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"Peter And The Starcatcher" analysis
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On Nov 18 at 8 pm, I watch the play known as the “Peter and the Starcatcher” at my school West Valley College theater. This play production directed by Carol Fischer and written by Dave Barry and Ridley Pearson. From my first thought of this play, it’s humorous for the audience to see, and it also explains how everything in the Peter Pan had begun. It shows the true story of how the nameless boy started to become Peter Pan in the first place. It originally was written by Dave Barry and Ridley Pearson did show better perspectives on how it all begins with Peter and Wendy (play). It also started with a nameless boy who started to call Peter Pan, the Lost Boys, and Pirates, especially with Black Stache (later become Captain Hook), and also there …show more content…
The scenery shows realistic sets in the play. The text is very episodic that show the parts of the events in a story. The conflict shows a rough experience of growing up with adults, who are treating the orphaned boys very abusive and having some troubles on where they belonged. Peter, other boys, and Molly have some kinds of conflicts about being a leader and succeeding the mission where the Lord Astar (Molly’s father) have to send to Molly. The conflict has already resolved when they have completed their mission and kept their group safe. It also affects my overall experience that the conflict between different characters did show different perspectives on how they lead and express their experience of leadership in their mission. The space of the theater was small, but it’s large enough for the actors to perform and for the audience to see. The scenery designer Andrew Breithaupt of this play did show a specific place and time. For example, the beginning shows the ship and what era is it. The scenery is also very real locale in the play, and it’s very appropriate views toward the audience for non-professional and school play. The scenery of this play did show more realistic-moving type, but it did move some parts of the scene that I see in the play. Also, it showed the surprising element of changing the sets than the scene. Costume Designer Amy Zsadanyi-Yale did give the clues about the timeline, personalities of every character in the play. But I believe that the costumes should get focused on connecting the situations in the play. For example, an orphanage that the nameless boy (Peter) and other boys lived should have ragged-looking or something damage into the costumes so it can create an effect on costumes from the scene. The costumes show the conflicts and interpersonal relationships, but I should consider that the social groups in this play should look something different from the orphanage and upper class. Lightning and
Burns’ costumes were executed in way I had never seen in a play before. Instead of sticking with one style for costumes, it evolved through out the play. In Act 1, the characters were in the first stages of an apocalypse. The clothes they wore were average and looked like something that would be in a Sear’s catalog. Actually, I did not even think they were in a high stress situation until later in the act. I thought they were just some young adults out having a good time in the woods or some abandon lot. Their clothes helped me connect them to our current time. However, in Act 2, the characters’ costumes took a turn for the worse. It was obvious with the state of the clothing that a considerable amount of time passed in the play. The clothes they wore were in horrible condition. They were dusty, had holes littered through out, and ill fitted. Yet, this was perfect costuming for the chapters. It showed how the world became destitute and the people in it scavengers. A lot of the pieces looked like they came from dumps or maybe places that were once on fire. A remarkable thing about their distressed clothing was that it stilled looked colorful and cheery. It perfectly captured the essence of the scene. Lastly, Act 3 had the most ostentatious and gaudy costuming out of all the acts. In thus act, the characters’ lives were not shown, instead it showed the play that they participated in. The costumes were flamboyant and paid homage to theater from the past. Gold and heavy fabrics were used for the Simpsons, to make them stand out and show their importance. On the other hand, the chorus wore simple white togas that made them look
It was very nice to read something that had a lot of drama and suspense. This story has a mix of everything. It has a bit of suspense, drama, and comedy; therefore, it led it to be a very nice play. The people that would most like this play, has to be people who like suspense, drama, and thriller. These people would like it, because this story has a mix of everything, so the people who like to have a mix in their stories, they will love this story. It will suit them, and will give them a pleasure of reading a nice
It was good setting to get the attention from the audience and also a way to move around or change settings of the play. Although I love this play my small critic for this play was the players. Some others actors had understandable accents but others didn’t. For example, the brother of the servant his accent was confusing because he kept switching his accent from different country languages. This play was really nice it had a little of bit of everything drama, comedy, romance, betrayal. What like about this play it was how they used the dramatic structure the inciting incident and the climax. The inciting incident for this play of musical comedy murders of 1940 was guessing who the killer of the play was because there was tension building up not knowing who the murder was. The climax for this play would be for me finding out who was the murder and just being in shock how everything had change into a new scenario. Overall it was amazing show how it developed and how well an organized transition the play
The set of the play was built decent and looked the same. The only thing I didn't like was some of color of the stones that were painted on the walls. But, that’s just my opinion. However, I did have fun splatter painting those walls and the stairs during class. I liked how there was platforms and different ground levels, that made it more interesting. Rather than just having the stage ground there were stairs you could go up or down which set it apart. Overall, I liked the set and I thought it was built well and sturdy.
It is imperative to understand the significance of the profound effects these elements have on the audience’s response to the play. Without effective and accurate embodiments of the central themes, seeing a play becomes an aimless experience and the meaning of the message is lost. Forgiveness and redemption stand as the central themes of the message in The Spitfire Grill. Actors communicate character development through both nonverbal and verbal cues; their costumes serve as a visual representation of this development by reflecting the personal transformation of each character. In the case of The Spitfire Grill, set design is cut back to allow for the audience’s primary focus to be on the actors and their story. Different from set design, the use of sound and lights in The Spitfire Grill, establishes the mood for the play. In other words, every theatrical element in a play has a purpose; when befittingly manipulated, these elements become the director’s strongest means of expressing central themes, and therefore a means of achieving set objectives. Here again, The Spitfire Grill is no exception. With the support of these theatrical elements, the play’s themes of forgiveness and redemption shine as bright as the moon on
This reflects the despondent mood and foreshadows Haemon’s suicide. The set of the play is successful in generating a suitable atmosphere and is reflective of the chaos that will occur. A significant aspect of the play is the acting and wardrobe, because it helps demonstrate the personalities of the characters.
Peter and the Starcatcher, by Rick Elice, takes the audience on an adventurous journey through the sea and to a distant island were many different groups of people from different parts of the world are on the search for a trunk filled with treasure. Throughout the journey the audience gets to see a variety of characters that range from orphans to captains, pirates, natives, and even mermaids. The audience also witness confident, strong leaders who become heroes and create bonds of love and friendships towards the end of the show. I attended the Clarence Brown Theatre performance of Peter and the Starcatcher on September 16, 2017 and witness actor’s expressions of emotions and personalities through their movements. Some of the movements that stood out to me occurred in the characters of the boy, the pirates and the mermaids. Through the observations of their movements I got a chance to better understand those characters and their behaviors/wants.
Firstly I would set this play in the 21st century so that a modern audience could relate to it. Algernon, one of the main characters in the play, would live in a luxury apartment in the centre of London, over looking the River Thames. His apartment would have a minimalist theme to it and would be influenced by aesthetic; for example he would have a piece of abstract art on the wall for no reason other than that he thinks it looks nice.
...tly, the costumes in this production of Wicked were incredible! There were so many beautiful costumes! Many were very elaborate and detailed, while there were also various simple and elegant costumes. This was extremely refreshing to see as an audience member. The costumes always matched the characters’ emotions, which made the plot go along much smoother. I noticed that in numerous scenes the costumes were the same color as the lighting in the scene. I think the director did this on purpose to emphasize certain moods, but in some cases, a variety of colors would have worked better.
If I was to direct this play each act would adopt a different aesthetic style that reflects relevant themes. The first act, which describes a suburban version of the Ice Age, would look and feel like a ‘50s sitcom. It would be complete with black-and-white lighting, and I picture a laugh track. In the second act the apocalypse has arrived in the disguise of a ‘80s sitcom. However adding a brightly colored Las Vegas style would hide the essential chaos. The third and final act portrays a deserted postwar landscape. Straying from the TV show format entirely, I’d like to strip away the pop culture deception to reveal the family beneath.
Peter Pan has appeared in many adaptations, sequels, and prequels. Peter Pan first appeared in a section of The Little White Bird, a 1902 novel that was originally written for adults. In 1904, Peter Pan was turned into a play and since the play was so successful Barrie’s publishers, extracted chapters 13–18 of The Little White Bird and republished them in 1906 under a different title. This story was adapted and changed into a novel, was published in 1911 as Peter and Wendy, later the name changed to Peter Pan and Wendy, and then changed to Peter Pan, as we know it today. The tale that we are familiar with was even expanded more. In 1953 Walt D...
In the novel, Peter and the Starcatchers, starstuff has the power to corrupt people and make them into the most powerful person on earth. This starstuff comes from shooting stars and some stars fall on the earth. Starstuff can give humans the appearance of being a god, inspire fear in the people around them, and were always obeyed. The starstuff also made people feel smarter like they have more access to their own mind, they can see things they couldn't before, and they can understand what others can't. If a person has this power, they can also change the way other people around them feel. The people that prevent this from happening are called starcatchers. A starcatcher’s job is to collect this
By the use of visual design elements, the overall production of the play can be considered abstract. For example, the set design uses very little props and forces the audience to focus more on the actors and costumes. In addition, the set designer used very dark and dreary color such as black and grey to display the plague that was taking over the city of Thebes. During this time period that the play produced, the plague has made the people in the city weak, bitter, and unhappy. By using colors that represent this internal feeling that the characters are experiencing, the actors move in a certain way that coincidentally goes hand and hand with the set design. In further detail, the costume designer did a fantastic job of portraying certain status ranking by the color of robe they were wearing. For example, Oedipus was wearing a silk, garnish robe that represented royalty and a sophisticated man. Whereas, the ordinary people of Thebes were wearing dull, grey robes that displayed their lack of social ranking. All in all, the visual design elements were used in an appropriate manner that allowed the audience to get a better understanding of the abstract world that this play took place
The school has almost four hundred students of which twenty seven participated in the play. However, Quest was not putting up the play alone. Atascocita High School, also in Humble, provided set pieces, crew, and a theatre, located inside the school, in which the play was performed in. The director of the play was Jamie Knox, a professor of AVID, Theatre I, and Theatre II. The time period of the play was changed from early nineteen hundreds to the late fifties and sixties. This made the play more relevant to the audience as it gave a time period that they were more familiar with. In addition, live people wore all black clothing and the dead wore white. Each character also had an accent piece which told something about their age, morals, or role. However, there were two exceptions, the Stage Manager and Samantha Craig, initially a male in the original version, did not follow the color or accent piece rule because both did not live in the town. As a whole, the play was excellent. It had a light and happy mood in the first act which set the audience perfectly to the shocker that was the second act. Our Town kept me and the audience hooked through the longevity of the play. I especially loved that the play left a massive space for personal interpretation of the costumes, characters, and the setting
The play opened with the playwright J. M. Barrie sitting on a park bench with his notebook in his lap and a pen in his hand. Mr. Barrie was going over his new play and was then approached a young widow named Sylvia. From that moment on, Mr. Barrie was in love with the widow. Throughout the play Barrie spends more and more time with Sylvia and her four sons; George, Jack, Michael, and Peter. In amidst constantly playing with the kids he is also writing a play to be put on with Charles Frohmant. The play is the story of Peter Pan; which is his most well-known play. The thoughts, emotions, and story itself was drawn from his creativity that he gained back from being around the kids and Sylvia so often. Throughout the musical J. M. Barrie falls madly in love with Sylvia and the boys. I believe this partially comes from his wife’s attitude and general dislike of most anything he does; but mainly from the adventures they all go on while he tries to get Peter to realize that he doesn’t have to grow up so fast. The young boy seems to think that since his father passed that he needs to be the grown up and no longer enjoy his youth and play with his brothers; Mr. Barrie shows Peter otherwise. By the end of the play, J. M. Barrie has put his play on stage, Peter has realized that he can be the boy he is for as long as he wants, the widow Sylvia has found new love, and everyone can live happily ever