Deceit in The Taming of the Shrew by William Shakespeare

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Deceit in The Taming of the Shrew by William Shakespeare

‘The Taming of the Shrew’ is a play written by William Shakespeare, an

English playwright and poet born in 1564. It was first performed in

1593 in Shakespeare’s first period as a playwright. It was later

published for the first time in 1623, seven years after Shakespeare’s

death. Despite the fact that Shakespeare is mostly known for his

tragedian plays, here in ‘The Taming of the Shrew’, he proves that he

was capable of writing comedies as well.

The word ‘comedy’ is described by the Collins English dictionary as ‘a

dramatic work of light and amusing character’. The same dictionary

defines ‘deceit’ as ‘the act or practice of deceiving’, which means to

mislead by deliberate misrepresentation or lies.

The element of controversy in the play is very important as ‘the

Taming of the Shrew’ incorporates many components that, in the time

that the play was written, would have been both unethical and

unacceptable, for instance the change of social classes between

Lucientio and Tranio following their role changes. The dramatic irony

linked to the ideas of disguise is due to the induction involving the

deception by the lord that leads sly to believe that he in fact is

also a lord that has been asleep for fifteen years, where in actual

fact he is just a drunken man that the lord believes need teaching a

lesson.

The effect that disguise would have on the audience, and on the rest

of the play is that it creates suspense and tension, as the audience

not only have to remember whom is disguised as whom, but also don’t

know when the disguises will be unveiled to the other characters in
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... as they are rich and can support his daughters well. In

some views this would be seen as a righteous act but in Elizabethan

culture there would have been many more elements to a husband that

should be taken into account for a daughter’s husband, not just wealth

and social class ‘Thou can assure my daughter greatest dower shall

have my Bianca’s love’. We can surmise from this that Baptista had

little respect or concern for the eventual husband of Bianca, and

demonstrates yet another type of deceit in the play.

To conclude, the play constantly indulges in the ideas of deceit,

enlisting in deceptive behaviours and actions to achieve something.

This leads us to believe that deceit is therefore a very key factor in

the entire play and without it the Taming of the Shrew would be

unsuccessful in its intentions as a comedy.

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