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Role of media in shaping public opinion influence
Role of media in shaping public opinion influence
Role of media in shaping public opinion influence
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This essay will focus on the extent “soft news” has improved political discourse in the United States exclusively through The Daily Show, analysing episodes, critique of the show and public opinion. This essay will argue that whilst The Daily Show is not reliable as a sole source of political information, and its cynical humour could alienate viewers from politics, it has improved political discourse by challenging the standards of the media, and expectations of politicians, as well as creating a more informed, more analytical America public. 2. Research questions and possible answers: Politicians: Is there political support for TDS? Politicians from President Obama and Hilary Clinton to John McCain and Mike Huckabee have appeared on the …show more content…
Does Stewart favour the Left? Members of both parties have been interviewed on the show, many returning multiple times. Although Stewart attempts to be impartial, critics like Davidson argue TDS is pro-Left. Further research into these areas needs to be done. Public and Media: Has soft news improved political discourse? How? Yes and no. It has created both a more analytical and a more cynical audience. Is soft news reliable and/or informative? Similarly to traditional news forms, TDS needs to be scrutinised and not simply watched by audiences in order to be informative. The reliability is contentious as TDS is first and foremost a comedy show, created to entertain. 3. A brief analysis of the literature relating to your topic. This should include: major debates, agreement and disagreement amongst scholars, absences in the literature if there are any, different approaches and methods (2-3 …show more content…
Feldman and Baum indicate that TDS encourages viewers to seek out the details and context of Stewart’s jokes, which is important in light of Hollander’s argument. Although TDS is not informing viewers, it is giving them the starting point through which they can glean further information. Feldman, along with Baumgartner, Morris and Hart argue that the humour of TDS increases cynical attitudes towards politics, which is important when considering TDS’s overall effect on political discourse. However Painter and Hodges disagree, claiming that TDS teaches viewers “media literacy”, encouraging them to hold journalists and the media to a higher standard, and enabling audiences to analyse what they are being told, rather than blindly accepting it. Painter and Hodges argument explores how TDS achieves this, creating a sophisticated counterargument. Both Berry and Colapinto emphasise TDS’s role as an entertainment-news programme on a comedy channel, dismissing its responsibility to uphold journalistic standards of traditional news reporting. Both authors explain that viewers who are able to learn from TDS gain an added benefit, but the primary intention of TDS is
A town, a team, a dream. Friday Night lights document the 1988 football season of Permian High School in Odessa, Texas. Bissinger explores the various themes of the novel and uses conceit to colorfully describe the contrasting attitudes towards sports and academics. In the small town of Odessa bases Fridays nights in the fall are dedicated to Permian football. As a result of the obsessive attitude towards football a ridiculous amount of pressure is thrusted upon the coaches and players. Bissinger tackled the many problems in the town such as extreme pressure to perform, racism, and the relationship between parent and child. While Bissinger had several preconceived notions, he was ultimately proven wrong and through analysis of themes and incorporation of comparisons in the form of conceits he was able to develop his understanding of the town and accurately depict the events that transpired.
Comedian Jon Stewart gives a speech on the Daily Show during the “Rally to Restore Sanity/Fear”. He wants the viewers of the Daily Show to realize the difference between the real and fake threats and to take a humorous perspective on most of America’s “problems”. Stewart also emphasizes to his audience not to take every person on the media by his word and not to overreact to everything they hear. He uses metaphors, comparisons, and hypothetical examples to get his point across.
A Bestselling author and co-host of MSNBC’s “Morning Joe” is a remarkably confident lady and TV-journalist Mika Brzezinski whose on-air protest between entertainment news & “hard news” received a large number of supports and fans’ responses on 26 June 2007 in which she had refused to read the news about a release of Paris Hilton from Jail rather she considered more important Senator Richard Lugar with President Bush on the war of Iraq breaking news. She stands on these issues rippled over the internet quickly and similar incidents continue on-air on July 7, 2010 on a report about Levi Johnston and Lindsay Lohan over hard news stories with the title “News you can’t use.”
In his essay, “The Good, The Bad, and The Daily Show,” Jason Zinser explores the vices and virtues of so-called “fake” news programs. “Fake” news, as Zinser explains, are those programs that blend newsworthy events with comedy. By examining The Daily Show, Zinser reveals both positive and negative impacts that “fake” news could have on society. As a result, Zinser concludes that there are benefits as well as potential problems with “fake” news programs but insists that the true challenge is determining the net impact on society. The essay, which first appeared in The Daily Show and Philosophy: Moments of Zen and the Art of Fake News in 2007, challenges experts on both sides of the argument who either claim fake news is for entertainment only or that fake news is an acceptable source for information on current events. On one hand, Zinser uses expert testimonies to support his argument that the end result is a better informed public but on the other, he makes logical arguments enhanced by examples to illustrate the potential impacts “fake” news can have on its viewers and mainstream media.
Media concentration allows news reporters to fall victim to source bias, commercial impulse, and pack journalism. Together, all three of the aforementioned factors become known as horse race journalism, a cause for great concern in campaign media. In complying with horse race journalism, media outlets exclude third party candidates, reinforce the idea that politics is merely a game, and dismiss issues that directly affect voters and their day to day lives. Through horse race journalism, the media is mobilized in impeding an active form of the democratic debate in American politics. Even across the wide range of human values and beliefs, it is easy to see that campaign media coverage must be changed, if not for us, then for our children. It is imperative that we discern the flaws of the media and follow our civic duty to demand better media
Popular culture also plays a role in why Americans do not trust politicians. Late-night television shows use politicians in their comedy skits, where their mistakes are punch lines for comedians. A study produced by Jody Baumgartner and Jonathan Morris found that people who view late-night television shows have a more negative view of candidates, (Medvic p. 5). In particular, people who view The Daily Show have drastically less faith in the electoral process, (Medvic p. 5). Russell Peterson argues that these jokes as “implicitly anti-democratic” because they declare the entire system as fraudulent, (Medvic p. 5).
Would you lose your journalistic integrity over one million dollars just to increase your audience base? For me personally I would decline the money and not subject my audience to an unwanted change for personal gain. Neil Postman’s book, “Amusing Ourselves to Death”, argues that television is all about entertainment and nothing else. Postman makes several points in his book pertaining to televised news as examples. On the evening of January 31 2018, I decided to test Postman’s arguments by tuning into the PBS NewsHour. After putting Postman’s arguments to the test I soon found that they were correct; “if it bleeds it leads”, news anchors are just actors, stories of little value get little air time, and there is an overwhelming disconnect between stories.
Technology is growing fast, as is the new generations branching off with new forms of media and devices that provide us with the news. News and politics have had difficulty when informing its public and community of the events that happen in their community. Now the media and news are growing to reform to the earlier generation’s way of receiving the news and events related to them, by using media and popular culture. According to Wodak, for politics to air and to engage and intrigue its public, it must need scandal, rumour, and speculation (45). The West Wing, is a clear example of where the news and politics enter into the world of entertainment, but still informing its audience of the political world and events they may face. I will be analyzing The West Wing television series in relation to the representations of gender, race, and politics with support from examples and scholarly sources.
Overall, in the last few months of working in mock news days, I have learnt the true factors behind what we see on our television screens. It is a very narrow view on the world, and often a mixture of logistics and legislation prevent some news from even entering our televisions. I found that sometimes the most interesting and valuable of news topics is not picked in order to prevent things such as copycat behaviour and also because a person in unavailable. Broadcast journalism is heavily based on pictures for our viewers to be told the story, and that words are used just to enhance the story. Overall, I believe our mock news days have truly reflected what it is like to work in a real life broadcast environment, and the stress and pressures journalists work through in order to put news on our screens.
Satire is the most powerful democratic weapon in the arsenal of modern media. Sophia McClennen, the author of America According to Colbert: Satire as Public Pedagogy, describes it as the modern form of public pedagogy, as it helps to educate the masses about current issues (73). In fact, ”a Pew Research Center for the People & the Press survey in 2004 found that 61 percent of people under the age of thirty got some of their political news from late-night comedy shows” (McClennen 73). This statistic shows how influential satirical shows such as The Colbert Report or South Park can be.
Television network Comedy Central, obviously known for their comedy programs, has a show called the Daily Show which doubles as a news broadcasting program of sorts. The broadcast is hosted by a South African comedian and actor named Trevor Noah. During the episode of the Daily Show following the democratic debate in Las Vegas, Noah and his news team did a post debate analysis where they presented a few of the main topics of the debate as well as their own remarks on each of the five individual candidates. While the Daily Show focused primarily on the satirical commentary of the top news headlines, the content and presentation can be analyzed through Nosich’s Standards of Reasoning to determine if the comedy show could be considered a reliable news source.
From the beginning days of the printing press to the always evolving internet of present day, the media has greatly evolved and changed over the years. No one can possibly overstate the influential power of the new media of television on the rest of the industry. Television continues to influence the media, which recently an era of comedic television shows that specialize in providing “fake news” has captivated. The groundbreaking The Daily Show with Jon Stewart and its spin-off The Colbert Report have successfully attracted the youth demographic and have become the new era’s leading political news source. By parodying news companies and satirizing the government, “fake news” has affected the media, the government, and its audience in such a way that Bill Moyers has claimed “you simply can’t understand American politics in the new millennium without The Daily Show,” that started it all (PBS).
Risible, witty, and engaging, Aaron Sorkin’s “The Newsroom,” an HBO production starring Jeff Daniels as the short-tempered, irascible yet highly intelligent Will McAvoy, is set in the recent past predicated on the premise that news in contemporary America is seriously flawed, lacking depth as they fail to inform the American electorate of “real” news stories because of a preoccupation with ratings and entertainment. In the first two seasons of the show, Sorkin covered events ranging from the BP oil spill, to the shooting of Arizona Congresswoman Gabrielle Giffords, to the covert mission Navy SEALS took on in order to assassinate Osama Bin Laden. While “the Newsroom” does have some endemic flaws—including the assumption that anyone who disagrees
In trying to attract new audiences, news media have begun to transition from reporting to becoming a form of entertainment. With the meteoric rise of social media’s role as a news source, the fight for an increase of diversity in the media, and the ever-growing desire of immediate content, the future of responsible journalism is more important than ever. Ask yourself, why do I think the way I do? Where do my political views originate? How do I prove them? Most likely, it is due to the biased portrayal of issues in the media and the politicization that accompanies what we consume. Now, compare your views to your preferred news reporting entity. More than likely, they are the same.
The relationship between journalism and politics is a two-way street: though politicians take advantage as best