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Cruelty in Twelfth Night by William Shakespeare
"Twelfth Night" is also subtitled as "What you Will" which shows that
this should be a happy, festive comedy, its title is from the
twelve-day cycle of celebration enjoyed by medieval revellers each
December. As this is a comedy it means that there are multiple
marriages in the final scene and happy endings for most, except maybe
one person who is seen as a fool throughout the play in this instance,
Sir Andrew or Malvolio or some may even think, Orsino if they have
seen the Trevor Nunn film of this play, in my opinion Feste will not
be an object of humour throughout the play as in the Nunn film he is
quite a serious character. There are not any deaths in the play that
occur directly as this is a comedy.
In this essay I am going to write about how Shakespeare's "Twelfth
Night" has an underlying cruelty. I am going to look, in particular at
Sir Toby's exploitation of Sir Andrew, the way in which Sir Toby uses
Sir Andrew as a wallet to buy drinks. I shall also concentrate my
essay on the cruelty towards Viola in the love triangle and also
briefly at the cruelty towards Antonio. I could also look at cruelty
towards Malvolio but I do not think I will be able to have enough time
to do so.
In the cartoon version, the BBC film and the Nunn film production
Andrew is portrayed as a silly, thin, feeble fool with blonde hair and
a pale, pasty complexion, the way in which the directors have chosen
to portray Aguecheek, in all versions, is promoted by the other
characters in "Twelfth Night" describing him like this. Act I, scene
iii, is the first scene in which you meet Sir Toby and Sir Andrew...
... middle of paper ...
...ark side of it. Most probably a close friend or family member of
Shakespeare's died at this time or Shakespeare himself experienced a
tragedy, which may have led him into this darkness. I have discovered
from a book I am reading that Shakespeare had epilepsy; this book is
not a reliable source as an epileptic wrote it, but I think it casts
for me some new light over some of Shakespeare's darker, crueller
plays and ideas. Maybe he had an especially depressing aura
(pre-seizure state) when he wrote some of the darker parts of the play
or had a particularly bad seizure as it is common with epileptics that
they write during there auras as a release of their creativity and
that they do not need to revise what they have written in this state
so there are many possibilities as to why Shakespeare made this comedy
a cruel play.
Most of the story Night takes place in a concentration camp, so cruelty is going to be normal for the prisoners at the camp. The point of this essay is to give examples of how cruelty is a theme in the story Night.
In most schools bullying is a serious issue. Bullying also takes place outside of school, it can occur in the workplace, at home, or even online. This atrocious hectoring is also common in literature, bullying is a real-world problem that authors tackle. William Shakespeare has scarcely addressed bullying in his play, The Twelfth Night. In The Twelfth Night Maria is a bully because she played an appalling trick on Malvolio.
one of the most important reasons could be the use of humour in the play.
Hamlet displays aggressive behavior towards others because he had no remorse for murdering his girlfriend’s father, and forcefully attacks all women in his life with words. The moment Hamlet realized that it was Polonius he killed, he reacted with “ Thou wretched, rash, intruding fool, farewell. I took thee for thy better. Take thy fortune. Thou find’st to be too busy is some danger.” This quote proves that Hamlet did not care about murdering Polonius, even though Polonius was his girlfriend’s father. He did not know who he murdered, which meant he was okay with murdering anybody. Also, Hamlet did not think twice about his actions which proves that he is impulsive and doesn’t know what he is doing. Another instance when Hamlet aggressively
Absolute in every child’s mind is the belief that they are right, despite all the evidence to the contrary. Until children grow up to raise children own their own, a parent’s disputation only inflates that desire to prove. Part and parcel to this, as one may find out through personal experience or by extension, cruelty towards parents is a reflection of a child’s own inadequacy (whether in large or small scale). In this sense, King Lear is a story of children with a desire to break past their hierarchal status. Whether it is the belief that a woman shall take a husband, and with that guard her inherited land, or what role bastards truly deserves in a society that preemptively condemns them. Cruelty at the hands of children accounts for almost
Hamlet and Laertes both contribute to the play main theme, revenge. Both characters dearly loved their fathers, thats the reason for revenge. But, their love has been distorted and all they feel now is a need for revenge for their fathers’ deaths. But they cope with it differently. Hamlet knows who killed his father, but does not take immediate action. Laertes is a little unclear on who is responsible for his fathers death, but he takes immediate action to avenge him. "To hell, allegiance! vows, to the blackest devil! Conscience and grace, to the profoundest pit! I dare damnation: to this point I stand, that both worlds I give to negligence, let come what comes; only I'll be revenged most thoroughly for my father." Laertes Act 4 Scene 5. Both Hamlet and Laertes love their father and seek revenge, but they have different responses to their fathers death.
One of the most analyzed plays in existence is the tragedy Hamlet, with its recurring question: "Is Hamlet’s 'antic disposition' feigned or real?" In truth, this question can only be answered by observing the thoughts of the main characters in relation to the cause of Hamlet real or feigned madness. In the tragedy Hamlet, each of the main characters explains Hamlets madness in their own unique way. To discover the cause behind the madness of Hamlet, each character used their own ambitions, emotions and interpretations of past events. Characters tried to explain Hamlet's "antic disposition" by means of association to thwarted ambition, heartbreaking anguish, and denied love. In the workings of their thoughts, the characters inadvertently reveal something about their own desires, emotions and experiences to the reader.
Andrew is funny, it is not intentional. His faults include a lack of wit, a
... a practical joke. Malvolio's delusions seem harmless enough and the reason he may appear as a 'killjoy' is because it is his job to keep. order and run errands for Olivia. At the end of the play, Malvolio finds himself excluded from the general feeling of joy and celebration amongst the other characters.
make him think he is mad and they also make Olivia think he is mad
Shakespeare’s play Twelfth Night revolves around a love triangle that continually makes twists and turns like a rollercoaster, throwing emotions here and there. The characters love each another, but the common love is absent throughout the play. Then, another character enters the scene and not only confuses everyone, bringing with him chaos that presents many different themes throughout the play. Along, with the emotional turmoil, each character has their own issues and difficulties that they must take care of, but that also affect other characters at same time. Richard Henze refers to the play as a “vindication of romance, a depreciation of romance…a ‘subtle portrayal of the psychology of love,’ a play about ‘unrequital in love’…a moral comedy about the surfeiting of the appetite…” (Henze 4) On the other hand, L. G. Salingar questions all of the remarks about Twelfth Night, asking if the remarks about the play are actually true. Shakespeare touches on the theme of love, but emphases the pain and suffering it causes a person, showing a dark and dismal side to a usually happy thought.
funny parts of the play by creating confusion within characters and lowering the intensity of the
Humor in William Shakespeare's Twelfth Night In Twelfth Night we see different types of humour. There is the witty
While insanity is a mental disorder, a mental disorder is not insanity. In Shakespeare’s play, Hamlet, the prince exhibits eccentric behavior as he acts the part of madness. Despite his crazy disposition, Hamlet is not insane, but is burdened by a swirl of emotions and a couple of mental disorders. Shakespeare does not over dramatize Hamlet’s mental illness, but he does exaggerate Hamlet’s lunacy. Prince Hamlet’s state of mind is is hard to deduce, but it is clear that he is not insane after analyzing the reasons for his eccentric behavior and understanding his mental disorders.
Twelfth Night or What You Will is one of Shakespeare’s most famous comedies. It has been performed hundreds of times and adapted into a number of modern films. The main plot of the play follows Viola, a girl who is rescued from a shipwreck and enters into the service of the Duke Orsino disguised as a man. Rising quickly in his estimation, Viola begins delivering messages of love on his behalf to Olivia, a noble woman who has no interest in Orsino’s advances. Over the course of the play Olivia falls in love with the disguised Viola, Viola falls in love with Orsino, and Viola’s twin brother Sebastian, who supposedly died in the shipwreck, returns. Following Sebastian’s return the twins are mistaken for each other, leading to both misunderstanding and marriage in the final scenes of the play. Alongside the main plot of Twelfth Night is an almost equally prominent subplot involving Malvolio, a servant of Olivia, who falls in love with her and who falls prey to a prank planned by the other members of the household who despise his abhorrence of fun. In the article “The Design of Twelfth Night” by L.G. Salingar, Salingar examines the plot and structure of the play and addresses the significance of the subplot. The purpose of this essay is to examine both evidence from the play and articles from other authors, with a focus on Salingar, who have written on the subject in order to determine the purpose of the subplot. In his article, Salingar comes to the conclusion that the purpose of the subplot is to provide a comic mirror of the main plot while amplifying the main themes of delusion, misrule and festivity. Salingar presents a solid argument, however he has neglected another lesser but significant element of the sub-plot which illustrate...