The amoral protagonist of Das Perfume, Grenouille was created to beget sympathy and empathy from the readers. The effects of this were used to support the theme of morality and these effects were achieved through understanding of the immoral character, Grenouille. The theme of morality is supported by the Suskind’s use of bildungsroman, characteristics of the minor characters, plot events and narration (third person point of view) to raise doubts in the reader’s judgments towards the protagonist’s action and the norms of society he lives in, and finally, to persuade readers to question the morality of the characters through various means of persuasion.
In exposition, the diction Suskind uses was densely connoted – not only to provide descriptions of the birthplace of the protagonist but rather, it serves as a tool to incite disgusted feelings and pity from the readers towards the protagonist’s birth events. Moreover, Suskind emphasises that Grenouille does undergoes childhood trauma (despite being born emotionless) and that the cause of trauma originates from the characteristic of the society he was born into. Undoubtedly, it was something that the protagonist has absolute no control over it. Although there were no traumatized-symptoms were shown by Grenouille as the story continues to progress, the effects would linger in the mind of the readers rather than the protagonist himself. Through characterization and plot events, Suskind begets more sympathy from his readers by also introducing the protagonist’s mother - whom abandons a child in a fish market as she, previously has done similarly with the other four. Furthermore, Grenouille’s unwanted birth event was described as well – as his mother wanted to put the “revolting birth...
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...tagonist. This interval allows the readers and view Grenouille as the world does, which then raises the question of who is morally right in the situation.
Based on the context of ethics, it is mutually agreed that murder immoral. However, Suskind managed to demonstrate and display the cruelty of Grenouille's world and he also shows how the world can easily influence and manifest its heinous attributes unto someone, causing them to become a murderer. This brings to question, whether or not the society is to be blamed. In brief, when Suskind does condemns the society, such as in the opening scene in Perfume, it condemns only the hideous parts of the society-- the agony, the malice, and the inhumanity. Therefore, “can we accept the truth as it really is or must we, with perfume appropriate to the occasion, sweeten them to suit our own sensibilities?” (Arukiyomi, 2009)
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Grendel, surprisingly, adapts quite well to his society despite its detestation of his existence. Grendel live is a rattlesnake-guarded cave, which allows himself to detach from his society, giving him the necessary space to cope with the troublesome thoughts among his people about Grendel. Unlike Frankenstein, Grendel tries to associate with the members of his civilization but is rejected every time he tries to do so. Every night Grendel goes to Herot to listen to the Sharper’s stories because the history interests him. He is quite intrigued and appreciative of the tales he hears, but when he comes in contact with those from Herot, they do not reciprocate the appreciation of his presence in Herot. The ones he admires so much taunt and torture him to the point they try to kill him for “intruding.” As retaliation, Grendel fights back and raids Herot every night.
Although Mrs. Spring Fragrance has only lived in America for a short amount of time, her husband states “There are no more American words for her learning” (865). It is obvious through reading this statement that Mrs. Spring Fragrance has become quickly acquainted with not only the English language, but also with American customs and traditions. However, not every character in Mrs. Spring Fragrance adjusts to American culture as easily as Mrs. Spring Fragrance; some characters have a difficult time leaving their Chinese traditions of marriage and accepting that in America, love comes before marriage. Throughout Mrs. Spring Fragrance, Sui Sin Far describes the process that the Chinese characters experience as they slowly begin to alienate traditional Chinese culture and becoming Americanized through accepting American culture as their own.
Her family life is depicted with contradictions of order and chaos, love and animosity, conventionality and avant-garde. Although the underlying story of her father’s dark secret was troubling, it lends itself to a better understanding of the family dynamics and what was normal for her family. The author doesn’t seem to suggest that her father’s behavior was acceptable or even tolerable. However, the ending of this excerpt leaves the reader with an undeniable sense that the author felt a connection to her father even if it wasn’t one that was desirable. This is best understood with her reaction to his suicide when she states, “But his absence resonated retroactively, echoing back through all the time I knew him. Maybe it was the converse of the way amputees feel pain in a missing limb.” (pg. 399)
...en-year-old girl”. She has now changed mentally into “someone much older”. The loss of her beloved brother means “nothing [will] ever be the same again, for her, for her family, for her brother”. She is losing her “happy” character, and now has a “viole[nt]” personality, that “[is] new to her”. A child losing its family causes a loss of innocence.
...rs and situations to help explain the societal issues surrounding the time period. The dreadfulness comes from the controversial issues and feelings these characters experience. These characters must overcome these dreadful experiences in order to change what society deems as acceptable in the future.
While the monsters of the poem are the antagonists of the poem, the author still manages to make the reader feel traces of sympathy for them. Grendel’s human depiction, exile and misery tugs at the heart of readers and indeed shows a genuine side to the figure, while Grendel’s mother and the dragon are sympathetic mainly because they were provoked into being attacked over things they both had a deep affection for. Their actions make us question whether they are as evil as they seem.
Grendel feels like an outcast in the society he lives in causing him to have a hard time finding himself in the chaotic world. He struggles because the lack of communication between he and his mother. The lack of communication puts Grendel in a state of depression. However, Grendel comes in contact with several characters with different philosophical beliefs, which allows his to see his significance in life. Their views on life influence Grendel to see the world in a meaningful way.
...n very human feelings of resentment and jealousy. Grendel was an unstable and saddened figure because of his outcast status. Though Grendel had many animal attributes and a grotesque, monstrous appearance, he seemed to be guided by vaguely human emotions and impulses. He truthfully showed more of an interior life than one might expect. Exiled to the swamplands outside the boundaries of human society, Grendel’s depiction as an outcast is a symbol of the jealousy and hate that seeks to destroy others' happiness and can ultimately cripple a civilization. This take on the outcast archetype ultimately exposes the Anglo Saxon people’s weaknesses, their doubts and anxieties towards the traditional values that bounded nearly every aspect of their life.
Mersault, the narrator and protagonist, is The Stranger. He has cut himself off from the world. As he narrates the novel is divided into two parts. In part 1 he deals with everyday affairs except for two important events. At the beginning of the novel his mother has died. He is struggling to make ends meet, therefore he sent his mother to a nursing home in Marengo. This has brought criticism from the community. At the funeral he does not feel the grief as is expected nor is he concerned with the formalities of mourning. The next day Mersault starts an affair with Marie, who at one time been a typist in his office. They have a wonderful time eating, swimming, watching movies and making love. People, i.e. society is aghast that he has not observed what is considered a proper mourning period for his mother.
Camus starts the beginning of his novel by stating the death of the narrator’s mother through a first person point of view. Meursault, the protagonist and narrator of the novel, begins by contemplating the day of his mother’s death and is unable t...
Human nature is a conglomerate perception which is the dominant liable expressed in the short story of “A Tell-Tale Heart”. Directly related, Edgar Allan Poe displays the ramifications of guilt and how it can consume oneself, as well as disclosing the nature of human defense mechanisms, all the while continuing on with displaying the labyrinth of passion and fears of humans which make a blind appearance throughout the story. A guilty conscience of one’s self is a pertinent facet of human nature that Edgar Allan Poe continually stresses throughout the story. The emotion that causes a person to choose right from wrong, good over bad is guilt, which consequently is one of the most ethically moral and methodically powerful emotion known to human nature. Throughout the story, Edgar Allan Poe displays the narrator to be rather complacent and pompous, however, the narrator establishes what one could define as apprehension and remorse after committing murder of an innocent man. It is to believe that the narrator will never confess but as his heightened senses blur the lines between real and ...
The salient ideas in the novel are religion, culture, and materialism. This three are the major struggles through which the protagonist encounters throughout his existence. The auxiliary points are sin, gender inequality, and communication. These ones play a less outstanding, but a substantial part in the protagonist’s life.
First of all, the book follows the themes of isolation, innocence, and corrupted maturity through the setting. In
... men in the story are portrayed, exhibits the degradation of the value of the self-expression of a woman.