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Contribution of women in literature
Contribution of women in literature
How has the representation of women in literature evolved since 1900
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In the texts 'Of mice and men' and 'The Death of a Salesman' women are portrayed similarly, as inhuman, useless possessions or corrupting forces, using the characters 'Linda' and 'The Woman' in Death of a Salesman, and 'Curley's Wife' and 'The girl in Weed' from Of Mice and Men.
In Steinbeck's Of Mice and Men women are portrayed as discriminated. At the time of the novel, women were thought of as inhuman and they where just there to serve the men. THe character 'Curley's Wife' in the novel of mice and men is a victim of this. She is married to Curley who neglects her and because of her loneliness she is always seeking attention. She wears too much make up and dresses like a 'Whore' with red fingernails and red shoes. Red could be showing passion for things she loves, like acting, or foreshadowing the danger she brings later in the novel. She is often refered to as 'jail bait' by george as women in these days were known to tempt men to have an affair with them, the claim they have raped them and get them in trouble.
The readers initial portrayal of Curley's wife shows her to be a mean and seductive temptress. She is paralleled to eve from the bible. The same way eve tempted Adam, Curley's wife destroyed the dream of george and Lennie owning land. As we go through the book, she show she is actually just misunderstood and wants to be noticed. This is the same as most women in Death of a Salesman, like The Woman, who is first shown to be a temptation to willy, but she actually does like him. This relates to the scene in which Lennie is talking to Curley's wife in the barn, she admits she is just lonely, as none of the men will talk to her. She tells him about her dream, and how she did not want to marry Curley. Steinbeck really make...
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...!' Willy is trying to put Linda in her place, to show her whos boss, and she has no place in such a matter. He does this on many occasions. In the same way, Crooks in Of Mice and Men tells Curley's wife 'You have no right to be in here' About his bunk house. This is significant because Crooks is a man of few rights, yet even he feels he is above her in the ranks, though she is quick to put him down.
So, in conclusion, Miller and Steinbeck both portray women similarly. They use a variety of different ways to show how the characters they use to show this are seen, like dialogue and stage directions. Compared to modern day, many reader would be horrified to see such discriminatory language and actions towards women, because its is so different to modern society. I think the treatment of the women in both these texts is very unfair, but was common in the 1930's America.
Impressions of Curely's Wife in John Steinbeck's Of Mice and Men John Steinbeck sees Curleys wife as 'nice girl' and not a 'floozy' however in the novel 'Of Mice and Men', Steinbeck introduces the character of Curley's wife; she could be interpreted as a mis-fitting character in the novel. In the novel Curley's wife is probably the most loathed on the ranch, the way she looks and acts lead others on the ranch to see her as a 'tart'. Additionally Curley might be the reason of Curley's wife behavior; Curley's wife is clearly lonely in the novel because Curley doesn't pay much attention to her. The lack of attention from Curley forces her to seek it elsewhere.
Curley’s Wife in ‘Of Mice and Men’ is used cleverly by Steinbeck to create sympathy among the reader, but also to represent the position of women in 1930s America. Through an intelligently designed pattern of events in the book, we feel varying amounts of sympathy for Curley’s Wife and thus unconsciously acquire information regarding the issues women had to face in the 1930s. In this essay I will evaluate the extent to which Steinbeck presents Curley’s Wife as a sympathetic character and its relation to 1930s America. We are first introduced to Curley’s Wife through a description of her from Candy, and straight away, that in itself demonstrates her lack of individuality because she can’t speak for herself or even introduce herself just like the majority of women in the 1930s. Also, the fact that Curley’s Wife does not have her own name and is simply a possession of Curley exemplifies the concept that women in the 1930s were treated as belongings of men and were stripped of their individuality, highlighting the social hierarchy in those times.
In John Steinbeck’s book Of Mice and Men, Steinbeck portrays Curley’s wife as a flirtatious, mischievous, and over all isolated woman. Steinbeck doesn’t give this character a name, yet she is one of the most important characters in the story. Curley’s wife first comes off as flirtatious to the main characters, George and Lenny, when they first hear about her from the character Candy . Candy is talking about how she gives men “the eye”. He also displays his feelings about her by saying, “Well, I think Curley’s married… a tart”(28). This is setting George and Lenny up to expect she is a flirt.. Steinbeck describes Curley’s wife in her first introduction as a scantily dressed woman.. Steinbeck writes, “Both men [George and Lenny] glanced up, for the rectangle of sunshine in the doorway was cut off. A girl was standing there looking in. She had full, roughed lips and wide-spaced eyes, heavily made up. Her fingernails were red. Her hair hung in little rolled cluster, like sausages. She wore a cotton house dress and red mules, on the insteps of which were little bouquets of red ostrich feathers”(31). The color red is sometimes considered for portraying a sign of danger or sex. This passage supports Curley’s wife as being flirtatious and also how she’s dangerous and can cause trouble displaying herself while she is married. Also, when George and Lenny are talking to Curley’s wife she tries to flirtatiously talk to them too. After their first conversation she re-adjusts herself. Steinbeck displays her with “She put her hands behind her back and leaned against the door frame so that her body was thrown forward”(31). Steinbeck is explaining to the reader in detail that Curley’s wife is trying to show herself to Lenny and George to get thei...
...r say anything. So she is stuck at a ranch where all the members there avoid her because she is trouble and can’t even run away because of her being a female in the early 1900’s made it almost impossible to survive on her own. She dresses a certain way to live out the American Dream the only way she can. She doesn’t dress that way to show off her body, she wants to feel like she is living her dream. She realizes that she is good looking and she uses that to her advantage to talk to some of the people at the ranch like Lennie. The only way she got to talk to Lennie was by letting him touch her hair. Steinbeck let Curley’s Wife die in such a peaceful way; I didn’t even realize she was dead until I read over the section multiple times. He left her there in the barn describing her beauty, showing the reader through Curley’s Wife that even the worst of us have humanity.
The character of Curley’s Wife is very hard to unravel, as throughout the book, Steinbeck’s representation of women through characters such as George and Candy, is very harsh. This is because the sociological opinion at that time was that they were either, mothers, sisters, or prostitutes, as the audience soon see, George and other ranch workers refer to her as “bitch” “loo loo” and “tramp”. There were also a growing number of prostitutes during the Great Depression period, as they would offload their services to those whom were able to pay and have some decent income during the Depression. Other aspects that may make Curley’s Wife seem like a tart, is Curley’s “Glove Fulla’ Vaseline”. Curley literally keeps a glove full of Vaseline, in order to keep his hand soft, possibly for a sexual act. Curley boasts to Candy that the hand is for his wife, which tells us that she gives him consent to do these acts to her, and also, Curley’s nerve to inform fellow workers about his glove shows that he believes that his own wife is a tart, which is very controversial today, but back then, women were seen as nothing more than possessions, yours to do what you will. George informs Lennie to avoid Curley’s Wife at all costs, and not to talk to her, because of her promiscuous behaviour, he believes t...
Curley's wife is seen as a cheap possession, a toy that belongs to Curley. A possession that he gets to control. His lack of love, respect and attention results to her death in the end. By all the men she’s seen as a tramp, they think that she’s out cause trouble. But the truth is she’s desperately lonely. She just wants someone to talk to. She’s missed out on a wonderful life that could have been hers, and that hurts her.
Curley’s wife represents her broken dreams of becoming an actress. Lennie and George represent a dream in progress, it is uncertain if their plans will work out as intended or plummet before takeoff, even Crooks and Candy see the appeal in Lennie and George’s fantasy and join them. The dream in progress gives hope to Lennie and George and continued to even after losing previous jobs. Curley’s wife is constantly restricted, she married Curley so that she would no longer be alone but now is in the same state as before, just on a ranch of men. She tries to talk to the other men but she is then seen as "jail bait" and avoided, making her even lonelier. Her dream of being an actress has failed because she chose a quick way out and married Curley. She is now living in her failure and has no longer a dream to aim for. Perhaps the most important part of the story is the the part in which Lennie has accidentally killed the puppy given to him by Slim, and is grieving over him in the barn, “This ain’t no bad thing like I got to go hide in the brush. Oh! no. This ain’t. I’ll tell George I foun’ it dead.” He unburied the puppy and inspected it, and he stroked it from ears to tail. He went on sorrowfully, “But he’ll know. George always knows. He’ll say, ‘You done it. Don’t try to put nothing over on me.’ An’ he’ll say, ‘Now jus’ for that you don’t get to tend no rabbits!” (Steinbeck, 85) He feels powerless to his own strength, he believes that he will never achieve his dream because of his mistake. George and the other men are out once again and the only person who comes to his emotional aid is none other than Curley’s wife. “Don’t you worry about talkin’ to me. Listen to the guys yell out there. They got four dollars bet in that tenement. None of them ain’t gonna leave till it’s over.” “If George sees me talkin’ to you he’ll give me hell,” Lennie said cautiously.” (Steinbeck, 85) He
Curley makes sure his wife doesn’t talk to anyone. She is a victim of herself because she married a man that she hardly even knew. She married him though, to have a companion. She killed herself and Lennie because of her need for companionship. She craves companionship because she is an attractive woman with a need for interaction.
In Of Mice and Men by John Steinbeck, published in 1937, many characters are depicted as having a turbulent and continuously changing relationship with power. In the case of Curley’s wife, her power, or lack thereof, derives from her status of being the only woman on the ranch during a time when females were viewed as being inferior and subordinate to men. In some instances, Curley’s wife uses her femininity to her advantage to flirt with the various men on the ranch and obtain information from them. She is aware of her beauty and the control over men this gives her and she realizes that a seductive attitude can be used to manipulate others. Although, ultimately, being a woman is her downfall. The men on the ranch ridicule her and dismiss
In the Steinbeck novel ‘Of Mice and Men’, he introduces us to the character of Curley’s wife. She could be interpreted as a mis-fitting character in the novel, as no one relaters to her. This essay will go on to examine the character of Curley’s wife and how characters perceive her and how this influences the readers interpretation of her.
For readers who observe literature through a feminist lens, they will notice the depiction of female characters, and this makes a large statement on the author’s perception of feminism. Through portraying these women as specific female archetypes, the author creates sense of what roles women play in both their families and in society. In books such as The Grapes of Wrath by John Steinbeck and The Great Gatsby by F. Scott Fitzgerald, the roles that the main female characters play are, in different instances, both comparable and dissimilar.
In a society where the focus on equality amongst different races, religions and sexes continues to grow, it is no surprise that literature has begun to follow suit. Publishers have seen a rise in strong, capable female protagonists who overcome a variety of struggles to save themselves or others and both teens and adults alike rush to get their hands on this material. With such popular literary works to choose from, it seems strange that many schools continue to rely on somewhat archaic material that mistreats and degrades so many women. In John Steinbeck 's Of Mice and Men, for example, the only female character the reader interacts with is treated like a lower-class prostitute who is ultimately killed off due to her seductive behavior. Though Steinbeck 's treatment of women comes mainly from classic gender roles, his portrayal of female characters in Of Mice and Men is
“Why can’t I talk to you? I never get to talk to nobody.” (Steinbeck, 86). In the novel Of Mice and Men by John Steinbeck, Curley’s wife is an outcast compared to the men. Being female, she cannot do what the men can. This novel was based in the 1920’s, a time where women weren’t allowed to do certain, almost all, things. She was not allowed to talk to anyone because she was seen as a threat. Her treatment was caused by how men viewed her. This all affected her responsibility, the views of her as a woman, and her loneliness.
In the play Death of a Salesman by Arthur Miller, there are several female characters. Linda Loman is a loyal and nurturing wife and mother and is the person who holds the family together. The other women in the play are wanton and pull the Loman family apart. Both types of women in the play hold a position of power over the pitiful men, whether it is as a matriarch or a whore. Willy, Biff, and Happy Loman all have a common weakness: lack of self-control. Willy had an affair with a woman when he was younger, sleeping with secretaries that could help him make sales to their bosses. Biff “stole [himself] out of every good job since high school” (131). Happy sleeps with his bosses’ wives because he cannot advance in his profession and taking his bosses’ wives’ loyalty away from them is the only thing that brings him satisfaction. This senselessness that afflicts the Loman men renders them all unhappy and poor. Linda however, remains rational throughout the social and economic insecurity in her life. The other women too, never fail to manipulate the men into a puppet-like state. The ability to remain rational and manipulate others renders the female characters in Death of a Salesman more powerful than the male characters, despite the patriarchal demeanour of the play.
Throughout American Literature, women have been depicted in many different ways. The portrayal of women in American Literature is often influenced by an author's personal experience or a frequent societal stereotype of women and their position. Often times, male authors interpret society’s views of women in a completely different nature than a female author would. While F. Scott Fitzgerald may represent his main female character as a victim in the 1920’s, Zora Neale Hurston portrays hers as a strong, free-spirited, and independent woman only a decade later in the 1930’s.