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Theme of death in Shakespeare
Shakespeare death themes
Conculsin about the fear of death
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Many of William Shakespeare’s plays explore the complexities and significance of life and death. Indeed, in Hamlet the notion of death and mortality is considered throughout the play. Author C.S. Lewis describes Hamlet as an ‘essay on death’. Although the play presents Hamlet’s perceptions on the subject, Shakespeare provokes the audience to explore their own understanding of the significance of our existence. Throughout the play Hamlet considers death and mortality from both a spiritual perspective in his fears about suicide and the afterlife and ponders the physical reminders of death in Yorik’s skull and the inevitable decay of our own bodies. He agonises over the futility and the brevity of life as themes of death and decay plague him throughout. …show more content…
He concludes that the fear of the afterlife, and the inevitable fact that we will die has plagued humans since the beginning and is the reason we chose to suffer in such a rotten and hopeless world. In asserting that “Conscience makes cowards of us all” Hamlet alludes that our fears of death and life after death are one's primary reason to follow religion. Societies cling to spiritual beliefs in the hope that death isn’t the end and that our lives have meaning even after we die Ultimately humans fear the unknown and it is much easier to comprehend the idea of heaven and hell, then to simply stop being and disintegrate into the …show more content…
When holding the skull Hamlet literally stares death in the face and views a physical token of the inevitable decay of our bodies. The skull comes to symbolize the finality of death, and is another reminder of the shortness and futility of life. Furthermore, when Hamlet observes that “Alexander died, Alexander was buried, Alexander returned to dust, the dust is earth, of earth we make loam”, he dictates that despite his power and success Alexander too met the same demise as Yorick, Polonius and every other being. Hamlet is accentuating the point that death destroys all, it is remorseless an equalizer. Consequently, he provokes the audience to examine the brevity of life and its significance in the bigger
Hamlet throughout the play lives in a world of mourning. This bereavement route he experiences can be related to Elizabeth Kubler-Ross’s theory on this process. The death of Hamlet’s spirit can be traced through depression, denial and isolation, bargaining, anger, and acceptance. The natural sorrow and anger of Hamlet’s multiple griefs include all human frailty in their protest and sympathy and touch upon the deepest synapses of grief in our own lives, not only for those who have died, but for those, like ourselves, who are still alive. Hamlet’s experience of grief, and his recovery from it, is one it which we ourselves respond most deeply.
From the appearance of the Ghost at the start of the play to its bloody conclusion, Hamlet is pervaded with the notion of death. What better site for a comic interlude than a graveyard? However, this scene is not merely a bit of comic relief. Hamlet's encounter with the gravedigger serves as a forum for Shakespeare to elaborate on the nature of death and as a turning point in Hamlet's character. The structure and changing mood of the encounter serve to move Hamlet and the audience closer to the realization that death is inevitable and universal.
We’re all going to die right? Then why is it that we fear death so much? In William Shakespeare’s well-known tragic play, Hamlet, the reader views Hamlet’s attitude towards death evolve. Shakespeare proves that Hamlet’s attitude towards death develops throughout the play; he starts off desiring death, then is fearful of death, and finally is confident about death.
It could be perhaps argued that Hamlet's state of mind which has become debased, but this is until Horatio claims, "Something is rotten in the state of Denmark (I, IV, 90)." The notion of festering carrion being a metaphor for King Hamlets death epitomizes this notion. The ghost furthers this idea by stating at the moment of his death, his skin became "Most lazar-like with vile and loathsome crust all my smooth body (I, V, 72)." This attempts the elucidate on the feeling of death almost like becoming like a leper before death finally takes its toll.
In the beginning of the play Hamlet's view of death is mournful but, as the play continues he begins to think of death as this incredibly terrifying concept, this is clear when he states “To die,to sleep-- to sleep, perchance to dream […] But that the dread of something after death, The undiscovered country of whose bourn” (Shakespeare III i
“So shall you hear of carnal, bloody, and unnatural acts, of accidental judgements, casual slaughters, of deaths put on by cunning and forced cause”, (Hamlet, Act V, Scene 2, Lines 381-384). Horatio, best friend of Prince Hamlet, says this in the final lines of the play. He says this after Gertrude, Queen of Denmark, Hamlet, Claudius, King of Denmark, and Laertes, son of Polonius all die in the battle between Hamlet and Laertes. Hamlet, King of Denmark, Rosencrantz and Guildenstern, former friends of Hamlet, Polonius, councillor to the King, and Ophelia, daughter of Polonius are also dead. Death is a very important theme in William Shakespeare’s Hamlet.
When one thinks of Shakespeare’s play Hamlet, the first image that comes to mind is that of Hamlet gazing into the eyes of Yorick’s skull. This scene has become an icon of the play because of the message behind it. It is arguable that the graveyard scene embodies the essence of the entire play. As Hamlet metaphorically and literally stares death in the face, a pivotal moment occurs where he realizes the meaning of human mortality. Hamlet sees the temporary nature of the human body, the insignificance of rank, and the equality of all humans in death. In Shakespeare’s play, Hamlet, the image of Yorick’s skull in the graveyard scene is so noteworthy because it acts as a reminder of the transience of human life.
In act 3, Hamlet questions the unbearable pain of life and views death through the metaphor of sleep. "To be or not to be: that is the question: / whether 'tis nobler in the mind to suffer / the slings and arrows of outrageous fortune, or to take arms against a sea of troubles / and, by opposing end them. To die, to sleep / no more" (3.1.64-68), details which bring up new thoughts about what happens in the after life. Thus, Hamlet contemplates suicide, but his lacking knowledge about what awaits him in the afterworld causes him to question what death will bring. For example he states, "The undiscovered country, from whose bourn / no traveler returns, puzzles the will / and makes us rather bear those ills we have / than fly to others that we know not of" (3.1.87-90), again revealing his growing concern with "Truth" and his need for certainty. Once again, death appears in act 4 with the suicide of Ophelia, the demand for Hamlet's execution and the gravedigger scene. All of these situations tie back with how death is all around Hamlet and feeds his obsession with it. Finally in act 5, Hamlet meets his own death, as his obsession to know leads to the death of himself.
Hamlet's View on Death in Hamlet by William Shakespeare Hamlet is scared because he does not know what happens after you die. He is not afraid to die, but he will not kill himself because he is afraid that he will go to hell. In Act 3, scene 3, Hamlet shows his belief in the Bible by not killing his father while he is in prayer. He says, HAMLET “A villain kills my father; and for that. I, his sole son, send this same villain.
Death threads its way through the entirety of Hamlet, from the opening scene’s confrontation with a dead man’s ghost to the blood bath of the final scene, which occurs as a result of the disruption of the natural order of Denmark. Hamlet is a man with suicidal tendencies which goes against his Christian beliefs as he is focused on the past rather than the future, which causes him to fall into the trap of inaction on his path of revenge. Hamlet’s moral dilemma stems from the ghost’s appearance as “a spirit of health or a goblin damned”, making Hamlet decide whether it brings with...
In his tragedy Hamlet, William Shakespeare explores and analyzes the concept of mortality and the inevitability of death through the development of Hamlet’s understanding and ideology regarding the purpose for living. Through Hamlet’s obsessive fascination in understanding the purpose for living and whether death is the answer, Shakespeare analyzes and interprets the meaning of different elements of mortality and death: The pain death causes to others, the fading of evidence of existence through death, and the reason for living. While due to the inevitable and unsolvable mystery of the uncertainty of death, as no being will ever empirically experience death and be able to tell the tale, Shakespeare offers an answer to the reason for living through an analysis of Hamlet’s development in understanding death.
Shakespeare’s Hamlet is a tragic play about murder, betrayal, revenge, madness, and moral corruption. It touches upon philosophical ideas such as existentialism and relativism. Prince Hamlet frequently questions the meaning of life and the degrading of morals as he agonizes over his father’s murder, his mother’s incestuous infidelity, and what he should or shouldn’t do about it. At first, he is just depressed; still mourning the loss of his father as his mother marries his uncle. After he learns about the treachery of his uncle and the adultery of his mother, his already negative countenance declines further. He struggles with the task of killing Claudius, feeling burdened about having been asked to find a solution to a situation that was forced upon him.Death is something he struggles with as an abstract idea and as relative to himself. He is able to reconcile with the idea of death and reality eventually.
After a death, we find ways to overcome grief in this painful world. Some people binge eat their way out while others find the easy way out, which is suicide. In the play Hamlet, Shakespeare portrays mortality in the image of death and suicide. Shakespeare develops Hamlet as a man who is sensitive and uncontrolled by his actions. Hamlet faces challenges that mess with his subconscious, making him feel vulnerable to making decisions that will affect his life.
Hamlet’s psychological influence demonstrates his dread of both death and life. In Hamlet’s famous soliloquy, “To be or not to be” (3.1.64), he refers the “be” to life and further asks “whether ‘tis nobler in the mind to suffer the slings and arrows of outrageous fortune” (3.1.65.66). By this, Hamlet is asking himself the question of whether to live or die.
Hamlet is one of the most often-performed and studied plays in the English language. The story might have been merely a melodramatic play about murder and revenge, butWilliam Shakespeare imbued his drama with a sensitivity and reflectivity that still fascinates audiences four hundred years after it was first performed. Hamlet is no ordinary young man, raging at the death of his father and the hasty marriage of his mother and his uncle. Hamlet is cursed with an introspective nature; he cannot decide whether to turn his anger outward or in on himself. The audience sees a young man who would be happiest back at his university, contemplating remote philosophical matters of life and death. Instead, Hamlet is forced to engage death on a visceral level, as an unwelcome and unfathomable figure in his life. He cannot ignore thoughts of death, nor can he grieve and get on with his life, as most people do. He is a melancholy man, and he can see only darkness in his future—if, indeed, he is to have a future at all. Throughout the play, and particularly in his two most famous soliloquies, Hamlet struggles with the competing compulsions to avenge his father’s death or to embrace his own. Hamlet is a man caught in a moral dilemma, and his inability to reach a resolution condemns himself and nearly everyone close to him.