remember the things that she has done and why she has done them. Getting a person to acknowledge their mistakes or even to accept them is a vital aspect of recovery. In the play, Blanche had a constant obsession with covering the light lanterns.
Later on there was shown that there was symbolism because covering the light was a way of her covering the rays of the ‘bad’ world from penetrating into her skin. She believed that by covering the lantern she was more secure and less receptive to being hurt. Blanche was at a point in her life where the delusions created a person in her life that she constantly spoke about that apparently had gold spouting out of his pockets and was willing to take her in when in reality the guy was a made up character in her mind. Blanche was also a dependent drinker. She constantly drank from morning to night because the buzz that she received from the alcohol was her way of coping with her preexisting stress and tension between her and Stanley in her sister’s house. The constant fear of them finding out the truth about her past also created a constant fear and a serious case of
anxiety. As previously mentioned, as a psychologist my number one goal would be using the Resistance therapy method to get her to open up and let out all of her built up emotions. The build up of all of her feelings and emotions led her to where she is today. Resistance therapy is a psychoanalysis technique where a patient’s unwillingness to describe freely some aspects of his/her life. After this, I would use the cognitive therapy method. I would use a variety of techniques to help change these cognitions to more appropriate ones. In other words, I would try to make her feel less embarrassed and more accepting of her past. I would try and point the positive reasoning’s behind her decision in participating in prostitution to financially support her. I would also create a plan for her in which she would have a positive future and have something to look forward to daily. Creating a clean sleet is very important in her shoes. It has been scientifically proven that in the last two decades many psychotherapists have incorporated a cognitive orientation into their therapy practices, both in long and short term.
Symbolism is greatly used in the play to emphasize Blanche’s mental instability, this is most evidently found in the use of colors and shading. The first example of this is in both her name Blanche Dubois, which in French means white and her last name woods, this translates to ‘white woods’ and the fact that she dresses entirely in white upon her arrival. The color white symbolizes, purity, health and virginity, which in spite of the irony, this is the image she attempts to exhibit. This is her trying to appear new and fresh. There is noticeable symbolism that metaphorically taints this white purity, such of that in scene five when Blanche spills coke on her white dress. She frantically tries to remove it, she wishes to remove this so it doesn’t stain her. Like she sees how her past has. The fact that she has slept with so many men and this spill shows how she is in fact corrupt and stained with her past. This symbolism is an early suspicion to her insanity and promiscuous past which is only unraveled later in the play. We as such may not intentionally see this from the start. Only the illusory image, which she tries to create for herself, suggests the...
As Stanley continues torturing Blanche and draws Stella and Mitch away from her, Blanche’s sanity slowly dwindles. Even though she lied throughout the play, her dishonesty becomes more noticeable and irrational due to Stanley's torment about her horrible past. After dealing with the deaths of her whole family, she loses Belle Reve, the estate on which her and her sister grew up. This is too much for Blanche to handle causing her moral vision to be blurred by “her desperate need to be with someone, with ancestors for models who indulged in “epic fornications” with impunity, [Blanche] moves through the world filling the void in her life with lust” (Kataria 2). She also loses a young husband who killed himself after she found out he was gay when she caught him with another man. After that traumatic experience she needed “a cosy nook to squirm herself into because ...
During this interaction, Blanche and Mitch are communicating in a darkly-lit room, which is indicated by how Mitch must strike a match, and thus provide some form of light, in order for Blanche to read the inscription and by how Blanche still has difficulty reading the quotation with this flame right in front of her face. This is later reinforced when Mitch notes “I don’t think I ever seen you [Blanche] in the light” (Williams 143; scene 9). Furthermore, when Blanche enters the home alongside Stella before this interaction with Mitch, she applies powder onto her face to appear fresher for the potential suitors playing poker in the home and to play along with the false notion that she is Stella’s younger sister (Williams 49; scene
Within Tennessee Williams's story about love and abuse within marriage and challenging familial ties, there lie three very different characters that all see the world in vastly different ways. These members of a family that operate completely outside of our generation’s norms, are constantly unsure of themselves and their station within the binary not only of their familial unit, but within the gender binary that is established for them to follow. Throughout the story of the strange family, each character goes through a different arch that changes them irrevocably whether it is able to be perceived or not by those around them. The only male, Stanley is initially the macho force in the home who controls everything without question. He has no consequences for his actions against his wife and is never held accountable for treating the people around him poorly; this lasts until Blanche arrives. Blanche is an outwardly demure, but spirited young woman who after experiencing untold misfortune breaks mentally and decides to no longer care what others may think of her. She lives her life lavishly and foolishly by having dalliances with younger or richer men who shower her with gifts and attention to get sex from her all too willing form. Her effect on Stanley is one of temptation and challenge; she continually tries to convince her sister that she is too good for the man and in turn fosters a resentment for her in him. Stella acts as the antithesis of Stanley and Blanche’s extreme personalities. She is innocence and purity where they are the darkness that threatens to overtake her life. Throughout, Stella is a pawn that they both try to use against the other to no real avail as she is determined to make the best choice for herself. In th...
Firstly, the reader may initially feel Blanche is completely responsible or at least somewhat to blame, for what becomes of her. She is very deceitful and behaves in this way throughout the play, particularly to Mitch, saying, ‘Stella is my precious little sister’ and continuously attempting to deceive Stanley, saying she ‘received a telegram from an old admirer of mine’. These are just two examples of Blanches’ trickery and lying ways. In some ways though, the reader will sense that Blanche rather than knowingly being deceitful, actually begins to believe what she says is true, and that she lives in her own dream reality, telling people ‘what ought to be the truth’ probably due to the unforgiving nature of her true life. This will make the reader begin to pity Blanche and consider whether these lies and deceits are just what she uses to comfort and protect herself. Blanche has many romantic delusions which have been plaguing her mind since the death of her husband. Though his death was not entirely her fault, her flirtatious manner is a major contributor to her downfall. She came to New Orleans as she was fired from...
which, as Williams suggests, "was too great for her to contain". As to whether her escape was "madness" can be debatable - although Blanche is clearly unstable at many points, some believe that Blanche is not. actually insane, suggested by Stella's comment in Scene 11 - "I. couldn't believe her story and go on living with Stanley. " From her first appearance on stage, Blanche is presented as being.
Blanche’s developmental history or character development points to her diagnosis. Blanche comes to New Orleans to stay with her sister Stella after being fired from her job as a schoolteacher due to having an inappropriate affair with a teenage student. When she arrives to see her sister, she is consumed with insecurities regarding her appearance and is condescending to her sister’s humble lifestyle. Stella’s husband Stanley immediately has distrust and dislike for Blanche and treats her
... ignorance; and this was the undeniable tragedy that caused her downfall in the end. Stanley was angry when Blanche told Stella that she did not like him, but he never gave her a chance. Stanley despised her from the beginning. Neither Stanley nor Mitch was intelligent enough to comprehend that not everything is black and white. They perceived her as a deceitful whore. Stella chose her violent husband over her sister. Also, Mitch could not overlook her mistakes. Mitch focused on her flaws which blinded him from seeing the beauty and love Blanche had to offer. Blanche wanted their love, but each of their individual flaws sunk her deeper into a hole. The people around Blanche were unwilling to change and develop an open-minded way of dealing with her situation. Blanche needed kindness and affection, but nobody was able to give it to her when she needed it the most.
...es and thinks that her hopes will not be destroyed. Thirdly, Blanche thinks that strangers are the ones who will rescue her; instead they want her for sex. Fourthly, Blanche believes that the ones who love her are trying to imprison her and make her work like a maid imprisoned by them. Fifthly, Blanche’s superiority in social status was an obscure in her way of having a good social life. Last but not least, Blanche symbolizes the road she chose in life- desire and fantasy- which led her to her final downfall.
In Tennessee Williams’s play, A Streetcar Named Desire he creates a very complex psychoanalytic plot. Freud's most enduring and important idea was that the human psyche (personality) has more than one aspect. Freud saw the psyche structured into three parts the id, ego and superego, all developing at different stages in our lives. These are systems, not parts of the brain, or in any way physical. The three main characters in the play can each be compared with one of the three parts of the human mind. Stanley’s character corresponds with the id, Stella’s character can be compared to the ego, and Blanche’s character would represent the superego. Looking at the play through this lens one can see Williams’s reflection of himself throughout his work with an alcoholic, abusive father of his own, a strict demanding mother, and a schizophrenic sister. Knowing this A Streetcar Named Desire brings on new bigger
Tennessee Williams gives insight into three ordinary lives in his play, “A Streetcar Named Desire” which is set in the mid-1930’s in New Orleans. The main characters in the play are Blanche, Stanley, and Stella. All three of these characters suffer from personalities that differentiate each of them to great extremes. Because of these dramatic contrarieties in attitudes, there are mounting conflicts between the characters throughout the play. The principal conflict lies between Blanche and Stanley, due to their conflicting ideals of happiness and the way things “ought to be”.
Blanche Dubois is a dynamic character that at first, is very difficult to figure out. She hides behind confusing stories and lies to protect herself from her traumatic past. In the begin of the play William’s leaves multiple clues to Blanche’s lying nature. She tells a strange tale of Bella Rev and challenges Stanley every chance she gets. She has many odd actions however I believe that these action, particularly her interactions with the newspaper boy and her fear of the light have a deeper meaning. At the end of the play she is unable to deal with the mess she has made and as a result her subconscious takes over. She can no longer deal with the crumbling remains of her life and no one else can either. As a result, she is institutionalized at the end of the play. But her institutionalization and lies don’t make her a bad person. One needs to look at the motive behind her lies and actions to disover the truth.
The first reason is lying that cause Blanche to go insane. Blanche is like the boy who cried wolf, she kept lying and lying. Blanche’s little sister Stella is always by her side an always gets protected by Blanche. But this time a quote I found was Stella saying “I couldn’t believe
During scene one, the audience is introduced to Blanche as Stella's sister, who is going to stay with her for a while. Blanch tries her best to act normal and hide her emotion from her sister, but breaks down at the end of scene one explaining to Stella how their old home, the Belle Reve, was "lost." It is inferred that the home had to be sold to cover the massive funeral expenses due to the many deaths of members of the Dubois family. As Blanche whines to her sister, "All of those deaths! The parade to the graveyard! Father, mother! Margaret, that dreadful way!" (21). The audience sees this poor aging woman, who has lost so many close to her, and now her home where she grew up. How could anyone look at her, and not feel the pain and suffering that she has to deal with by herself? Williams wants the audience to see what this woman has been through and why she is acting the way she is. Blanche's first love was also taken from her. It seems that everyone she loves is dead except for her sister. Death plays a crucial role in Blanche's depression and other mental irregularities. While these circumstances are probably enough for the audience to feel sympathy for Blanche, Williams takes it a step further when we see Blanche's...
This can be symbolized by light. Blanche hates to be seen by Mitch, her significant other, in the light because it exposes her true identity. Instead, she only plans to meet him at night or in dark places. Also, she covers the lone light in Stella and Stanley’s apartment with a Chinese paper lantern. After Blanche and Mitch get into a fight, Mitch rips off the lantern to see what Blanche really looks like. Blanche angrily replies that she’s sorry for wanting magic. In the play, Blanche states “I don’t want realism, I want magic! [..] Yes, yes, magic! I try to give that to people. I misrepresent things to them. I don’t tell the truth, I tell what ought to be truth. And if that is sinful, then let me be damned for it!”(Williams 117). Blanche wants to escape reality, but this only leads to her self-destruction. It is the men in her life and past experiences that is the main cause of her self - destruction. One of these being the death of her young love, Allen Grey. During their marriage, Blanche, attached to the hip to this man, walked in on him with another man. She then brought the incident up at a bad time; soon after, Allen took his own life, which I believe was the first step to this so called “self-destruction. Blanche could never forgive herself of this. This is the truth of her past, therefore,