In 'Crossing the Swamp,” Mary Oliver places the speaker in a dismal swamp and leaves him to process its being, analyze his feelings towards it, and conclude with how the swamp affected him. With the flow established within the poem, the reader is left to understand that at first, the speaker views the swamp as sinister, but upon crossing, he finds it to be the force behind his rebirth. Upon first look of the poem, within the first couple of stanzas, there is an abundance of “s” sounds including “swamp,” “pathless,” and “peerless,” along with “b” sounds, for example “burred,” “belching,” and “bogs,” contributing to the speakers idea of a sinister swamp. The “bs” also creates the image of the swamp bubbling. The soft vowel sounds within the beginning also illustrates how the speaker slowly crossed the swamp with hesitation, by slowing down the poem. The tone created seems hopeless and dark. When the speaker refers to the swamp as “the center of everything” and “struggle” he fortifies the tone, utilizing those terms to describe the swamp to resemble life’s endeavors. …show more content…
Then, within the next couple of stanzas, there is a shift in focus; rather than observing the swamp, the speaker reflects on himself.
It begins with kinetic imagery when the speaker’s bones “knock together,” giving the reader a chilling feeling. By using the word pale, found in line fourteen, when describing his joints, the reader understands that the speaker may be scared or feels helpless. Repeating, “hold” when he says, “foothold, fingerhold, mindhold”, strengthens this. The speaker sinks into the swamp, and his sorrows, as he tries to get a firm hold on to something to save him. The continuation of alliteration with the words “slick,” “sink,” and “silently” adds to the fear felt by the speaker. The sharp “ck” sound, found towards the end of this section, extends that
idea. Finally, in the last three and a half stanzas, the speaker finds his savior, the swamp. He describes it as, “not wet so much as painted and glittered,” creating a magical image. By then using words “fat” and “rich,” the speaker then references back to the ten lines before when he refers to himself as a stick in the mud, or a “poor dry stick,” and goes on to illustrate his rebirth. In conclusion, the speaker’s relationship with the swamp transforms in three stages, his initial reaction, the reflection, and finally the revelation. The juxtaposition of the parts serves as the backbone of the entire poem and serves a clear basis to see their relationship. The figurative language and devices help just as equally.
Killing Lincoln Book Review The mystery of how John Wilkes Booth pulled off the most influential and notorious assassination in history is revealed in Killing Lincoln. The author of this book, Bill O’Reilly, built up the plot of the story through vivid historical details and pieced them together like a thriller. He tries to explain all of what happened on one of the most interesting and sad days in American history. Many conspiracies and Civil War ideals are on full display in the book. I agree with most of O’Reilly’s ideas, but there are some that I am not really sure about because of his point of view, like many of the conspiracy theories.
Home of the Brave by Katherine Applegate is the story of an African boy, Kek, who loses his father and a brother and flees, leaving his mother to secure his safety. Kek, now in Minnesota, is faced with difficulties of adapting to a new life and of finding his lost mother. He believes that his mother still lives and would soon join him in the new found family. Kek is taken from the airport by a caregiver who takes him to live with his aunt. It is here that Kek meets all that amazed him compared to his home in Sudan, Africa. Home of the brave shows conflicts that Kek faces. He is caught between two worlds, Africa and America. He feels guilty leaving behind his people to live in a distant land especially his mother, who he left in the midst of an attack.
Perhaps no other event in modern history has left us so perplexed and dumbfounded than the atrocities committed by Nazi Germany, an entire population was simply robbed of their existence. In “Our Secret,” Susan Griffin tries to explain what could possibly lead an individual to execute such inhumane acts to a large group of people. She delves into Heinrich Himmler’s life and investigates all the events leading up to him joining the Nazi party. In“Panopticism,” Michel Foucault argues that modern society has been shaped by disciplinary mechanisms deriving from the plague as well as Jeremy Bentham’s Panopticon, a structure with a tower in the middle meant for surveillance. Susan Griffin tries to explain what happened in Germany through Himmler’s childhood while Foucault better explains these events by describing how society as a whole operates.
In "Our Secret" by Susan Griffin, the essay uses fragments throughout the essay to symbolize all the topics and people that are involved. The fragments in the essay tie together insides and outsides, human nature, everything affected by past, secrets, cause and effect, and development with the content. These subjects and the fragments are also similar with her life stories and her interviewees that all go together. The author also uses her own memories mixed in with what she heard from the interviewees. Her recollection of her memory is not fully told, but with missing parts and added feelings. Her interviewee's words are told to her and brought to the paper with added information. She tells throughout the book about these recollections.
Throughout a lifetime, one can run through many different personalities that transform constantly due to experience and growing maturity, whether he or she becomes the quiet, brooding type, or tries out being the wild, party maniac. Richard Yates examines acting and role-playing—recurring themes throughout the ages—in his fictional novel Revolutionary Road. Frank and April Wheeler, a young couple living miserably in suburbia, experience relationship difficulties as their desire to escape grows. Despite their search for something different, the couple’s lack of communication causes their planned move to Europe to fall through. Frank and April Wheeler play roles not only in their individual searches for identity, but also in their search for a healthy couple identity; however, the more the Wheelers hide behind their desired roles, the more they lose sense of their true selves as individuals and as a pair.
As Elie Wiesel once stated, “I swore never to be silent whenever and wherever human beings endure suffering and humiliation. We must always take sides. Neutrality helps the oppressor, never the victim. Silence encourages the tormentor, never the tormented” (“Elie Wiesel Quote”). Michelle Alexander’s book The New Jim Crow, which discusses criminal justice and its role in mass incarceration, promotes a similar idea regarding silence when America’s racial caste system needs to be ended; however, Alexander promotes times when silence would actually be better for “the tormented.” The role of silence and lack of silence in the criminal justice system both contribute to wrongly accused individuals and growing populations behind bars.
The first stanza incorporates a lot of imagery and syntax. “A toad the power mower caught,”(line1). The use of syntax in the very first sentence is to catch the reader’s attention and to paint an image for them. The stanza goes on to talk about how the toad hobbles with it’s wounded leg to the edge of the garden, “Under the cineraria leaves”(line4). The speaker uses the word cineraria, which is similar to a cinerarium, a place where the ashes of the deceased are kept. By using this, the speaker further illustrates the death of the toad. “Low and final glade.”(Line6) this line is like a metaphor for the dying toad, the final rest for the toad could be the final glade. In the first stanza it seems as if the speaker is making fun of the dying toad saying the garden sanctuaries him as if he were a person. The opening line even seems a bit humorous to the reader. The following stanzas also have a tone of sarcasm.
“Wild Geese” is very different from many poems written. Oliver’s personal life, the free form of the poem along with the first line, “You do not have to be good,” and the imagery of nature contributes to Oliver’s intent to convince the audience that to be part of the world, a person does not need to aspire to civilization’s standards.
The powerful diction used within the passage express the true internal struggle that the narrator is facing. The reader is able to pick up on the physical and emotional pain that the narrator is going through as a result of this struggle because of the author’s use of vivid adjectives. Words such as “nerve-jangling,” “violently,” “digging,” and “ringing” convey the intensity of the narrators emotional state. In context these adjectives may convince the reader that the this passage is about the narrator going insane. He is having major reactions to minor details such as ringing sounds and itchy skin. He is hearing nerve-jangling sounds, violently scratching himself, and digging his nails into his skin, causing himself to bleed. Many of the descriptions in the passage a...
The poem America by Claude McKay is on its surface a poem combining what America should be and what this country stands for, with what it actually is, and the attitude it projects amongst the people. Mckay uses the form of poetry to express how he, as a Jamaican immigrant, feels about America. He characterizes the bittersweet relationship between striving for the American dream, and being denied that dream due to racism. While the America we are meant to see is a beautiful land of opportunity, McKay see’s as an ugly, flawed, system that crushes the hopes and dreams of the African-American people.
The Flowers By Alice Walker Written in the 1970's The Flowers is set in the deep south of America and is about Myop, a small 10-year old African American girl who explores the grounds in which she lives. Walker explores how Myop reacts in different situations. She writes from a third person perspective of Myop's exploration. In the first two paragraph Walker clearly emphasises Myop's purity and young innocence.
In the story "So Much Water So Close To Home" a young girl is raped, killed and found in a river where four men are fishing. What makes this story interesting is that after discovering the body they did not report it until after they left, three days later. When one of the men who discovered her, the husband of the narrator, Stuart returns home he doesn't tell his wife about the incident until the following morning. Because of this, Claire believes that all men are responsible for the murder of the girl. Due to these facts she acts irrationally, suspiciously, and with distrust not only towards her husband, but also to all men in general.
“But now she saw it could also be like this, a river stretching before them clear to the horizon, broad and inviting, shimmering with hope,” (Crew 123). Despite the hard times, she had found hope. To escape the Khmer rouge, 12 year old Sundara Sovann and her aunt’s family were forced to flee Cambodia in order to survive. However, this meant they would have to leave behind Sundara’s family. Four years later, in America, Sundara meets an American boy named Jonathan, who she liked. The novel follows Sundara as she ventures through a new place away from her home land and family with hope. In Children of the River by Linda Crew, searching for hope in every situation was a message
The New York Times bestseller story of Orphan Train, written by Christina Baker Kline, follows the experiences of the main character, Molly, a girl who wears a gothic mask to escape conflict with her classmates. The opening of the story sets up Molly as a social outcast and a nomad since she became an orphan, after her dad died in a car crash and her mother fell to drug addiction. Molly is a troubled foster child in Maine who is about to “age out” of the system (that is, she's becoming too old for the system to continue accommodating). Molly’s experiences with others as the plot develops helps progress the main theme of Orphan Train: The bond made between Molly and the old lady Vivian within the story help them overcome challenges
The consistent pattern of metrical stresses in this stanza, along with the orderly rhyme scheme, and standard verse structure, reflect the mood of serenity, of humankind in harmony with Nature. It is a fine, hot day, `clear as fire', when the speaker comes to drink at the creek. Birdsong punctuates the still air, like the tinkling of broken glass. However, the term `frail' also suggests vulnerability in the presence of danger, and there are other intimations in this stanza of the drama that is about to unfold. Slithery sibilants, as in the words `glass', `grass' and `moss', hint at the existence of a Serpent in the Garden of Eden. As in a Greek tragedy, the intensity of expression in the poem invokes a proleptic tenseness, as yet unexplained.