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The change of religion between 1450 and 1750 Americas and Europe
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Analysis Of St Augustine
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A New Home “My soul is like a house, small for You to enter, but I pray You to enlarge it.
It is in ruins, but I ask You to remake it. It contains much that You will not be pleased to see: this I know and do not hide. But who is to rid it of these things? There is no one but You.” These are the earnest words of the early Christian theologian, Saint Augustine of Hippo, and these words accurately define the religious mindset of Europe during his lifetime.
His life spanned from 354-430 A.D , during the Byzantine era, and it was during this time that a movement was beginning in Europe; fires of religious zeal were being kindled in the souls and ideologies of new converts. In the span of 67 years, the Roman Empire’s view
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Images were continuing to be wrought for personal use and home décor. Triptychs were personal, hinged, three-sectioned portable shrines used for prayer by individuals. In this piece, the now common Deesis representation is displayed.
A Deesis is an Eastern Orthodox art representation of Christ enthroned (usually holding a book), with Mother Mary and John the Baptist accompanying Him. Compared to the ivory plaque of the Suicide of Judas and the Crucifixion, where Christ is shown defeated and dying; Christ is now presented as a bearded, mature, victorious King ruling in the celestial realm; His entourage of loyal followers, apostles, Bishops, soldiers, and martyrs surround Him. This Triptych is an excellent example of the glory of Christ’s resurrection and ascension into heaven where He sits on the right Hand of the Father, as well as the growth and fervent dedication of His followers. Shown are Bishops who served in His ever-growing Church, martyrs who were persecuted and were murdered for their faith, and numerous Saints who dedicated their lives to the forwarding of the faith and to the service of
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Surrounding Christ are patron saints such as Peter, who holds the keys to heaven’s gate, as well as Saint Mauritius, the patron saint of Ottonian empire, who stands behind Otto I. Saint Mauritius is shown gently easing forward Otto in a parent-like manner, so Otto may present his Cathedral replica to Christ. Christ sits enthroned on a wreath with His hand upon the small replica illustrating His blessing on the Cathedral. Aside from Christ, the figures are layered upon each other, showing the artist’s impressionist take on the piece. Notice the size difference of Christ and Otto I; a recognizable hierarchical scale is used to differentiate the importance of both rulers. Christ is the largest figure on the plaque, showing His heavenly authority and consecration. Otto I is the smallest of all the figures, and renders himself with a childlike shyness, which presents him as a humble servant of Christ, who longs for the approval and blessing of his Savior.
Christs’ Depiction in Ivory
Jesus’s body is centered in the middle of the altarpiece, positioned in an elegant curve as his lifeless form is removed from the cross. His body is sickly thin, ribs easily visible
Another example of Christian iconography is The Transfiguration. It is located in the Church of Saint Catherine’s monaster...
Considering its age of over eight hundred years old, the Christ in Majesty with Symbols of the Four Evangelists remains in remarkable condition. However, pieces of the original apse, which originated in the Catalan chapel in Spain, have faded. Portions, especially along the bottom, have disappeared over time. Even though it was moved to the Boston Museum of Fine Arts, it has not been fully restored. The artist identified each of the apostles in the Christ in Majesty with Symbols of the Four Evangelists, but the writing has grown fainter and this creates difficulty for art historians.
Francis of Assisi is one of the most influential personalities in the entire world. In the book ‘Francis of Assisi: Performing the Gospel Life,’ Cunningham recounts the life of this humble monk who lived in the medieval times, and shaped the Christian life, which spread in Western culture throughout the rest of history. I believe Cunningham accurately accounts for the life of Francis of Assisi, and in doing so; he provides a trajectory of the Christian faith from its early and historical proponents through its fusion with western culture, and its subsequent spread throughout the world.
The year is 476 A.D. and the Roman Empire has collapsed after being overthrown by barbarians. Looking back, the causes of Rome’s decline can be separated into four categories, social, economic, military, and political. The social aspects of Rome’s fall are the rise of christianity and civil wars. The rise of christianity displaced Rome’s polytheistic roots which viewed the emperor as having a godly status. Pope and church leaders took an increased role in political affairs which further complicated governance. Civil wars also deteriorated the empire. More than 20 men took the throne in only 75 years and the empire was thrust into chaos. The economic aspects of Rome’s fall were high taxes from the government and labor deficit. The roman empire
The depiction of Madonna and Christ is among the most ancient and common in Christian iconography and has an extensive number of variations because apart from its symbolic religious functions, it allows one to interpret the link between mother and child in many aspects. (8)
Looking across the entire triptych certain visual elements can be seen. Lighting is carefully used to highlight many important details in the painting; the dramatic facial expressions of many of the people in this scene are clearly lighted and defined to illustrate the emotions felt by the witnesses. In the left panel of The Raising of the Cross, among the mourners appear to be St. John, another man that seems to be consoling St. John, Elizabeth (the mother of John the Baptist), St. Mary (the mother of Jesus) and Mary Magdalene (hoocher.com). One of the mourners is actually looking directly at the viewer with a very distraught expression on her face. The mourner that I suspect is St. John in the back appears to be almost nauseous and his face is surrounded by darkness and is subordinate and his face is being emphasized. Also, the rocky background is subordin...
Over the span of five-hundred years, the Roman Republic grew to be the most dominant force in the early Western world. As the Republic continued to grow around the year 47 B.C it began to go through some changes with the rise of Julius Caesar and the degeneration of the first triumvirate. Caesar sought to bring Rome to an even greater glory but many in the Senate believed that he had abused his power, viewing his rule more as a dictatorship. The Senate desired that Rome continued to run as a republic. Though Rome continued to be glorified, the rule of Caesar Octavian Augustus finally converted Rome to an Empire after many years of civil war. Examining a few selections from a few ancient authors, insight is provided as to how the republic fell and what the result was because of this.
As I walked into the first gallery, I saw a wood sculpture that stood in the center of the room. This carving depicted “the crucified Christ, flanked by the Virgin Mary and St. John the Evangelist with Angels holding instruments of the Passion”. It was painted oak and very appealing to the eye. It stood approximately 15 feet in the air. The origin of this sculpture is unknown, but it was found in a Belgium church. This kind of sculpture usually stood at the entrance or at the center of the alter in the church facing the congregation. This image of the suffering Christ relates to the Christian ideas of suffering and Christ’s salvation of all mankind.
In his Crucifixion, with the Virgin and Saint John the Evangelist Mourning (c.1460), a piece within the Northern Renaissance collection of the Philadelphia Museum of Art, Rogier van der Weyden portrays a stark image of the crucifixion of Jesus Christ. The right panel of the diptych depicts the gruesome image of a crucified Christ. Weight pulls the emaciated body down into a Y-shape, contrasting the T-shape of the cross it is mounted on. The only movement comes from the loincloth wrapped around Christ’s waist that dances in the wind. Blood visibly trickles from the corpse’s wounds. Behind the body, a red cloth is draped down the grey wall. At the base of the cross sits a skull and bone. The left panel portrays the Virgin Mary swooning in despair as Saint John attempts to support her weight. Her hands are clasped in prayer as she gazes up at her lifeless son. Both figures are clothed in pale draping robes. The vibrant red of the cloth that hangs from the grey wall in the background contrasts the subdued colors of the
The Roman Empire began as a small colony, in the city of Rome, and eventually, became one of the largest empires that the world has ever known before its ultimate demise. Because of the vast size of their territory, and the number of cultures they consumed throughout their existence, the Romans were heavily influenced by the Greeks and other Hellenistic civilizations. Two different groups of professors argue this point. Professors Matthews, Platt, and Noble argue this influence is reflected by Roman music, philosophy, literature, architecture, art, culture/government, and technology and science; and Professor Weber argues this is reflected in the areas of government/law, the influence and effects of conquests, culture, religion, architecture and art, and philosophy. Both parties make compelling arguments as to why the Romans were heirs to Greek and Hellenistic civilization however, it will be demonstrated that Matthews et al. provide a more thorough argument than Weber.
These twin bronze pulpits, covered with reliefs showing the passion of Christ, are works of tremendous spiritual depth and complexity. Even though some parts were left unfinished, they had to be completed by lesser artists. Bibliography:.. 1. What is the difference between a. 1998 Microsoft Encarta. Copyright 1993-1997 Microsoft Corporation.
The Roman Empire was the most powerful Empire during Antiquity. It is traditionally considered to have “fallen” in 476, when Rome’s last emperor was deposed. Many theories have been presented as to why it fell, from unsound economic and social policies to mass lead poisoning. The actual cause of Rome’s fall is the result of many factors, but was mainly caused by Rome’s poor economic policies.
The anonymous disciple, whose identity is varied to be Peter, James the Great and Philip according to different historians, hands imitates the crucifix and placed in such a way that bridges Jesus and the viewer. Seem to suggest that the death of Christ on the cross brings the viewers or in this case, the believers closer to Christ as he paid for all
425, one also sees Christ, as the Good Shepherd, painted in a mosaic in the form of a lunette, from the entrance wall of the Mausoleum of Galla Placidia. In this more developed image, one can see Christ with, his no longer the rays of sun, but the halo itself, with a gold robe and a purple scarf which is a traditional characteristic that symbolizes one is from royal status. In this image, one can also see a realistically moderate face, CHrist with flowing hair and garments and sits comfortably in a very lash landscape, Christ looks naturalistic, however there is a