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Depiction of women in literature
Depiction of women in literature
Elizabethan era life of women
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Women nowadays are allowed to do everything that men can, but it was not always this way. In Geoffrey Trease’s Cue for Treason, Katherine Russell, a young lady in Elizabethan England plays the role of one of the protagonists who goes on an adventurous journey. Russell is a remarkable ambassador of equality for women because she is able, daring and intelligent. In Elizabethan England women were not able to do what men could do, except for Russell. She dresses up as a boy so she can act, and does just as well as the men. During this time it was illegal for women to act, but Russell shows that women are just as able to act as men. She is also able to make it through the forest despite having cramps. Russell despite experiencing stiches, is able to fight through the pain while making the trek through the forest with Peter to escape Sir Philip. She shows her determination and shows that although she is a girl, she is still able to do what men can. …show more content…
Although being able is important, it is not useful if you are not daring to make a change. Disobeying the law, even if it is unjust could result in a beheading, but that did not stop the daring Katherine Russell. She takes many chances such as dressing up as a man so she can do things that only men are allowed to do. Not only does she act on stage while dressed as a boy, but she also joins the Queen’s Secret Service. Russell takes a huge risk, but she played an immense role in the sparing of the Queen’s life showing that women can do what men can if they take a risk. She also dares to run away from her guardian who did not treat her well. Russell shows the world that women are not objects but are equal to men, by making this daring escape. Being able and daring is one thing, but throwing intelligence into the mix makes a superhero. Intelligent Russell is, intelligent she is not supposed to be.
She knew before Peter that Mr. Armswaithe, a magistrate, was a conspirator and apart of the plan to kill the queen. Although girls are not allowed to attend school, she picks up on clues and uses her knowledge to put one and two together to make this discovery and to potentially save Peter’s life. She stepped up as a women to save Peter’s life. She also showed intelligence on several other occasions such as when she was disguised as a boy. When the other actors in the troupe induce her to go along with the harsh games they played, Russell declines and does not let her anger take over so she can assume control over her body and keep her secret safe. This is a brilliant move for a twelve year old showing the critical thinking that women can do. Katherine Russell is an exceptional representative of equality for ladies on the grounds that she is capable, brave, and clever. Women like Russell make the world a better place and open the eyes of many to the
truth.
In addition, Britain’s societal transformation augmented women’s role in society, and according to Braybon in “Women Workers in The First World War,” “A completely different pattern of life was established … for women” and that society had “prevailing attitudes towards women as workers” (Braybon 16). The newfangled life given to women gave most women an enormous surge in recognition throughout society, as people valued women a lot more after they became the backbone of the production of nearly all British goods. Concurrently, King underscores this point in her novel, as throughout the novel, Mary is never discriminated against simply for being a woman. In preceding years and throughout history, society typically perceived women as naturally inferior to men, and women’s occupations were limited to taking care of the family and domestic occupations. Nevertheless, the overarching effect of the augmentation of the number of women employed in the British workforce was the society’s realization that women could perform at a level equal to men, and this helped facilitate the women’s rights movement in Britain, a leading factor in Britain’s evolution to a gender equal society. In the novel, throughout Mary Russell’s journeys across Britain, there is not a single time when
Although “Jane Eyre” and “Sula” are two completely different stories that were written in different eras and take place in two completely different settings, they both address the issue of women’s rights. For centuries, women have been considered as less equal than men and they have struggled for equal treatment and opportunities. Both stories r...
Mildred Pierce, by James M. Cain, begins in pre-Depression California, and ends during World War II times, also in California. The main character, Mildred Pierce, is a very attractive housewife of 29, raising two daughters, Ray and Veda. Although Mildred loves both her daughters, Veda is a particular obsession with Mildred. She constantly slaves away throughout the novel to do whatever she can to make Veda happy, despite the constant abuse and deception Veda inflicts upon Mildred. After a divorce from her first husband, Bert, in the opening pages of the novel, Mildred is forced to sacrifice her pride and become a waitress in order to support her family. If Veda were ever to find out, she would be appalled; a constantly recurring theme throughout this story is Veda’s pride and arrogance, and her condemnation of jobs she deems to be menial. Mildred’s main goal is to nurture Veda’s musical talents, and manages to pay for expensive music lessons from her meager salaries as a waitress and pie baker. However, Mildred’s luck is soon to change, as she takes up with an attorney and former partner of Bert, Wally. Mildred is able to use Wally’s business and real estate savvy to build a restaurant out of a deserted model home, and from there create a thriving chain of three food businesses. After becoming bored with Wally, however, Mildred craves a relationship with another man, a prestigious local man named Monty. Veda highly approves of her mother’s choice, as this makes her feel as if she too were more prestigious and affluent, despite having misgivings about her mother still being so low as to have an average, pedestrian job. All seems to be going well; even through Veda’s constant demands and tantrums, she still gets everything she wants, and Mildred and Monty are happy. Monty, however, falls on hard times with the coming of the Great Depression, and he constantly mooches off of Mildred’s affluence, making it a struggle for Mildred to cater to Veda’s every whim. Mildred soon dumps Monty to focus on making Veda a musical prodigy; this fails, however, when Veda is told that her piano is not up to par from a local famous music teacher. After Veda recovers from this shock, she explores the opportunities offered by an acting career, and begins to spin more webs of deception and selfishness. After Veda forces money out of a local rich family, lying and claiming their son got her pregnant, Mildred and Veda have a major argument, and Veda disowns her mother.
In literature, a dynamic character changes significantly as a result of events, conflicts, or other forces. In the play, The Crucible by Arthur Miller, Mary Warren, the young servant of the Proctor’s is a dynamic character. Throughout the play, Mary’s personality takes a turn for the better. At the beginning of the play, Mary is shy, timid girl who hides in the shadows of Abigail Williams and lets people walk all over her. As the play develops, Mary realizes that what Abigail is doing isn’t right and rebels against Abby. Instead of following Abby, she follows in the footsteps of John Proctor to bring justice to the girl’s accusing innocent people of witchcraft.
Society continually places restrictive standards on the female gender not only fifty years ago, but in today’s society as well. While many women have overcome many unfair prejudices and oppressions in the last fifty or so years, late nineteenth and early twentieth century women were forced to deal with a less understanding culture. In its various formulations, patriarchy posits men's traits and/or intentions as the cause of women's oppression. This way of thinking diverts attention from theorizing the social relations that place women in a disadvantageous position in every sphere of life and channels it towards men as the cause of women's oppression (Gimenez). Different people had many ways of voicing their opinions concerning gender inequalities amound women, including expressing their voices and opinions through their literature. By writing stories such as Daisy Miller and The Yellow Wallpaper, Charlotte Perkins Gilman and Henry James let readers understand and develop their own ideas on such a serious topic that took a major toll in American History. In this essay, I am going to compare Gilman’s “The Yellow Wallpaper” to James’ “Daisy Miller” as portraits of American women in peril and also the men that had a great influence.
Throughout history, women have struggled with, and fought against, oppression. They have been held back and weighed down by the sexist ideas of a male dominated society which has controlled cultural, economic and political ideas and structures. During the mid-1800’s to early 1900’s women became more vocal and rebuked sexism and the role that had been defined for them. Fighting with the powerful written word, women sought a voice, equality amongst men and an identity outside of their family. In many literary writings, especially by women, during the mid-1800’s to early 1900’s, we see symbols of oppression and the search for gender equality in society.
Kate was looked down upon by the male blacksmith in which they believed she was inferior. During one of Williams joust his armor was damaged and he had no money to get it fixed. He tried to barter with the male blacksmith but they would not take on the task. William took the task to Kate saying that the male blacksmith where talking about how bad her work was which is why she took on the task. Kate was confident in her work and decided she could challenge the social outlook that was put on women during the medieval times.
...n he tried to intimidate her earlier and that she would be so bold to his face. The criticism faced by the characters in the plays demonstrate the idea that women are inferior to men and should not speak out for themselves.
As insinuated through her poem’s title, “A Double Standard,” Frances Harper examines a double standard imposed by societal norms during the 19th and 20th centuries, as well as the different effects this standard foisted upon those of different genders. Harper’s poem is narrated by a woman who has been derided by society for her involvement in a sexual scandal, all while her male counterpart experiences no repercussions. By describing how her situation involving the scandal advances, delineating the backlash she receives for her participation, and reflecting on the ludicrously hypocritical nature of the situation, the speaker discloses the lack of control women had over their lives, and allows for the reader to ponder the inequity of female oppression at the turn of the 19th century.
These women authors have served as an eye-opener for the readers, both men and women alike, in the past, and hopefully still in the present. (There are still cultures in the world today, where women are treated as unfairly as women were treated in the prior centuries). These women authors have impacted a male dominated society into reflecting on of the unfairness imposed upon women. Through their writings, each of these women authors who existed during that masochistic Victorian era, risked criticism and retribution. Each author ignored convention a...
Marry Wollstonecraft was a famous women’s right activist and was also considered one of the most famous feminist, she fought for equal rights between men and women because people considered women weaker than men.
As part of the Sherlock Holmes series, the short story, “A Scandal in Bohemia,” written by Arthur Conan Doyle, introduces the Victorian concept , “The New Woman.” The term “New Woman” describes noncomformist females as smart, educated, independent, and self-reliant. These women decided that they did not want to get entrapped into the stereotypical “Angel of the House.” The New Woman concept did not only apply to middle class women, but factory and office workers. These women put off marriage to make themselves an individual. The New Woman concept made a major impact in social changes that redefined gender roles, consolidating women’s rights, and overcoming masculine supremacy. This new woman also appeared in literature that involved crime
In conclusion, most of the female character are often isolated, victimized and ultimately killed by the male characters. Furthermore, it is rather ironic how Mary Shelly, the daughter Mary Wollestonecraft who wrote the Vindication of the Right of Women chooses to portray women. In this novel, the female characters are the exact opposite of the male characters; they are passive, weak and extremely limited. Mary Shelly repeatedly shows women in a victimized position exhibiting to the audience how things should not be. In conclusion, Mary Shelly’s novel is a reflection of how women were treated in the 1800’s.
Throughout literature’s history, female authors have been widely recognized for their groundbreaking and eye-opening accounts of what it means to be a woman in society. In most cases of early literature, women are portrayed as weak and unintelligent characters who rely solely on their male counterparts. Also during this time period, it would be shocking to have women characters in some stories, especially since their purpose is only secondary to that of the male protagonist. But, in the late 17th to early 18th century, a crop of courageous women began publishing their works, beginning the literary feminist movement. Together, Aphra Behn, Charlotte Smith, Fanny Burney, and Mary Wollstonecraft challenge the status quo of what it means to be a woman during the time of the Restoration Era and give authors and essayists of the modern day, such as Chimamanda Ngozi Adichie, a platform to become powerful, influential writers of the future.
Katherine Mansfield belongs to a group of female authors that have used their financial resources and social standing to critique the patriarchal status quo. Like Virginia Woolf, Mansfield was socioeconomically privileged enough to write influential texts that have been deemed as ‘proto-feminist’ before the initial feminist movements. The progressive era in which Mansfield writes proves to be especially problematic because, “[w]hile the Modernist tradition typically undermined middle-class values, women … did not have the recognized rights necessary to fully embrace the liberation from the[se] values” (Martin 69). Her short stories emphasized particular facets of female oppression, ranging from gendered social inequality to economic classism, and it is apparent that “[p]oor or rich, single or married, Mansfield’s women characters are all victims of their society” (Aihong 101). Mansfield’s short stories, “The Garden Party” and “Miss Brill”, represent the feminist struggle to identify traditional patriarchy as an inherent caste system in modernity. This notion is exemplified through the social bonds women create, the naïve innocence associated with the upper classes, and the purposeful dehumanization of women through oppressive patriarchal methods. By examining the female characters in “The Garden Party” and “Miss Brill”, it is evident that their relationships with other characters and themselves notify the reader of their encultured classist preconceptions, which is beneficial to analyze before discussing the sources of oppression.