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Child abuse neglect affect
Child abuse neglect affect
Childhood emotional neglect
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Debbie and Julie is a story about a pregnant girl, Julie, who ran away from home just five months earlier. The story starts with Julie leaving Debbie's apartment while she is in labour. Debbie had been taking care of Julie, but she had gone away with her boyfriend. Julie went to a shed, as she had planned out, to give birth to her baby. After giving birth, she left the baby in a telephone box, where it was found and brought to the hospital, just a short while after. Julie decided to go home after giving birth to the baby. She covered up the fact, which she had blood all over her, and was in pain when going home to her parents. Her parents were very tearful when Julie returned home, they were afraid to ask her questions about her disappearance …show more content…
She gave birth to her baby in a shed and soon after left her baby in a telephone box. When Julie first abandoned her baby, she seemed to be very confident of her decision. When she left her home five months earlier, it seemed like she wanted to keep the baby and that's why she left, but after living with Debbie she changed her mind and decided to abandon the baby. At her parents' house, she saw her baby, Rosie, on the television and got a little jealous of the nurse holding her. I defiantly think Julie made a mistake abandoning the baby; already when she got home, just a few hours later, she seemed to be upset and regretful for leaving the baby. I think she could have figured something out with her parents, just like her aunt Jessie, I don't think any parent would abandon their child and grandchild in a situation like …show more content…
In the text we see Julie’s mother having a hard time giving physical love to Julie, like hugging her or letting Julie sleep in her bed, where Debbie, on the other hand, lets Julie feel loved. In the text on page 18 from line 27 to line 34, we hear about how deprived Julie had felt at home, “Julie lay entangled with Debbie, and they were like two cats that have finished washing each other and gone to sleep, and Julie knew how terrible she had been deprived at home, and how empty and sad her parents were…” Julie wants to be held and feel loved. She thinks her parents are sad; they don’t really touch each other or express love for anyone including Julie. I sure Julie’s mother loves her, but she doesn’t show it and properly has a hard time expressing it. It kind of seems like Julie’s mother has a hard time understand Julie, and she can’t cope with that. So I defiantly think Debbie’s capacity for love is bigger than the
In both stories it is explicitly told that the mothers in fact do not love their children and it is just a façade. Hester felt as if her children “…had been thrust upon her, and she could not love them” but according to individuals she knew “…[s]he adores her children (334-335).” Hester was not fit to be a mother because her children knew she did not love them and cared for him as a mother should and she showed herself to be phony by accepting everyone’s false beliefs on her parenting. Mrs. Dickinson is “…really ashamed of…” Frederick and since love is about acceptance and she has not accepted her child her love for him is questionable (111). Her being a mother is not admirable because her child id unable to be himself around her and she does not love him and accept him for who he
First of all, Julie is an insecure individual. When Julie meets with her boyfriend, he says that her real name Jewel “sounds like one of those names from the soap opera my mom likes to watch. My dad says they are garbage.” This results in Julie yelling at her mom when mom calls her Jewel. Julie states that a jewel is “something you buy in a gem shop.” By questioning her own name, Julie is showing the reader how she is
Sarah Polley’s film Stories We Tell is as much about how we interpret images – what we take as “true” – as it is about how we remember. Through a close analysis of the film discuss what you think the film sets out to do and how it achieves these aims. In answering this question you might also want to look at reviews of the film.
In contrast, as seen with Dee Ann’s grandmother’s recollections of Dee Ann’s mother, raising her well from her birth results in a very emotional reaction to her death, crying with Dee Ann’s father on the couch (357). By focusing on the needs of her daughter, Dee Ann’s grandmother became emotionally attached to her mother’s well-being, having a connection to the way in which they have lived their life. Likewise, although their relationship was not healthy, Dee Ann’s mother’s addiction to her father’s actions resulted in a dependency that ultimately held their relationship together: “Her momma lived for these routines, she watched till watching killed her (370).” This dependency stems from her father satisfying her mom’s desire for these captivating acts, creating the emotional ties that held the marriage together, at least for some time. In both of these cases, the dependence on the other in the relationship resulted in a reason to maintain it, as their existence is contingent on the other person. In the case of Dee Ann and Chuckie however, their propensity to go out and enjoy themselves on their own suggests a lack of physical dependency on their spouse, weakening the bonds of need by satisfying a desire for company through other means. Chuckie for example, satisfies this desire by going out with friends for a drink, and Dee Ann immerses herself in digital entertainment such as TV or music (362). Their independence results in lacking the emotional attachment necessary to hold their relationship together, destroying the reciprocated love present in healthy
Throughout Amy Tan’s novel, The Joy Luck Club, the reader can see the difficulites in the mother-daughter relationships. The mothers came to America from China hoping to give their daughters better lives than what they had. In China, women were “to be obedient, to honor one’s parents, one’s husband, and to try to please him and his family,” (Chinese-American Women in American Culture). They were not expected to have their own will and to make their own way through life. These mothers did not want this for their children so they thought that in America “nobody [would] say her worth [was] measured by the loudness of her husband’s belch…nobody [would] look down on her…” (3). To represent everything that was hoped for in their daughters, the mothers wanted them to have a “swan- a creature that became more than what was hoped for,” (3). This swan was all of the mothers’ good intentions. However, when they got to America, the swan was taken away and all she had left was one feather.
Understanding the hardships and difficulties of a military wife is a difficult thing to do; however, Donna Moreau brings the readers to a sense of sympathy that helps them grasp the emotions the women and families go through while their husbands/fathers are at war in a completely different country. In the series of autobiographies made by the “Waiting Wives,”(Moreau, 2) their stories are shared with us, to show their desperate hopes that their loved ones return home safely. Moreau being a military daughter, her diction and emotions that she felt for herself, are expressed within the other stories so the reader can pick up on her experiences through others. She tells her story through the lines of other women.
This darkly satiric poem is about cultural imperialism. Dawe uses an extended metaphor: the mother is America and the child represents a younger, developing nation, which is slowly being imbued with American value systems. The figure of a mother becomes synonymous with the United States. Even this most basic of human relationships has been perverted by the consumer culture. The poem begins with the seemingly positive statement of fact 'She loves him ...’. The punctuation however creates a feeling of unease, that all is not as it seems, that there is a subtext that qualifies this apparently natural emotional attachment. From the outset it is established that the child has no real choice, that he must accept the 'beneficence of that motherhood', that the nature of relationships will always be one where the more powerful figure exerts control over the less developed, weaker being. The verb 'beamed' suggests powerful sunlight, the emotional power of the dominant person: the mother. The stanza concludes with a rhetorical question, as if undeniably the child must accept the mother's gift of love. Dawe then moves on to examine the nature of that form of maternal love. The second stanza deals with the way that the mother comforts the child, 'Shoosh ... shoosh ... whenever a vague passing spasm of loss troubles him'. The alliterative description of her 'fat friendly features' suggests comfort and warmth. In this world pain is repressed, real emotion pacified, in order to maintain the illusion that the world is perfect. One must not question the wisdom of the omnipotent mother figure. The phrase 'She loves him...' is repeated. This action of loving is seen as protecting, insulating the child. In much the same way our consumer cultur...
The language between a mother and a daughter can create a huge brick wall in their relationship because they have different views on life, and how they should handle it. In the book "The Joy Luck Club," by Amy Tan, a story is told of An-Mei Hus and her daughter Rose Hsu Jordan, who is going though a divorce. An- Mei wants her daughter, Rose, to try and save her marriage. But Rose knows it’s pointless to try and upon that she decides to learn to stick up for her self, get a lawyer, and fight her soon to be ex-husband for the house. The relationship between An-Mei Hsu and Rose Hsu Jordan shows that language is a brick wall, because they don’t understand why wants what they want. Rose doesn’t care to save her marriage; she only wants to get the house. When her mother, An-Mei, wants Rose to fight to save her marriage, because it’s the Chinese way, and how the only way to keep her honor among her family.
At one point in her career, Barbara Ehrenreich thought that it would be a good idea to get into the life of a person who works for the minimum wage and tries to live of it. As she went through her quest, Barbara met many people who were in fact, struggling. Unlike her, these people had to work multiple jobs, cut down their eating, live in terrible places, and just suffer all because of the lack of money and the need for as much of it as the could get. Some of these employees had others that they had to support, and some only needed to provide for themselves. Nonetheless, millions of people across the US are forced to work jobs where they are miserable in order to be able to give their families what they need, no matter what they have to give up in order to do so. Some of the people she meets are very similar to the characters in George Saunders’ story Pastoralia in the terms that they too work hard, don’t get the best treatment, and are only working because of their need to provide and sustain themselves and others. Saunders subtly depicts his characters as minimum wage workers, much like those in real life, who are struggling to give their loved ones what they need.
The father of the girl, now called Alice, came forward and proved that she was his. This was a problem, though, because Julia was already going through the adoption process and connecting even more with Alice. To make matters worse, Ellie got a lead on the investigation of Alice’s case and discovered the cabin where she was kept. The cabin was closed off in the woods, with two ropes on opposite sides where Alice and her mother spent years tied up. Alice’s mother died before Alice got away, and everyone was horrified with what they saw: “’Jesus’ He said, his face pale, his moth trembling. ‘Someone tied her up like a damned dog? How-‘ ‘Don’t-‘ Ellie could feel the tears streaking down her cheeks; it was unprofessional, but inevitable” (Hannah 354). When Alice’s father came to take her back with him, she started to retreat back to her old ways; hiding, not speaking, and making animal noises instead of using her words. It seemed that all progress that Julia made with the girl would be lost if the two were separated. Alice’s father took her and started driving back to his home when she started freaking out. No one could calm her down except Julia, so in the end her father gave up custody: “’She went… Crazy. Howling. Growling. She scratched her face…” (Hannah 385). She needed Julia and Julia needed her, and in the end things worked out perfectly. I really enjoyed how this book was fiction but seemed like a true story. Kristin
...a car accident, and her father is woken up. After the horrendous trip to Mexico, Maya and her father return home to find his girlfriend enraged. In an outburst, the girlfriend calls Maya’s mother a whore. Maya slaps her, which provokes Dolores, the girlfriend, to attack her. After that situation, Maya goes and lives with children in a junkyard. After living in the junkyard, she returns home to her mother. Later on after that, she gets pregnant.
Any story that begins with a mother fantasizing about reuniting with her daughter on T. V talk show is going to have something to tell us about their family. Probably a lot to tell us in fact. As the narrator herself points out, though, there’s a lot that television wouldn’t be able to show the family members and their complex relationships to one another in this story. The conflict, in fact, concerns competing ideas about what tradition (or heritage) even means. In a classic rock song, the Rolling Stones sing, “you can’t always get what you want, but if you try sometimes, you might find you get what you need.” In this paper, I’m going to relate this quote to my own personal experiences. I’m going to closely analyze the two sisters, Maggie,
According to I Know What You Did Last Summer “Oh lord, I don’t want to go back and see-see what we did.”This truly shows that Julie is scared about what will happen when they return to the man. Her fear creates suspense because it shows the reader that something terrible might happen to the man. “I undid the lantern cautiously-oh so cautiously-cautiously-I undid it just so
The fall of ’99 was the year of all years; Janine was in her last year of law school at Yale, and her adoptive mother, Nancy, had just phoned telling her of their family visit in the fall. Just then out of the blue she hears a knock at the door.
Towards the end of this episode, Molly’s stream of consciousness begins to explore the importance of love and family in a woman live. This aspects is different from his idea of a man’s point of view in that, according to Molly “A woman wants to be embraced 20 times a day almost” (777) because women need some form of love in their lives.