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Death in literature
Essays on death in literature
Death in literature
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The natural tendency of life is towards death, thus death is not an uncommon thing. So it is in Willa Cather’s My Àntonia and Death Comes for the Archbishop, with several deaths spread throughout the novels: the violent deaths of Mr. Shimerda and the Cutters in My Àntonia, as well as the peaceful deaths of Father Joseph Vaillant and Father Jean Latour in Death Comes for the Archbishop.
In Willa Cather’s My Àntonia, death is depicted as a much more violent and dismal affair than in Death Comes for the Archbishop, with the murder/suicide of Mr. Shimerda and the murder-suicide of Wick Cutter and his wife. The first incident of such is relayed by Jim Burden in Chapter Fourteen of Book One of the novel, and the question of who truly took Mr. Shimerda’s
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Wick Cutter and his wife. “Wick Cutter was the money-lender who had fleeced poor Russian Peter” (114). Mr. Cutter was known to be a gambler in his personal life and a swindler in his business life- he was known to cheat people out of a deal (115). The same held true when it came to his estate, a third of which would have gone to his wife if she survived him, per a recently enacted law. The thought of this displeased Mr. Cutter, so he purchased a pistol and shot his wife in order to survive her, and an hour later shot himself out of spite (191). “Now, would you have thought that man had such a cruel heart? To go and do that poor woman out of any comfort she might have from his money after he was gone” …show more content…
The first death recorded is that of Father Joseph Vaillant, whose cause of death is unknown. A point that is made known is the impact which Father Vaillant had on the people around him. The novel states that “there was not a building in Denver- in the whole Far West, for that matter, - big enough for [Father Vaillant’s] funeral” (286). He even impacted a certain French priest in such a way that the man, hospitalized though he was, took a train and a cab from Chicago to Father Joseph’s funeral
In Death Comes for the Archbishop, Willa Cather first portrays the dichotomy of the highly cultured Old world, and the primal beauty and history of the New world. Cather goes on to show the successful merging of the two worlds, through the centralization of the church and the creation of a European-style cathedral against the New Mexican landscape. Religious order and duty are central themes within the novel, and consequently various religious symbols and allusions appear throughout the text.
Hutchinson and Prince Prospero. Both their deaths were at the hands of their own communities. Their own kin were a part of their demise. “It isn’t fair, it isn’t right, Mrs. Hutchinson screamed, and then they were upon her” (Poe 372). The whole village crowded around Mrs. Hutchinson and stoned her to death. This was just tradition, but Mrs. Hutchinson did not in the least expect that tradition would release its wrath upon her on that awful day. Prince Prospero had a similar experience with Red Death. “There was a sharp cry-and the dagger dropped gleaming upon the sable carpet, upon which, instantly afterwards, fell prostrate in death the Prince Prospero” (Poe 76). Red Death introduced himself to the prince by killing him instantly. This was completely unexpected for Prince Prospero as he thought that the guest was just a ruder intruder, not death. Prince Prospero and Mrs. Hutchinson were simply going about their days and enjoying themselves, they did not realize that it would be the last time that they would enjoy
The American college dictionary defines success as 1. The favorable or prosperous termination of attempts or endeavors, 2. The gaining of wealth, possessions, or the like. This has been the general seances for the past hundred years or more. But in more modern days the prospective of success has changed slightly. It has shifted to having a good education, going to collage, getting a carrier getting married & having children. Having your own home and eventually dying and passing it all on to a child or children. Success is no longer satisfaction or personal goals. It has been supplemented by the goals society has preset for the populous that have been drilled into the minds of the young from the very beginning. To a man named Santiago in The Old Man and The Sea by: Earnest Hemingway, success was to conquer the Marlin Santiago had fought for so long. But as a cruel twist of fate his success is taken away in an instant when the prize he had fought so hard for was eaten by sharks, leaving Santiago with no spoils left to show for his hard fight. He was even so crushed by of the loss of the Marlin that he cried out to the sea "I am beaten.....hear stands a broken man" (234). Santiago still experienced success in the fashion that when he returned to port the little boy named Manolin that he had taught how to fish earlier in the novel was allowed to come back to fish with him. This was the ultimate form of success that was perceived for Santiago by Hemingway. To Jean Valjean in Les Misreables By: Victor Hugo , Valjean's success was represented in the form of going from convict to loving father of a daughter. The little girl named Cosette may not have been his true daughter, but after he had had dinner with a bishop that had seen the possibility of good in he started the transformation of his life. he met Cosettes mother and vowed to save her daughter from the place where she was being kept. The success Valjean experienced was what made his character the man that he was. But to Willa Cather in My
My Antonia, by Willa Cather, is a book tracing the story of a young man, Jim Burden, and his relationship with a young woman, Antonia Shimerda. Jim narrates the entire story in first person, relating accounts and memories of his childhood with Antonia. He traces his journey to the Nebraska where he and Antonia meet and grow up. Jim looks back on all of his childhood scenes with Antonia with nearly heartbreaking nostalgia. My Antonia, is a book that makes many parallels to the sadness and frailty, but also the quiet beauty in life, and leaves the reader with a sense of profound sorrow. One of the main ways Cather is able to invoke these emotions in the reader is through the ongoing theme of separation. Willa Cather develops her theme of separation through death, the changing seasons, characters leaving and the process of growing apart.
In a 1927 letter, Willa Cather wrote that her book, Death Comes for the Archbishop, that "many of the reviews of this book begin with the statement: 'This book is hard to classify.' Then why bother? Many more assert vehemently that it is not a novel. Myself, I prefer to call it a narrative." (On Writing 12).
People say the mind is a very complex thing. The mind gives people different interpretations of events and situations. A person state of mind can lead to a death of another person. As we all know death is all around us in movies, plays, and stories. The best stories that survive throughout time involve death in one form or another. For example, William Shakespeare is considered as one of the greatest writers in literary history known for having written a lot of stories concerning death like Macbeth or Julius Caesar. The topic of death in stories keeps people intrigued and on the edge of their seats. Edgar Allan Poe wrote two compelling stories that deal with death “The Tell-Tale Heart” and “The Raven.” In “The
In Willa Cather's My Antonia a special bond is formed, shattered, mended, and eventually secured between the main characters, Antonia Shimerda and Jim Burden. Jim and Antonia seem to be destined to affect each other's lives dramatically, from the beginning of the novel.
“The Cask of Amontillado” by Edgar Allan Poe is a story of revenge on the outside, but when on the inside, it is something deeper. His stories are dark and sometimes, like in “The Cask of Amontillado,” deadly. Poe’s main focus in “The Cask of Amontillado” is revenge, but if examined more closely, the irony that is present foreshadows the end result for Fortunato. In “The Cask of Amontillado” the Montresor is planning to seek revenge on Fortunato for “the thousand injuries.” The revenge results in the live burial of Fortunato, the actual reasoning is left a mystery, but this story goes to prove that things that one does can always come back ...
In her novel, My Antonia, Cather represents the frontier as a new nation. Blanche Gelfant notes that Cather "creat[ed] images of strong and resourceful women upon whom the fate of a new country depended" . This responsibility, along with the "economic productivity" Gilbert and Gubar cite (173), reinforces the sense that women hold a different place in this frontier community than they would in the more settled areas of America.
...reshadow a death through the blinding process of moral values and actions taken by an individual that has, or whose family has been dishonored and wishes to regain their dignity. Sophocles in Antigone portrays the theme of dishonor through the cultural value of burial in the Greek society; Gabriel Garcia Marquez on the other hand, condemns the legate of marriage to honor in Chronicle of a Death Foretold. Both cultural norms manage in context to inflict with the character’s family honor, which leads them into taking immoral and ruthless actions that lead to the innocent death of Antigone and Santiago Nasser, both innocent individuals.
In the play Hamlet by William Shakespeare, Hamlet struggles with the abrupt death of his father at the hands of his uncle. It is in the very beginning of the play that Hamlet voices his opinion that death would be a peaceful release. But as the play progresses his attitude begins to slowly doubt the serenity in death. Hamlet had been surrounded by death but had yet to come face to face with it, escaping the lessons the world was trying to teach him. It is within Act 5 scene 1 that Hamlet has a direct confrontation with death, manifested primarily through the discovery of Yorick’s skull, a dear friend from his green world childhood. It is through this experience that Hamlet realizes that death is the true equalizer, that all men are the same in death, stripped of all power and position, and that he too will crumble into dust.
Death is an eternal mystery and the most controversial subject stemming from human inexperience. Its inescapability and uncertainty can give insights on the core principles and vulnerability of human nature. In Shakespeare’s tragedy Hamlet he skilfully makes use of death as a lashing force to explore the depths of his characters along the way illustrating man’s continual dilemma “To be or not to be”?
Being that death is a universally explored topic, William Shakespeare, a master of English literature, opted to thoroughly investigate this complex notion in his play Hamlet. Shakespeare cleverly and sometimes subtly brings the reader/viewer through a physical and spiritual journey of death via the several controversial characters of Hamlet. The chief element of this expedition is undoubtedly the funerals. Every funeral depicts, and marks, the conclusion of different perceptions of death. Shakespeare uses the funerals of the several controversial characters to gradually transform the simple, spiritual, naïve, and somewhat light view of death into a much more factual, physical, serious, and down to earth outlook.
Death can be described in different ways. Some are more gruesome than others. However, all of them have one thing in common; death will happen to everyone eventually. In a wide variety of American literary movements, authors mainly use death as a means to show that it is going to happen, just in different ways.
By labeling Death a “slave,” an inherently oppressed and subordinate position, to “fate, chance, kings, and desperate men” and the accompaniment to “poison, war, and sickness,” the speaker declares the weakness and cowardice of Death (Donne 9-10). Death cannot act at random or as it wills. It requires an outside influence to create death, such as the suicides by “desperate men” or a mere accident of “fate” (Donne 9). Since these typically dishonorable or unjust causes of death are frequented by Death, Death itself cannot be honorable or just. A recurring theme in the Holy Sonnets is that God is honorable and just. Therefore, God is worthy of exaltation above