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Feminism in the wonderful wizard of oz + Wicked
Feminist magical realism
Sexuality and literature
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Recommended: Feminism in the wonderful wizard of oz + Wicked
In Wicked, we are allowed a glimpse into who the wicked witch of the west possibly was. Despite a fascinating story and set of characters, there is much that can be looked at more in depth to gain a better understanding. One such way would be using feminist criticism, essentially the focus of which is to see the ways women are oppressed in a male dominated society (owl.purdue). This is necessary in order to properly analyze the text or to find some possible flaws in the novel, as well as to see how everything plays into what one could possibly consider to be a major, if not the most important point of the novel. How did Elphaba become wicked? The fact that Gregory Maguire creates so many strong female characters, Elphaba arguably being the …show more content…
They are as a majority opinionated, and the ones with the largest roles are incredibly tied into sensuality. There are many thematic relations to sexuality such as it being one of the many familial traits and legacies, but the fact that Gregory Maguire has both Elphaba and her mother-two incredibly sensual woman, have major life altering issues that are of direct consequence of these sexual acts is noteworthy. Despite this, other characters both male and female do not seem to be directly against the sensuality. For example at the very beginning of the novel, after the birth of Elphaba, attempting to ascertain the reason for her green skin, Nanny says to Melena, “You were lusty and sneaky and good at it. I’m not looking down at you (1.2).” Much later, Elphaba is depicted as also being sensual, seducing Fiyero in order to distract him when they argue, as she asks him to oil her breasts to which he replies “I’m not that stupidly male” and she responds “Yes you are”, which goes to show how comfortable people in Oz are with the sensuality of all, women in particular. However, this affair with Fiyero lead to a child that leads to another familial legacy, that of Elphaba being a poor mother, which as stated by Cochren, “Elphaba’s relationships with mother figures throughout her life directly affect how she herself is as a mother...As one of the more frightening roles she fulfills, bad …show more content…
According to Kelly, “Elphaba is infected (or at very least intimately connected) with death from birth...Several characters close to her are killed because of their association with her demonstrating her carrier status by infecting others with death.” This implication that Elphaba is truly a curse as her Father somewhat jokingly called her, implies that she brings about the death of others simply by being around them. If this was the case, then there would likely be no exceptions, yet not every important person in her life dies-and multiple deaths are out of her scope of influence. Even if she had never been born-certain deaths may likely still have occured. If she is guilty, then the Wizard would have to share the guilt as his coming into power establishes the society that leads to the society that makes all these deaths possible. Just as certain deaths were fated to occur with or without her, so to is her own fate sealed in accordance with the original. Despite her established death and title, the novel creates a strong young woman with powerful views and goals. Other than removing the Wizard from power, Elphaba also has the desire to obtain animal rights. However, just as her own character becomes twisted and unrecognizable by the end, so to is this goal as she ends
Antigone, The Brave Antigone, a story written by Sophocles, is about a young woman, Antigone, choosing whether she will not bury her brother, Polyneices, to not break the law or disobey Creon’s law and bury him; however choosing to bury her brother does not derail her moral development. Kohlberg’s Theory of Moral Development is three levels consisting of two stages in each. Kohlberg’s Theory explains how a human’s mind morally develops.
Sexuality in the novel shows quite a bit, the first portion of the novel starts out with a sexual encounter. Her mother Abena being raped by her master. This event leads up to Tituba being born. Condé makes the novel full of lust and sexuality. Tituba never had
Looking at Wicked from a child’s point of view, you only see the surface. A surface full of brilliant colors and magical beings. But instead, there is much more to the story than just that. Looking at the story from a feminist/gender critic’s view, you begin to see the layers unfolding one at a time. You understand that there is more to it than just what is on the outside. They see masculinity as well as sexism tied into the story of the Wizard of Oz, as well as Wicked. They are able to find a more elaborate meaning as to why the books are written, and why the stories are told.
In Gregory Maguire's novel, Wicked: the Life and Times of the Wicked Witch of the West happen before the novel by L. Frank Baum, The Wonderful Wizard of Oz. In Baum’s novel of The Wonderful Wizard of Oz, portrays the role of the Wicked Witch of the West being wicked. We have no background or personal preference to understand her life of the Wicked Witch of the West (as known as Elphaba). But in Maguire’s novel, Wicked: the Life and Times of the Wicked Witch of the West, shows how Elphaba traits of a monster are similar to a typical monster that portrays in people's eye. Elphaba is an ideal model of what we see in a monster would be like: abnormal, scary looking, and blunt behavior. She is a target of gossip to those who do not even know her. Typically in monster tale, usually, monsters characterize as: wicked, unstoppable, destructive, and evil. Surprisingly since birth to young adulthood, Elphaba did not portray a role of any wickedness of a monster expected to be, but a caring person and cares about what she thinks is righteous.
Lady Macbeth’s atypical and complex character directly challenged the archetypal principles and beliefs of the Jacobean era which as a result, drew major fascination through the ages. Lady Macbeth was Shakespeare’s device to not only stimulate audience’s emotions, but to also provide historical context and elicit dominant themes which reflected Jacobean society. Her ambiguous character and remarkable influences in the play raised a lot of controversy and fascination amongst both modern and Jacobean audiences. She can either be seen as linked to the witches in a feminist bid to overthrow the balance of power, or as a representation of the evil side of Macbeth. Nevertheless, it was her distinct characteristics and actions which ultimately catalysed the chain of conflicts of the play. Again, this reinforces her important role in the play.
Through fresh writing, the character of Witch is allowed to have the most contradictions, therefore blurring the rigid binary of good vs bad, an idea ingrained in popular culture for eons, in effect making her the play’s most human character. This is key to de mystifying the Grimm Brother’s fairy tale “Rapunzel”, as she is no longer placed in a 2 dimensional mold of evil figure. While her defining moments in the text are marked by unexplained rage, jealousy and retribution lensed with zero objective perspective within into the Woods she is given opportunity to be viewed in a more well rounded light as she is central in everyone else’s story allowing the audiences to experience more of her. Through this there is chance to
“Wicked is all about strong female characters: Elphaba, Glinda, Nessa, Sarima, Melena, Dorothy, Nanny, Nor, Morrible, Princess Nastoya…” says Maguire. “This legacy actually comes from L. Frank Baum himself… ‘It was Baum who set up the powerful princesses of Glinda, the witches, and Ozma as the real wielders of power in Oz, and the Wizard was just a sham…’ (Harris). This quote shows the inspiration that women had in this book. They were majorly important to the plot and the theme that even big characters, such as the Wizard of Oz, were just put in to make them look
For every occurrence there must be a motivation; this ideal is exemplified in Macbeth by Shakespeare. As this story progresses many ghastly murders unfold, furthering the ideal of how a simple drive for ambition can turn dark very quickly. Throughout this illustrious play, both Macbeth and Lady Macbeth develop, and then suffer the consequences of their cold-blooded corruption of ambition.
Lady Macbeth is one of William Shakespeare’s most famous and frightening female characters. As she is Macbeth’s wife, her role is significant in his rise and fall from royalty. She is Macbeth’s other half. During Shakespearean times, women were regarded as weak insignificant beings that were there to give birth and look beautiful. They were not thought to be as intelligent or equal to men. Though in Shakespeare's play, Macbeth, Lady Macbeth is the highest influence in Macbeth’s life. Her role was so large; in fact, that she uses her position to gain power, stay strong enough to support her unstable Lord, and fails miserably while their relationship falls apart. Everything about Lady Macbeth is enough to create the perfect villain because of her ability to manipulate everyone around her. It appears that even she can’t resist the perfect crime.
These women are sexualized, audacious, respectful, and flirtatious. Women in the Elizabethan society were considered the weaker sex and in need of always being protected. Women, however, were allowed many freedoms in Shakespeare writings. The thinking from both plays was that women were not above men but more like sex objects and a necessary part of society. Women have evolved into so much more, however, I would like to think this is from the open-mindedness of how Shakespeare saw each woman.
Feminist criticism often explores the symbolic or archetypal use of the Biblical figures of Mary and Eve in literary criticism. One figure which seems appropriate to such discussions, but so far neglected it seems, is the figure of Lilith. Indeed, in the case of Shakespearean criticism, Lilith seems an appropriate model at times for such characters as Goneril, Regan, Lady Macbeth, and so forth. Accordingly, it is my intention to explore this lost archetype and relate it to three of Shakespeare's tragedies: King Lear, Othello, and Macbeth.
When discussing the fate of Aeneas, a thought provoking question is posed that is commonly debated. If Aeneas is commanded by fate, does he have free will? It is important to approach this question with a solid understand of fate. There are two common sides to the debate of whether Aeneas had free will or not. One view believes Aeneas had no choice but to follow his destiny because he was commanded by fate, and prophesied to found the race that will one day build Rome. The other side states Aeneas did indeed have free will, and even though his fate was set, room is available within his fate for events to change. One can argue Aeneas makes some of his own choices, but no particular detail of his life is untouched. Destiny determines that the Trojans will found a city in Italy, but it does not stipulate how that will happen. This is where room is left for free will. After much research and considering the views of many commentators and the proof they showed, the answer can simply be found by going back to the text of The Aeneid.
Gender is evidently out of its traditional order within the play, and thus the three chosen exemplar characters to showcase this are Lady Macbeth, the Witches, and Macbeth. In saying this, Lady Macbeth is a clear example of how the traditional characteristics of a woman are non-existent as they are taken over by masculinity and strength. The witches challenge their womanhood due to the power they hold and attributes they have, all while Macbeth challenges his gender as he shows femininity through weakness and fretfulness.
Throughout history women have fought for the same rights of men. In the time of William Shakespeare they were seen in society as weak and vulnerable. They were seen to be good, caring and not as powerful as men. Men were the superior and ruled the land. Shakespeare has taken the stereotypical image of the women of the time and turned it on its head in ‘Macbeth’. Lady Macbeth is shown as a very powerful, strong woman. She has an evil about her that Shakespeare has used to make ‘Macbeth’ a supernatural play. Women were seen to be good and not as powerful as men, in ‘Macbeth’ Lady Macbeth is the dominate character and commands and persuades Macbeth to commit the murders and crimes that he does.
The characters in The Crucible are often viewed as callous and ignorant to their surroundings but such quick judgements can lead a reader to overlook each character's importance and what message they try to convey. In Arthur Miller’s The Crucible chaos ensues as accusations of witchcraft fly about turning neighbor upon neighbor and exposing the seedy underbelly of a Puritan New England town. The accusations are lead by a young girl and her devoted followers whose vengeance damns anyone that opposes them. Whether virtuous or wicked the women in The Crucible are strong influences within the community of Salem and the overall effect of the play.