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Arthur Miller and how the death of a salesman impacted american culture
American dream illusion or reality
Arthur miller and american society
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The Dream, the Truth
This paper will be an analytical, interpretive essay about Death of a Salesman (1949), the most profound work by author and playwright Arthur Miller (1915-2005). Death of a Salesman received the Pulitzer Prize for drama, the year of its creation and has been reproduced over seven-hundred times. This analysis will concentrate on Willy Loman the central character of the play but also on the play as a whole. It will show that Arthur Miller’s critiques of American society still hold true to this day. That he was not just making a statement about the corporate social structure failing those that served it, or about how the American Dream in which those agencies perpetuate was dying. He was stating that the American Dream had never existed at all.
Miller’s interpretations on these subjects were not only true of the changing world at the time of the plays inception but have with an eerily truth echoed through to the present day. According to the cultural context in the LIT Student Edition “at the time, Death of a Salesman was written in 1949 the United States was experiencing the largest economic expansion in its history. After World War II, soldiers were returning home and women were leaving the factories where they held jobs while the men were away fighting the war. More and more consumer goods were being made and manufactured and as a result, companies were being consolidated, large impersonal corporations were taking over the mom and pop businesses.
The foot soldiers for these companies were the traveling Salesman who moved from town to town and covered large territories in a relentless effort to produce sales” (LIT.ED 606). Miller was showing us how these “impersonal corporations” didn’t care abo...
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...upply to cover their costs of living. As dysfunctional and backwards as all of this might seem there is still one thing we have omitted from this equation. And it is this element of the structure which reveals the truly fraudulent nature of the system itself, the application of interest.”
Regardless if you want to believe or not, we are all slaves, we are not free, we do not live in a free nation and it is this that Arthur Miller knew, it was what he wanted to express through Death of a Salesman. Through Willy, he wanted to show us that like most of us Willy too believed in the American Dream it is why he worked his whole life away, it is why we choose to attend work, or college, to become a teacher or a student. But just like Willy, we are being manipulated into believing in something that is a lie, a fairy tale, something that is as fictional as Willy himself.
Miller, Arthur. Death of a Salesman. The Bedford Introduction to Literature. 8th ed.Ed. Michael Meyer. Boston: Bedford, 2008. 1908-1972. Print.
Introduction Death of a Salesman and Glengarry Glen Ross are two plays which attempt to validate the key values that have been strongly advocated for by capitalism. The two plays dwell on somewhat similar themes, but these themes are presented in different styles. Both Miller and Mamet hold a similar interpretation of success in that the success of the main characters in the two plays is measured from a material standpoint. According to Miller and Mamet, these characters will do anything within their reach to stay ahead of other members of the society (the system/principle of capitalism), but as fate would have it, tragedies befall them in the end. Nevertheless, Miller and Mamet interpret these themes from different perspectives.
Arthur Miller's "Death of a Salesman" reflects the numerous issues post-war United States was dealing with during the late 1940's when it was written. Death of a Salesman was written and published in 1949, when the United States was booming with new economic capabilities and new found power, resulting in a golden age regardless of the growing tensions of the threat of communist invasion. Racial violence and the escalating issues regarding the deluded American dream that was turning out to be quite different than that which our founding fathers had originally idealized. During the time "Death of a Salesman" was created, Post-War United States was undergoing a metamorphosis into a new era of prosperity, communist paranoia, and social/philosophical change.
Since the beginning of the Industrial Age, Americans have idealized the journey towards economic success. One thing people do not realize, however, is that the journey is not the same for every individual. Media often leads its viewers toward a “one size fits all” version of success that may help themselves, but will rarely help the viewers. This is seen in Arthur Miller’s Death of a Salesman. Miller includes multiple instances of symbolism and personification to reveal to the reader the situational irony in Willy’s life, underlining the theme of self-deception in regard to the American Dream.
Murray, Edward. “The Thematic Structure in Death of a Salesman.” Readings on Arthur Miller: Death of a Salesman. San Diego: Greenhaven Press Inc., 1999.
Miller, Arthur. "Death of a Salesman" in Literature, Reading, Reacting, Writing, Compact Fourth Edition. Harcourt, Inc.. 2000. 1187, 1184, 1221, 1229, & 1230.
Eisinger, Chester E. "Critical Readings: Focus on Arthur Miller's Death of a Salesman: The Wrong Dreams." Critical Insights: Death of a Salesman (2010): 93-105.
Arthur Miller’s Death of a Salesman exploits the notion of the American Dream and the promises made by the American Government towards its citizens. Throughout the play, Miller makes references to dreams that each character carries but the failure in the fulfilment of the same. He recaptures the disappointments and disillusionments that the American nation suffers from for the American Dream is as well as death. Miller was the first playwright of his time who sheds light on this fact that the dream that every American carries a torch for is dead and gone.
A white picket fence surrounds the tangible icons of the American Dreams in the middle 1900's: a mortgage, an automobile, a kitchen appliance paid for on the monthly - installment - plan, and a silver trophy representative of high school football triumph. A pathetic tale examining the consequences of man's harmartias, Arthur Miller's "Death of A Salesman" satisfies many, but not all, of the essential elements of a tragedy. Reality peels away the thin layers of Willy Loman's American Dream; a dream built on a lifetime of poor choices and false values.
Miller, Arthur. “Death of a Salesman.” The Norton Introduction to Literature 10. New York: W. W.
Miller, Arthur “Death of a Salesman” Literature: Craft and Voice. Ed. Nicholas Delbanco and Alan Cheuse. 2nd ed. New York: McGraw Hill, 2012. 205-13. Print.
Miller, Arthur. Death of a Salesman. Eds. Alison Booth and Kelly J. Mays. New York: W.W. Norton & Company, 2010. 2128-2193. Print.
Miller, Arthur, and Gerald Weales. Arthur Miller, Death of a Salesman: Text and Criticism. New York: Viking Press, 1971.
Throughout the play, Arthur Miller uses characters’ inner tension and also tension with each other in order to shed light on capitalism’s misleading promises and devastating consequences for believing its promises. For many of the characters, believing in an imperfect system leads to many undesirable consequences, like disillusionment and suicide. For those that don’t throw themselves willy-nilly into the promises of capitalism and the American Dream, there is the chance of living a successful and fulfilling life. In the play Death of a Salesman, Willy Loman is a great example of someone trying desperately, yet unsuccessfully, to pursue the false hope of the American Dream, directly resulting from capitalism’s misleading nature.
The “Death of a Salesman” by Arthur Miller is a play deeply composed of many fundamental Marxist ideologies and beliefs. Marxists mainly believed Capitalism would lead to greed and uncontrollable consumerism which is applicable to the play as it follows the protagonist Willy Loman, a door to door salesman in mid to late 1940’s America, who in the later stages of his life is struggling to live up to his expectations of the ‘American Dream.’ The major theme in the play is the pursuit of this dream and the title represents the falsehood of it. The word ‘death’ in the title of the play initially foreshadows the death of Willy but also symbolises the death of the ‘American Dream.’ This is shown by Lois Tyson in “Critical Theory Today” through saying: