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Nineteenth century women's roles
Nineteenth century women's roles
Nineteenth century women's roles
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During the nineteenth century, women were viewed as homemakers, not able to perform in society with men. They were degraded and debased by men to believe that they were worth almost nothing, only worthy of bearing children. This superfluous male domination lead to many women feeling trapped in their own homes, unable to escape from the confinements placed on them by their husbands and society. An illumination of these confines is accounted by Henry James, an American writer of the nineteenth century, in his novella Daisy Miller, which recounts the story of a young American girl Daisy Miller, narrated by Frederick Winterbourne, a young compatriot, who spends most of his life in Geneva, Switzerland. James, along with other supporting characters, …show more content…
The central characters, Mr. Winterbourne and Daisy Miller, are both young Americans living and traveling abroad in Europe, socializing with other Americans living abroad. This microcosm of American society allows the reader to clearly see how Daisy is condemned for what is viewed as less than ladylike behavior, while Winterbourne, free to embrace an independent lifestyle, is not held accountable or snubbed in the least because of his actions. In the beginning of the novella, Henry mentions that Mr. Winterbourne has maintained an intimate relationship with an anonymous lady for some time, which is the reason of his spending so much time at Geneva. The readers find that there is previous forays into less than ideal relationships for him as the author states, “He had known, here in Europe, two or three women – persons older than Miss Daisy Miller, and provided, for respectability’s sake, with husbands – who were great coquettes – dangerous, terrible women, with whom one’s relations were liable to take a serious turn” (James 9). Never once did these insights prevent Mr. Winterbourne from being socially accepted. However, when Daisy Miller develops an intimate friendship with the Italian gentleman, Mr. Giovanelli, she is scorned, talked about, and ridiculed within the social group. As noticed in the novella, women are judged more harshly than men for their behavior, particularly when it comes to sexual impropriety, but women are also the harshest critics. Furthermore, neither Mr. Winterbourne nor Mr. Giovanelli are ever given responsibility for leading Daisy astray; only Daisy is given the full burden for any impropriety. For instance, upon hearing that Daisy planned to visit the castle in Geneva with Mrs. Winterbourne unchaperoned, Mrs. Costello refuses to meet Daisy. However, even though Mr. Winterbourne is just as
Society continually places restrictive standards on the female gender not only fifty years ago, but in today’s society as well. While many women have overcome many unfair prejudices and oppressions in the last fifty or so years, late nineteenth and early twentieth century women were forced to deal with a less understanding culture. In its various formulations, patriarchy posits men's traits and/or intentions as the cause of women's oppression. This way of thinking diverts attention from theorizing the social relations that place women in a disadvantageous position in every sphere of life and channels it towards men as the cause of women's oppression (Gimenez). Different people had many ways of voicing their opinions concerning gender inequalities amound women, including expressing their voices and opinions through their literature. By writing stories such as Daisy Miller and The Yellow Wallpaper, Charlotte Perkins Gilman and Henry James let readers understand and develop their own ideas on such a serious topic that took a major toll in American History. In this essay, I am going to compare Gilman’s “The Yellow Wallpaper” to James’ “Daisy Miller” as portraits of American women in peril and also the men that had a great influence.
Society continually places specific and often restrictive standards on the female gender. While modern women have overcome many unfair prejudices, late nineteenth- and early twentieth-century women were forced to deal with a less than understanding culture. Different people had various ways of voicing their opinions concerning gender inequalities, including expressing themselves through literature. By writing a fictional story, authors like Charlotte Perkins Gilman and Henry James were given the opportunity to let readers understand and develop their own ideas on such a serious topic.
In the last half of the nineteenth century, Victorian ideals still held sway in American society, at least among members of the middle and upper classes. Thus the cult of True Womanhood was still promoted which preached four cardinal virtues for women: piety, purity, submissiveness, and domesticity. Women were considered far more religious than men and, therefore, they had to be pure in heart, mind, and, of course, body, not engaging in sex until marriage, and even then not finding any pleasure in it. They were also supposed to be passive responders to men's decisions, actions, and needs. The true woman's place was her home; "females were uniquely suited to raise children, care for the needs of their menfolk, and devote their lives to creating a nurturing home environment." (Norton, 108). However, the tensions between old and new, traditional and untraditional, were great during the last years of nineteenth century and there was a debate among male and female writers and social thinkers as to what the role of women should be. Among the female writers who devoted their work to defying their views about the woman's place in society were Charlotte Perkins Gilman and Kate Chopin.
In the nineteenth century the inequality of women was more than profound throughout society. Margaret Fuller and Fanny Fern both women of the century were much farther advanced in education and opinion than most women of the time. Fuller and Fern both harbored opinions and used their writing as a weapon against the conditions that were considered the norm in society for women. Margaret and Fuller were both influential in breaking the silence of women and criticizing the harsh confinement and burden of marriage to a nineteenth century man. Taking into consideration Woman in he Nineteenth Century by Fuller, Aunt Hetty on Matrimony, and The Working-Girls of New York by Fern, the reader can clearly identify the different tones and choice of content, but their purposes are moving towards the same cause. Regardless of their differences in writing, both Fern and Fuller wrote passionately in order to make an impact for their conviction, which was all too similar.
Louisa Ellis can be viewed in two different ways. For one, she can be seen as a feministic hero who feels she is better off without a husband. For second, she can be viewed as a selfless person. There is evidence that this story takes place in a different time. A time where women did not have the right to vote, or to sustain themselves. By examining the clues throughout the story, one can say the story takes place in the late 1800’s. Some of the clues are revealed when the narrator points out certain things which are unusual to today’s world. For example, the narrator says, “she lighted her lamp” (). This story takes place in a time when were women counted on their husbands for financial support and protecting. When the reader knows this, the reader can come to the conclusion that Louisa Ellis was not so much a feminist, but instead was a selfless woman who worked for “the greater good”.
Different documents in the Gilded Age prominently illustrated gender inequality in their portrayal of men and women within society. Many photographs in the time period by Jacob Riis and Lewis Hine did not shed light on a woman’s hardships, but rather undermined their domestic work. Society failed to give women credit for their work at home due to the common misconception that a woman’s work was easier than that of a man’s. Margaret Byington’s article Homestead: The Households of a Mill Town contrastingly gave an accurate portrayal of the distress women faced in their everyday life. The representation of women in the Gilded Age varies significantly between that in the photographs, and their domestic, weak personification, and in Byington’s article, which gives women a more accurate depiction through their domestic duties.
In Charlotte Perkins Gilman's short story "The Yellow Wallpaper," the reader is treated to an intimate portrait of developing insanity. At the same time, the story's first person narrator provides insight into the social attitudes of the story's late Victorian time period. The story sets up a sense of gradually increasing distrust between the narrator and her husband, John, a doctor, which suggests that gender roles were strictly defined; however, as the story is just one representation of the time period, the examination of other sources is necessary to better understand the nature of American attitudes in the late 1800s. Specifically, this essay will analyze the representation of women's roles in "The Yellow Wallpaper" alongside two other texts produced during this time period, in the effort to discover whether Gilman's depiction of women accurately reflects the society that produced it.
The industrialization of the nineteenth century was a tremendous social change in which Britain initially took the lead on. This meant for the middle class a new opening for change which has been continuing on for generations. Sex and gender roles have become one of the main focuses for many people in this Victorian period. Sarah Stickney Ellis was a writer who argued that it was the religious duty of women to improve society. Ellis felt domestic duties were not the only duties women should be focusing on and thus wrote a book entitled “The Women of England.” The primary document of Sarah Stickney Ellis’s “The Women of England” examines how a change in attitude is greatly needed for the way women were perceived during the nineteenth century. Today women have the freedom to have an education, and make their own career choice. She discusses a range of topics to help her female readers to cultivate their “highest attributes” as pillars of family life#. While looking at Sarah Stickney Ellis as a writer and by also looking at women of the nineteenth century, we will be able to understand the duties of women throughout this century. Throughout this paper I will discuss the duties which Ellis refers to and why she wanted a great change.
In society, there has always been a gap between men and women. Women are generally expected to be homebodies, and seen as inferior to their husbands. The man is always correct, as he is more educated, and a woman must respect the man as they provide for the woman’s life. During the Victorian Era, women were very accommodating to fit the “house wife” stereotype. Women were to be a representation of love, purity and family; abandoning this stereotype would be seen as churlish living and a depredation of family status. Charlotte Perkins Gilman’s short story "The Yellow Wallpaper" and Henry Isben’s play A Doll's House depict women in the Victorian Era who were very much menial to their husbands. Nora Helmer, the protagonist in A Doll’s House and the narrator in “The Yellow Wallpaper” both prove that living in complete inferiority to others is unhealthy as one must live for them self. However, attempts to obtain such desired freedom during the Victorian Era only end in complications.
The story of Daisy Miller starts off in Vevey, Switzerland with Winterbourne and Daisy meeting through Daisy's brother Randolph. Winterbourne is immediately attracted to her stating, "she was strikingly, admirably pretty" (James 470). The story continues with Winterbourne giving Daisy a tour of the Chateau de Chillon, and Winterbourne returning to Geneva, where he had an older women waiting for him. Daisy ends up meeting an Italian man, Giovanelli, which eventually leads to her death of malaria. Although the characters seem simple enough, they symbolize much more than themselves. In Henry James's Daisy Miller, Daisy symbolizes all American women who travel abroad to Europe, while Winterbourne symbolizes the European mentality of American tourists.
“Men weren't really the enemy - they were fellow victims suffering from an outmoded masculine mystique that made them feel unnecessarily inadequate when there were no bears to kill.” (quotegarden) As changes in industry and lifestyle swept the nation in the mid-nineteenth century, questions regarding women’s place in society started to arise. This prompted many women to reevaluate their positions in their own lives. At the time, women were dominantly domestic figures, residing in the house to matronly care for children and tend to household duties not to be bothered with by the husband. It is important to note that men in this century were raised and cultivated to have a certain view of women, so they are not actually malicious as some might view them, they are simply products of their environment. It just so happened that women drew the metaphorical “short stick”. Socially and politically, women were not independent. The only voice they had was through their husbands, and relationships and ideas shared with other women at this time were thought to be nothing more than domestic chatter, not to be taken seriously. The only exception to this widely accepted rule was, of course, a widow. She was not tied to a husband or father, or any male for that matter, so she had more freedom over not only her estate but her personal life as well. This is the situation Louise Mallard finds herself in in Kate Chopin’s short story, The Story of an Hour. Chopin illustrates the woman’s newfound feelings of pure freedom that come with the death of her husband and helps readers to understand the oppression felt by women during this time period using Mrs. Mallard’s view on her marriage and her intense emotions, along with the inner conflict she feels. ...
One illustration of her humor takes place at Mrs. Walker"s party when Winterbourne is criticizing her for her relations with Giovanelli." He says they don"t "understand that sort of thing here"--not in young married women. Daisy cries, "I thought they understood nothing else!" and goes on to say, "It seems to me more proper in young unmarried than in old married ones. " Daisy typically speaks and behaves frankly, almost in a child-like fashion, but this shows, as the narrator describes it, a "startling worldly knowledge" (1587). " Daisy is somewhat rustic but smart."
Daisy shares this trait with Huck. Winterbourne thinks she is unintelligent and many of the European women he introduces her to find her “inappropriate” behaviors appalling. Despite this, Daisy is never ashamed of her upbringing or her actions and she continues to do as she pleases. Both of these characters have an incredibly strong sense of self and they let this guide their lives with no qualms. Despite their strong personalities, however, both characters are somewhat innocent in their own ways.
Dana Reece Baylard’s analysis of “Daisy Miller, also titled “Daisy Miller,” implies that the purpose of Henry James’s work is to point out the hypocrisy that goes along with judging others. Baylard supports this claim with specific instances of hypocrisy in the novel that directly relate to judgments. For example, Winterbourne chastises Daisy for being flirtatious, claiming that her actions are improper. On the other hand, the novel implies that Winterbourne has been involved with an older, married woman. His actions show to be truly improper, not Daisy’s.
“Girls wear jeans and cut their hair short and wear shirts and boots because it is okay to be a boy; for a girl it is like promotion. But for a boy to look like a girl is degrading, according to you, because secretly you believe that being a girl is degrading” (McEwan 55-56). Throughout the history of literature women have been viewed as inferior to men, but as time has progressed the idealistic views of how women perceive themselves has changed. In earlier literature women took the role of being the “housewife” or the household caretaker for the family while the men provided for the family. Women were hardly mentioned in the workforce and always held a spot under their husband’s wing. Women were viewed as a calm and caring character in many stories, poems, and novels in the early time period of literature. During the early time period of literature, women who opposed the common role were often times put to shame or viewed as rebels. As literature progresses through the decades and centuries, very little, but noticeable change begins to appear in perspective to the common role of women. Women were more often seen as a main character in a story setting as the literary period advanced. Around the nineteenth century women were beginning to break away from the social norms of society. Society had created a subservient role for women, which did not allow women to stand up for what they believe in. As the role of women in literature evolves, so does their views on the workforce environment and their own independence. Throughout the history of the world, British, and American literature, women have evolved to become more independent, self-reliant, and have learned to emphasize their self-worth.