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Condemnation is given to those who display harshness and cruelty, within their treatment of others. Through the play A Streetcar Named Desire, Tennessee Williams portrays the many ways one can hurt a person, but all of them result in the destruction of the victim. Using the characters Blanche, Mitch and Stanley, Williams cautions his readers of the devastating effects of cruelty on the target. Both physical and mental obliteration are results of cruelty, whether it is deliberate or unintentional. Blanche Dubois, who portrayed the central victim of maltreatment during the play, herself, causes the mental and physical destruction of a loved one. During her youth, Blanche had a lover named Allan Gray, who she describes was handsome. She was …show more content…
in love with this young man and decided to marry him, but was taken aback, when one night she found him in bed with another man. Blanche tried her very best to act as if she had no clue of her husband's homosexual affairs, but one day all her attempts failed. While under the influence of alcohol, Blanche revealed her true feelings, "I saw, I know, you disgust me… To her husband, Blanche had always seemed to be a lady who accepted homosexuals like him, unlike society, where he was discriminated against, but her outburst revealed to him that her feelings were quite the opposite. Blanche's nonacceptance of his personal sexual decisions devastated Allan, and caused him to believe there was no reason to continue living his life. Despite not having intentions of hurting Allan, Blanche caused enough damage to prompt Allan to end his life, causing his mind and body to be destroyed. Similarly, nearing the end of the play Blanche receives a comparable mistreatment from Mitch, as Allan did from her. Mitch is the new found lover, who Blanche discovers during her temporary stay with her sister and brother in law. After coming in contact frequently, the relationship between Blanche and Mitch develops gradually. Both characters feel that the other fulfills their desires, which is to settle down. Both have the expectation that the outcome of their relationship is marriage. Initially, this seemed quite possible, but that is until Stanley interfered. Stanley, who had his own battles to fight with Blanche found unfavourable stories about her past and passed them on to Mitch as a true friend would, but with no pure intentions. Mitch did not initially believe the wild tales which Stanley told, but was forced to when he received confirmation on the validity of them. This causes him to become infuriated and heart-broken. When Mitch personally confronts Blanche, he accuses her of being a lying prostitute, and also suggests that Blanche must be hiding something further, as he has never seen her in broad daylight. During his drunken visit to Blanche he says, "I've never seen you in the afternoon … You never want to go out in the afternoon… What it means is I've never had a real good look at you, Blanche. Let's turn the light on here… This one with the paper thing on it. (Williams, 144)." The act of tearing the paper lantern off of the light in order to have clear visibility of Blanche represents the shredding of her shield of realism. As a result, Blanche admits to the accusations, but attempts reason with Mitch that she has changed her ways and never did intentionally lie in her heart, but rather to please. To the reader Mitch seems to forgive her, as he becomes slightly intimate, but backs out at the very end and blurts out, "You're not clean enough to bring in the house with my mother (Williams, 121). Blanche becomes enraged by this sudden outburst and tells Mitch to leave the house immediately. Mitch, just like Allan Gray is Blanche's salvation, but when he exposes her susceptibility, she becomes broken down psychologically. Moreover, while Mitch delivers the mental destruction, Blanche is physically affected by her deliberately cruel brother in law Stanley.
Stanley plays a major role in the downfall of Blanche, as he coordinates it with no repentance. He begins by searching for the negative incidents of Blanche's past, and frequently initiates conversation with her, which makes Blanche believe that he is aware of her unhealthy past. This causes her to act insecure; as she believe her act has been broken. During his initial confrontation with Blanche after learning about the loss of Belle Reve, he says "Don't play so dumb. You know what (Williams, 41)." Stanley uses his some of his new found acquired knowledge and confidence, to make Blanche act uncomfortable. He does this in order to observe changes in her reactions, and find the truth about her stay. Soon after, Stanley acquires the takes of young Blanche, and goes on to spread them to the two closest people to Blanche, one of whom eventually turns on her (Mitch). Additionally, on her birthday, Stanley continues to mistreat her, and presents her with a gift, which makes Blanche feel both scared and insecure; bus tickets back to Laurel. Stanley, knowing her past is aware of Blanche's reputation in the small city, and intentionally buys these tickets to further harass her deliberately. He is aware, that these bus tickets will also signal that she has overstayed her welcome at his home. Following the tragic incident with Mitch, Blanche becomes extremely battered emotionally and Stanley inflicts more damage upon her. In an attempt to please, Blanche lies further about a lover named Shep Huntleigh, who is supposedly rich. Stanley, knowing that Blanche would be using these false lovers as her salvage decides to play along with her act and says, "Well this lover of yours, he better be the smart kind (Williams, 83)." Stanley is aware of Blanche's fibs about these lovers, and begins to ask and make peculiar comments, to which Blanche can, no
longer answer and breaks her charade. Finally, after building up the emotional destruction, Stanley completes his destruction of Blanche through the rape which he commits near the end of the play. When in a drunken state, on the night of his child's birth, he says “Tiger- tiger! Drop the bottle-top! Drop it! We’ve had this date with each other from the beginning (William, 162). This brutal incident causes Blanche to go completely insane, as Stanley had then broken her both emotionally completely and physically, by taking away her right over her body. Maltreatment of others causes both emotional and physical harm, whether it had been intentional or unintentional. Through the characters of Blanche, Mitch and Stanley, Tennessee Williams portrays the idea that vulnerable victims of cruel and harsh treatment feel a great deal of pain both internally and externally, when being abused. He also suggests, that there a one too many insensitive characters in this world, who fail to see the destruction which they cause on vulnerable and fragile people, through their cruelty. Thus, this world will not be a safe place for those with vulnerable characters, that is until a change is made. There are many ways to hurt someone, but they all lead to a form of destruction.
told Allan "I saw, I know, you disgust me…"( p.96). To Allan, Blanche seemed to
I believe that Williams passes on a strong message through the play, “Desire deteriorates our lives while our greatest fears stare us in the eye, the only reward we find is in knowing why we regret.” In the end, Blanche Dubois of A Streetcar Named Desire is a tragic figure. All she ever desired was a good, clean life. What she acquired was pain and illusion. One can only be relieved that Blanche finally emptied her secrets and came clean. Whether she ever actually got what she wanted or not, at least her torture even ours conclusively came to an end.
This statement also emphasises much of Blanche’s own views on sorrow and explains how it has affected her life since she has made the comment from personal experience. To conclude, Tennessee Williams’ dramatic use of death and dying is an overarching theme in ‘A Streetcar Named Desire,’ from which everything about Blanche’s character has formed from. Without the death of Allan, Blanche would not have resorted to prostitution and the brief affairs with strangers, also the deaths of her family have driven Blanche to Stella’s where she is “not wanted” and “ashamed to be”. Therefore these dramatic deaths have lead to the past which comes back to haunt
In Tennessee Williams' play, A Streetcar Named Desire, Williams uses the suicide of Blanche's husband to illuminate Blanche's insecurities and immoral behavior. When something terrible happens to someone, it often reveals who he or she truly is. Blanche falls victim to this behavior, and she fails to face her demons. This displays how the play links a character’s illogical choices and their inner struggles.
She struggles with Stanley’s ideals and shields her past. The essential conflict of the story is between Blanche, and her brother-in-law Stanley. Stanley investigates Blanche’s life to find the truth of her promiscuity, ruining her relationships with Stella, and her possible future husband Mitch, which successfully obtain his goal of getting Blanche out of his house. Blanche attempts to convince Stella that she should leave Stanley because she witnessed a fight between the two. Despite these instances, there is an essence of sexual tension between the two, leading to a suspected rape scene in which one of their arguments ends with Stanley leading Blanche to the bed.
Throughout Tennessee William’s play “A Streetcar Named Desire,” Blanche Dubois exemplified several tragic flaws. She suffered from her haunting past; her inability to overcome; her desire to be someone else; and from the cruel, animalistic treatment she received from Stanley. Sadly, her sister Stella also played a role in her downfall. All of these factors ultimately led to Blanche’s tragic breakdown in the end.
A Streetcar Named Desire by Tennessee Williams is a play about a woman named Blanche Dubois who is in misplaced circumstances. Her life is lived through fantasies, the remembrance of her lost husband and the resentment that she feels for her brother-in-law, Stanley Kowalski. Various moral and ethical lessons arise in this play such as: Lying ultimately gets you nowhere, Abuse is never good, Treat people how you want to be treated, Stay true to yourself and Don’t judge a book by its cover.
The first principle character in this play is Blanche DuBois. She is a neurotic nymphomaniac that is on her way to meet her younger sister Stella in the Elysian Fields. Blanche takes two 2 streetcars, one named Desire, the other Cemeteries to get to her little sisters dwelling. Blanche, Stella and Stanley all desire something in this drama. Blanche desired a world without pain, without suffering, in order to stop the mental distress that she had already obtained. She desires a fairy tale story about a rich man coming and sweeping her off her feet and they ride away on a beautiful oceanic voyage. The most interesting part of Blanche is that through her unstable thinking she has come to believe the things she imagines. Her flashy sense of style and imagination hide the truly tragic story about her past. Blanche lost Belle Reve but, moreover, she lost the ones she loved in the battle. The horror lied not only in the many funerals but also in the silence and the constant mourning after. One cant imagine how it must feel to lose the ones they love and hold dear but to stay afterwards and mourn the loss of the many is unbearable. Blanche has had a streak of horrible luck. Her husband killing himself after she exposed her knowledge about his homosexuality, her advances on young men that led to her exile and finally her alcoholism that drew her life to pieces contemplated this sorrow that we could not help but feel for Blanche throughout the drama. Blanche’s desire to escape from this situation is fulfilled when she is taken away to the insane asylum. There she will have peace when in the real world she only faced pain.
After two world wars, the balance of power between the genders in America had completely shifted. Tennessee Williams’ A Streetcar Named Desire is a harsh, yet powerful play that exposes the reality of the gender struggle. Williams illustrates society’s changing attitudes towards masculinity and femininity through his eloquent use of dramatic devices such as characterization, dialogue, setting, symbolism, and foreshadowing.
The drama is basically about a married couple -Stella and Stanley Kowalski- who are visited by Stella's older sister, Blanche. The drama shows the caustic feelings of these people putting Blance DuBois in the center. The drama tells the story of the pathetic mental and emotional demise of a determined, yet fragile, repressed and delicate Southern lady born to a once-wealthy family of Mississippi planters.3 No doubt that the character of Blanche is the most complex one in the drama. She is truly a tragic heroine.
Cruelty is callous indifference to or pleasure in causing pain and suffering. Throughout the play, A Streetcar Named Desire by Tennessee Williams, there are multiple examples of cruelty. The play takes place in the 1940’s in New Orleans. There are signs of cruelty from scene one all the way through to scene eleven. The level of cruelty accumulates throughout each scene. All through the play, cruelty, would start out as being a snarky comment or so, but by the end, each character has learned more about each other and themselves. Most characters grow while others stay the same. Signs of cruelty are shown throughout scenes two and nine.
Stanley’s demanding that Mitch return to the poker game when he is first speaking to Blanche could suggest that Stanley doesn’t want the two to interact, and would perhaps go to any lengths to sabotage them. Additionally, Stanley also begins to pry into Blanche’s past, specifically when he brings up a man named Shaw who claims he met Blanche “…at a hotel called the Flamingo” (Williams 89). Though this speculation is denied by Blanche, a further investigation into her past could result in the discovery of incriminating information, thus resulting in sabotage from Stanley.
The world of today sees sexual abuse as only a disturbing and disgusting trait that some humans contain; but, in the realm of writing, sexual abuse can be used even more as a weapon or deadly illness to the characters in the realm. In the play, A Streetcar Named Desire the author, Tennessee Williams, portrays sexual abuse not only as a theme, but as well as both a character flaw and foil within the play. However, without the character Blanche DuBois, sexual abuse may have never taken as such an important role within the play. Blanche’s incitement of sexual abuse plays a signature role for many of the relationships and interactions that Blanche is a part of to fulfill drama needs and character development in the play.
Blanche becomes blind to recognizing the limitation of her circumstances, which results in personal dissatisfaction and the lack of self-fulfillment. In a final and desperate attempt to flee from her situation, Blanche contacts a Dallas millionaire named Shep Huntleigh, whom she claims was a past admirer. Failing to receive a response, she continues to fabricate lies to both herself and others and assures that she received a telegram from Huntleigh inviting her to a Caribbean Cruise. Thus, it becomes evident that Blanche is frantic to preserve her fantasies, despite the overpowering forces of reality. Stanley, however, retains a firm grasp on the real world, contrasting with Blanche’s constant escapism.
Blanche who had been caring for a generation of dying relatives at Belle Reve has been forced to sell the family plantation. Blanche is a great deal less realistic than Stanley and lives in illusions which bring upon her downfall.