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Literary analysis of Bartleby
Literary analysis of Bartleby
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Analysis of Bartleby, the Scrivener Herman Melville’s short story “Bartleby the Scrivener” is about a lawyer who hires a copyist, named Bartleby, who politely refuses to work. While most people would not tolerate an employee who continually prefers to not do any work, this lawyer finds it hard to let his scrivener go. Bartleby shows great achievement at copying documents and works hard all day and night. The lawyer soon discovers that Bartleby has begun to stay in the office and never leaves. After only a few days of working in the office, he expresses his preference to not work. When asked to do simple tasks he responds with, “I prefer not to.” He uses this phrase repeatedly throughout the story. The narrator is the lawyer in the story. His attitude towards Bartleby is constantly changing. The narrator expresses his attitude through many different literary elements such as; point of view-first person, diction, and tone. The main characters in this story revolves around Melville’s theme; on one hand you have Bartleby, who is lost within himself and on the other had you have the lawyer who is pursuing life with his law practice. The lawyer at first sought Bartleby as a dependable hard worker because he was always the first one …show more content…
Therefore, it is not hard to hypothesize that “Bartleby the Scrivener” was based on actual events in his life, or that the character was based on a real person the author had known. The use of the literary elements that are used in this story express many ideas and helps the reader get a better idea on how the narrator felt toward Bartleby. Melville expressed his impression that isolation is like a death of the human spirit and is very well used in this story by the characters and the setting. In this particular short story, Melville tries to convey the reader that people must not isolate and seclude themselves like Bartleby did in the
Bartleby- The Scrivener In Herman Melville’s “Bartleby the Scrivener”, the author uses several themes to convey his ideas. The three most important themes are alienation, man’s desire to have a free conscience, and man’s desire to avoid conflict. Melville uses the actions of an eccentric scrivener named Bartleby, and the responses of his cohorts, to show these underlying themes to the reader. The first theme, alienation, is displayed best by Bartleby’s actions. He has a divider put up so that the other scriveners cannot see him, while all of them have desks out in the open so they are full view of each other, as well as the narrator. This caused discourse with all of the others in the office. This is proven when Turkey exclaims, “ I think I’ll just step behind his screen and black his eyes for him.”(p.2411) The other scriveners also felt alienated by the actions of the narrator. His lack of resolve when dealing with Bartleby angered them because they knew that if they would have taken the same actions, they would have been dismissed much more rapidly. The narrator admits to this when he said, “ With any other man I should have flown outright into a dreadful passion, scorned all further words, and thrust him ignominiously from my presence.” (2409) The next theme is man’s desire to avoid conflict. The narrator avoids conflict on several occasions. The first time Bartleby refused to proofread a paper, the narrator simply had someone else do it instead of confronting him and re...
In the beginning of each story, characters are both shown as “ideal” characters in that their characteristics give the characters their first perceived amiableness. In “Bartleby the Scrivener” Melville uses distinguishing characteristics to solely represent Bartleby from the others in the story. He enters the story first, as a response to an advertisement for a position as a scrivener in a law office. Melville states, “A motionless, young man one morning stood upon my office threshold, the door being open for it was summer. I can see that figure now – pallidly neat, pitiably respectable, incurably forlorn!” (Meyer 149). Here he makes it known that just by seeing Bartleby’s presence when he first enters the law office; he is exactly what the unnamed lawyer was inquiring about. He was by far unlike other characters in the story. He had no vices or hang ups, the first presence and his stature, he came their wiling and ready to ...
Melville, Herman. "Bartleby the Scrivener." The Story and Its Writer. Ed. Ann Charters. Boston: St. Martin's, 1995: 513-539.
Melville’s use of verbal irony allows for a deeper understanding of Bartleby’s character. Bartleby states that he would rather be assigned a position that is not as confined as a clerk; however, in reality, his behavior indicates that he prefers to be isolated. The narrator cannot understand why Bartleby expresses a disliking for confinement when he keeps to himself the majority of his time. As he
Bartleby demonstrates behaviours indicative of depression, the symptoms he has in accordance with the DSM-IV are a loss of interest in activities accompanied by a change in appetite, sleep, and feelings of guilt (Diagnostic and Statistical Manual of Mental Disorders, 4th edition, 320). Very shortly after Bartleby begins his work as a Scrivener he is described by the narrator as having done “nothing but stand at his window in his dead-wall revery”. (Melville, 126) In contrast, Bartleby had previously been described as a very hard worker and this process of doing increasingly less shows how his a diminishing sense of interest both in his work but also of the perception others have of him. It is also noted that included in this lack of interest is a social withdrawal (DSM—IV, 321) which corresponds well to Bartleby in that his workspace becomes known as his “hermitage”. During small talk which included Bartleby he says that he “would prefer to be left alone”. (Melville, 120) Bartleby only emerges from his hermitage when called upon and quickly returns when faced with confrontation.
In Herman Melville's short story, Bartleby, the Scrivener, the narrator's attitude towards Bartleby is constantly changing, the narrator's attitude is conveyed through the author's use of literary elements such as; diction-descriptive and comical, point of view-first person, and tone-confusion and sadness.
My conclusion, then, is that the lawyer strays from the zone of comfort to only lead him back to it. For instance, he does not try to understand Bartleby through Bartleby’s perspective, but he wants to understand who Bartleby is so that Bartleby will conform to the way he is. The lawyer’s empathy that he shows towards Bartleby is not a genuine display for Bartleby, but as a selfish way to restore the order in which he does not have to deal with this conflict.
Through Bartleby’s flat and static character type, it is amazing how many different types of conflict he causes. From the first order to examine the law copies, to the last request to dine in the prison, Bartleby’s conflictive reply of “I would prefer not to” stays the same (Melville 150). In this way, he is a very simple character, yet he is still very hard to truly understand. Even ...
While Herman Melville’s “Bartleby, the scrivener” and Franz Kafka’s “The Metamorphosis” have unrelated plots, they both contain Marxist undertones that address alienation in the workplace as a result of capitalism. The protagonists, Gregor and Bartleby, are examples of how the working class is treated when they do not conform to the conventions of capitalism. Gregor and Bartleby alike are working class men who, through some turn of events, stop working and are deemed useless to those around them. Both of these stories end in the death of the protagonists, as these men are seen as unproductive and discarded by their capitalistic societies.
Melville intends something less black and white with more gray shading. Melville uses dramatic irony and grim humor in “Bartleby, the Scrivener: A Story of Wall Street. This is to show the reader how the Lawyer assumes he is a safe, successful and powerful man with extensive control in his polite society until he hires a man named Bartleby. This relationship is slowly revealed to be quite a conundrum for the Lawyer and the reader. Melville shows how the Lawyer never had any power or control over Bartleby but quite the opposite; Bartleby held all the power and control in this relationship. I will explore the important of the power struggle and the fight to maintain control between the Lawyer and Bartleby.
“Bartleby, the Scrivener” is one of The Piazza Tales written by Herman Melville which was one of his greatest works that express the author’s groundbreaking beliefs through a relationship between a narrator and his coworkers. The narrator is a successful lawyer who hires Bartleby. Shortly after, Bartleby manages to drive the narrator crazy by doing absolutely nothing. Doing this, Melville introduces several important prompts for the reader to ponder over. These prompts are introduced to us and justified through Melville’s symbolism. Melville’s great uses of symbolism strongly address three major contentions to his audience: his critique against capitalism, his philosophical stance on the value of life, and his reaction towards his audience’s feedback.
Bartleby who is part of the name of the story is not even considered the “chief character” of the story, but the lawyer (Melville 1484). The narrator repeatedly references different sources such as Cicero, “his biblical evocations” as well as Trinity Church, “his pride of association with John Jacob Astor” (Dilworth 49). He uses them as ways to explain what he did which may interpret “the guilt the lawyer feels”, if that is what he really feels (Dilworth 50). He may or may not feel guilt, but his actions clearly show his selfishness. The lawyer helps Bartleby because he feels pity, he helps him to feel better and to fulfill his self-interest to go to heaven. He was “predestinated from eternity” and Bartleby was his test (Melville 1502). That must clearly be the reason why the “chief character” of the story tries to help Bartleby. He is a business man seeking profit, he may know he ...
The infamous ending statement in Herman Melville’s “Bartleby the Scrivener,” “Ah, Bartleby! Ah, humanity!” (Melville 34), signifies not only the tragic demise of the character of Bartleby, but the dismal ruin of mankind as well. This enigmatic statement can be applied to both “Bartleby the Scrivener” and Melville’s other short story, “Benito Cereno.” Both stories are narrated by unreliable characters, leaving further questions on whether or not the Lawyer was genuinely trying to help Bartleby when he showed signs of depression or if the one-sided story of Captain Delano truly portrayed the slaves and their motives for taking over Cereno’s San Dominick. In each of Melville’s short stories, there is an obvious grayness about each tale, the plots of both stories start out slow and unsuspicious, but are then revealed through a dynamic change in events, and each novella has ultimate realities that are hidden through appearances. Together, “Bartleby the Scrivener” and “Benito Cereno” are stories that possess a deep meaning within them which is intended to make the reader question the definition of human nature.
Herman Melville’s stories of Moby Dick and Bartleby share a stark number of similarities and differences. Certain aspects of each piece seem to compliment each other, giving the reader insight to the underlying themes and images. There are three concepts that pervade the two stories making them build upon each other. In both Moby Dick and Bartleby the main characters must learn how to deal with an antagonist, decide how involved they are in their professions, and come to terms with a lack of resolution.
Edgar Allan Poe and Herman Melville are two authors who belong to dark Romanticism. They both have created various works and have different styles of expression. However, their writing can be related with one another at some points. The story of “Bartleby the Scrivener” by Herman Melville begins when a lawyer complains that this profession has took him "into more than ordinary contact with what would seem an interesting and somewhat singular set of men the law-copyists or scriveners" (Melville 2). Bartleby is a person who is hired by a lawyer; even that he has three other copyists working for him in his office. He always admits to do all the work he is asked, expect one day when he is asked to examine a file Bartleby replies: "I would prefer not to" (Melville 8). At first, that seemed acquitted, but rapidly it becomes a chant. At the other hand, “William Wilson” by Edgar Allan Poe talks about a character that gives everything to fulfill his ambition, who afterward loses his identity and don’t know who he is anymore. The things start getting complicated when he realizes that another person exists with the exact appearance, name, the way of speaking, and even the same birthday as his. Subsequently, William Wilson becomes obsessed with the second William Wilson and at the start they find it hard to ignore each other, while their peers thought that they were brothers. At the end of the story, William Wilson who is angry and annoyed with the other Wilson confronts him, where second William Wilson finds death. The main similarity of the main characters of the stories of “Bartleby the Scrivener” written by Herman Melville and “William Wilson” written by Edgar Allan Poe is because they both are described in the first person. I w...