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The nature of identity in literature
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Cyrano De Bergerac
Ever since birth, Cyrano De Bergerac has had an enormous, revolting nose. He has become more and more self conscious about it as time has progressed, and now as a grown man it has created a serious lack of self esteem. He is confident when he is in a situation in which he is able to defend himself physically against male attackers of both the physical and verbal nature, but when around women he becomes incredibly bashful and is wholly unable to communicate.
Cyrano has unknowingly created a sort of psychological trap in which women are kept on the outside and men are free to roam within. Lacking confidence around women, he is forced to pour his heart out on to letters and is deprived of any kind of physical contact with the opposite gender. Without confidence, a man's attempts at any kind of a relationship with a woman are almost always thwarted because in order for a woman to be attracted to a man, she must first see confidence in him. Since Cyrano has no confidence in his ability with women, he is stuck in a never-ending cycle of rejection and loneliness.
He is completely confident, almost arrogant, in his fighting and literary abilities, as demonstrated by his defeat and humiliation of Valvert in Act I. In a captivating display of intelligence and physical ability, he defeats Valvert in a swordfight while he composes a poem poking fun at him. Evidently Cyrano has the potential to be a great man, even a hero. The problem originates within his inability to act normally around a woman he is attracted to, much like the majority of modern adolescent boys. This lack of confidence in one area of his life quickly spreads and begins to affect his everyday life, as shown in Act IV when his desperation for a female partner leads him to risk his life on a daily basis by delivering love letters across enemy lines on foot.
Given that Roxane only really knows her "lover" through his letters, she builds an image of him in her mind that corresponds with the level of passion incorporated in to the letters. The image she has envisioned is of a young, healthy, good-looking, strong man whom she finds in Christian.
Ehrenreich, B. (2011). Nicke and dimed: On (not) getting by in america. New York, NY: Picador.
“Everything has beauty, but not everyone sees it.” (Confucius) Cyrano’s insecurity of his nose effects his relationship with Roxane. In Edmond Rostand’s play Cyrano De Bergerac, Cyrano’s insecure and eloquent self-perception results in Cyrano’s companionship & loving in his relationship with both Christian & Roxane. Cyrano’s level of eloquence helps him combat the insults of his nose. Cyrano is a poetic, witty, & eloquent man who is insecure & has trouble showing his true feelings for Roxane .Cyrano and Christian work together to win Roxane’s heart, and at the end Cyrano allows love to kill him, even after Roxane discovers & reciprocates his feelings.
Tobias Wolff’s “The Rich Brother” is a story of two brothers, Donald and Pete. These brothers have very contrasting lifestyles; Pete is a successful businessman with a wife and kids. Donald, on the other hand, is an outcast. He’s unemployed and irresponsible. He lives his life as a vagabond. Despite these facts, the successful brother, Pete, still lacks the self-esteem he desperately craves. Therefore he tries to make his brother, Donald, feel foolish with every chance he gets.
When Miss Hancock came to teach at the high school, she was filled with eccentricity and liveliness. This enthusiasm quickly turned into disappointment as the students swiftly discounted Miss Hancock. The student's first impression of Miss Hancock was that she was a joke, and they didn't take her very seriously. This rapidly dampened Miss Hancock's spirit "By then, stripped of 15 years of overblown confidence, she offered her material shyly, hesitantly, certain of rejection, of humiliation," (Pg.
One of Cyrano’s most significant traits as a friend was his loyalty. He would always look out for friends in their time of need, which makes the audience feel sympathetic towards him. Because Cyrano is such a loyal friend, the audience feels angry with Roxane for manipulating him, and taking advantage of his loyalty. An example of Cyrano’s loyalty was when Ragueneau’s wife was having an affair with a musketeer, Cyrano confronted her, “Make sure you do./I like your husband, and I don’t intend/To see him made a fool of./Is that clear?”(II.iv.115-118). He stood up for his dear friend, and did not want him be made a joke of. I believe this is important because it shows that he is not only loyal to his friend, but also caring and has strong moral principles. What Lise was doing was wrong, and the author put this part in to emphasize the reader’s sympathy for Cyrano. Later when Ragueneau’s wife left him, Cyrano did not hesitate to support Ragueneau by talking him out of killing himself and providing him with a proper job. Furthermore, as everyone must be aware of, Cyrano was in love with Roxane. But because he was such a trustworthy friend, he agreed to protect Christian...
Reiman, Jeffrey. The Rich Get Richer and the Poor Get Prison, Sixth Edition. Boston: Allyn and Bacon, 2001.
The theme of this play is inner beauty and outer beauty. In the beginning of Cyrano de Bergerac, it seems like the theme focuses heavily on outer beauty. As you continue to read on, the play actually puts more emphasis in inner beauty. Symbolism is very important in this play. The letters written by Cyrano symbolizes Cyrano’s inner beauty because what you write comes from your soul which is shaped by your personality. Cyrano’s nose symbolizes his ugliness and his insecurity. Because Cyrano knows Roxane would never consider him because of his nose, he decides to help Christian since Cyrano believes he can help Christian win Roxane’s heart. “
Continuing on from Cyrano’s carelessness for his happiness, we may easily make a jump to his sense of self-worth. Any man who would sacrifice his own love, thus, his entire world, for the sake of his rival cannot have a concern for himself.
This is not fate nor coincidence. In complete control of his life, Cyrano is arrogant, deceptive, and hesitant in his actions; this ultimately leads to the great tragedy. As a result, we conclude that Cyrano has technically jeopardized himself. If Cyrano had not been so stubborn when he refused to be under De Guiche’s patronage, had not been so generous to feign the love letters for Christian, and had he not been so hesitatant when he deciding to confess his love to Roxane, the tragedy could become a romantic love story with a sweet ending. Again, Cyrano must hold all the responsibility for his actions and he must recognize that only he is to blame for this tragedy.
King, Larry, and Cal Fussman. My Remarkable Journey. 1st ed. New York: Weinstein, 2009. Print.
Since the protagonist leads the story as a narrator, the loneliness of the narrator is depicted through internal and external conflicts that arise by situations and the feelings of being alone. The first person point of view allows readers to be immersed in her situation easily. For instance, no one gives her love after she gets measles first which further get extended to Porphyria. The narrator’s father does
Franco Zeffirelli portrayed a more effective version of the famous to be or not be soliloquy by having it set below in the family mortuary. Having violently rejected Ophelia, Hamlet climbs down the stoned stairs of the medieval castle and into the cellar where all his ancestors’ burial tombs lie, including his father’s. Surrounding himself in tombs and skeletons, he intones the to be or not to be speech in isolation and darkness. Having this particular set design, Zeffirelli enhanced the scene by creating a cold, dark, and suspenseful atmosphere. The family mortuary set design was eerie and melancholic which added realism into the speech as it allowed the audience to really see the manifestation of death that Hamlet contemplated. It also added physical emotion into the soliloquy as the scene contrasted death and Hamlet so closely with all the dead royals in their tombs, showing how deep Hamlet’s thoughts on life and death were rooted in his mind. Therefore, Zeffirelli’s use of the set design helped to create a more intense scene that enriched the soliloquy.
In Shakespeare’s Twelfth Night and in Molière’s The Imaginary Invalid, two ladies are presented, that are not necessarily the leading protagonist, but they help unravel the plays’ plots into something amazing. Twelfth Night features Maria, the lady in waiting to Olivia. At first Maria comes off as a dilettante, later on we find out that’s not the case at all. Meanwhile, in The Imaginary Invalid, there is the disputatious Toinette, who is the maidservant and nurse to the imaginary invalid himself, Argan. Maria and Toinette are two strong women characters, their strength and wit is depicted through Maria and Toinette’s deceiving schemes to make their plays more stimulating as well as their objectivity throughout all the chaos in their respective play.
Ehrenreich, Barbara. Nickel and Dimed: On (Not) Getting by in America. New York, NY: Metropolitan Books, 2001.
Stephen's relationship with the opposite sex begins to develop early in his life. Within the first few pages of the novel lie hints of the different roles women will...