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Literary devices in the stranger by albert camus
Absurdity in Albert Camus the stranger
Literary devices in the stranger by albert camus
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The main character of The Stranger Meursault is much like Sisyphus, the man who was cursed with absurdity to push a boulder up a mountain every time it rolled down. This describes Meursault’s life and the events that take place during the novel including the death of his mother, his relationship with Marie, writing the letter for Raymond, swimming with his friends, killing the Arab, the trials, his imprisonment, talking with the chaplain, and his inevitable demise.
Albert Camus originally wrote The Stranger in French. L’Étranger was written in the early 1940s in France, and was published in 1942 (Nobelprize 1). The setting of the novel is in Algeria, slightly before World War II. The title symbolizes Meursault’s mental, emotional, spiritual, and physical (during his imprisonment) isolation from the other people in the novel. The tone is detached, sober, and occasionally sarcastic and ironic. He wrote The Myth of Sisyphus around the same time he wrote The Stranger. During this time, he was working for the French Resistance in Paris (Nobelprize 1). The metaphor of exile that Camus uses to describe the human predicament and the feeling that life is a futile struggle without meaning can understandably come from a man who is struggling against a brutal and omnipotent regime far from his home.
There is absurdity in the conflict between the man who wants to find reason and unity in the universe versus the universe that provides him with nothing but mute and meaningless phenomena. The feeling of absurdity exiles us from the home-like comforts of a meaningful existence, but hoping to find some meaning in life puts off facing the consequences of the absurd, the meaninglessness of life. The Chaplain asks, “Have you no hope at all? And do you...
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...o took his daughter in exchange for a fresh-water spring in Corinth. The absurd hero earned the wrath of the gods (Camus Sisyphus 18). The second myth is about Sisyphus capturing the spirit of Death so that no one would die. When the gods freed Death, his first victim was Sisyphus. Sisyphus told his wife not to offer any of the traditional burial rites when he died. He complained to Hades about this and asked to return to earth to chastise her. Once out of the underworld, he refused to return and eventually died from old age (Camus Sisyphus 28).
Both myths end in Sisyphus’ inevitable punishment of pushing the boulder up the mountain every time it rolled down, but “one must imagine Sisyphus happy” (Camus Sisyphus 30). At the end of The Stranger, Meursault comes to a full acceptance of his absurd position in the universe and cannot but conclude that he, too, is happy.
Part I of The Stranger begins with Meursault's attendance at his mother's funeral. It ends with Meursault on the beach at Algiers killing a man. Part II is concerned with Meursault's trial for that same murder, his ultimate sentencing to death and the mental anguish that he experiences as a result of this sentence. Several curious parallels emerge here, especially with regard to Meursault's perception of the world.
The Stranger written by Albert Camus is an absurdist novel revolving around the protagonist, Meursault. A major motif in the novel is violence. There are various places where violence takes place and they lead to the major violent act, which relates directly to the theme of the book. The major violent act of killing an Arab committed by Meursault leads to the complete metamorphosis of his character and he realizes the absurdity of life.
In The Stranger, Albert Camus describes the life of the protagonist, Meursault, through life changing events. The passage chosen illustrates Meursault’s view during his time in prison for killing the Arab. In prison, one can see the shifts in Meursault’s character and the acceptance of this new lifestyle. Camus manipulates diction to indicate the changes in Meursault caused by time thinking of memories in prison and realization of his pointless life. Because Camus published this book at the beginning of World War II, people at this time period also questions life and death similar to how Meursault does.
However, he provides an alternative more substantial solution in such a way that does not let the universe triumph. What one must do to overcome this absurdity to is to be scornful of the fact that the universe has created such an individual with the ability to contemplate on his or her own existence. Suicide is an option that takes the easy route out of this absurdity, implicating the difficulty of life is too much to handle. Camus acknowledges his conscious and revolts, or becomes scornful of that fact, and refuses the option of suicide. By choosing to embrace the absurdity of the meaningless of one’s own existence, then freedom to create your own meaning and purpose is
Albert Camus’ The Stranger offers one man’s incite into the justice of society. Monsieur Meursault, the main protagonist in the novel, believes that morals and the concept of right and wrong possess no importance. This idea influences him to act distinctively in situations that require emotion and just decision, including feeling sadness over his mother’s death, the abuse of a woman, and his killing of an innocent man. In these situations Meursault apathetically devoids himself of all emotion and abstains from dealing with the reality in front of him. When confronted by the court over his murder, he reiterates his habitual motto on life that nothing matters anyways, so why care? His uncaring response inflames the people working within the
Albert Camus is a skillful writer noted for showing aspects of culture and society through the depiction of his characters. In The Stranger, Camus illustrates the existentialism culture and how that comes into play in the life of the protagonist Meursault. The Stranger, as suggested by the title, is a novel revolving around the protagonist, Meursault, who is a stranger to the French-Algerian society as he challenges its values. Camus vividly portrays Meursault’s journey through the use of imagery, irony, and symbolism. In The Stranger, Albert Camus uses the minor character, Raymond Sintes, to illustrate the contrasting nature of Meursault and how his friendship with Raymond leads to his downfall.
In Part One of The Stranger, Albert Camus avoids religious confrontations with Meursault in order to subconsciously place blame on Christ for his criminal actions. Camus restricts Meursault’s relationships to further distance him from his mother. Meursault then alienates himself from the typical spiritual ceremonies and actions to demonstrate his distrust of religion. Simultaneously, Camus uses diction of clear and bright elements to characterize people in the novel, excluding Meursault. Camus associates dark colors with Meursault to depict a sadistic persona. To conclude, Camus places Meursault in recurring situations which result in him being distracted by “the light”. Camus uses these literary techniques in The Stranger to demonstrate man’s condemnation of God.
The emotionless anti-hero, Monsieur Meursault, embarks on a distinct philosophical journey through The Stranger. Confident in his ideas about the world, Meursault is an unemotional protagonist who survives without expectations or even aspirations. Because of his constant indifference and lack of opinions about the world, it can be denoted that he undergoes a psychological detachment from the world and society. It is through these characteristics that exist in Meursault that Camus expresses the absurd. Starting from the very first sentence of the book, “Maman died today. Or maybe yesterday, I don’t know.” (Camus 1) The indifferent tone from these short sentences convey a rather apathetic attitude from Meursault’s part. Not only does he not feel any sorrow, he also “felt like having a smoke.” (Camus 4) Communicating perfectly Meursault’s disinterest, “[he] hesitate, [he] didn’t know if [he] could do it with Maman right there. [He] thought it over; it really didn’t matter.” (Camus 4) The death of his mother prompts an absurdist philosophy in which he experiences a psychological awakening and begins to place no real emphasis on emotions, but rather on the physical aspect of life.
In his works, The Stranger (The Outsider) and Myth of Sisyphus, Camus addresses the consciousness of Meursault and Sisyphus through their fate.
A stranger is also someone who looks and acts strangely which is fitting to Meursault. Meursault never shows emotion and finds it annoying when people do. At his mother’s funeral he gets annoyed of a lady he didn’t
As his writing career began to grow, Camus moved to France in 1938. Where in 1942 at the age of 29 Camus he wrote his famous book, The Stranger. Connections between the protagonist, Meursault, and Camus can be seen because of small, similar details between both of the main characters and authors. When Camus was one year old his father died in the Battle of Marne during World War I; a reflection of this is seen in the novel as Meursault's father is not mentioned.... ...
I, Albert Camus, am a famous French author who wrote The Stranger in 1942. I was born in Algeria, and my experiences there have deeply influenced my thoughts, my work, and my philosophies. The Stranger strongly represents my philosophy of the absurd and existentialism. When I was twenty-five, I moved to France and joined the resistance movement during World War II. After the liberation from Nazi Germany, I became a political journalist and a columnist for Combat, a French newspaper.
In The Stranger, Camus portrays women as unnecessary beings created purely to serve materialistically and satisfy males through the lack of a deep, meaningful, relationship between Meursault and females. Throughout the text, the main character, Meursault, creates closer, more meaningful relationships with other minor characters in the story. However, in his interactions with females in this book, Meursault’s thoughts and actions center on himself and his physical desires, observations, and feelings, rather than devoting his attention to the actual female. Living in Algiers in the 1960s, Meursault originates from a post-modernist time of the decline in emotion. Meursault simply defies the social expectations and societal ‘rules’, as post-modernists viewed the world. Rather than living as one gear in the ‘machine’ of society, Meursault defies this unwritten law in the lackluster relationships between he and other females, as well as his seemingly blissful eye to society itself. In The Stranger, males, not females, truly bring out the side of Meursault that has the capacity for compassion and a general, mutual feeling relationship. For example, Marie and Meursault’s relationship only demonstrate Meursault’s lack of an emotional appetite for her. Also, with the death of Maman, Meursault remains virtually unchanged in his thoughts and desires.
[3] From those actions stems the character of Meursault. In writing, Meursault is painted as an indifferent, honest, and very strange man. He completely embodies the absurd and in many ways he can be considered a reflection of the absurd artist in the Myth of Sisyphus. Meursault expresses all of the absurd characteristics outlined in the book : revolt, freedom, and passion. Revolt-
Albert Camus wrote The Stranger during the Existentialist movement, which explains why the main character in the novel, Meursault, is characterized as detached and emotionless, two of the aspects of existentialism. In Meursault, Camus creates a character he intends his readers to relate to, because he creates characters placed in realistic situations. He wants the reader to form a changing, ambiguous opinion of Meursault. From what Meursault narrates to the reader in the novel, the reader can understand why he attempts to find order and understanding in a confused and mystifying world.