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Major themes and dramatic techniques in the death of a salesman
Death of a salesman critical perspective
The plot in the play Death of a salesman
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When the realities of life become too harsh, humankind has a natural tendency to choose the most convenient solution to his problem: illusion. They build dreams and fantasies to conceal the more difficult truths of their lives. In his play Death of a Salesman, Arthur Miller portrays the hold of such illusions on individuals and its horrible consequences. Through the overly average, overly typical Loman family, Miller shows how dreams of a better life become, as Choudhuri put it, “fantasies to the point that the difference between illusion and reality, the Loman’s dreams and the forces of society, becomes blurred” (Choudhuri 70). The Loman family created dreams and illusions that were far better than their reality.
In Death of a Salesman, these dreams overwhelm the two characters Willy, the father, and Biff, his favorite son, but the stark reality of life eventually overcomes these illusions and forces them to face the truth. As Willy and Biff are forced to realize that they have been living in a dream world, this disillusionment becomes a prevalent theme of the play, pointing out how illusions can only hide so much for so long before the truth is unveiled. Wilson explains that The Loman family has such exaggerated, grotesque fictions about each other that the truth is bitterly weak in contrast (Wilson 80). Their illusion are so grand and so full of fantasy that when reality is discovered, they are shocked, devastated. In Death of a Salesman, Willy and Biff Loman display the shocks and hardships that are experienced when one is forced to face reality and be disillusioned.
Of these two characters, Willy holds the most illusions, and therefore is the most devastated by the destruction of these fantasies. Miller uses several i...
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.... Harold Bloom. New York: Chelsea House Publishers, 1991. 66-78.
Dusenbury, Winifred L. “Loneliness in Death of a Salesman.” The Theme of Loneliness in Modern American Drama. (1960):30-38. Rpt. in Readings on Arthur Miller.
…….Ed. Thomas Siebold. San Diego: Greenhaven Press, Inc., 1997. 116-24.
Foster, Richard. “Confusion and Tragedy: The Failure of Miller’s Salesman.” Two
……Modern American Tragedies: Reviews and Criticism of Death of a Salesman and
……A Streetcar Named Desire. (1961): 123-130. Rpt. in Readings on Arthur Miller.
……Ed. Thomas Siebold. San Diego: Greenhaven Press, Inc., 1997. 102-9.
Garrison, Craig M. “The System and the American Dream.” Playwrites. 17 April 2002. ………
Hadomi, Leah. “Fantasy and Reality: Dramatic Rhythm in Death of a Salesman.” Modern ……….Drama 31, Vol. 2. (1988):161-2. Rpt. in Blooms Reviews: Arthur Miller’s Death
Since the beginning of the Industrial Age, Americans have idealized the journey towards economic success. One thing people do not realize, however, is that the journey is not the same for every individual. Media often leads its viewers toward a “one size fits all” version of success that may help themselves, but will rarely help the viewers. This is seen in Arthur Miller’s Death of a Salesman. Miller includes multiple instances of symbolism and personification to reveal to the reader the situational irony in Willy’s life, underlining the theme of self-deception in regard to the American Dream.
Murray, Edward. “The Thematic Structure in Death of a Salesman.” Readings on Arthur Miller: Death of a Salesman. San Diego: Greenhaven Press Inc., 1999.
Like countless characters in a play, Willy struggles to find who he is. Willy’s expectations for his sons and The Woman become too high for him to handle. Under the pressure to succeed in business, the appearance of things is always more important than the reality, including Willy’s death. The internal and external conflicts aid in developing the character Willy Loman in Arthur Miller’s Death of a Salesman.
Although the characters are not of noble birth nor possess a heroic nature nor experience a reversal of fortune, many of the elements in "Death of A Salesman" fulfill the criteria of a classic tragedy. The downfall and crisis points in the play are directly linked to the Loman family's combined harmartias, or personal flaws. The Loman's have unrealistic ideas regarding the meaning of success. To Willy, the foundation of success is not education or hard work, but rather "who you know and the smile on your face." Moreover, Willy ridicules the education Bernard has earned, declaring that his sons, Biff and Hap, will get further ahead in the business world because "the man who makes an appearance in the business world, the man who creates personal interest, is the man who gets ahead. Be liked, and you will never want." Willy idolizes two men: his brother, Ben, who walked out of an African jungle a rich man, and an 84-year-old salesman who could "pick a phone in twenty or thirty cities and be remembered and loved, and finally honored by hundred of mourners at his funeral." To Linda, success is paying off a 25...
Lying is a string that ties together a great part of the plot in Arthur Miller's Death of a Salesman. The Lomans are all greatly self-deceptive, and in their particular fancies and delusions to reality, they fuel and nourish off of each other. Willy convinces himself that he is effective, overall loved, and that his children are bound for significance. Unable to adapt to reality, he totally forsakes it through his vivid dreams and eventually through suicide. Linda and Happy also accept that the Lomans are going to become showbiz royalty. Not at all like alternate parts of his family, has Biff developed to distinguish that he and his relatives reliably bamboozle themselves, and he battles to escape the cycle of lying.
Miller, Arthur. Death of a Salesman. Literature: An Introduction to Fiction, Poetry, and Drama. Seventh Edition. X.J. Kennedy, and Dana Gioia. New York: Addison Wesley Longman, Inc., 1999
Miller, Arthur “Death of a Salesman” Literature: Craft and Voice. Ed. Nicholas Delbanco and Alan Cheuse. 2nd ed. New York: McGraw Hill, 2012. 205-13. Print.
Barack Obama made history by being elected President of the United States, twice. This is just one more example that the American Dream is without a doubt achievable. Its pursuit is not easy; it requires undeniable hard work, modesty and optimism. Armed with these characteristics, seekers of this lifestyle will undeniably succeed. Success, though, is an interesting concept, for it can entail many superficial qualities. Willy Loman, the tragic hero of the play Death of a Salesman, sees only the superficial qualities of this dream. He views success solely as likeability (linked with attractiveness), and wealth. Ignoring all methods to honorably achieve these, Arthur Miller demonstrates how Willy’s search for the superficial qualities of the American Dream lead him to his own despair.
He believes that he is well-liked and respected by everyone, which is not true. Willy's pride leads to his downfall, as he cannot accept that he is not successful and that his dream is unattainable. Finally, the illusion of Willy's life that resulted from him dreaming the wrong dream ends up in his tragic suicide and the destruction of his family. Willy's dream creates an illusion of a perfect life, which is not true.
Miller, Arthur. Death of a Salesman. Literature: An Introduction to Fiction, Poetry, and Drama. Seventh Edition. X.J. Kennedy, and Dana Gioia. New York: Addison Wesley Longman, Inc., 1999. 1636-1707.
Miller, Arthur. "Death of a Salesman." Compact Literature. Ed. Laurie Kirszner and Stephen Mandell. 8th ed. Boston: Wadsworth, 2013. 1262-331. Print.
In the play, The Death of a Salesman by Arthur Miller,Willy Loman, an unsuccessful businessman struggling to support his family is completely out of touch with reality throughout the plot line. Many characters throughout this play and their interactions with Willy have shown the audience his true colors and what he thinks is important in life. His constant lying and overwhelming ego certainly does not portray his life in factual terms, but rather in the false reality that he has convinced himself he lives in. Being raised by Willy, Biff and Happy are becoming failures and have no motivation to work hard to achieve anything in life. Throughout this novel, Biff has a few recurrences with stealing.
Arthur Miller's Death of a Salesman is the story of a man much like Miller's father, a salesman, "whose misguided notions of success result in disillusionment" (Draper 2360). The suppression of the main character, Willy Loman's, true nature is a result of his pursuit of a completely misguided dream. The fraudulent and miserable existence this generates is accentuated by the father-son relationship he shares with his son Biff.
Arthur Miller’s Death of a Salesman is a play that follows the troubles of a salesman named William “Willy” Loman, whose overzealous definition of true success inevitably leads to his suicide. I feel that a few of Willy’s unique characteristics contribute to his downfall, but that his unstable point of view and completely misconstrued concept of reality make the greatest contributions.
The line between reality and illusion is often blurred in Arthur Miller’s play, Death of a Salesman. Whether it is incorporated in the content or the actual structure, this struggle between recognizing reality from illusion turns into a strong theme; it eventually leads to the downfall of Willy and his family. Willy is incapable of recognizing who he is, and cannot realize that he, as well as his sons, is not capable of being successful in the business world. Happy and Biff both go through some battle between reality and illusion that cause a collapse in some part of their lives. The line between Willy’s flashbacks and current time also send him into turmoil when he cannot distinguish between the two.