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Raises of insanity in literature
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In some works of literature, madness or irrational behavior plays a significant role. John Steinbeck’s Of Mice and Men illustrates the concept in a unique way by depicting not the character with mental disabilities, but their key opposition as being absurd. Curley’s behavior consisting of aggressiveness, cockiness, and use of myths to improve his sexual performance can be described as paranoid and pugnacious, but not entirely unjustified. His reactions are highly amplified versions of appropriate responses to situations that plague him such as his wife’s scandalousness, his own insecurity, lust for power, and fears. Curley’s “madness” impacts the story by representing society’s lack of acceptance, competitiveness, and mercilessness. Madness …show more content…
is a term that may be used to describe foolishness or chaotic behavior, Curley’s actions being aptly defined by the later.
His behavior is seemingly irrational due to the extremity he conducts them with. Constantly paranoid about his wife’s whereabouts, Curley is often depicted as frantically questioning others if they have seen her and, as stated by Whit, “‘He spends half his time lookin’ for her, and the rest of the time she’s lookin’ for him’” (Steinback, 53). Rumors spread that Curley’s daily routine consists of filling his glove with vaseline and consuming raw eggs in order to improve his sexual performance as “‘Curley says he’s keepin’ that hand soft for his wife” (Steinback, 27). While Curley may be described as paranoid, ‘skittish’ is an inaccurate adjective for the character. The man is often portrayed as pugnacious and intimidating. Candy comments that “‘Curley’s like a lot of little guys. He hates big guys. He’s alla time picking scraps with big guys’” (Steinback, 26). His aggression goes so far as for him …show more content…
to threaten Lennie for something as innocent as laughter by articulating “come on, ya big bastard. Get up on your feet. No big son-of-a-bitch is gonna laugh at me. I’ll show ya who’s yella” (Steinback, 62). Curley’s aggression is accompanied with mercilessness, showcased when he plans to shoot Lennie in the gut in order to provide the boy with a painstakingly slow and agonizing death to achieve volatile revenge. Despite being consistently pugnacious, Curley is abruptly silenced and suddenly breaks character when violently injured by Lennie as “his struggling had become weak. He stood crying, his fist lost in Lennie’s paw” (Steinback. 64). Although Curley’s actions are indeed extraordinary, there remains reason to his apparent madness. Several factors play key roles in explaining a character’s actions and motives. Curley’s paranoia and distrust in his fellow men at the plantation stems from his awareness of his wife’s attractiveness. Despite being wed, Curley’s wife’s behavior is described as persistently sultry and, as Whit states, “‘she ain’t concealin’ nothing. I never seen nobody like her. She got the eye goin’ all the time on everybody. I bet she even gives the stable buck the eye’” (Steinback, 51). When Candy comments on Curley’s ruthlessness, he states “‘He’d slough me. He just don’t give a damn. Won’t ever get canned ‘cause his old man’s the boss’” (Steinback, 27). Due to his inherited advantage over the other men, Curley uses this leverage as reason to act as though he possesses authority over the others. His belligerence and cocky behavior are enabled because, despite his actions being wrong and uncalled for, especially in a work environment, he has the ability to evade punishment due to his father’s lenience. Depicted as a ‘little guy’, Curley’s selective aggression towards larger men stems from his personal insecurity concerning his own size. He tries to compensate for his lesser stature by presenting himself in a threatening and intimidating manner, attempting to establish dominance over others to achieve power. Additionally, his sinister act is a facade to mask his cowardice and fear. When defeated by Lennie, Curley’s guard is let down as he showcases unease by avoiding eye contact and complies to Slim’s demand without hesitation, declaring “‘I won’t tell,’ said Curley. He avoided looking at Lennie” (Steinback, 65). While there is explanation for Curley’s extreme behavior, there simultaneously exists reasoning for Steinbacks inclusion of the character that impact the meaning of the work as a whole. In literature, characters, their motives, and their actions serve as a double-edged sword not only to engage in advancing the plot, but also in adding significance to the novel.
Curley is no exception to this trend. His aggression represents a lack of acceptance towards people who are different or behave in a way deemed ‘unreasonable’ in society. Curley reprimands Lennie for wanting to remain quiet, believing that a man of his size must “‘talk when he’s spoke to’” (Steinback, 25). Furthermore, Curley’s refusal to consider Lennie’s abnormal disability or the ill behavior of his wife excuse the murder represents society’s mercilessness towards people with disabilities despite their innocence. Due to Curley’s status as son of the plantation’s boss, he possesses unmerited power over the others. Not only can he evade punishment, he may also use his advantage to convince the boss of someone’s misbehavior despite the validity of his accusations. Because of this power, the workers of the plantation advise Lennie and George to maintain distance from Curley and his wife to avoid trouble. They are made acutely aware that the unfair odds of going against them are drastically in favor of the boss’ family, made clear when Curley’s wife states to the stable buck “‘well you keep your place then...I could get you strung up on a tree so easy it ain’t even funny’” (Steinback, 81). This disadvantage and hopelessness apparent in the workers represents the futility of people compromising with
others that withhold more power in society be it politically, financially, authority, or by any other means. A highly renowned novel, Steinbeck's Of Mice and Men accomplishes a great deal of symbolism and meaning for a considerably short read. Curley’s seemingly irrational behaviors and aggressively paranoid nature were justifiable to a degree when considering his insecurity, fear of losing his wife, and desire for power over others. His competitiveness, lack of acceptance, and mercilessness represented that of society, and the remaining cast of characters’ responses inversely showcased the differing attitudes of people towards, reacting in either acceptance or attempting denial only to be faced with inevitable defeat.
The first description of Curley’s Wife states that she gives multiple ranch workers “the eye” despite being “married two weeks.” From this we can instantly deduce that she is somewhat of a “tart” however if we evaluate further this could explain that she is lonely and not content with her new husband. The fact that she is giving other ranch workers “the eye” despite being married makes us feel no sympathy for her and instantly portrays her as endeavouring and potentially dangerous, although, on the other hand we can understand her restriction by Curley which makes us feel sympathy.
In John Steinbeck’s novel Of Mice and Men, Curley’s insecure character is shown through what other characters say about him. One instance in which Curley’s insecure disposition is shown is when the other men are talking about him after he verbally attacks Lennie. When George demands to know why Curley disrespected Lennie, one of the other men responds saying Curley tends to pick fights with big guys like Lennie and furthermore explains, “Kind of like he’s mad at ‘em because he ain’t a big guy” (26). A great deal of Curley’s insecurity stems from his size. Despite superficial efforts to make himself appear bigger, Curley knows he will never amount to the size and strength of the other men on the ranch. To compensate for his size, he often times tries to prove himself through fighting.
Mr. Curley’s has a dream to be an important and to be a powerful factor on the ranch. Mr. Curley is greedy when it comes to possessing power over those who work on the ranch. An example of his arrogance would be when he tells Lennie, “Well, nex’ time you answer when you’re spoke too.” (Steinbeck 26). Mr. Curley talks condescendingly to the men on the ranch especially Lennie. Mr. Curley doesn’t feel like feeling in competition with other men when it comes to having power on the ranch. Curley might feel insecure about his size which is why “He hates big guys. He’s alla time picking scraps with big guys.” (Steinbeck 26), Curley almost feels intimidated by the bigger men working for him by demonstrating his power that he holds over them. He
...ars for the fidelity of his wife as he believes there is a chance that Slim could be with her, despite his good nature. This makes the audience believe that Curley knows his wife is capable of anything, and that he would rather have her under his control. However, the poignant side to Curley’s Wife’s victimisation is when she is victimised due to the stereotypical image of women, either mother or prostitute. This adds a dark shadow over her complicated character, because the way she dresses, and the shoes she wears, especially at the ranch of all places, is unnatural. Also, her manipulative ways ironically cost her life, as she was probably toying with Lennie being mentally handicapped. Overall, I believe that the way that Curley’s Wife has cast her impression upon everyone, has eventually made her a victim of society, the ranch workers, and most importantly, herself.
“Then Curley’s rage exploded.Come on ya big bastard . Get up on your feet. No big son-of-a-bitch is gonna laugh at me I’ll show ya who’s yella”.(62)Lennie was smiling and thinking about the ranch that George talked to him about and how they would make a living out of the farm. Also, he was thinking about how there would be bunnies that he could pet and feed.He was daydreaming in the worst moment. Curley thought that Lennie was smiling and laughing at him for having a “Glove fulla Vaseline”. This part of the dialogue also tells us that Curley gets frustrated or mad easily. THey say his rage exploded, he made a tiny situation into a major attention drawer. “Curley’s like a lot of little guys. He hates big guys.He’s alla time picking scraps with big guys.”(26) The author describes Curley as a hatred person.He gets the wrong intention.Curley according to the passage liked to pick on others and knowing that Lennie was a sensitive fella he took advantage of that. He had fun doing this but Lennie did not get any positive output of this only negative outcomes. Curley wanted to start a fight just because he thought Lennie was laughing at him when he
Curley is a small man who is the boss’s son and has a Napoleon complex and he tries to act larger than he is. He’s insecure around men that are more macho and bigger than him and is known to give men bigger than him grief. “He’s alla time picking scraps with big guys. Kind of like he’s mad at ‘em because he ain’t a big guy.
The book takes place in the great depression where power was everything and if you were weak you were killed off by the strong so that they could survive. The characters understood this and tried to appear stronger and more powerful than each other to get by. Curly fights larger men, to appear strong. Crook threatens Lennie with the thought that George will leave him, and this is meant to scare him because Lennie has a special relationship with George that is irreplaceable. Carlson shoots Candy’s dog to show masculinity in a way and strip Candy of the one thing he really loves. And Curley's wife threatens to hang crooks to prove that even though she is a woman she still has a voice on the farm.
Discrimination was one of the issues that caused conflict in the novel “Of Mice and Men” by John Steinbeck. One example of discrimination in the novel comes in the form of racial discrimination against Crooks, as he is an African American. Another example of discrimination is gender discrimination against Curley’s wife. Finally, there is discrimination against mentally disabled people, which is evident in Lennie’s character. The ranch hands' actions and conversations demonstrated the racial discrimination against Crooks for his skin colour, gender discrimination against Curley’s wife for her gender, and prejudice against Lennie, who was a mentally disabled individual.
Through the use of insanity as a metaphor, William Shakespeare, Edgar Allen Poe, William Blake, and Charlotte Perkins Gilman, introduced us to characters and stories that illustrate the path to insanity from the creation of a weakened psychological state that renders the victim susceptible to bouts of madness, the internalization of stimuli that has permeated the human psyche resulting in the chasm between rational and irrational thought, and the consequences of the effects of the psychological stress of external stimuli demonstrated through the actions of their characters.
Curley's wife, comparable to most other characters in the novel, is a type of character with little discrepancy, moreover being the only woman in novel. Curley’s wife is demonstrated by her position and part. This part is however, being a possession of Curley or a wife. She is heavily insulted and looked upon as inferior: George and Candy call her "jailbait" and "tart", which supports the fact that he has no voice and as a matter of fact, no name – simply being referred to as Curley’s wife. Due to her lack of power, she attempts to gain it by leeching off those with power. This leeching is portrayed as her seducing the other men on the ranch who have large presence like Slim: “Hi Slim” supports a casual and somewhat flirtatious approach to the other men. She seduces other by wearing far too much makeup and dressing like a "whore" with “red fingernails” and red shoes with ostrich feathers.
Curley’s wife says,” Think I don’t like to talk to somebody ever’ once in a while? (Pg. 77)”.
Curley’s wife’s femininity may be seen as her greatest weakness or flaw to most, but she rapidly discovers that it is also her only weapon on the ranch and learns to use it to her advantage. Therefore, she puts up an alluring and sultry front in an attempt to receive attention, because she is aware that none of the men on the farm respect her because of her position as a woman. The men's blatant lack of respect for her belittles the miniscule amount of power she has acquired
A hidden madness would appear to refer to either the bodily type of the disease or the mark of madness in one’s actions springing from, or imparted through the mind. The theme of madness in literature can refer to both writers who have endured a certain mental illness and are known to be insane, or it can merely refer to the abnormal characters in literature. The Canadian postmodernist writer Timothy Findley examines madness by studying the history of madness and the development of psychotherapy. Typically, those marked as ‘mad’ in Timothy Findley’s novels are often individuals who perceive aspects of the world truthfully and rebel against or defy civilization on behalf of the natural world. In Timothy Findley’s novel ‘Pilgrim’ and his two short stories ‘Lemonade’ and ‘Out of the Silence,’ the theme of madness is illustrated similarly through self destruction, the power of silence, and one’s desire to escape.
Curley’s wife is given a reputation of causing trouble between other characters from different characters in the novel. There is no evidence of her living up to all of the reputation in the novel. Candy says “Well she got the eye” which could have many meanings and then he backs that up with “I seen her give Slim the eye” and finally he says “Well I think Curley’s married…a tart.” This explains his views on Curley’s wife. And when she dies he calls her a ...
The first time the audience meets Lear, he is presented as an ?arrogant and egotistical?(Leggatt 33) man who shows no mercy, not even to his favorite daughter when she disappoints him. Though this may be a character flaw, it could hardly be labeled ?madness?. As Lear?s character develops, the audience begins to see another side of him, one that is learning humility at the hands of his selfish daughters and pity for ?Poor naked wretches? (III.iv.35) who have less than they need. ?As Lear reaches his conclusion, an actual poor naked wretch bursts onto the stage, crying, ?Fathom and a half! Fathom and a half! Poor Tom? (Leggatt 32-33)! It is at that moment, when Lear sees Tom, that he breaks down.