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The graduate film analysis
The graduate film analysis
The graduate film analysis
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D.W Griffith’s 1915 film The Birth of a Nation is often considered a landmark film the first blockbuster in cinematic history. The content of the film has gone down in history for being incredibly inaccurate by showing a brutally racist depiction of a South Carolina town during the civil war. D.W Griffith’s film was initially critically praised on a national scale upon it’s release in 1915 and even praised to be historically accurate in the eyes of many people including Woodrow Wilson who had a quotation featured in the film: The white men were roused by a mere instinct of self-preservation… until at last there had sprung into existence a great Ku Klux Klan, a veritable empire of the South, to protect the Southern county. (The Birth of a Nation 1915) …show more content…
According to Donald Bogle’s book, Toms, coons, mullatoes, mammies, and bucks, films that had proceeded D.W Griffith’s The Birth of a Nation had only been made up of two to three reels of films which amounts to short films with a running duration of fifteen to twenty minutes. The Birth of a Nation was a largely rehearsed and prepared film that had been rehearsed for a total of six weeks, later to be filmed in nine, and edited in three months. The total amount of film reels it took to make up The Birth of a Nation were twelve reels. The films duration ran over three hours and changed the way films were made
...e. Cinema can create new or old perceptions of reality through their depictions of ideas or images. Martyrs of the Alamo is a film that created a new perception of nationalism during a period where there were threats against the United States. D.W. Griffin’s productions of the film perpetuated racial images of Mexicans in order to enhance his central theme. Through out the film we see these racializations through the contrast in characters and how different scenes were created to evoke emotions needed to instill this need to belong.
The author points out that southern societies did evolve, however, they resented this evolution. Foner uses the example of Southern Unionists to illustrate this point stating that, “In 1865, Southern Unionism, of whatever kind, did not imply a willingness to extend civil and political equality to the freedmen.” (Foner, 87) This resentment continues throughout the book, and shows that while evolution of Southern society happened, it was met with contentment, and individuals hope that things would go back to the way they used to be, hoping for the plantation slave way of life to return. This is most evident when Foner discusses the Ku Klux Klan, stating that “The Klan was a military force serving the interests of the Democratic party, the planter class, and all those who desired the restoration of white supremacy.” (Foner,
They brought real Natives to play the Natives on the big screen and eventually movies were created by Natives themselves. Around the same time was the Hippie movement; many people wanted to be like the Natives they saw in the films even though it was not an accurate depiction of the Natives. They liked the 'positive stereotypes' of the Natives in the movies, the family unity and their strength as warriors. In the 1960's the American Indian Movement (AIM) also began and in 1973 The genocide at Wounded Knee occurred. Jim Jarmusch says “That is a genocide that occurred and the [American] culture wanted to perpetrate the idea that [the natives] these people are now mythological, you know, they don’t even really exist, they’re like dinosaurs.” This shows just how much Americans wanted to belittle the Natives, and despite succeeding for a number of years, the New Age of Cinema commenced and movies like Smoke Signals began what some would look at as a Renaissance. The Renaissance explained in Reel Injun discusses the rebirth of the Native American in the Hollywood films, and how the negative stereotypes went away with time. Reel Injun also makes a point to explain how it impacted not only the films but Americans who watched them, and ultimately America as a
Imagine a historian, author of an award-winning dissertation and several books. He is an experienced lecturer and respected scholar; he is at the forefront of his field. His research methodology sets the bar for other academicians. He is so highly esteemed, in fact, that an article he has prepared is to be presented to and discussed by the United States’ oldest and largest society of professional historians. These are precisely the circumstances in which Ulrich B. Phillips wrote his 1928 essay, “The Central Theme of Southern History.” In this treatise he set forth a thesis which on its face is not revolutionary: that the cause behind which the South stood unified was not slavery, as such, but white supremacy. Over the course of fourteen elegantly written pages, Phillips advances his thesis with evidence from a variety of primary sources gleaned from his years of research. All of his reasoning and experience add weight to his distillation of Southern history into this one fairly simple idea, an idea so deceptively simple that it invites further study.
...ecame a hallmark of the Klan” (History.com). These acts were terrorizing in mostly the south and it made it very difficult for an African American to adapt and get used to life as a free person. This was a tragedy for the United States and Grant, the president at the time, was willing to use military force or martial law in an effort to put an end to these actions of resistance.
When The Birth of a Nation was released in theatres in 1915, the art of film making was still in its early stages. Thomas Edison’s Kinetoscope was invented less than 25 years prior to the movie’s release, in 1891. In a time where the majority of movies were just starting to grow away from its single-reel predecessors, The Birth of a Nation was the longest feature film of its time. [1]
Being one of the few black students to attend Tisch School of the Arts, the aspiring filmmaker’s first year at New York University was a particularly difficult one. Lee’s experiences, race, and upbringing have all led him to create controversial films to provide audiences with an insight into racial issues. Spike Lee’s first student production, The Answer, was a short ten minute film which told of a young black screenwriter who rewrote D.W. Griffith’s The Birth of a Nation. The film was not well accepted among the faculty at New York University, stating Lee had not yet mastered “film grammar.” Lee went on to believe the faculty took offense to his criticisms towards the respected director’s stereotypical portrayals of black characters (1).
The Ku Klux Klan was the most prominent organization and was established in 1865 in Pulaski, Tennessee. The original intent, a social club for former confederate soldiers, soon altered and changed to a terrorist organization. After the Klan was transformed into a terrorist organization, they were responsible for thousands of deaths and remarkably weakened the political power in the south of blacks and republicans. WGBH 1) Although many Americans associate Klan activity with the South, particularly Georgia and Alabama, the largest, most powerful states of the organizations were those of the Midwest, and especially Indiana in the early 1920’s where the Klan gained its greatest influence and highest level of membership for any state (Moore 2 ).
In the first few years of the Reconstruction, violent acts against the former slaves took place primarily in the south. In 1866, about one year after the civil war, the most well renowned terrorist group of the time, the Klu Klux Klan, took shape in Tennessee. In 1866, the Civil Rights Bill was proposed in Congress. At the time, it was referred to as, “one of the most important bills ever presented to the House for its action.”
This began a chain of events that led to the rise of the Ku Klux Klan and the end of the biracial democracy in the south. Johnson put pro-Union Southern political leaders into power, even though many had aided the Confederacy during the war. These men, with Johnson's support, attempted to restore a sense of the “Old South”, essentially trying to force blacks down as low in the class system as they legally could in light of the 13th and 14th Amendments-second class citizens. In 1866 the Radical Republicans stood up to President Johnson, and a battle for control of Reconstruction ensued.... ... middle of paper ...
On March 3, 1915 the movie The Birth of a Nation was released at the Liberty Theatre in New York City. This film was financed, filmed, and released by the Epoch Producing Corporation of D.W. Griffith and Harry T. Aitken. It was one of the first films to ever use deep-focus shots, night photography, and to be explicitly controversial with the derogatory view of blacks.
The Birth of a Nation (1915) is one of the most controversial movies ever made in Hollywood, some people even consider it the most controversial movie in the long history of Hollywood. Birth of a Nation focuses on the Stoneman family and their friendship with the Cameron’s which is put into question due to the Civil War, and both families being on different sides. The whole dysfunction between the families is carried out through important political events such as: Lincoln’s assassination, and the birth of the Ku Klux Kan. D.W. Griffith is the director of the movie, and him being born into a confederate family in the South, the movie portrays the South as noble and righteous men, who are fighting against the evil Yankees from the North, who have black union soldiers among them, whom overtake the town of Piedmont, which leads the KKK to take action and according to the movie become the savior of white supremacy. During this essay, I would focus on the themes of racial inequality, racism, and the archetypical portrayal of black people in the movie, which are significant especially during the era when the film was released.
The Ku Klux Klan was a white-supremacist organization that was a product of Civil War. The group's methods evolved over time, but the key goal was to promote white power by threatening minorities. After the Civil War ended in 1865, subsequently the Ku Klux Klan was created. It was created in 1865 by six college students for the purpose of horseplay and pure amusement and not with the intention of it becoming a white supremacist group. Once however the group gained great popularity and an increasing number of followers, the philosophy of the group changed. The group began targeting and harassing African-American’s but without the use of violence. Over time however the group changed their treatment towards African-Americans and began harassing them with extreme violence. The Klan was not alone in their practices and many other discriminating groups were forming at this time. The groups decided to meet with the Klan and joined forces, they collectively drafted a constitution. They also elected a central leader by the name Nathan Bedford Forrest, his title Grand Wizard.
The Klu Klux Klan was actually started in 1865 by six men in Pulaski, Tennessee and their white, hooded guise was meant to mock ghosts. The name came from the Greek word kuklos which means circle and the Scottish word clan. During its beginnings the Klan was thought to be a passing guerilla organization which would last only as long as “Northern carpetbaggers, illiterate Negros, and Southern renegades ruled the Southern states” (Secret Societies). By 1868 there were five-hundred and fifty thousand member of the Klan, also known as Palefaces, the White Brotherhood, the White League, Knights of the White Camellia. Forrest realized he was losing control of the Klan in 1869 and ordered disbandment, an order that was never followed. At one point the Senate proclaimed that in nine counties of South Carolina, over a six month period, the Klan had lynched thirty-five men, whipped two hundred and sixty-two people, heckled innumerable people, and irritated, shot, disfigured, raped, or burned one hundred and three other people (Secret Society).
Participation in the KKK soared from a couple of thousand to more than 100,000 in a simple ten months. Nearby parts of the KKK jumped up everywhere throughout the nation, and by the 1920’s it had turned into a real national association with an imposing nearness not simply in the south, but rather in New Britain, the Midwest, and the whole way across the northern joined states. The individuals from the Ku Klux Klan were generally white Protestant working class men, and they encircled their campaign in good and religious terms. They considered themselves to be “vigilantes establishing equity”, and they utilized terrorizing, dangers of savagery, and real viciousness to anticipate African Americans, foreigners, Catholics, Jews, Liberals, progressives from accomplishing riches, economic well being, and political