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Advantages of positive rapport in counselling
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Recommended: Advantages of positive rapport in counselling
Reflection paper As a case manager, it is natural to expect a variety of clients. On March 13th, 2018, I had the opportunity of interviewing Dante. Dante was recently involved a motor vehicle accident which has been really detrimental to his health.The motor vehicle accident, Dante had become really depressed after his accident. The interview began with the aim of establishing a therapeutic rapport with a warm genuine greeting /friendly conversation .The greeting was followed by The confidentiality statement included clear on expectations and limits of confidentiality ( harm to self or others).The confidentiality statement was then followed by an Opening Question “Dante,what brings you here today?” this question was aimed to prompt “storytelling”. As the interviw went on Dante made clear that the accident was devastating when as he mentioned, “It's been it was kind of a rough accident for us(his family and …show more content…
Use of Encouragers. Attending skills such as visual/eye Contact,vocal quality were used to make Dante feel comfortable and allowing openness. Additionally, Body Language: Posture, Facial Expressions, Gestures such as nodding,smiling and hand gestures was used to make Date feel heard. Another technique I try to use throughout my interview with Dante was using the strength model and empathy.I tried to point out dentist trends throughout the interview. What does approach I was hoping to get him towards hope and progress. I want to work effectively with Dante to help promote his growth .Most importantly I think empathy place a huge part in the interview because as Summers says in her book”most of the research into effectiveness of empathetic listening shows that amputee creates and save space in which clients can express genuine emotion and tacitly gives them permission to do
Fantastic elements occur in both Dante’s Inferno and The Tales of Sinbad but it is obvious that Inferno uses a lot more of the fantastic than Sinbad. In Dante’s Inferno, there are several fictional creatures (Cereberus, the Furies, Geryon) in the realms of hell, which all serve a specific purpose in hell and in Dante’s journey through the depths of hell. Through Sinbad’s journey, we see a lesser quantity of fantastic creatures, but, similar to Dante’s Inferno, the creatures that appear in Sinbad’s voyages all serve a purpose to the plot of the story. The main connection that both Dante and Sinbad have in relation to the use of the fantastic in their journeys is the purpose of the fantastic creatures themselves—they serve to cause death among others, but oftentimes are the sources that help advance the plot of the poem forward.
Thesis- Dante and Virgil have an interesting relationship that changes throughout Dante’s Inferno. They started off very different and Virgil didn’t care much for Dante. Dante looked at Virgil differently after he had heard Beatrice sent him to guide him. Throughout their travels, their relationship changed as they went through every layer of hell. Something happened in each one that changed their relationship either drastically, or barely at all. Their travels are very intriguing and their relationship is very complex. They become very close, so much that Dante acquires a deep trust in Virgil. They are no longer “just friends.” They are both poets and can communicate very well through words and Literature.
In Dante’s Inferno, the relationship between Dante the Pilgrim and Virgil the Guide is an ever-evolving one. By analyzing the transformation of this relationship as the two sojourn through the circles of hell, one is able to learn more about the mindset of Dante the Poet. At the outset, Dante is clearly subservient to Virgil, whom he holds in high esteem for his literary genius. However, as the work progresses, Virgil facilitates Dante’s spiritual enlightenment, so that by the end, Dante has ascended to Virgil’s spiritual level and has in many respects surpassed him. In Dante’s journey with respect to Virgil, one can see man’s spiritual journey towards understanding God. While God loves man regardless of his faults, His greatest desire is to see man attain greater spirituality, in that man, already created in God’s image, may truly become divine, and in doing so, attain eternality.
We learn that Virgil has only come to Dante’s aid because he has been summoned by Beatrice. This is an example of relying on divine love. He says to Dante “Do not fear, the journey we are making cannot prevent: such power decrees it. Wait here for me and feed your weary spirit with comfort and good hope; you can be sure I will not leave you in this underworld” (Dante pg.45).
In Dante’s Inferno, those who never repented for their sins are sent there after death. Like the old Latin proverb says, “The knowledge of sin is the beginning of salvation.” (“Latin Proverb Quotes” ThinkExist) The punishments in his Hell are decided by the law of retribution, which according to Webster’s Dictionary is the total effect of a person's actions and conduct during the successive phases of the person's existence, regarded as determining the person's destiny. (“Retribution” Merriam-Webster) Therefore, Dante creates a variety of reprimands for the three different types of sins: incontinence, violence, and fraudulence. These penalties can also be referred to as allegories because of their hidden moral meaning. The three best allegories in Dante’s Inferno describe the flatterers, fortune tellers, and suicides.
Many arguments have been made that Dante’s Inferno glimmers through here and there in Milton’s Paradise Lost. While at first glance the two poems seem quite drastically different in their portrayal of Hell, but scholars have made arguments that influence from Dante shines through Milton’s work as well as arguments refuting these claims. All of these arguments have their own merit and while there are instances where a Dantean influence can be seen throughout Paradise Lost, Milton’s progression of evil and Satan are quite different from Dante. Dante’s influence on Milton is noted by many scholars and is very apparent in several instances throughout Paradise Lost, however, Milton shows a progression of evil through his own vision of Satan and creates a Hell that is less meticulously constructed than Dante’s and more open to interpretation.
Dante’s work Inferno is a vivid walkthrough the depths of hell and invokes much imagery, contemplation and feeling. Dante’s work beautifully constructs a full sensory depiction of hell and the souls he encounters along the journey. In many instances within the work the reader arrives at a crossroads for interpretation and discussion. Canto XI offers one such crux in which Dante asks the question of why there is a separation between the upper levels of hell and the lower levels of hell. By discussing the text, examining its implications and interpretations, conclusions can be drawn about why there is delineation between the upper and lower levels and the rationale behind the separation.
...Commedia"" Dante Studies With the Annual Report of the Dante Society.90 (1972): 1-11. JSTOR. Web. 08 May 2014. .
When Francesca first speaks to Dante, she thanks him his acknowledgment and pity, saying “if the King of the universe were our
... Moreover, such belief in human reason signifies Dante's hope towards a bright society and the pursuit of God’s love as the other part of self-reflection. In conclusion, a great deal of tension and contrast between “dark” and “light” in The Inferno helps us to explore Dante’s self portrait—he fears dangerous desires and sinful darkness, but shows much courage and hope towards life since he nevertheless follows his guide Virgil to dive into horrible Hell. As shown in Canto I, such emotional reaction to dark and light symbols lays a great foundation for developing Dante’s broad and universal traits as his journey progresses.
In Dante’s Inferno, Dante is taken on a journey through hell. On this journey, Dane sees the many different forms of sins, and each with its own unique contrapasso, or counter-suffering. Each of these punishments reflects the sin of a person, usually offering some ironic way of suffering as a sort of revenge for breaking God’s law. As Dante wrote this work and developed the contrapassos, he allows himself to play God, deciding who is in hell and why they are there. He uses this opportunity to strike at his foes, placing them in the bowels of hell, saying that they have nothing to look forward to but the agony of suffering and the separation from God.
Dante’s The Divine Comedy illustrates one man’s quest for the knowledge of how to avoid the repercussions of his actions in life so that he may seek salvation in the afterlife. The Divine Comedy establishes a set of moral principles that one must live by in order to reach paradiso. Dante presents these principles in Inferno where each level of Hell has people suffering for the sins they committed during their life. As Dante gets deeper into Hell the degrees of sin get progressively worse as do the severity of punishment. With that in mind, one can look at Inferno as a handbook on what not to do during a lifetime in order to avoid Hell. In the book, Dante creates a moral lifestyle that one must follow in order to live a morally good, Catholic
From the very first page Dante shows the reader the immense effect love has on him,
Justice is one of the major building block that society is built upon. It gives people a sense of retribution when they have been wronged. In Dante’s Inferno, justice is served in the supernatural realm. Throughout this play, the reader is exposed to the inner working of hell and the nine circles of specialized punishment it is composed of. Justice, in Dante’s Inferno, differs from justice in the mortal world in that it is decided, not by humans, but by God. However, it is not God’s justice that is portrayed in this divine comedy. While this divine comedy depicts justice coming from God, the justice in the Inferno is based on Dante’s personal views of the severity of the sin and the sinner. This paper will examine this issue by looking into the life of Dante and the potential reasons for his rankings of the sin pertaining to specific circles of hell.
In Dante’s, The Divine Comedy, Virgil leads Dante through the Inferno, where Dante undergoes changes in his compassion. I am going to argue that Dante expresses less compassion during his journey when Virgil leads him through the Inferno. This essay will prove how Dante shows more feelings at the beginning of the Inferno compared to the end of the Inferno.