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As i lay dying critical essay
As i lay dying critical essay
As i Lay dying essay
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The Grinning Reaper: Death and Black Comedy in As I Lay Dying
In William Faulkner’s world, what is often portrayed as morbid can also be taken as tongue-in-cheek by the reader, especially when it comes to his most beloved and troubled clan, the Bundren family. Throughout the novel, the Bundrens are beset by numerous, unfortunate burdens on their journey to bury their nine-day-dead mother, most of which find the reader both wincing and giggling at the same time. I will be using the new critical approach for my paper, which treated literary texts as autonomous and divorced from historical context in order to bring the focus of literary studies back to the analysis of the texts. New Critics also intended to exclude the reader's response, the author's intention, cultural and historical frameworks, and moralistic bias from their analysis. Through New Critical analysis, readers can discern how different themes in the work come together to complete the novel as a whole; in this case, the theme of black comedy plays a large role in controlling the otherwise dark moments in the novel, creating a spectrum of emotion that completes the experience of the reader. By implementing humor into the macabre circumstances of the treatment of Addie’s body, Anse using his wife’s funeral for personal gain, and Dewey Dell’s quest for an abortion, Faulkner uses black comedy in order to lighten the theme of death in his Southern Gothic literature.
The reason why Addie’s body is kept above ground is no mystery as she had instructed her husband ‘to take me back to Jefferson when I died’ (Faulkner 173), but one must question why exactly she remains unburied for nine days after her death. The reader must look to the characters for clues as to why Addie’s co...
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...r Addie it is torture, for Anse it is a way to profit, and for Dewey Dell it is a solution. By crafting such intricate dealings with death, Faulkner also challenges the reader to assess what death means to them, and how death can fulfill multiple roles in life. Through new criticism which examines the relationships between a text's ideas and its form, and just doing a close reading of the text the reader is forced to look at As I lay Dying in a whole new meaning. The reader is also confronted with how the most dire and tragic events can produce the greatest humor, forcing us to question not only the thin line between tragedy and comedy but also what the individual perceives to be entertaining. This mixture of death and humor is intoxicating to the reader, and effectively entraps them within the world of the characters, their pain, and what it means to be human.
When an author romanticizes a piece of literature, he or she has the power to convey any message he or she wishes to send to the reader. Authors can make even the most horrible actions, such as Dustan murdering ten savages in their sleep and justify it; somehow, from both the type of mood/tone set in this piece of literature, along with the powerful word choice he used, Whittier had the ability to actually turn the tables on to the victim (i.e. the ten “savages” who were murdered in their sleep). “A Mother’s Revenge” by John Greenleaf Whittier, is a prime example of how authors can romanticize any situation into how they want to convey their message.
Addie is actually the perfect character to try and describe the lack or void of words and meanings. The very fact that she is dead and is talking about this void from the dead is important. In a way she is speaking from a void between life and death. Morna Flaum expresses this idea in her article, “Elucidating Addie Bundren in As I Lay Dying.” “Her condition of deadness, speaking from the void between is and not-is makes her the perfect vehicle for Faulkner to describe the indescribable, approach the unapproachable, express the inexpressible, as he so gracefully does, does-not. The placement of Addie’s chapter in the middle of her long journey from deathbed to grave is also significant.” Flaum goes on to say that this placement of Addie’s chapter
“As I Lay Dying, read as the dramatic confrontation of words and actions, presents Faulkner’s allegory of the limits of talent” (Jacobi). William Faulkner uses many different themes that make this novel a great book. Faulkner shows his talent by uses different scenarios, which makes the book not only comedic but informational on the human mind. As I Lay Dying by William Faulkner is a great book that illustrates great themes and examples. Faulkner illustrates different character and theme dynamics throughout the entire novel, which makes the book a humorous yet emotional roller coaster. Faulkner illustrates the sense of identity, alienation, and the results of physical and mental death to show what he thinks of the human mind.
There are many short stories in literature that share a common theme presented in different ways. A theme that always keeps readers’ attention is that of death because it is something that no one wants to face in real life, but something that can be easily faced when reading. “Harrison Bergeron” by Kurt Vonnegut and “The Lottery” by Shirley Jackson both exemplify how two authors use a common theme of death to stand as a metaphor for dystopian societies.
Death is an inevitable part at the end of human life, despite how many people try to avoid it. Sometimes death is seen as a sacrifice, as noticed in “The Scarlet Ibis” by James Hurst. However, not all sacrifices are deaths, as seen in “The Most Dangerous Game” by Richard Connell. In both stories, upon analysis and comparison, one can see the similarities and differences involving the theme of sacrifice. When the two stories are put side by side, one will see that Connell and Hurst both use death in a way that displays character development. This is shown when Brother of “The Scarlet Ibis” becomes regretful and Rainsford of “The Most Dangerous Game” becomes what he once hated, the reader will also realize how the characters’ personality traits
Faulkner, William. As I Lay Dying. 1930. Edited by Noel Polk. New York: Vintage, 1985. Print.
Addie Bundren of William Faulkner's As I Lay Dying has often been characterized as an unnatural, loveless, cold mother whose demands drive her family on a miserable trek to bury her body in Jefferson. For a feminist understanding of Addie, we have to move outside the traditional patriarchal definitions of "womanhood" or "motherhood" that demand selflessness from others, blame mothers for all familial dysfunction, and only lead to negative readings of Addie. She also has been characterized as yet another Faulkner character who is unable to express herself using language. This modernist view of the inexpressiblility of the creative spirit does not apply to Addie simply because she is not an artist; she is a woman and a mother, a person who feminist theorists would desribe as "traditionally mute." To characterize her using universalizing, humanist terms erases the way that her character is marked by her biological sex and by the gender roles she is forced to play. Addie is not a representative of humankind, or even of womankind, but an individual woman trapped in a partriarchal world that represses her desires and silences her; a woman who longs to find an identity of her own that is outside patriarchal constructions and not always definable in relation to the men and the children in her life. Most importantly, Addie is a character who is acutely aware of the linguistic and social oppression that traps her into a life she does not want.
Narration in As I Lay Dying is bewildering at best. And at worst it is a ragged collection of thoughts and paraphrased verbatim by sporadically chosen characters in the wrong order. But no one is trying to claim that this book is normal. The most notable attribute of Faulkner’s narration is the changing narrator idea. Faulkner starts out telling the story from Darl’s po...
The theme death has always played a crucial role in literature. Death surrounds us and our everyday life, something that we must adapt and accept. Whether it's on television or newspaper, you'll probably hear about the death of an individual or even a group. Most people have their own ideas and attitude towards it, but many consider this to be a tragic event due to many reasons. For those who suffered greatly from despair, living their life miserably and hopelessly, it could actually be a relief to them. Death affects not only you, but also those around you, while some people may stay unaffected depending on how they perceive it.
Addie’s chapter placement complicates the novel, as it is placed after she dies; Faulkner does not make it clear whether he is presenting her voice from beyond the grave or if this is supposed to have taken place sometime in the past. From the very beginning of the chapter, Addie shows a darkness in her heart that the reader has not seen before. She hates children (169). She hates her father for bringing her into the world; and telling her that the “reason for living [is] to get ready to stay dead a long time” (169). She doesn’t appear to take any pleasure in living, except when she punishes her st...
This essay primarily focuses on analyzing William Faulkner’s purpose of writing the novel As I Lay Dying. This essay argues that the novel was primarily written as satire to mock heroic epics by ridiculing rural Southerners in the early twentieth century. This essay argues that the novel is written as an ironic quest in order to mock the typical romantic quest. In essence, the novel has an easy-to-follow structure and the essay reveals this through characterization and organization. Each character is tested in amusing ways and is full of a plethora of alternative agendas and motives. The research conducted for this essay was from journals on JSTOR and from the novel As I Lay Dying. The research was primarily focused on the ironic quest and the satirical and comedic aspects of the story.
When Addie Bundren finally passes on her family is left behind to carry out the burial process and take her to her desired burial ground. However, what may seem like a simple task, taking their mother to Jefferson, Alabama, turns out to be a chore as each character focuses more on their own issues than their mother’s wish. On the other hand, Cash seems to have stepped up on the family’s trip, presenting himself as the leader of the group and never loses sight of the goal of the journey: to bring Addie to Jefferson. Cash acts heroically throughout Faulkner’s novel by working tirelessly to build his mother the casket that she desires, by sacrificing his body and risking his life to then save said casket and finally, by ignoring the excruciating
They go on to analyze Faulkner’s placement of Addie’s monologue, how others may judge the book, and the writing style. They compare As I Lay Dying with Faulkner’s other novel, The Sound of the Fury. They speak of the similar narrative strategies and the differences in levels of comicality of between the two novels in question. They believe that although both novels are humorous, only As I Lay Dying can truly be considered as comical and therefore, label it a
Faulkner's style may give you trouble at first because of (1) his use of long, convoluted, and sometimes ungrammatical sentences, such as the one just quoted; (2) his repetitiveness (for example, the word "bleak" in the sentence just quoted); and (3) his use of oxymorons, that is, combinations of contradictory or incongruous words (for example, "frictionsmooth," "slow and ponderous gallop," "cheerful, testy voice"). People who dislike Faulkner see this style as careless. Yet Faulkner rewrote and revised Light in August many times to get the final book exactly the way he wanted it. His style is a product of thoughtful deliberation, not of haste. Editors sometimes misunderstood Faulkner's intentions and made what they thought were minor changes. Recently scholars have prepared an edition of Light in August that restores the author's original text as exactly as possible. This Book Note is based on that Library of America edition (1985), edited by Noel Polk and Joseph Blotner.
Faulkner, William, "As I Lay Dying". The Norton Anthology of American Literature. Eighth Edition. Baym, N and Levin, R. New York: W. W. Norton & Company Ltd., 2012. Print