The Power of Knowledge
Knowledge is a fundamental component of being human. The ability to comprehend information, apply it to the future as well as understand the past, is remarkable. Without knowledge, there could be no critical thinking, empathy, or technological progress. This is an incredible ingredient of our makeup that touches every aspect of human life, and arguably the ingredient that makes us human. The great scholars and philosophers have understood this for thousands of years and have documented as such in their works. From the Biblical Genesis, which is said to represent the first humans, to popular fables, Homer’s Odyssey, and Dante’s Inferno, this message is made clear. Knowledge is the key construct that defines man
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and not only affects his daily endeavors but also shall determine his ultimate fate. The Bible’s Genesis tells the story of Adam and Eve in the Garden of Eden. These are said to be the first humans in God’s Earthly creation. They are given all they need to survive and live in a world of paradise. In addition to the trees used for sustenance, God places two very special trees: the tree of knowledge of good and evil, and the tree of life.
The tree of life was in the center of the garden and is symbolic of life itself. A tree is beautiful and strong. It grows upward toward the heavens and asks little for its maintenance. It can provide food and shelter for many creatures and is, in the simplest context, only good. The tree of knowledge of good and evil represents all knowledge of the world, not necessarily the information but the ability to obtain, process, and apply knowledge. Having knowledge leads to curiosity, which leads to seeking more knowledge. Being of good and evil reflects that it is all encompassing. Good and evil are opposite ends of the spectrum in all that exists. For good to exist, evil must also be present, and thusly everything in-between. This relationship is indicative of knowledge itself, as it can be applied for good or evil purposes and also gives those who are good the ability to combat evil. Genesis tells us that “God created the human in his image” (Chapter 1). Man’s key component to this image is that of having knowledge to help him part ways from the other Earthly creatures. Through eating the forbidden fruit, man’s journey to becoming more God-like is made complete. The acquisition of …show more content…
knowledge, while seemingly made to look like a betrayal toward God, was precisely what man needed to elevate himself above other beasts. The threat of death from God upon eating the fruit was not guaranteed to be immediate, nor was there a promise of eternality for not eating the fruit. Yet eating the fruit, and thus gaining understanding, man could now comprehend his own mortality, giving the threat of death substance. It is likely that man’s life was already temporary without eating the forbidden fruit, but without knowledge, the foretelling of his demise would have little to no significance. Genesis tells us here, that knowledge was an intentional gift from God, not simply imparted, such as breath, but acquired by man through God’s own doing in the form of an educational experience, just as knowledge is acquired by every man and woman since. Aesop’s fables are short works that often involve one or more animals given human-like traits, interacting with each other, or actual humans, to impart a lesson to the reader.
They have been popular in literature for thousands of years and can be used to provide insight to philosophical questions or make important social commentaries. One such tale, that of The City Mouse and the Country Mouse, demonstrates a difference between people and risks they are willing to take for their own benefit. The country mouse is content in his country living, eating acorns and fearing few enemies. The city mouse, urges the country mouse to visit him and enjoy the best food in the land. Quickly the simple country mouse discovers that this bountiful feast comes at a cost of cohabitation with humans, who would likely kill him given the opportunity. The country mouse is shown to be the wiser of the two, as he recognizes that his freedom with fewer luxuries is far better than this dangerous alternative. These stories commonly reward positive virtues, with reason being highly prized. This speaks of a wisdom brought forth by experience, or the knowledge obtained from living life. The authors of these fables knew this and integrated these life lessons into their tales to teach others not only the importance of individual situations but to emphasize the importance of knowledge
itself. Marie de France scribed the lai of Lanval, a knight of King Arthur’s famed Round Table. Lanval was respected in his community, as knight’s of the round table were held in high regard for their chivalrous and brave actions. His peers, however, did not display the same sentiment toward him, likely because he was said to be of noble blood, and therefore not in the same class as the others. King Arthur himself offers no pay to Lanval, yet in his humbleness he does not make a point to request it. Lanval’s character, composed of honor and humility, is representative of his knowledge of how to be a good man. In this tale he is rewarded for his good character by a fairy queen who loves him and showers him with riches. Her only request of Lanval is to not let her presence be known to others. Lanval shares the newly acquired wealth with others, which is very fitting to his nature, and brings to him a gained respect from his peers, and an even higher elevated reputation with his community. Here we see that his application of knowledge in what is proper, and the treatment of others is praised. Life is good for Lanval until he is met with a challenge by Arthur’s queen. A proposition is made to the good knight and he feels inclined to choose between loyalty to the King or the promise made to his love. Lanval blasts Arthur’s queen, revealing the existence of his love, and thus betraying his vow to keep her a secret. The Queen is insulted by Lanval as he denies her advances and disregards her beauty as insignificant by comparison to even his love’s servants. Lanval has made a choice between two loyalties, showing use of reason to determine the best path. While he is initially punished by the rule of man for insulting the Queen, the good knight is ultimately rewarded for making the right choice. Lanval has his day in court and is redeemed for his remarks to Arthur’s queen by the arrival of his love. Her arrival proves both her existence, and backs up his claims of her beauty which are contested by none present. Lanval rides off to Avalon with his love at the end of the tale to presumably live in eternal bliss. The ability of man to apply knowledge via reason is demonstrated here, as is the importance of seeking knowledge, in a court of man to determine the fate of Lanval. This tale shows reward for having knowledge of right from wrong, and how these things are not always simple. Homer’s The Odyssey, follows the Trojan war hero Odysseus on what becomes a twenty year journey home. Odysseus is heralded as a good an honorable man by his peers and servants alike. Those who truly knew him and were affected by his presence are loyal to him in his absence, though conceding that he may be dead. Homer shows the reader that Odysseus constantly is in search of knowledge. For this he is rewarded by the faithfulness of his friends and family in the epic. On his journey home he is met with many challenges. Early in the story Odysseus and his crew make land on an island inhabited by giant cyclopses. The men warn the hero that these giants are barbaric and cannot be trusted to grant any hospitality. Odysseus must see for himself if this is true, and does not heed the advice to stay away. With several men he enters the dwelling of one of the cyclopses and awaits his arrival, while helping himself to some unattended cheese. It is soon discovered that the warnings were true and the men find themselves as prisoners and meals for the giant. Odysseus does escape with some of his original party but several are lost to the brutal hunger of the cyclops. Upon his return home, Odysseus also having heard information of the suitors, does not go with a preconceived judgement for them. He must know for himself the nature of the suitors, and see their misdeeds before administering any justice. Disguised as an old beggar he arrives at his his home and experiences first hand the nastiness of the suitors who he finds wasting his son’s inheritance and harassing his wife. For this they ultimately pay with their lives by the hand of Odysseus and servants loyal to him. While Homer is clear to show the imperfect humanity of Odysseus, he does ultimately find reward in his actions by learning before judging, and sticking to a code of ethics and behaviors. His knowledge of right from wrong, or good and evil, are what bring him success and lead him to his reward. Dante Alighieri’s Divine Comedy, opening with Inferno, details the trip of the character of the same name traveling through the circles of Hell. Dante makes the daunting journey through Hell with his guide Virgil. Virgil was a Roman poet from long before Dante’s time but was a major influence on him through his recorded works. Dante receives knowledge via his documented works, as well as directly imparted to him in Hell. The use of Virgil in both instances shows how knowing and being educated is vital to walk a proper path. As the pilgrim and his guide are to enter Hell, Virgil says that those within are, “the suffering race of souls who lost the good of intellect” (Canto III, 17-18). Virgil is shown to be the great educator of Dante, warning him here that if he were not to learn from this journey, this too would be his home. Throughout the journey, Dante takes heed of this advice and questions souls from all areas of Hell, inquiring about how they arrived and if redemption was possible. Inferno tells the reader that walking the right path is paramount to avoiding the horrors of Hell. Dante encounters important men of the world, those of high position in their previous lives, along with the evil scum of the Earth, telling that no man of privilege is exempt. Dante paints a clear picture for the reader which shows that one must walk the right path, and to do so, one must know the way. Knowledge is shown in these works to be the most vital component to living a proper life, obtaining success, and being rewarded after death. The reader is shown that without knowing how to walk the proper path, one will likely live a much shorter and less joyous life, making that life void of loyal companionship, and likely resulting in a doomed afterlife. Regardless of one’s personal beliefs, the lessons shown for those who are living are quite accurate. Without knowledge it is clear that social and technological advancement would not be possible, nor would the ability to pass on tales and lessons from the past. History would not exist because the present would be the same. Acquiring, possessing, and applying knowledge, is what makes humans human, and is the key to unlock our future prosperity.
For centuries humans have been drawing parallels to help explain or understand different concepts. These parallels, or allegories, tell a simple story and their purpose is to use another point of view to help guide individuals into the correct line of thought. “The only stable element in a literary work is its words, which if one knows the language in which it is written, have a meaning. The significance of that meaning is what may be called allegory.”(Bloomfield) As Bloomfield stated, it is only how we interpret the words in an allegory that matters, each person can interpreted it in a slightly different way and allegories are most often personalized by a reader. Dante’s Inferno allegory is present throughout the entire poem. From the dark wood to the depths of Dante’s hell he presents the different crimes committed in life as they could be punished in death.
To further interpret The Inferno, the Italian poet, Dante Allegheri, created a method called The Fourfold Analysis. This method involves analyzing the historical, moral, political, and spiritual effects of the topic. For example, Dante’s fourfold method helps the reader to further understand the thieves and their allegorical symbolism. The Thieves are found in the Seventh Pouch of the Eighth Circle of Hell in Dante’s Inferno, guarded by Cacus, a centaur. They are found with their hands tied up, being punished by snakes and lizards. The Thieves played a significant role in The Inferno, as they take up two entire cantos. The sight of the thieves in hell makes Dante’s “blood run cold with fright.” (Ciardi 197) At first glance, the actions of a thief seem to only affect 2 groups of people-the thief and the victim(s)-however, the effects include damage of community trust, personal costs, and continued separation between good and evil.
Human beings are odd creatures, possessing abilities no other living species have. These abilities being Intelligence, Reason, and Free Will. These attributes allow human beings to value and destroy whatever they deem necessary to them. One of the most valuable things to a human being is the communal bond. This bond comes in many shapes and forms and is ultimately a form of love, and is usually a connection we share with others and with God. The communal bond works like a relationship, in which the persons involved are expected to and obey the instructions specified. This bond is a weak love, one that is easily influenced and most likely to be corrupted and shattered. This is due to man’s inability to hate himself and assume responsibility for his actions. Instead man decides to blame his neighbor for his wrongs and this leads to man loathing his community. In his work, The Inferno, Dante Alighieri utilizes the placement of sinners in The Inferno in order to establish the idea of moral depravation being a result of breaking communal bonds.
The characters of Lewis, Ed, and the hillbilly rapists can be examined in terms of the circles of Hell found in Robert Pinsky's translation of "The Inferno of Dante." Each circle of Hell is reserved for a particular type of sinner with very specific punishments. When the characters from James Dickey's "Deliverance" are viewed from the perspective of Dante's nine circles of Hell, their actions seem to be much more sinister then when they are taken in the context of Dickey's novel alone. What could be viewed as justifiable homicide in Dickey's world suddenly places Lewis and Ed in the pits of Hell, right alongside the rapist, murdering hillbillies.
Fantastic elements occur in both Dante’s Inferno and The Tales of Sinbad but it is obvious that Inferno uses a lot more of the fantastic than Sinbad. In Dante’s Inferno, there are several fictional creatures (Cereberus, the Furies, Geryon) in the realms of hell, which all serve a specific purpose in hell and in Dante’s journey through the depths of hell. Through Sinbad’s journey, we see a lesser quantity of fantastic creatures, but, similar to Dante’s Inferno, the creatures that appear in Sinbad’s voyages all serve a purpose to the plot of the story. The main connection that both Dante and Sinbad have in relation to the use of the fantastic in their journeys is the purpose of the fantastic creatures themselves—they serve to cause death among others, but oftentimes are the sources that help advance the plot of the poem forward.
In Dante’s Inferno, the relationship between Dante the Pilgrim and Virgil the Guide is an ever-evolving one. By analyzing the transformation of this relationship as the two sojourn through the circles of hell, one is able to learn more about the mindset of Dante the Poet. At the outset, Dante is clearly subservient to Virgil, whom he holds in high esteem for his literary genius. However, as the work progresses, Virgil facilitates Dante’s spiritual enlightenment, so that by the end, Dante has ascended to Virgil’s spiritual level and has in many respects surpassed him. In Dante’s journey with respect to Virgil, one can see man’s spiritual journey towards understanding God. While God loves man regardless of his faults, His greatest desire is to see man attain greater spirituality, in that man, already created in God’s image, may truly become divine, and in doing so, attain eternality.
Many arguments have been made that Dante’s Inferno glimmers through here and there in Milton’s Paradise Lost. While at first glance the two poems seem quite drastically different in their portrayal of Hell, but scholars have made arguments that influence from Dante shines through Milton’s work as well as arguments refuting these claims. All of these arguments have their own merit and while there are instances where a Dantean influence can be seen throughout Paradise Lost, Milton’s progression of evil and Satan are quite different from Dante. Dante’s influence on Milton is noted by many scholars and is very apparent in several instances throughout Paradise Lost, however, Milton shows a progression of evil through his own vision of Satan and creates a Hell that is less meticulously constructed than Dante’s and more open to interpretation.
Dante’s work Inferno is a vivid walkthrough the depths of hell and invokes much imagery, contemplation and feeling. Dante’s work beautifully constructs a full sensory depiction of hell and the souls he encounters along the journey. In many instances within the work the reader arrives at a crossroads for interpretation and discussion. Canto XI offers one such crux in which Dante asks the question of why there is a separation between the upper levels of hell and the lower levels of hell. By discussing the text, examining its implications and interpretations, conclusions can be drawn about why there is delineation between the upper and lower levels and the rationale behind the separation.
The pursuit of knowledge can lead to a humans destruction and awareness. The pursuit of
Dante's "Inferno" is full of themes. But the most frequent is that of the weakness of human nature. Dante's descent into hell is initially so that Dante can see how he can better live his life, free of weaknesses that may ultimately be his ticket to hell. Through the first ten cantos, Dante portrays how each level of his hell is a manifestation of human weakness and a loss of hope, which ultimately Dante uses to purge and learn from. Dante, himself, is about to fall into the weaknesses of humans, before there is some divine intervention on the part of his love Beatrice, who is in heaven. He is sent on a journey to hell in order for Dante to see, smell, and hear hell. As we see this experience brings out Dante's weakness' of cowardice, wrath and unworthiness. He is lead by Virgil, who is a representation of intellect. Through Dante's experiences he will purge his sins.
In his first article of The Inferno, Dante Alighieri starts to present a vivid view of Hell by taking a journey through many levels of it with his master Virgil. This voyage constitutes the main plot of the poem. The opening Canto mainly shows that, on halfway through his life, the poet Dante finds himself lost in a dark forest by wandering into a tangled valley. Being totally scared and disoriented, Dante sees the sunshine coming down from a hilltop, so he attempts to climb toward the light. However, he encounters three wild beasts on the way up to the mountain—a leopard, a lion, and a she-wolf—which force him to turn back. Then Dante sees a human figure, which is soon revealed to be the great Roman poet Virgil. He shows a different path to reach the hill and volunteers to be Dante’s guide, leading Dante to the journey towards Hell but also the journey seeking for light and virtue.
In Dante’s Inferno, Dante is taken on a journey through hell. On this journey, Dane sees the many different forms of sins, and each with its own unique contrapasso, or counter-suffering. Each of these punishments reflects the sin of a person, usually offering some ironic way of suffering as a sort of revenge for breaking God’s law. As Dante wrote this work and developed the contrapassos, he allows himself to play God, deciding who is in hell and why they are there. He uses this opportunity to strike at his foes, placing them in the bowels of hell, saying that they have nothing to look forward to but the agony of suffering and the separation from God.
Dante’s The Divine Comedy illustrates one man’s quest for the knowledge of how to avoid the repercussions of his actions in life so that he may seek salvation in the afterlife. The Divine Comedy establishes a set of moral principles that one must live by in order to reach paradiso. Dante presents these principles in Inferno where each level of Hell has people suffering for the sins they committed during their life. As Dante gets deeper into Hell the degrees of sin get progressively worse as do the severity of punishment. With that in mind, one can look at Inferno as a handbook on what not to do during a lifetime in order to avoid Hell. In the book, Dante creates a moral lifestyle that one must follow in order to live a morally good, Catholic
Within the Garden of Eden God placed two exquisite trees. Each quite different in its purpose, however both proved to play an integral role in the tale of man?s beginning. Perhaps the better known of the two, the tree of knowledge of good and evil, was the only one, which God imposed a contingency upon. ?You many freely eat of every tree of the garden; but of the tree of the knowledge of good and evil you shall not eat, for in the day that you eat of if you shall die.? Is this to imply that knowledge is perhaps more important and therefore more closely guarded than life?
Perception Dante Alighieri’s in The Inferno. In The Inferno, Dante Alighieri, the poet, places a strong emphasis on perception; it is through sight that Dante the pilgrim can acknowledge and learn from his experience in hell. Sight plays an especially crucial role in the work because Dante, the pilgrim, is often captivated by an image of some kind. The sight of the sinners transfixes Dante; and the sinners are, in turn, captivated with Dante and Virgil.