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Tv stereotypes essay
The effects of racial stereotypes
Stereotypes and society
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Curriculum Unit: Stereotypical Images of African Americans in Television and Movies * Narrative * Lesson Plan * Lesson Plan * Lesson Plan * Notes * Films * Television Shows * Children’s Reading List * Teachers Bibliography Abstract: This curriculum unit will provide elementary school teachers with a framework to begin to help their students understand and define a stereotype. Recognize common stereotypes and stereotypical themes in film and television and illustrate some damaging effects perpetuating stereotypes through behavior. Finally, how to constructively deal with others stereotyping them. To Guide Entry The practice of racial stereotyping through the use of media has been used throughout contemporary history by various factions in American society to attain various goals. The practice is used most by the dominant culture in this society as a way of suppressing its minority population. The Republican parties use of the Willie Horton image in the 1988 Presidential campaign, is a small example of how majority groups have used racial stereotyping in the media as a justifiable means to an end. The book Unthinking Eurocentrism by Stam and Shohat supports this notion when they write “the functionality of stereotyping used in film demonstrates that they (stereotypes) are not an error in perception but rather a form of social control intended as Alice Walker calls “prisons of image.”(1) The modern usage of the word stereotype was first introduced in 1922 by American journalist Walter Lippman in his book Public Opinion. The major thesis of this book is that in a modern democracy political leaders and ordinary citizens are required to make decisions about a variety of complicated matters that they do not understand. “People believe that their conceptions of German soldiers, Belgian priests, or American Klu Klux Klansman for example are accurate representations of the real members of those classes . . . the conception in most cases is actually a stereotype acquired by the individual from some other source other than his direct experience.”(2) Historically the “other source” people developed racial stereotypes were from literature and then radio. In 1933 Sterling Brown the great black poet and critic, divided the full range of black characters in American literature into seven categories; the contented slave; the wretched freemen: t... ... middle of paper ... ...A-Team Good Times Little Rascals That’s My Mamma to top Children’s Reading List Bogle, Donald. Toms, Coons, Mulattoes, Mammies, and Bucks. New York: Continum, 1989. Braley, Daniel; and Daniel, Katz “Racial Stereotypes of One Hundred College Students.” Journal of Abnormal and Social Psychology 1933. to top Teachers Bibliography Bogle, Donald. Toms, Coons, Mulattoes, Mammies, and Bucks. New York: Continuum, 1989 This books reveals and gives a historical perspective on the various incarnations of black stereotypes in American cinema. Cripps, Thomas. Black Film as Genre. Bloomington: Indiana University Press, 1978. This book attempts to explain “what is a black film” and critiques six examples of the genre. Henry Louis Gates, Jr., “TV’s Black World Turns—But Stays Unreal”, New York Times (November 12, 1989): 66-67. In this article Dr. Gates reveals how despite the success of television shows such as “The Cosby Show” stereotyping of blacks on T.V. is still prevalent. Guerrero, Ed. Framing Blackness: The African-American Image in Film. Philadelphia: Temple University Press, 1993. The book chronicles blacks misrepresentation in American films.
As a group, we believe that popular culture does in fact perpetuates stereotypes. Television is a main source of information of popular culture. Television has forever changed how humans have interacted with another and introduce a world of diversity and knowledge. But with this profit, television has also harbored negative aspects. As a group, we studied how racial stereotypes are portrayed in television. In the history of television, different racial and ethnic groups have been widely underrepresented and television itself has been overwhelming represented by white figures. And when racial groups are presented on TV, the characters are often played in limited roles based on stereotypes. A stereotype isn’t necessarily untrue, but it is an assumption based on an incomplete and complex ideas that are oversimplified into something that isn’t what it meant to be, and it’s usually negative. For example, African Americans are often depicted as violent or involved in some kind of criminal activity. Their characters often portrays a person who is always sassy and angry or that isn’t intelligent and won’t succeed in life and inferior to whites in some manner. Asian characters are
In today’s culturally diverse, politically correct society, it is hard to believe that at one time racism was not only accepted as the norm, but enjoyed for its entertainment value. Individuals of African descent in North America today take the large, diverse pool of opportunities offered by the film industry for granted. Much like Canadian theatre however, there was a time when a black man in any role, be it servant or slave, was virtually unheard of. It took the blaxpliotation films of the early nineteen seventies to change the stereotypical depiction of Black people in American Cinema, as it took The Farm Story, performed by a small troop of Canadian actors, to create a Canadian theatre industry. To be more specific, it took the release of Melvin Van Peebles, Sweet Sweetback’s Baadasssss Song, in 1971, to change the tradition view of Black people in American film.
Reid, Mark A. “Black Comedy on the Verge of a Breakdown.” Redefining Black Film. Los Angeles: University of California Press, 1993.
In a society where harsh generalization and inaccurate stereotypes of African-Americans are present in everyday life, two authors have attempted to try and make a change in the way whites perceive blacks. In conversations with Toni Morrison and essays written by bell hooks, these authors help the American public realize the socially incorrect views our culture displays. In mainstream American culture and literature inaccurate representations of African-Americans has created false distortions within society. Black Death and blacks role in society has contributed to the negative portrayal of African-Americans in our culture.
Although the concept of historical and non-historical has dominated studies of Black representation, if stereotypes are used in certain ways, they can serve different purposes, in which can be historical. Stereotypes indeed have harmful effects to subjects, but analysis on how these stereotypes are used, especially in Poitier’s films, allow more understanding by scholars and other filmmakers. In In the Heat of the Night, it provides many examples of stereotypes that can be examined in such way. Poitier may be critiqued as an individual but there is no question that the films he is a part of and the stereotypical representations he is surrounded by behind the camera can serve as a reflection of the shifting historical values, evolving civil rights movement, and personal morality that serve to be progressive anecdotes of the civil rights movement as a whole.
Investigating the Relationship Between Television Portrayal of African Americans and Behavior Responses Toward African Americans
Appearing in the 1903, The Souls of Black folk had emerged, a collection of 14 proses, written by one of the single most intellectual blacks in America, W. E.B. DuBois (Oxford Companion). This dynamic collection of essays reflect on African American history, sociology, religion, politics, and music. DuBois begins saying “The problem of the 20th century is the color line (5). This quote pronounces DuBois bases for his collection, that is being different form the others (Whites) makes you feel like you are being shut out from their world by a vast veil; hence the color line(8). On the other had we have Birth of a Nation, which comes out later in 1915 (TCM). Ironically it becomes the top selling film in White America during that time, but degrades everything that DuBois and another activist stood for. While DuBois hopes to educate White and Black America on their boundaries, the color line, the film’s director, D.W. Griffith, undermines these ideas. Defiling images of African Americans by distorting the perception of Blacks using stereotypical examples such as the mammies, mulattos, and bucks, Griffith tries to justify that blacks were inferior to Whites. In spite of the many controversies that are expressed in the film, it had become a known as the most innovative, American Epics and was a top seller during its time because of Griffith’s technical breakthrough and format. While comparing and contrasting these two pieces I hope to reveal to you this why this ‘double consciousness’ exist, even todays society as a result of these stereotypes displayed in “The Birth of a Nation.”
Throughout the years and generations, the word “stereotype” has become one of the most common used terms in today’s society. It is defined as a general idea, which allows society to oversimplify an individual’s appearance, ethnicity, the way he/she might look and many other facts that can be added to this term. In the article The Offensive Movie Cliché That Won’t die, by Matt Zoller Seitz’s, the author emphasizes the idea of the Magical Negro character that is often presented in the media and real life illustrations. Seitz also points out how Black characters in media are usually displayed in a positive way but in reality, it just benefits White characters. However, this creates a stereotypical problem, which causes a dehumanization between characters of color in the industry of films. This central idea can apply to "Asian Women in Film: No Joy no Luck ", written by Jessica Hagedorn. Hagedorn writes about the stereotypical portrayals of Asian women in film. She analyses some films of women that are frequently created by White American filmmakers, and are mistreated in a negative way because of their gender. As result, this creates a racial myth and increases the social tension, which could lead to a dehumanization of people of color and women.
Portrayal in the media can have a tremendous affect on the way a person or a group of people is perceived by the world. This paper will focus on how the depictions of African Americans in the media have created a monolithic image of the group, and further, shaped the treatment of said persons. Although blackness has typically been defined very loosely with such methods as the one-drop rule stating that a person who has a single drop of black blood is black, today’s definition of blackness is synonymous with whatever the media suggests it is. Any black person perceived to be stepping away from the image carved out by the media is labeled as less than black. Meanwhile, any black person who lives his or her life in a similar fashion to the way the media suggests is supposedly reinforcing negative stereotypes. The constant scrutiny by one’s own peers and others outside of the race has put African Americans in a very odd position.
There are many different stereotypes, or “widely held but fixed and oversimplified image[s] or idea[s] of a particular type of person or thing” (“Stereotype”). Although many are harmless and even positive, racial stereotypes, especially those shown in the media, can be harmful. It’s human nature to group people through comparison and based on familiarity. However, generalizing and applying various traits and behaviors to different racial groups is dangerous and harmful for many reasons. Namely, racial stereotypes damage individuals emotionally, ignore individuality and generalize, and further spread racial conflicts and discrimination.
“All I know is just what I read in the papers, and that's an alibi for my ignorance.” This quote, by the social commentator and actor Will Rogers, expresses that you can’t always take what the media says at face value. Television and the news don’t always depict reality faithfully, not to mention all of the critical diction used in stories which can distort actuality even further. For better or for worse, this fact is especially prevalent in the instance of racial stereotypes in America.
In the short story ¨The Necklace” by Guy de Maupassant, the greediness and ungratefulness of Madame Loisel undoubtedly mirrors the selfishness hidden within all of us. The first way Madame Loisel is portrayed as greedy and ungrateful is because she is a very materialistic woman. In the story, it is expressed that gowns and jewels are the only items she loves. We see this when Monsieur Loisel, her husband, gives her an invitation to a ball, and instead of being excited, she is upset because she doesn’t have anything to wear. However, after she does buy a dress, with the money her husband gave her, she almost doesn’t go because she has no jewels. Even when she goes to her friend’s, Madame Forestier, house, she kept asking if she had “anything
Hollywood always seems to try and paint a picture in their films about how certain races are viewed in America. Minorities are always depicted as inferior to the white American man. The minorities either serve them or get destroyed by them. Neff noted that “racial identification in movies in no way responds to the realistic portrayals of marginalized groups. Hollywood has traditionally gone to some trouble to assert that the economic underclass of the nation is people by Black in menial positions (doormen, maids or servants), or in positions of social inferiority (prostitutes, drug-dealers and ghetto-dwellers).” (91) This statement embodies the exact picture Hollywood tries to paint on all minorities, and not just Blacks.
Seitz article gave an example of films where the African- American help the Caucasian with their task. He then went further to solidify his argument by bringing in the Obama presidency as an example. On the other hand, Hagedorn analyzes the offensive and demeaning of these seemingly innocuous film cliches by uses examples from The World of Suzie Wong (1960). This shows that in the world today, even if it does not seem that people are been stereotyped, it still occurs without people