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Symbolism in Death of a Salesman Essay
Arthur miller past and present death of the salesman
Symbolism in Death of a Salesman Essay
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Written by the American author Arthur Miller, the play Death of a Salesman has been performed numerous times on stage and worldwide. For years, the play has been dominating the American stage since the 20th century, and it is still considered among the finest plays in American theatres today. Although it reflects the issue of identity and a man’s inability to accept change within himself and society, the play concerns more about the corruption of technology, and the treatment of nature by modern expansion in the name of the “American dream;” additionally, in filming “Rocky” (1976), director John G. Avildsen portrays to the audiences the positive side of the dream and revisits the myth of America as being the land of opportunity.
Early in the
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Raise cattle, use our muscles. Men built like we are should be working out in the open.’” (Act I, 12)
Like Willy, Biff sees Texas, the western “green world,” which is similar to Alaska, a literal escape from the pressures of the industrial life in the city,
“‘This farm I work on, it’s spring there now, see? And they’ve got about fifteen new colts. There’s nothing more inspiring or — beautiful than the sight of a mare and a new colt. And it’s cool there now, see? Texas is cool now, and it’s spring.’” (Act I, 11)
Thus, while Alaska represents a metaphorical escape for Willy away from the civilized metropolis, the western “green world” offers Biff a literal escape from the pressures of the industrial life in the city.
Towards the end of the play, the symbolism of Willy’s planting carrots, lettuce, and beets, in his backyard, further suggests to the audiences his desire to bring back nature and pastoral landscape, as America’s lifestyle is becoming more industrialized and modernized. Hence, Miller, in writing Death of a Salesman, not only focuses on the familial aspect, human dilemma, society as dehumanizing, but also – through the motifs of nature – emphasizes to the readers effects the so called “American dream”
Since the beginning of the Industrial Age, Americans have idealized the journey towards economic success. One thing people do not realize, however, is that the journey is not the same for every individual. Media often leads its viewers toward a “one size fits all” version of success that may help themselves, but will rarely help the viewers. This is seen in Arthur Miller’s Death of a Salesman. Miller includes multiple instances of symbolism and personification to reveal to the reader the situational irony in Willy’s life, underlining the theme of self-deception in regard to the American Dream.
Willy and Happy are very similar people. However Biff does not agree with the way Willy and Happy handle situations, which results in several conflicts between Biff and Willy throughout much of the play. Willy describes Biff as being lost saying, “Biff Loman is lost. In the greatest country in the world a young man with such – personal attractiveness gets lost,” (Miller 16). Even though Willy believes Biff is the lost one, in reality, Willy is lost throughout most of the play (Eisinger 2). Willy does not really know himself. Willy always puts on a show for others and does not be his true self, which portrays the feeling of being lost within himself.
The Death of a Salesman, by Arthur Miller is a controversial play of a typical American family and their desire to live the American dream “Rather than a tragedy or failure as the play is often described. Death of a Salesman dramatizes a failure of [that] dream” (Cohn 51). The story is told through the delusional eyes and mind of Willy Loman, a traveling salesman of 34 years, whose fantasy world of lies eventually causes him to suffer an emotional breakdown. Willy’s wife, Linda, loves and supports Willy despite all his problems, and continually believes in his success and that of their no good lazy sons, Biff and Happy. The play takes place in 1942, in Willy and Linda’s home, a dilapidated shack on the outskirts of a slum. Willy has spent his whole life teaching and believing that you can achieve success by your appearance and by making yourself as amiable as possible. Eventually Willy begins to fabricate stories at himself to be able to live with himself because he can’t meet his own expectations. He falls deeper into his lies, making himself and his family suffer for it. (Thesis). In the play Death of a Salesman, Arthur Miller proves he is America’s social critic when he criticizes Willy’s relationship concerning his family, his lack of success in achieving his goals and his dreams along with his inner turmoil and personal collapse which result in suicide.
A white picket fence surrounds the tangible icons of the American Dreams in the middle 1900's: a mortgage, an automobile, a kitchen appliance paid for on the monthly - installment - plan, and a silver trophy representative of high school football triumph. A pathetic tale examining the consequences of man's harmartias, Arthur Miller's "Death of A Salesman" satisfies many, but not all, of the essential elements of a tragedy. Reality peels away the thin layers of Willy Loman's American Dream; a dream built on a lifetime of poor choices and false values.
“The American dream is, in part, responsible for a great deal of crime and violence because people feel that the country owes them not only a living but a good living.” Said David Abrahansen. This is true and appropriate in the case of Willy Loman, and his son Biff Loman. Both are eager to obtain their American dream, even though both have completely different views of what that dream should be. The play Death of a Salesman by Arthur Miller shows the typical lives of typical Americans in the 1940’s. Miller’s choice of a salesman to be the main character in this play was not a coincidence, since it represents the typical middle-class working American, some of which have no technical skills what so ever. Miller’s play gives us insides on the daily lives of many Americans, this through the eyes of Willy and Biff Loman, he also shows what kind of personalities, what dreams they have, and their different points of view of what the American dream means.
Willy continually fantasizes about the farm in the west. This idea allows Willy to have the freedom of love and will allow him to break free from the restrictions and inhibitions that he has while working as a salesman.
Obviously, Willy rationalizes Biff’s behavior in addition to his own. Reality, in the play, is represented by the character of Charley, the woman’s neighbor. He is Willy’s only friend, and offers him a job when the old salesman is fired. Willy’s egotism gets in the way, however, and he cannot bring himself to work for Charley, since this would be an admitted failure.
The century-long question asks when government involvement becomes too much or too little. Many debate this question, but is there truly a correct answer? Regardless of one’s stance on this debate, reflecting on the history of strong government involvement, we often find oppressive and authoritarian rule. This discourse often occurs due to the leader beginning with a strong, hopeful campaign concept that is truly just manipulation to get the citizens to believe the lies of the power-hungry leader. Not only can we conclude that history proves that excessive involvement is oppressive, but many authors also agree and demonstrate this in their works of literature.
The most detrimental relationships in the play are that of Willy and his two sons, Biff and Happy. Not only does he confuse them by forcing his beliefs and half-truths on them, but he also spawns their lives into the same unhappiness that his own life has ended up in. Then by his own making, when their lives do not turn out as glamorous and wonderful as he has hoped, he blames and resents them for their failure. Biff seems to have lost the American dream when he caught his father in the Boston hotel room with his mistress. He has not given up on hard work anymore than Willy has given up on life. They are almost one in the same, they have both lost their dreams and illusions, just at different times in their lives. The three men have created a cycle of unhappiness and resentment, each of them failing the others. In contrast to this, the peak of success lives next door.
One major theme in Death of a Salesman is the pursuit of the American dream. Playwright Arthur Miller details main character Willy Loman’s misguided quest of this dream. Death of a Salesman was written in postwar America, when the idea of the American Dream was a way of life. The United States was flourishing economically, and the idea of wealth was the base of the American Dream. Capitalism was alive and well, and by living in a capitalist society, everyone in America was supposed to have a chance to become rich and successful. Miller makes the reader realize this dream is a falsehood, because it doesn’t always work for everyone as planned. In the play Death of a Salesman, Willy Loman is a prime example of someone trying desperately, yet unsuccessfully, to pursue the false hope of the American Dream, directly resulting from capitalism’s effects.
Arthur Miller’s Death of a Salesman is a play that follows the troubles of a salesman named William “Willy” Loman, whose overzealous definition of true success inevitably leads to his suicide. I feel that a few of Willy’s unique characteristics contribute to his downfall, but that his unstable point of view and completely misconstrued concept of reality make the greatest contributions.
Arthur Miller’s “Death of a Salesman” ends with the tragic suicide of Willy Loman, the lead character. It is the end of a life spent futilely chasing “the American dream”. Willy has been unsuccessful in achieving the success he so desperately craves because his perception of the formula for success is fatally flawed. Willy believes that the American dream is only attainable for the popular and attractive few, and he does not believe he belongs to this elite group. Yet, Willy still works his entire life pursuing his dream.
The “Death of a Salesman” by Arthur Miller is a play deeply composed of many fundamental Marxist ideologies and beliefs. Marxists mainly believed Capitalism would lead to greed and uncontrollable consumerism which is applicable to the play as it follows the protagonist Willy Loman, a door to door salesman in mid to late 1940’s America, who in the later stages of his life is struggling to live up to his expectations of the ‘American Dream.’ The major theme in the play is the pursuit of this dream and the title represents the falsehood of it. The word ‘death’ in the title of the play initially foreshadows the death of Willy but also symbolises the death of the ‘American Dream.’ This is shown by Lois Tyson in “Critical Theory Today” through saying:
In Death of a Salesman Miller explores and exposes modern American society in a brutal and scathing manner. His analysis and critique is conveyed clearly to the audience concluding that society is based on a corrupt and immoral capitalist dream. Miller implies this through the Loman family and their struggle to survive and compete. Techniques Miller employs to illustrate this are symbolism, characters and structure.
Arthur Miller’s Death of a Salesman criticizes the American Dream and the means some (i.e. Willy Loman) use to achieve the Dream through many different symbol and motifs; however, the title Miller selected for his play is an overlooked aspect of his criticism towards the Dream. He uses the title to build layers of understanding for his denunciation of the American Dream.