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“Sweat” by Zora Neale Hurston pp. 950-958
“Sweat” by Zora Neale Hurston pp. 950-958
“Sweat” by Zora Neale Hurston pp. 950-958
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Recommended: “Sweat” by Zora Neale Hurston pp. 950-958
In Zora Neale Hurston’s short story, Sweat, Delia finds herself stuck in an unbearable marriage. Her husband, Sykes, mistreats her, leaves all work to her, and is unfaithful. After being married to Sykes for 15 years, Delia has lost all hope in the marriage. The countless beatings and painful acts of Sykes have brought her over the edge. She is forced to go against her strict religious beliefs because of the life in which she has been leading since her matrimony to her husband. One passage that sums up many factions of Delia and Sykes’s relationship is as follows:
“She lay awake, gazing upon the debris that cluttered their matrimonial trail. Not an image left standing along the way. Anything like flowers had long ago been drowned in the salty stream that had been pressed from her heart. Her tears, her sweat, her blood. She had brought love to the union and he had brought a longing after the flesh. Two months after the wedding, he had given her the first brutal beating. She had the memory of his numerous trips to Orlando with all of his wages when he had returned to her penniless, even before the first year had passed. She was young and soft then, but now she thought of her knotty, muscles limbs, her harsh knuckly hands, and drew herself up into an unhappy little ball in the middle of the big feather bed. Too late now to hope for love, even if it were not Bertha it would be someone else. This case differed from the others only in that she was bolder than the others. Too late for everything except her little home. She had built it for her old days, and planted one by one the trees and flowers there. It was lovely to her, lovely.” (Hurston 680).
This scene occurs when Delia is lying on her bed, thinking of what had just previously happened. Sykes had gotten home, and as usual, a fight erupted between the two former lovers. The difference about this confrontation though, was that Sykes did not strike Delia, as what usually happens. Delia picked up a metal skillet and threatened to defend herself from her husband as he cowed in fear of being hit. This new approach from Delia, involving a new intimidation, shows how her unnecessary sweat and hard work had gotten to be too much. The act of seizing a skillet from the stove to protect herself symbolizes how in essence, Delia is trying to defend her home. The skillet is a fragment of the house, and as she st...
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...h will occur that night.
The circumstances of any person’s life will eventually decide the outcome. Negative conditions can be bearable enough that there will not be a thorough change in one’s life, but worse situations can have different effects. Sometimes a person is forced to make a change in the way they live their life in order to make it tolerable. In Sweat, by Zora Neale Hurston, Delia’s attitude toward her bad marriage changes because of her lack of endurance for her life. The fire behind her eyes could no longer be restricted by Sykes’ mistreatments and unfaithfulness. Delia’s water had boiled over and what resulted was a flame of another kind. She confronted all that Sykes was with a newly found indifference, and would take a stand against his wrongdoings. The question in which the conclusion of the story asks has to deal with Delia’s devotion to God and her religion. Is it OK to let him die? One may answer the question either way, but essentially, the response will be found in the eye of the beholder.
Works Cited
Hurston, Zora Neale. "Sweat." The Story and Its Writer An Introduction to Short Fiction. Ed. Ann Charters. Boston: Bedford/St. Martin's, 1999. 678-687.
All over the world, marriage is one of the main things that define a woman’s life. In fact, for women, marriage goes a long way to determine much in their lives including happiness, overall quality of life whether or not they are able to set and achieve their life goals. Some women go into marriages that allow them to follow the paths they have chosen and achieve their goals while for other women, marriage could mean the end of their life goals. For Janie, the lead character in Zora Neale Hurston’s Their Eyes Were Watching God, who was married twice first to Joe sparks, and to Vergile Tea Cake, her two marriages to these men greatly affected her happiness, quality of life and pursuit of her life goals in various ways, based on the personality of each of the men. Although both men were very different from each other, they were also similar in some ways.
Hurston, Zora Neale. "Sweat." Norton Anthology of Southern Literature. Ed. William L. Andrews. New York: Norton, 1998.
Hurston, Zora Neale. Their Eyes Were Watching God. New York: Harper Perennial Modern Classics, 2006
Appiah, K.A. and Gates, Henry Louis, Jr. eds. Zora Neale Hurston: Critical Perspectives Past and Present. New York: Amistad Press, Inc., 1993.
Hurston, Zora Neale. Their Eyes Were Watching God: A Novel. New York: Perennial Library, 1990. Print.
Wright, Richard. “Between Laughter and Tears.” In Zora Neale Hurston: Critical Perpectives Past and Present. Edited by Henry Louis Gates Jr. and K. A. Appiah., 16-17. New York: Amistad Press, Inc., 1993.
In Aunt Hetty on Matrimony and The Working Girls of New York Fanny Fern depicted a story of sadness and morose conditions that women had to deal with in order to have a parallel recognition to that o...
Zora Neale Hurston’s short story “Sweat” is about a woman, Delia, who is physically and emotionally abused by her husband, Sykes, whose actions she struggles to overcome. Through all the abuse, Delia takes pride in her hard work and her religion. In this story, Hurston uses religion and moral symbolism that controls the character’s actions throughout the plot. Delia is a hard working woman who uses her faith in God to guide and protect her from her husband’s physical and emotional abuse. She, as a protagonist, is physically weak but yet spiritually strong.
Scott, Cynthia C. "Zora Neale Hurston's Sweat: Character and Metaphor in the Short Story." Yahoo! Voices (2007).
In Zora Neale Hurston’s 1926 short story “Sweat,” Delia Jones a washwoman and house owner is portrayed as an abused wife. Even though she has a job and owns the home she occupies, it does not change the fact that her husband still holds power over her. Women are stereotyped by society as housewives, which make them feel repressed of freedom. Women are repressed by society’s views and are limited in freedom, thus women such as Delia are unable to get what they desire.
... her true feelings with her sister, or talking to her husband or reaching out to other sources of help to address her marital repressed life, she would not have to dread living with her husband. “It was only yesterday she had thought with a shudder that life might be long” (Chopin 262). Her meaning for life would not have to mean death to her husband. In conclusion, her lack of self assertion, courage and strong will to address her repressed life made her look at life and death in a different perspective. When in fact there is no need to die to experience liberation while she could have lived a full life to experience it with her husband by her side.
In literature, the significant themes of a story can sometimes be developed within dramatic death scenes. With that being said, Zora Neale Hurston 's presents an unappreciated housewife and her high-class husband 's sinful ways which ultimately lead to the husband 's unplanned death, in her short story “Sweat”. The concluding death scene can best be described as illustrating the theme as “what goes around comes around”. Sykes was abusive and tried plotting his wife, Delia 's, death by using a rattlesnake, but his plan backfired and it was Sykes that was killed in the end.
Perhaps God was not an everyday part of her people's lives, but when there was a problem with love or nature that was impacting their lives, God was certainly a significant and appropriate part of their lives. This title and the novel reflect one woman's journey to discover life and love while realizing God's presence through it all and immortalizes the way many people in Hurston's time must have felt regarding God and nature.
She would not have grieved over someone she did not love. Even in the heat of her passion, she thinks about her lost love. She knew that she would weep again when she saw the kind, tender hands folded in death; the face that had never looked safe with love upon her, fixed and gray and dead. Her love may not have been the greatest love of all time, but it was still love. Marriage was not kind to Mrs. Mallard, her life was dull and not worth living, her face showed the years of repression.
Mrs. Mallard is an ill woman who is “afflicted with heart trouble” and had to be told very carefully by her sister and husband’s friend that her husband had died (1609). Her illness can be concluded to have been brought upon her by her marriage. She was under a great amount of stress from her unwillingness to be a part of the relationship. Before her marriage, she had a youthful glow, but now “there was a dull stare in her eyes” (1610). Being married to Mr. Mallard stifled the joy of life that she once had. When she realizes the implications of her husband’s death, she exclaims “Free! Body and soul free!” (1610). She feels as though a weight has been lifted off her shoulders and instead of grieving for him, she rejoices for herself. His death is seen as the beginn...