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Examples of tragedy according to aristotle
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Antigone character analysis
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The Hero, Tragically
Many people enjoy reading about Greek plays. Greek plays are not only interesting stories but also teachings from Ancient Greece. A vital component of these plays is the tragic hero. A tragic hero is a character who is worthy of admiration but has a tragic flaw that eventually leads to his or her downfall. The character later recognizes the flaw and reflects on it. In Antigone, written by Sophocles, the tragic hero of the play was not Antigone, but Creon; Creon was a leader who earned respect, but his tragic flaw pulled him down by causing him to make a biased decision that destroyed his entire life and the people around him.
Creon was a king who had achieved great things that earned him the trust and respect of his people,
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Creon still does not realize that he has made a bad decision because of his stubbornness, and he sentences Antigone to a chamber where she will starve to death. If all of this was not enough, his own son, Haimon, whose fiancee was Antigone, got into an argument with his father, reprimanding Creon for his rash decision, chastising him for his terrible reasoning, and scolding him for his selfishness. Creon tells Haemon that a son should live “hating his father’s enemies, honoring his father’s friends” (217). Haemon becomes enraged after listening to his father, and crudely tells him that he has terrible reasoning, that his father did not know everything. Haemon mentions that the people of Creon’s city were whispering about how wrongfully Antigone has died, questioning what shameful actions she has done to deserve it. Creon’s tragic flaw gets the better of him and he explodes into a fit. Creon is more disturbed at the fact that his son disagrees with him and that his son tells Creon that Creon was wrong. The conflict ends with Haimon foreshadowing his own death and also …show more content…
Many people think Antigone is the tragic hero; with her courage, she is able to rebel against Creon’s ridiculous decision and receive respect and admiration from fellow citizens of Thebes for doing so. Antigone also has a tragic flaw of too much bravery, leading to her death. One may easily think that Antigone is the tragic hero of the play, but she lacks a vital component of a tragic hero. Antigone does not realize or acknowledge that her tragic flaw has lead to her downfall. Not only does she refuse to repent on her flaw, she blames others for her downfall. Antigone claims that “The blasphemy of my birth has followed me”(226). She blames her father and brother, Oedipus, for giving birth to her and placing her in the situation she is in; he was the one who was the reason behind the war, which was the reason for Antigone’s brave decision. Antigone is proud of her actions and criticizes her mother and father for engaging in inappropriate activity that caused the entire conflict. Not for even one moment does she think over her actions and realize that her bravery is foolish in some ways and that her stubborn fearlessness is the reason for her downfall. The Choragos tells her, “You have made your choice, Your death is the doing of your own conscious hand.” (227). However, Antigone responds by asserting that
Throughout the story of Antigone, particularly the end, Creon proposes the bad-boy in control personality. He acts as the ruler he is and puts his power to work. He fears nothing unless his family is involved. He has no mercy when it comes to the law. Additionally, he is greatly affected by the environment he creates around himself.
Antigone is a Greek tragic piece that stresses the use of power and morality versus the law written by Sophocles. Both Antigone and Creon, the main characters in the play, could represent the tragic hero. A tragic hero is a character who is known for being dignified and has a flaw that assists to his or her downfall. In my opinion, Creon best qualifies for being the tragic hero and fitting the definition read in the previous sentence. The things he said, did, and the comments that were made by those around him show how a man with everything could lose it all due to his own behavior.
In Antigone Creon reveals his obstinate nature and how even someone as important as a king is not invulnerable to the problems such a character flaw causes. In the beginning of Antigone the townspeople of Thebes rejoice in their new leader, “Creon,” they call, “the new man for the new day” (174). The repetition of ‘new’ shows how the city is ready to welcome Creon with open arms; this outright praise of Creon shows how highly he is regarded by his people. “You cannot know a man completely…his sense of judgment, not till he’s shown his colors…making laws” (194-197). Here Sophocles is showing the reader not to trust Creon absolutely because even if it seems that it is a new age is dawning, Creon may not be a good leader. In this passage Creon seems determined to prove that he is as strong as Oedipus and Laius to whom Thebes was extremely loyal even through tough times, he is so desperate to prove himself that soon after he sentences Antigone to death. Later, after Antigone has been captured, Creon’s own son, Haemon, comes to him saying, “don’t please, be quite so single-minded” (789). At this point Creon is being directly told of what he is doing. Haemon is someone Creon shou...
Third, Antigone is a wonderful example of a martyr. Her legacy will live on, and inspire many other rebels to stand up for their beliefs. Antigone dared to defy the King’s threat of death to bury her brother, and shows true family pride. The people take pity on Antigone, and feel that she should be let alone. Haemon, Creon's son and Antigone's betrothed, states how the people of Thebes feel. “On every side I hear voices of pity for this poor girl doomed to the cruelest death…for an honorable action-burying a brother who was killed in battle…has she not rather earned a crown of gold” (
In the greek tragedy Antigone , the author Sophocles conveys Antigone as the tragic hero because she arouses the most fear, she shows both good and bad which is a tragic hero characteristic and Antigone has the tragic flaw of loyalty to her family and to the gods.
Aristotle’s definition of a tragic hero is someone of great importance or royalty. The hero must go through something terrible such as a relative’s death. We must feel what this character is feeling throughout the story. Aristotle also said that a tragic hero scan be defeated by a tragic flaw, such as hubris or human pride. In Sophocles’ tragedy Antigone, both Creon and Antigone are tragic heroes.
Antigone may be a tragic figure in the modern, common sense of the word; that is, she was someone who has something bad happen to her. "Oh," someone might say when they discover Antigone's fate, "how tragic." Nevertheless, they do not mean that Antigone is tragic in the classical Greek sense; rather they just mean that Antigone got a bad lot that she didn't deserve. Antigone cannot be a tragic figure in the classical Greek sense because she didn't have any character faults. She was brought low for other reasons -- in this case, she died because she was obedient to the will of the gods. That isn't a fault, it's a virtue. Throughout the play she shows herself to be kind, generous, and giving. Again, those are hardly vices.
Creon fits all of Aristotle?s criteria to perfection. He is a good king with a high stature, although he is not perfect in his actions. The excessive pride sets the stage for his major flaw. This pride leads to his downfall and that of his family. Creon reaches a period of recognition for his actions. Lastly, his punishment was overly harsh compared to his crime. According to Aristotle, Creon is a striking match to fit the role of a tragic hero.
Antigone was caught and death was the price to pay as ordered by Creon, not to her surprise. Death to Antigone seemed wanted, it was the only thing left as honor for her. Haemon, the son of Creon and Antigone’s fiancé has enough respect for his father that he does not interfere with Creon's decision to put Antigone to death.
The Antigone is widely thought of as the tragic heroine of the play bearing her name. She would seem to fit the part in light of the fact that she dies doing what is right. Antigone buries her brother Polynices, but Creon does not like her doing that one bit. Creon says to Antigone, "Why did you try to bury your brother? I had forbidden it. You heard my edict. It was proclaimed throughout Thebes. You read my edict. It was posted up on the city walls." (Pg. 44) Antigone buries her brother without worrying about what might happen to her. By doing this, she takes into consideration death and other consequences for burying her brother. Antigone follows what she thinks is right according to the gods. She is the supporter of her actions in the burial of Polynices.
Aristotle's view on a tragic hero is someone that would have to be held in high standards (royalty) in order to evoke compassion and anxiety in the audience. Creon and Antigone are royalty and share the most important aspect of a tragic hero, each have a tragic flaw. Both of the two characters have an inability to compromise or even reason with. Antigone's tragic flaw was amplified by her loyalty for her brother; she acted irrational, in not taking preparation or thoroughness into consideration when burying her brother. Further more when confronted by Creon, himself she disrespected and basically told him to silence himself because his words were "distasteful" to her. So then sealing her death by becoming an immediate martyr for the wrong cause... anything against Creon's will.
Everyone agrees that Oedipus is the quintessential Greek tragic hero. In fact, Aristotle had Oedipus specifically in mind when he first set down the requirements for tragedy in his Poetics. However, in other Greek tragedies, the tragic hero isn’t always so easy to identify. For example, in the play Antigone, the reader may have some difficulty deciding who the tragic hero is. Nevertheless, a careful examination of the facts reveals that Antigone is the true tragic heroine because she’s brave, flawed, and noble.
The first of Creons family to commit suicide is Antigone, even though Creon sentenced her to death she hung herself. “We saw her lying…she had made a noose of her fine linen veil.” Now even though Creon didn’t care much for Antigone, she was to be Haemon’s bride “…and bitterness at being robbed of his bride?”. Haemon loving Antigone, was already in a spite with his father, but because of Creon’s sentence to Antigone. Haemon was crying over the body of Antigone, and having seen his father went into a fit of crying rage and tried to attack his father but missed, then Haemon turned his sword on himself, either in an attempt to avoid punishment, or to be reunited with Antigone. When Creon’s wife Eurydice learns that Haemon had killed himself she then leaves to do the same. Creon at this point is completely destroyed mentally and spiritually therefore meeting a tragic end.
Antigone is an ancient Greek tragedy written by the playwright Sophocles. It is the 2nd play in the Theban trilogy documenting the legend of Oedipus and his family lineage. After the downfall of Oedipus, his sons waged a war between each other and killed each other in battle. Polynices solicited the help of a rival town’s army, so Creon, Oedipus’ brother in law and new ruler of Thebes, ruled that his burial is illegal. Antigone defies this order, citing divine law as justification. This disagreement creates the main conflict throughout the story. An integral part of Greek tragedies is the tragic hero. Developed from Aristotle’s writings, the tragic hero has impacted theater for centuries. Both Creon and Antigone could qualify as a tragic hero because both of their downfalls are a result of free will due to their tragic flaws, they are both born of noble status, and the tragedy of both helps to produce a catharsis and social revelation in the audience.
Aristotle once mentioned, “A man doesn 't become a hero until he can see the root of his own downfall.” Throughout society, tragic heroes are always present within every type of literature. A tragic hero is depicted as someone who makes a judgement which leads to his or her own destruction. They follow the five characteristics in which they are born from nobility, are doomed to make the wrong judgement, possess a tragic flaw, are responsible for their own fate, and lastly convey emotions to the audience. Tragic heroes appear over and over again throughout literature, especially Greek plays, because they serve a purpose to convince the audience to pity and sympathize with them. Tragic heroes have flaws which allow the audience to relate and