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Character analysis essay on death of a salesman
Character analysis essay on death of a salesman
Death of salesman's character
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Death of a Salesman - Linda Loman
In the play Death of a Salesman, Linda Loman serves as the family's destroyer. Linda realizes, throughout the play, that her family is caught up in a bunch of lies. Linda is the only person that can fix the problem and she doesn't.
The first instance where Linda Loman serves as the family destroyer is in Act when Willy Loman comes home and tells her, "I suddenly couldn't drive any more. The car kept going off onto the shoulder, y'know?" (1402). Linda replies, "Oh. Maybe it was the steering again. I don't think Angelo knows the Studebaker" (1402). Willy says, "No, it's me, it's me. Suddenly I realize I'm going sixty miles an hour and I don't remember the last five minutes. I'm--I can't seem to-- keep my mind to it" (1402). Linda says, "Maybe it's your glasses. You never went for your new glasses" (1402). Linda knows throughout this conversation that her husband, Willy, is trying to kill himself in a car accident. Yet she continues to listen to the excuses Willy makes up for the car accident. To make matters even worse, Linda even makes up he...
support is a pathetic effort to protect his identity. Linda will never admit to herself,
"Linda Loman: The Wife in "Death of a Salesman".”. N.p., n.d. Web. 29 Apr. 2014. .
In the play The Death of a Salesman, there are many important quote said by the characters. One of the quote said by Linda when she talked with her sons that described her husband Willy. “I don't say he's a great man. Willie Loman never made a lot of money. His name was never in the paper.
Happy Loman has grown up to be a well-adjusted man of society. He has developed from a follower to a potentially successful businessman. Throughout his childhood, Happy always had to settle for second fiddle. Willy, his father, always seems to focus all his attention on Happy's older brother Biff. The household conversation would constantly be about how Biff is going to be a phenomenal football star, how Biff will be attending the University of Virginia and be the big man on campus, how Biff is so adulated among his friends and peers, and so on. Young Happy was always in Biff's shadow, always competing for his father's attention but failing each time. Happy would resort to such antics as laying on his back and pedaling his feet backwards to capture his father's attention but to no avail. Willy would continue to not take notice of his younger son and maintain his attention on other matters that he thought were of greater importance. Growing up under these conditions is what motivated Happy to be the man he is today.
Since the beginning of the Industrial Age, Americans have idealized the journey towards economic success. One thing people do not realize, however, is that journey is not the same for every individual. Media often leads its viewers toward a “one size fits all” version of success that may help themselves, but will rarely help the viewers. This is seen in Arthur Miller’s Death of a Salesman. Miller includes multiple instances of symbolism and personification to reveal to the reader the situational irony in Willy’s life, underlining the theme of self-deception in regard to the American Dream. This American Dream, fueled by money, is the main source of anxiety in Willy’s life. The anxiety of income is reflected today in the issue of minimum wage. James Sherk, a writer of the Tribune News Service, plots thoughtful points against raising the minimum wage. However, his use of over-exaggeration and odd comparisons leave his argument less than convincing.
BANG! Your father is dead. Within a few seconds, although he attempted many times, your father dies. He gave up. All the fights, all the disrespect, and all the struggles are behind you. However, all the hope, all the passion, and all the love is still there. In Arthur Miller’s Death of a Salesman, the main conflict is between Willy Lowman and his son Biff. Most of their struggles are based on disrespect; however, much of the tension throughout the play is also caused by the act of giving up.
Death of a salesman The Death of a Salesman, by Arthur Miller is a controversial play about a typical American family and their desire to live the American dream “Rather than a tragedy or failure as the play is often described. Death of a Salesman dramatizes a failure of [that] dream” (Cohn 51). The story is told through the delusional eyes and mind of Willy Loman, a traveling salesman of 34 years, whose fantasy world of lies eventually causes him to suffer an emotional breakdown. Willy’s wife, Linda, loves and supports Willy despite all his problems, and continually believes in his success and that of their no good lazy sons, Biff and Happy. The play takes place in 1942, in Willy and Linda’s home, a dilapidated shack on the outskirts of a slum.
Willy Loman is a sixty-one years old who has been taken off salary, put on straight commission and eventually fired from the Wagner Company because he is no longer effective. In the story he is portrait as a tragic figure that’s largely to blame for his own downfall. He puts his wife Linda into the position where she is totally dependent on him. Because Willy has an incorrigible inability to tell the truth, even to himself, and an unreasonable mode of thinking, he justifies his death by saying that his sacrifice will save his sons, particularly Biff; he believes that the insurance money they collect will be a tangible remembrance of him.
What encompasses the American Dream? Arthur Miller’s “Death of a Salesman” offers a realistic, stark picture of lives overflowing with dreams wished and dreams broken; yet, there are no dreams realized here. Their dreams comprise glory and fearlessness over those which genuinely can be achieved. Although Willy, Linda, Biff and Happy, as individuals, still believe in the American Dream, it’s clear that it represents something different for each.
The only way to become a truly happy person is to surround yourself with the things that make you happy. Setting logical goals and pursuing dreams is going to lead to a successful life. In the play, Death of a Salesman by Arthur Miller, Willy, Linda, Biff, and Happy use self-deception as a means to mentally escape the reality of their lives. Biff is the only character who becomes self-aware by the end of the play. He realizes that his whole life has been a lie and that Willy’s standards for Biff’s achievements in life are simply unreachable. Happy is too caught up in himself throughout the play to realize that his father is in need of an escape from his dysfunctional life. Willy has lived his whole life setting these goals for himself that he simply can’t attain. Happy makes it known at the end of the play that he is planning to follow in his father’s footsteps. This foreshadows the downfall of Happy’s life to come. Linda is constantly reassuring Willy that the decisions he has made are the right choices. She finds out about his possible suicide attempts and she refuses to seek help for him. She constantly tells his that he is doing great when in reality his career is going nowhere and his relationship with his sons gets worse as the days go on. Willy was a man who claimed to have a good sense of pride. He believes that he thrived in his times of struggle. He lost the battle for his life and ended his life due to the constant disappointments and failures that he had to live with every day. Willy refused to see the truth in his life and continued to feed off the lies. He got so caught up in his lies that he lost what the truth really was.
Relations between fathers and the younger generation have been and continue to be an important theme for various literary genres (King Lear, Shakespeare; Fathers and Sons, Turgenev). For many famous writers the significance of fathers’ influence on their children forms a subject of particular interest. . In the play, Death of a Salesman, Arthur Miller shows in a very striking manner that the father's influence can be either positive or fatal. The dispiriting story of the three generations of the Lomans family contrasts with the happy account of the life of their neighbors, Charley and his son Bernard.
Throughout history many families can’t face reality. In the play Death of a Salesman the main characters Willy, Linda, Biff, and Happy use self-deception as a means to mentally escape the reality of their lives. Biff is the only character who becomes self-aware by the end of the play. Willy wants to live in his dream world; Linda and Happy don’t even realize that they’re in a dream world. Biff had no idea he was in a dream world until he had an epiphany.
In the play Death of a Salesman by the playwright Arthur Miller, the use of names is significant to the characters themselves. Many playwrights and authors use names in their works to make a connection between the reader and the main idea of their work. Arthur Miller uses names in this play extraordinarily. Not only does Miller use the names to get readers to correlate them with the main idea of the play, but he also uses names to provide some irony to the play. Miller uses the meanings of some of the names to tie in the characteristics of the characters.
Linda Loman is the enabler of the Loman family, and also uses self- deception to escape her life mentally. Linda never spoke up to Willy, and did nothing but feed his unrealistic dreams. Linda lived a life of “what ifs” with Willy. They both did the bare minimum in every aspect of their life, which is why
“Death of a Salesman” written by Arthur Miller in 1948 attempts to give the audience an unusual glimpse into the mind of a Willy Loman, a mercurial 60-year-old salesman, who through his endeavor to be “worth something”, finds himself struggling to endure the competitive capitalist world in which he is engulfed. Arthur Miller uses various theatrical techniques to gradually strip the protagonist down one layer at a time, each layer revealing another truth about his distorted past. By doing this, Miller succeeds in finally exposing a reasonable justification for Willy’s current state of mind. These techniques are essential to the play, as it is only through this development that Willy can realistically be driven to motives of suicide.