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Second wave of feminism essay
First, second and third waves of feminism
Second wave of feminism essay
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Megan O’niell
100832504
Rob Holton
ENGL 3605 A
December 8 2014
Elaine Showalter and the Ideal Woman
Elaine Showalter is a feminist writer who analyzes the oppression of women in psychiatry. Her contributions to British and American literature have brought new insights to feminism and have helped to influence other female authors to do the same. In writing “Toward a feminist poetics”, Showalter does not show women as being multiple women, but as a single “woman”. It is implied that she does not believe that there can be many different types of women, and that there can only be one. Showalter writes in this article about how women cannot become doctors or lawyers and cannot aspire to be anything other than a writer. Showalter argues that
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She writes her article “Toward a feminist poetics” in 1979, before Simone de Beauvoir. Showalter writes this piece as a resistance to feminist criticism. There are traditionalist males who mock female critics because it is easy for a man to put down a woman who at this point, is believed to not have anything of importance to say in her literature. This is a reductive way to approach literature. Women who were Marxists, but who were also committed feminists thought that feminism was a distraction from changing the world. That feminism moved people away from the main goal. The situation of women has not really changed despite women having theory taught to them in school. Showalter says that it is time we develop a theory, she states what can be done in her article, “The feminist critique is essentially political and polemical, with theoretical affiliations to Marxist sociology and aesthetics; gynocritics is more self-contained and experimental, with connections to other modes of new feminist research” (Showalter, 26). This is the taxonomy of where feminism should go. Showalter states that it is important to reconstruct experiences of women. Showalter is very ambitious in her article. This is because proper guidelines for feminism did not exist before. “…compare the feminist critique to the Old Testament, ‘looking for the sins and errors of the past’, and gynocritics to the New Testament, seeking ‘the grace of …show more content…
She asks the question ‘what is a woman’? and how it has to do with the way the nerves feed the brain. The way she is supposed to help her husband. She is very strong in the way she sees women because she wants there to be more women doing the same things as men. She asks why are women losing their femininity when there are women in Russia who are doing construction. This is a valid question because women are quite capable of doing the same things that men are allowed to do. Beauvoir wants to get down to what it means to be a woman. The belief is that if there is a woman, then there is a feminine solidarity. Beauvoir looks at the concept of a woman, but she does not see her as a single woman, but a bunch of women who will fight discrimination together. A woman does not exist, women together, are capable of a lot more than what they are given credit for. A feminist consciousness is what is required, to think that women are capable instead of underestimating them. There are struggles for blacks that need to be addressed. Marxists need to be understood as a unit. Feminists must become a unified consciousness just like these groups. Beauvoir does not believe that there is a single women that exists, unlike Showalter. Beauvoir asks what it means to be a feminist, and whether there is there a standard of femininity. The conceptualism has lost ground for the common woman. If femininity is in danger that means that
Kate Chopin’s “The Story of an Hour” and Charlotte Gilman’s “The Yellow Wallpaper” are both centralized on the feministic views of women coming out to the world. Aside from the many differences within the two short stories, there is also similarities contained in Chopin’s “The Story of an Hour” and Gilman’s “The Yellow Wallpaper,” such as the same concept of the “rest treatment” was prescribed as medicine to help deal with their sickness, society’s views on the main character’s illness, and both stories parallel in the main character finding freedom in the locked rooms that they contain themselves in.
How does one compare the life of women to men in late nineteenth century to mid-twentieth century America? In this time the rights of women were progressing in the United States and there were two important authors, Kate Chopin and John Steinbeck. These authors may have shown the readers a glimpse of the inner sentiments of women in that time. They both wrote a fictitious story about women’s restraints by a masculine driven society that may have some realism to what women’s inequities may have been. The trials of the protagonists in both narratives are distinctive in many ways, only similar when it totals the macho goaded culture of that time. Even so, In Backpack Literature: An Introduction to Fiction, Poetry, Drama, and Writing we hold two unlike fictional characters in two very different short stories similar to Elisa Allen in the “Chrysanthemums” and Mrs. Louise Mallard in “The Story of an Hour”, that have unusual struggles that came from the same sort of antagonist.
Throughout history, women have struggled with, and fought against oppression. They have been held back and weighed down by the sexist ideas of a male dominated society which has controlled cultural, economic and political ideas and structure. During the mid-1800’s to early 1900’s women became more vocal and rebuked sexism and the role that had been defined for them. Fighting with the powerful written word, women sought a voice, equality amongst men and an identity outside of their family. In many literary writings, especially by women, during the mid-1800’s to early 1900’s, we see symbols of oppression and the search for gender equality in society. Writing based on their own experiences, had it not been for the works of Susan Glaspell, Kate Chopin, and similar feminist authors of their time, we may not have seen a reform movement to improve gender roles in a culture in which women had been overshadowed by men.
So why is it that for hundreds of years Margery Kempe’s life story has remained so intriguing to many? It may be the fact that there are still “Margery Kempes” in today’s societies or possibly because The Book of Margery Kempe birthed the beginning of feminism and women’s rights. Her attempt to gain personal, financial, and spiritual autonomy is a tale of radical reversal that touches us on many different levels. Although we may not completely or at all agree with the messages, beliefs, and actions of these people or Kempe, the “female hysteric”, there is a reason why we stop and listen to hear what they have to say when we could easily walk by, uninterested.
Sometimes trying to conform to society’s expectations becomes extremely overwhelming, especially if you’re a woman. Not until recent years have woman become much more independent and to some extent equalized to men. However going back to the 19th century, women were much more restrained. From the beginning we perceive the narrator as an imaginative woman, in tune with her surroundings. The narrator is undoubtedly a very intellectual woman. Conversely, she lives in a society which views women who demonstrate intellectual potential as eccentric, strange, or as in this situation, ill. She is made to believe by her husband and physician that she has “temporary nervous depression --a slight hysterical tendency” and should restrain herself from any intellectual exercises in order to get well (Gilman 487). The narrator was not allowed to write or in any way freely...
Throughout the texts we have read in English thus far have been feminist issues. Such issues range from how the author published the book to direct, open statements concerning feminist matters. The different ways to present feminist issues is even directly spoken of in one of the essays we read and discussed. The less obvious of these feminist critiques is found buried within the texts, however, and must be read carefully to understand their full meaning- or to even see them.
These women authors have served as an eye-opener for the readers, both men and women alike, in the past, and hopefully still in the present. (There are still cultures in the world today, where women are treated as unfairly as women were treated in the prior centuries). These women authors have impacted a male dominated society into reflecting on of the unfairness imposed upon women. Through their writings, each of these women authors who existed during that masochistic Victorian era, risked criticism and retribution. Each author ignored convention a...
Treichler, Paula A. "Escaping the Sentence: Diagnosis and Discourse in The Yellow Wallpaper"' Tulsa Studies in Women's Literature. 3 (1984): 61-77.
Societal control of the accepted terms by which a woman can operate and live in lends itself to the ultimate subjugation of women, especially in regards to her self-expression and dissent. Gilman does an extraordinary job of effectively communicating and transforming this apparent truth into an eerie tale of one woman’s gradual spiral towards the depths of madness. This descent, however, is marked with the undertones of opportunity. On one hand, the narrator has lost all hope. On the other, she has found freedom in losing all hope. This subversion of the patriarchal paradigm is tactfully juxtaposed against a backdrop of the trappings of insanity.
What is Feminism? How does feminism affect the world we live in today? Was feminism always present in history, and if so why was it such a struggle for women to gain the respect they rightly deserve? Many authors are able to express their feelings and passions about this subject within their writing. When reading literary works, one can sense the different feminist stages depending on the timeframe that the writing takes place. Two such works are ‘The Yellow Wallpaper’ by, Charlotte Gilman and ‘Everyday Use’ by, Alice Walker; the feminist views within each story are very apparent by the era each author lives in. It is evident that a matter of fifty years can change the stance of an author’s writing; in one story the main character is a confident and strong willed young woman looking to voice her feminist views on the world, while the other story’s main character is a woman trying to hold on to her voice in a man’s world which is driving her insane.
Showalter, E. 1989. “The Female Tradition.” The Critical Tradition: Classic Texts and Contemporary Trends. Ed. David H. Richter. New York: St. Martin’s.
Doctor Robert Parker of Yale University identifies three major waves of feminism. First wave feminism was driven by a goal of establishing women’s rights. I like to think of this wave as our Humanization wave. Women were fighting for the right for basic human rights such as the right to vote, opportunities for education, and entitlement to property. The driving factor of this wave was to look to women as a human being not anything less. Women that are embedded in this wave were confined to the rules of their husbands thus being docile bodies of the home. They cooked, cleaned, did their husbands dirty laundry, and made babies. De Beauvoir would consider these women under the unessential “other” the women who have very little voice and say in
Beauvoir illustrates that the problematic element involved in social training is the assumed roles of gender. Women are always other. They never occupy the subject position. This dichotomy between men and women is so deeply ingrained in our ways of thinking that nobody even questions the model to begin with. However, Beauvoir does question this model and is truly a pioneer for her time in doing so. Existentialism focuses on the notion that each individual is responsible for the meaning, which they attach to their lives. Even though we occupy a world, where our choices are informed by “established norms and values” (Oliver, 1997:160). These values have been entrenched into cultural institutions of patriarchal control and ultimately facilitated the concept of woman as “other”. The institution of marriage is one in particular that calls for the subjection of women, and provides men with unbound power over their wives. Beauvoir illustrates that the emancipation of women would call for a complete removal of systems and institutions that restrict women’s freedom. Women are restricted on so many levels that we would need to completely disregard all of these forms of ‘interlocking’ oppressive systems which make up our
In the context of a tumultuous time for the United States that was undergoing drastic changes socially, politically and ideologically, Kate Chopin published her first novel At Fault in 1890. Probably not aware of her role as one of the forerunners of the feminist movement in the late nineteenth century, Chopin embarked on expressing what women do feel, experience and suffer in their everyday lives. The first seeds of feminism, effectively, started essentially with the emergence of a group of women writers in England as well as in the United States who dared to speak about women from the standpoint of women and targeting a female audience. In spite of the fact that women had been taught to keep quiet, repress their voices and “internalize the codes of genteel womanhood” (Showalter 177), women writers during the nineteenth century attempted to reconstruct themselves as free individuals and refashion the image of the ideal woman. This was possible through writing that enabled them to “break new ground[s] and create new possibilities” (Showalter 19). G.H Lewes defines “female literature” as the articulation of women’s experience which “guides itself by its own impulses to autonomous self-expression” (qtd. in Showalter 13). Following women’s awareness of the unequal treatment they receive from men, their
Simone de Beauvoir was an existential philosopher primarily focused on issues concerning the oppression and embodiment of women. Although she did not consider herself a philosopher, Beauvoir had significantly influenced both feminist existentialism and feminist theory; her place in philosophical thought can be considered in relation to major concepts such as existentialism, phenomenology, social philosophy, and feminist theory.