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Cultural appropriation effects on individuals
Essay on cultural appropriation
Essay on cultural appropriation
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The notion of Cultural appropriation is controversial; It is misinterpreted as a restriction on engaging with other cultures. According to an article by (Rodriguez,2006), the notion of color blindness appropriates Hip-Hop. This essay will provide a broader context and provide a more in-depth understanding concerning cultural appropriation and unearth the connection with the ghettoized popular Hip-Hop. Moreover, it will show examples of appropriation, results of appropriation, examples of grey areas and where the concept of cultural appropriation was first inspired. The paper will dispel the myth behind Hip-Hop’s definition and address the notion of cultural appropriation. This paper will also demonstrate the grey areas around civil cases where international property laws cannot apply. The Definition of Cultural Appropriation Cultural appropriation is the use of intellectual property to profit from and to pass it off as another person’s property. In situations where the cultural property is appropriated, slippages can occur where the cultural protocols and use for the object are skewed, thus modifying significant aspects of the culture’s expression (Anderson & …show more content…
This pronunciation got passed down through generations in the African American communities as a form of cultural heritage along with the tradition of toasting which evolved into Hip-Hop (Black talk, 2000; Rodriquez, 2006). The distinct difference in grammar was segregated and referred to as “baby talk” or “jungle tongue” in the 1960’s (Smitherman, 1996). Today, Ebonics is still economically discriminated against and associated with the uneducated. Meanwhile, some white Hip-Hop fans and artists such as Iggy Azalea mimics Ebonics when they perform; appropriating African American verbal cultural heritage into their acts as their own art form for
Cultural appropriation has been a controversial subject of debate for decades; hence it is not something “new” as society likes to think. The issue of cultural appropriation seems to have recently emerged in the 21st century because technology has allowed information to be more widespread and easily accessed. The borrowing of cultural elements of minority cultures, particularly black culture and indigenous culture, (hairstyles, music, fashion, art, etc.) by fashion labels and designers, celebrities, and the dominant culture often elicits unforgiving backlash from liberals. For example, Kylie Jenner has frequently been called out by the black community for continuously
Hip-hop culture has been a global phenomenon for more than twenty years. When introduced into the American culture, the black culture felt that hip-hop had originated from the African American community. The black community was being denied their cultural rights by the supremacy of the white people, but hip-hop gave the community the encouragement to show their black pride and televise the struggles they were facing in the world. The failure and declining of the movements, the influential, rebellious, and powerful music is what reshaped Black Nationalism, unity and to signify the struggle. The African Americans who suffered from social and political problems found that they similar relations to the political movements, which allowed the blacks to be able to voice their opinions and to acknowledge their culture openly.
The term "Ebonics" is the most recently coined name for a speech pattern that has been around for several hundred years. Synonyms for Ebonics include, but are not limited to, Black English, Black Vernacular, African American Vernacular English (AAVE),"Jive," "Rappin," even the derogatory term of "Nigger Talk"(Shabaz).
Since the early to mid 90’s, hip-hop has undergone changes that purists would consider degenerating to its culture. At the root of these changes is what has been called “commercial hip-hop". Commercial hip-hop has deteriorated what so many emcees in the 80’s tried to build- a culture of music, dance, creativity, and artistry that would give people not only something to bob their head to, but also an avenue to express themselves and deliver a positive message to their surroundings.
The most poignant finding is not that black and whites think differently about its meaning, but what emerged was the acknowledgement that Hip-Hop was created as a tool to voice the sentiments of the disenfranchised. This locates the birth of Hip-Hop in cradles of disenfranchisements, the hood. Hip-hop worked as a megaphone, a magnifying glass that candidly told whoever would listen about the hardships, injustice and racism faced by those living in American ghettos. It worked as a tool to tell the stories of the people living there in order to build empathetic conversatio...
In this paper I’m going to show how African Americans have used hip hop and black hair are two ways in which African Americans embrace their culture and fight oppression. However, as we have reviewed in many classes, oppression is not easily escaped. So in this paper, I’m going to show how cultural appropriation is used as a way of oppressing black culture. So this paper is an expansion of what we have learned in the class.
It is a day in the summer of 1974 on the block of 1520 Sedgwick Avenue, Bronx, NY. The grass is blazing, the air is fresh, and the kids are shrieking with joy. This is where it happened. DJ Kool Herc popped in his new record playing smooth rhythms of jazz and blues with the integration of Jamaican sound creating a new genre that would soon sweep the nation. He called it Hip-Hop. Some would call it “black noise”, but to urban African Americans it was music they could own; music they could learn to appreciate and adore. As they faced afflictions like racism, oppression, drugs, and much more, they used this new found hip- hop to express their thoughts and feelings. Today, we try to understand where this passion and substance in rap has escaped; if it was left to wither in the blazing grass, or blow away in the fresh air. Today, we try to understand what is hip hop, and why it’s becoming the “black noise” we once denied it to be. Ever since rap officially emerged in the 1970s, critics had a negative reaction; even when rap had meaning and substance and consisted of people telling their stories. Now that rap has become more contemptuous, critics have began to question what rap is really about. It is clear themes have changed: But at what point? And how? Furthermore, how has this impacted blacks and their image, who dominate the rap industry. Conclusively, while themes in mid 20th century rap have been known to revolve around aspects like politics and unity, currently rap has underwent a dramatic change now producing themes that promote violence, among many other things, and has ultimately painted a negative image of African Americans.
The purpose of this study is determine why and how African American music that’s is so deeply rooted into the community is being culturally appropriated. This is a topic that has been the on the foreground of race for years. Activists and celebrities like Adrienne Keene, DeRay McKesson, Azealia Banks, and Jesse Williams helped bring the issue into the national attention. Most of the world or better yet the appropriators have very little knowledge of what the word actually means. In order to understand the problem we must first understand the word Culture and Appropriation. Culture being defined as the beliefs, ideas, traditions, speech, and material objects associated with a particular group of people. Appropriation the action of taking something
Hip-Hop is a cultural movement that emerged from the dilapidated South Bronx, New York in the early 1970’s. The area’s mostly African American and Puerto Rican residents originated this uniquely American musical genre and culture that over the past four decades has developed into a global sensation impacting the formation of youth culture around the world. The South Bronx was a whirlpool of political, social, and economic upheaval in the years leading up to the inception of Hip-Hop. The early part of the 1970’s found many African American and Hispanic communities desperately seeking relief from the poverty, drug, and crime epidemics engulfing the gang dominated neighborhoods. Hip-Hop proved to be successful as both a creative outlet for expressing the struggles of life amidst the prevailing crime and violence as well as an enjoyable and cheap form of recreation.
“Cultural appropriation refers to picking and choosing elements of a culture by a member of another culture without permission” (O’Reilly). For example, white people steal certain parts of African American culture. They exploit it, misuse it, and whitewash it. “Exploiting a culture deprives the culture of the credit they rightfully
The use of Ebonics in rap lyrics is becoming more and more apparaent in today's society because there are so many more people of all cultures and age groups beginning to listen to rap. More and more of the younger generations today are imitating the style of their favorite rapper; for example, today there are kids all around the world dressing up with baggy clothes, wearing their hats real low, and changing the way they speak so they can sound like their favorite rappers. The way that the use of Ebonics in rap has effected not only the American culture, but cultures all around the world shows just how popular Ebonics has become in today's society.
Hip hop has multiple branches of style and is a culture of these. This essay will examine Hip Hop from the point of view of the following three popular music scholars, Johnson, Jeffries and Smitherman. It will delve deeper into their understanding of what hip hop is and its relation to the different people that identify with its message and contents. It will also identify the history of Hip hop and its transition into popular music. In particular this essay will focus on what hip hop represents in the black community and how it can be used as a social movement against inequalities faced by them. This will then open up the discussion for the how this has influenced society, and the impact it has had in terms of race issues which hip hop itself often represents through music.
Throughout American history there has always been some form of verbal acrobatics or jousting involving rhymes within the Afro-American community. Signifying, testifying, shining of the Titanic, the Dozens, school yard rhymes, prison ?jail house? rhymes and double Dutch jump rope rhymes, are some of the names and ways that various forms of raps have manifested. Modern day rap music finds its immediate roots in the toasting and dub talk over elements of reggae music (George, 1998)....
However, just this year a song by Miley Cyrus sparked a “twerking” outbreak, and there simply is no denying the impact it had on teenagers throughout the entire country. The problem, though, is that hip-hop music promotes things far worse than the provocative dancing that was advocated in Cyrus’s song. Others argue that culture is not actually being affected by the music, and it is actually the opposite. They claim that the lyrics in hip-hop music are poetry of the streets, and it embodies black victimhood in the ghetto. However, if we accept this, we are accepting the fact that the “ghetto life” is so hopeless that an explosion of violence is justified. By encouraging rappers that promote this type of behavior we are deeming the behavior acceptable just because the “ghetto life” is tough. However, rape and murder should never be seen as acceptable, and nor should the advocacy of it
Black culture in our society has come to the point where it is allied with pop culture. The most popular music genres, slang terms, to dance forms it all comes from black culture. Hip hop emerged from black culture, becoming the soul of it that is seen in the media. Hip hop helped the black community by creating new ways of expressing themselves, from breakdance, graffiti, rap and other music, to slang. This culture was rooted in their tradition and created from something new. Hip hop created a new form of music that required the use of turn tables, ‘cuts’, loops, rhythm, rhyme, stories, and deep-rooted emotions, but also incorporated black oral forms of storytelling using communal authors.