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Duality between Dorothy Parker and her writing
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Death in Life and Love in Dorothy Parker's Poetry
Dorothy Parker, an accomplished American poet, exposes the darker side of human behavior through her epigrammatic style of poetry. She believed that a writer must say what he feels and sees. She specialized in the hard truths, particularly about death, in both life and love. Some major motifs present in Parker’s work include loneliness, lack of communication between men and women, disintegration of relationships, human frailties, and the affectations and hypocrisies of a patriarchal society. Parker’s wit is largely autobiographical reflecting the tumultuous years of her youth that included alcoholism, romantic disasters, and attempted suicides. The three poems provided in the text exemplify how Parker utilizes poetic devices such as irony, satire, and sarcasm to address the human frailties involved with searching for meaningful relationships and suicide.
The first poem “DeProfundis” provides a glimpse of Parker’s cynical attitude toward men and relationships. De Profundis, which translates in Latin as out of the depth, i...
Alan Shapiro was born in Boston, Massachusetts, on February 18th, 1952. He is the son of Harold and Marilyn Shapiro. Growing up Shapiro was a part of a Jewish household. Shapiro received his education at Brandies University. While attending Brandies University he discovered that his one and only passion was for the astounding art of poetry and he found an escape from all the devastating disasters he encountered in his youth (Garbett). Shapiro is also now an educator at Stanford University and he has also worked at Northwestern University and the University of North Carolina at Chapel Hill. As Shapiro conveys in many of his works after researching Shapiro’s life it is known Shapiro’s brother and sister both died of cancer while Shapiro was very young, and these events highly contribute to Shapiro’s work as a poet. The memoir that Shapiro wrote which was entitled Vigil is about the tragic death of his sister due to the unfortunate events of being diagnosed with breast cancer. As it is well known Shapiro’s poems are very tragic and sorrowfully oriented it is no fault to say that different people happen to react and cope with death in different ways and Shapiro expresses his sadnes...
There are diseases in the world that we can touch and see and there are those which we cannot feel or see. Depression and suicide are one of the few that are not physical diseases but mental. Suicide is the 10th leading cause of deaths in America, and 20-25% of Americans eighteen and older have depression. The two poems ‘Summer Solstice, New York City’ by Sharon Olds, and ‘The Mill’ by Edwin Arlington Robinson are both discussing the different ways that suicide and depression can affect an individual. The first poem by Sharon Olds goes into details of suicide prevention whereas the poem by Edwin Arlington Robinson goes into the details of how suicide and death affect the loved ones of the deceased.
In her poem entitled “The Poet with His Face in His Hands,” Mary Oliver utilizes the voice of her work’s speaker to dismiss and belittle those poets who focus on their own misery in their writings. Although the poem models itself a scolding, Oliver wrote the work as a poem with the purpose of delivering an argument against the usage of depressing, personal subject matters for poetry. Oliver’s intention is to dissuade her fellow poets from promoting misery and personal mistakes in their works, and she accomplishes this task through her speaker’s diction and tone, the imagery, setting, and mood created within the content of the poem itself, and the incorporation of such persuasive structures as enjambment and juxtaposition to bolster the poem’s
The constant process of life and death, driven by an indestructible progression of time, explains the attitude of carpe diem expressed in three poems focused on human love being a fickle matter. Within the poems “To His Coy Mistress” by Andrew Marvell, “To the Virgins, to Make Much of Time” by Robert Herrick, and “Youth’s the Season Made for Joys” by John Gay, the concept of how a shy attitude towards the inevitable end of all life is exposed as an inherently useless view. Nevertheless, though their primary themes and ideas of this constant procession of time are obviously expressed, the manner in which they do this, through figurative language and imagery, is the main point in which each of these three poems can be contrasted and examined
When sorting through the Poems of Dorothy Parker you will seldom find a poem tha¬t you could describe as uplifting or cheerful. She speaks with a voice that doesn’t romanticize reality and some may even call her as pessimistic. Though she doesn’t have a buoyant writing style, I can empathize with her views on the challenges of life and love. We have all had experiences where a first bad impression can change how we view an opportunity to do the same thing again. Parker mostly writes in a satirical or sarcastic tone, which can be very entertaining to read and analyze.
There have been many American poets throughout the centuries, but none compared to Robert Frost and Jane Kenyon. Jane Kenyon and Robert Frost can make the simplest thing, such as picking a pear, into something darker. Often Jane Kenyon and Robert Frost compose themes of nature, loneliness and death into their poetry. Both poets evoke feelings and stimulate the reader’s sensory reactions. Jane Kenyon’s Poem Let Evening Come (1990) and Robert Frost’s Poem Desert Places (1936) may have been written in different eras, but both poets collaborate nature, spirituality and emotional solitariness in their poems.
Kenyon’s choice of a first person perspective serves as one of two main techniques she uses in developing the reader’s ability to relate to the poem’s emotional implications and thus further her argument regarding the futility of mankind’s search for closure through the mourning process. By choosing to write the poem in the first person, Kenyon encourages the reader to interpret the poem as a story told by the same person who fell victim to the tragedy it details, rather than as a mere account of events observed by a third party. This insertion of the character into the story allows the reader to carefully interpret the messages expressed through her use of diction in describing the events during and after the burial.
At a glance, the poem seems simplistic – a detailed observance of nature followed by an invitation to wash a “dear friend’s” hair. Yet this short poem highlights Bishop’s best poetic qualities, including her deliberate choice in diction, and her emotional restraint. Bishop progresses along with the reader to unfold the feelings of both sadness and joy involved in loving a person that will eventually age and pass away. The poem focuses on the intersection of love and death, an intersection that goes beyond gender and sexuality to make a far-reaching statement about the nature of being
Death can both be a painful and serious topic, but in the hands of the right poet it can be so natural and eloquently put together. This is the case in The Sleeper by Edgar Allan Poe, as tackles the topic of death in an uncanny way. This poem is important, because it may be about the poet’s feelings towards his mother’s death, as well as a person who is coming to terms with a loved ones passing. In the poem, Poe presents a speaker who uses various literary devices such as couplet, end-stopped line, alliteration, image, consonance, and apostrophe to dramatize coming to terms with the death of a loved one.
Edgar Allan Poe’s 1849 poem, “Annabel Lee”, explores the common themes of romance and death found in many of Poe’s works. The poem tells the story of a beautiful young maiden named Annabel Lee who resides by the sea. The maiden and the narrator of the poem are deeply in love, however the maiden falls ill and dies, leaving the narrator without his beloved Annabel Lee. Contrary to what many might expect from a poem by Poe and yet still depressing, the poem ends with the narrator accepting Annabel’s death and remains confident that they will forever be together despite her parting.
The speaker started the poem by desiring the privilege of death through the use of similes, metaphors, and several other forms of language. As the events progress, the speaker gradually changes their mind because of the many complications that death evokes. The speaker is discontent because of human nature; the searching for something better, although there is none. The use of language throughout this poem emphasized these emotions, and allowed the reader the opportunity to understand what the speaker felt.
In the passage, “Nooses give; /Gas smells awful; /You might as well live,” Parker describes that no matter how bad life may be, attempting to kill yourself is much worse. The first impression of this poem may seem negative, but in fact, it is positive because of the way it portrays the pain involved with suicide. Suicide does not guarantee a quick painless exit from an individual’s seemingly gloomy negative view of his or her world. Imagine as you view your life as a thumbs down experience at every turn, and your only way out is to end it all. You decide to hang yourself, but the “Nooses give” or you decide to slit your wrist, but you do not quite cut deep enough. All the pain you feel up to the point of wanting to commit the hideous act of suicide surely cannot compare to the physical anguish of a suicide attempt that just does not go as planned.
Poetry is the wind for a trapped and wounded soul. A great example of a wounded soul is, Sylvia Plath. She was an immaculate poet, who expressed her personal troubles through writing. As Plath’s life smouldered into a heap of dust at the age of 30, her poetry grew and bloomed. In the years before her death, her most troubled period, Plath penned three of her most well-known poems, “Daddy”, “Lady Lazarus” and “Tulips”—all three illustrating the horrors of despair with strong, expressive literary devices. Plath, who committed suicide in 1963 at the age of 30, has been hailed ubiquitously as one of the most acclaimed and preeminent poets of the 21st century. Plath’s poetry was influenced by tragic events in her life and her prolonged battle against her deep depression and obsession with death. Plath’s personal issues made her the definition of a confessional poet. In the poems, “Daddy”, “Tulips”, and “Lady Lazarus”, Plath confesses her emotional and nervous breakdowns during her endless depression.
The Theme of Death in Poetry Robert Frost and Emily Dickinson are two Modern American Poets who consistently wrote about the theme of death. While there are some comparisons between the two poets, when it comes to death as a theme, their writing styles were quite different. Robert Frost’s poem, “Home Burial,” and Emily Dickinson’s poems, “I felt a Funeral in my Brain,” and “I died for Beauty,” are three poems concerning death. While the theme is constant there are differences as well as similarities between the poets and their poems. The obvious comparison between the three poems is the theme of death.
Death is a prevalent theme in the poetry of both Sylvia Plath and Emily Dickinson. They both examine death from varied angles. There are many similarities as well as differences in the representation of this theme in their poetry. Plath views death as a sinister and intimidating end, while Dickinson depicts death with the endearment of romantic attraction. In the poetry of Plath death is depicted traditionally, while Dickinson attributes some mysticism to the end of life.