Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The role of the woman in history
Women and religion thesis
Women in medieval literature and society
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The role of the woman in history
It is often in the past that women get short credited. In today’s society women were the last to get rights and have often been held from doing somethings. In the past women and been viewed as property of their husband and had no say and have been held on a pedestal. Women have been used to unite kingdoms and women have broken kingdoms apart. Women have played many different roles in the past, and that is what is going to be examined in this essay. What were the roles that women played in The Bible, The Quran and Dante’s Inferno and how do they differ from book to book? The Bible was compiled in approximately 120AD, it was written by many different authors that were inspired by the Holy Spirt. It was written mainly in Israel but some books …show more content…
It portrays women as stereotypical gentile full of emotion and compassionate. "‘In Heaven there’s a gentle lady – one who weeps for the distress toward which I send you, so that stern judgment up above is shattered. And it was she who called upon Lucia, requesting of her: "Now your faithful one has need of you, and I commend him to you." " (Inf. II, 94-111) This shows her crying which proves that she is compassionate. This shows that Beatrice is over whelmed with emotion and without the guidance of Dante she is too distraught to help Dante. “Lucia, enemy of every cruelty, arose and made her way to where I was, sitting beside the venerable Rachel. She said: "You, Beatrice, true praise of God, why have you not helped him who loves you so that – for your sake – he’s left the vulgar crowd? Do you not hear the anguish in his cry? Do you not see the death he wars against upon that river ruthless as the sea?" No one within this world has ever been so quick to seek his good or flee his harm as I…’" (Inf. II, 94-111) In this quote unlike Gentle Mary, Lucia seems to be scolding Beatrice because she is too distraught to help her love Dante who is straying off the path of God. When Beatrice gets her emotions under control she is the one who convinces Virgil to help her save Dante. Dante’s Inferno shows women as both the stereotypical emotion, helpless damsel in destress and a strong powerful figure that can save lives without the help of a
This paper will discuss the well published work of, Pomeroy, Sarah B. Goddesses, Whores, Wives, and Slaves: Women in Classical Antiquity. New York: Schocken, 1975. Print. Sarah B. Pomerory uses this book to educate others about the role women have played throughout ancient history. Pomerory uses a timeline to go through each role, starting with mythological women, who were called Goddesses. She then talks about some common roles, the whores, wives, and slaves during this time. Pomerory enlightens the audience on the topic of women, who were seen as nothing at the time. Men were seen as the only crucial part in history; however, Pomerory’s focus on women portrays the era in a new light.
From the beginning women were given a role in life they were supposed to live by. Women are the child bearer and most toke on the role of the healers of society. It seemed to be the primarily role of women to tend to the physical, mental and spiritual needs of other people. In the early European society, women were the religious leaders, guiding people through the different stages of their lives. As the warrior classes began to form, the role of women beg...
The struggle for women to play an important role in history can be traced from the ancient Mesopotamians to the 1900’s. There has been a continuous battle for women to gain equal rights and to be treated equally in all aspects of life. The Epic of Gilgamesh is the oldest recorded account of the roles of women and their importance in a functional society. Women have been viewed as anything from goddesses to unwanted servants throughout history, regardless of a variety of changes in rulers, religions, and simply time periods. The Epic of Gilgamesh might lead one to consider the roles of women a small and insignificant part compared to the man's role.
When I observe literature works of Medieval and Renaissance period, a man success is determine by the roles of women. I heard a famous quote say "behind a great man there is a amazing woman". As I examine literature works, in the Medieval time of "Sir Gawain and Green Knight "and the Renaissance period of The Faerie Queene of Book I. We have two extraordinary Christian like figures Sir Gawain and Red Crosse who represent Christianity in their respectably time period . Both men endured several tests and have sinned against God. While these men were in the mist of their downfall, they had significant woman who guided them along way to find Christ again. I will view the roles of women like Lady Bertilak of Sir Gawain and Una of the Red Crosse
Women in the biblical bible represent a transitioning and evolutionary turn for women in the future. Biblical women have open doors of opportunities that allow women to become more independent, confidents and sophisticated. History has shown how women first were seen as a typical care taker or protector compared to a “provider,” which was more associated with men. However, over the century, there has been a chain broken and opportunities released that allowed women to become more like men to a certain degree. There has been a change in status, roles, and education. Biblical women have allowed women in the twenty-first century the chance to obtain a higher status role such as, a provider for their family. Therefore, allowing women to stand up for their rights and what they believe in using sexual techniques. Such as, manipulating men, using their body as a weapon and the power of “sisterhood” to get what they want.
Though not the focus of epic poetry, the female characters of this ancient genre play a central role, as they have a great influence on the male heroes they encounter. In a genre which idealizes manliness and heroism—that is, acts of courage, strength, and cunning— women are set in opposition to these ideals and therefore less respected. At the same time, women who attempt to take on more “masculine” roles are vilified. Here, antagonist is defined as anyone in opposition to the hero’s goals. Female agency—their free will and ability to wield power—is directly related to their role in epic poetry; that is, the more agency a female character has, the more antagonistic of a role she plays. This agency is often enacted through sexuality or supernatural
Dante’s work Inferno is a vivid walkthrough the depths of hell and invokes much imagery, contemplation and feeling. Dante’s work beautifully constructs a full sensory depiction of hell and the souls he encounters along the journey. In many instances within the work the reader arrives at a crossroads for interpretation and discussion. Canto XI offers one such crux in which Dante asks the question of why there is a separation between the upper levels of hell and the lower levels of hell. By discussing the text, examining its implications and interpretations, conclusions can be drawn about why there is delineation between the upper and lower levels and the rationale behind the separation.
Dante's "Inferno" is full of themes. But the most frequent is that of the weakness of human nature. Dante's descent into hell is initially so that Dante can see how he can better live his life, free of weaknesses that may ultimately be his ticket to hell. Through the first ten cantos, Dante portrays how each level of his hell is a manifestation of human weakness and a loss of hope, which ultimately Dante uses to purge and learn from. Dante, himself, is about to fall into the weaknesses of humans, before there is some divine intervention on the part of his love Beatrice, who is in heaven. He is sent on a journey to hell in order for Dante to see, smell, and hear hell. As we see this experience brings out Dante's weakness' of cowardice, wrath and unworthiness. He is lead by Virgil, who is a representation of intellect. Through Dante's experiences he will purge his sins.
Corinthians 14:34 states, “Let the women keep silence in the churches: for it is not permitted unto them to speak; but let them be in subjection, as also saith the law” (Holy Bible, King James Edition). Edith Hamilton, "recognized as the greatest woman Classicist", says that the Bible is the only book before our century that looked to women as human beings, no better nor worse than men (Tanner). However, it cannot be said that this book was consistently favorable to women. Maybe not absolutely, but conditionally in personal opinion, the Bible shows numerous examples of a woman’s inferiority to men, an assessment that has been translated into the cultures of generations. In this essay I will address briefly instances in the bible pertaining to women, and continue on with thoughts on how I believe these notions have been interpreted into society.
... Moreover, such belief in human reason signifies Dante's hope towards a bright society and the pursuit of God’s love as the other part of self-reflection. In conclusion, a great deal of tension and contrast between “dark” and “light” in The Inferno helps us to explore Dante’s self portrait—he fears dangerous desires and sinful darkness, but shows much courage and hope towards life since he nevertheless follows his guide Virgil to dive into horrible Hell. As shown in Canto I, such emotional reaction to dark and light symbols lays a great foundation for developing Dante’s broad and universal traits as his journey progresses.
In Dante’s Inferno, Dante is taken on a journey through hell. On this journey, Dane sees the many different forms of sins, and each with its own unique contrapasso, or counter-suffering. Each of these punishments reflects the sin of a person, usually offering some ironic way of suffering as a sort of revenge for breaking God’s law. As Dante wrote this work and developed the contrapassos, he allows himself to play God, deciding who is in hell and why they are there. He uses this opportunity to strike at his foes, placing them in the bowels of hell, saying that they have nothing to look forward to but the agony of suffering and the separation from God.
Dante’s The Divine Comedy illustrates one man’s quest for the knowledge of how to avoid the repercussions of his actions in life so that he may seek salvation in the afterlife. The Divine Comedy establishes a set of moral principles that one must live by in order to reach paradiso. Dante presents these principles in Inferno where each level of Hell has people suffering for the sins they committed during their life. As Dante gets deeper into Hell the degrees of sin get progressively worse as do the severity of punishment. With that in mind, one can look at Inferno as a handbook on what not to do during a lifetime in order to avoid Hell. In the book, Dante creates a moral lifestyle that one must follow in order to live a morally good, Catholic
...eral chronicle of Dante’s life. This is not the case, as historical information proves, Dante led a full life separate from his love of Beatrice. This story instead serves as a description of the power that Love wields over the sensitive and romantic. Indeed, Love could wield this power over anyone He chooses, though he chooses only those with the poet’s soul, through which God can speak and tell humanity of the power of Love. God inspires those who are open to him, in a way that they can understand. In the case of Dante, God spoke to him through Love and produced a tale that will convey the same message to all those who are able to hear. Dante was not writing for those without a poet’s mind, a fact he makes clear throughout the text, and the reason for this is evident: they would simply not understand.
Women were often subjects of intense focus in ancient literary works. In Sarah Pomeroy’s introduction of her text Goddesses, Whores, Wives, and Slaves, she writes, “Women pervade nearly every genre of classical literature, yet often the bias of the author distorts the information” (x). It is evident in literature that the social roles of women were more restricted than the roles of men. And since the majority of early literature was written by men, misogyny tends to taint much of it. The female characters are usually given negative traits of deception, temptation, selfishness, and seduction. Women were controlled, contained, and exploited. In early literature, women are seen as objects of possession, forces deadly to men, cunning, passive, shameful, and often less honorable than men. Literature reflects the societal beliefs and attitudes of an era and the consistency of these beliefs and attitudes toward women and the roles women play has endured through the centuries in literature. Women begin at a disadvantage according to these societal definitions. In a world run by competing men, women were viewed as property—prizes of contests, booty of battle and the more power men had over these possessions the more prestigious the man. When reading ancient literature one finds that women are often not only prizes, but they were responsible for luring or seducing men into damnation by using their feminine traits.
The Bible is a unique book that was written over a span of 1500 years ago and was written in three distinct languages (Greek, Hebrew and Aramaic) however, there was no specific writer. It reads about real factual events that occurred and was a dialog of many people’s lives. It authenticity has been proved by researches and historians that have proved these texts to have been real life occurrences thousands of years ago. The Bible was written over such a long span of time, as it contains the old and New Testament and within them the Genesis, Exodus, Leviticus etc. Throughout the New Testament, factual stories are retold from different points of views as there are approximately 40 authors that wrote the bible. Tradition says that Moses was wrote the Bible Genesis 1 and 2 however, this is debatable. (Brown, 2012)These factual stories have different topics and messages within them about the nature of God, the creation of the world, rules to live by, and the coming of the Promised Messiah.