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To begin, in Antigone, Eteocles is given an appropriate burial, however Creon, who has inherited the throne, has released a new law banning a burial of Polyneices, who he believes was a traitor. Antigone does not listen and follows the laws of the Gods instead, deciding to bury her brother anyway, and unfortunately she ends up getting caught. When Creon locks her away, she hangs herself, triggering Haemon, Creon’s son who is in love with Antigone, to stab himself. Which in effect causes Creon’s wife, also Haemon’s mother, to kill herself. Creon then finds himself alone resulting in his downfall.
Next, there is the play Macbeth. In Macbeth, a fearless general named Macbeth receives a prophecy from a trio of witches, also known as the weird
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Before Creon, Oedipus (king at the time) was banished, leaving his sons, Polynices and Eteocles, to rule together. The two brothers arranged to alternate custody of the throne each year; yet, after only the first year, Eteocles, the younger brother, refused to step down from the throne and then drove his brother into exile in Argos, where Polynices married the daughter of the king in Argos. The king sent his army into Thebes to protect Polynices, except both brothers died killing each other in battle. Consequently, in Creon's mind, since Polynices attacked Thebes, he must be a traitor and is unworthy of a burial, while, since Eteocles was protecting Thebes, he must be a hero of Thebes and earns a proper burial regardless, that he was keeping his older brother from the agreement they had to their father. Thus, Creon believed that, in creating the law to deny Polynices' a burial, he is re-establishing law and order in a distressed Thebes and placing himself as the new and reliable king. Creon and Antigone act as each others foil throughout the play, as Creon seems to suggest a scheme of rule that takes priority over the importance of family, and Antigone, through her persistent refusal to be frightened into overlooking her morality, presents the contrary. In this play, both viewpoints are shown to lead to death, that Sophocles seems to indicate is the only way to resolve this
In Sophocles' Greek tragedy, Antigone, two characters undergo character changes. During the play the audience sees these two characters' attitudes change from close-minded to open-minded. It is their close-minded, stubborn attitudes, which lead to their decline in the play, and ultimately to a series of deaths. In the beginning Antigone is a close minded character who later becomes open minded. After the death of her brothers, Eteocles and Polyneices, Creon becomes the ruler of Thebes. He decides that Eteocles will receive a funeral with military honors because he fought for his country. However, Polyneices, who broke his exile to " spill the blood of his father and sell his own people into slavery", will have no burial. Antigone disagrees with Creon's unjust actions and says, " Creon is not strong enough to stand in my way." She vows to bury her brother so that his soul may gain the peace of the underworld. Antigone is torn between the law placed against burying her brother and her own thoughts of doing what she feels should be done for her family. Her intent is simply to give her brother, Polyneices, a proper burial so that she will follow "the laws of the gods." Antigone knows that she is in danger of being killed for her actions and she says, "I say that this crime is holy: I shall lie down with him in death, and I shall be as dear to him as he to me." Her own laws, or morals, drive her to break Creon's law placed against Polyneices burial. Even after she realizes that she will have to bury Polyneices without the help of her sister, Ismene, she says: Go away, Ismene: I shall be hating you soon, and the dead will too, For your words are hateful. Leave me my foolish plan: I am not afraid of the danger; if it means death, It will not be the worst of deaths-death without honor. Here Ismene is trying to reason with Antigone by saying that she cannot disobey the law because of the consequences. Antigone is close-minded when she immediately tells her to go away and refuses to listen to her. Later in the play, Antigone is sorrowful for her actions and the consequences yet she is not regretful for her crime. She says her crime is just, yet she does regret being forced to commit it.
...f civil disobedience causes a tragic domino effect. Antigone commits suicide. Haemon, who is Creon's son and Antigone's fiancé, is torn apart by grief and kills himself. Haemon's mother and Creon's wife, Eurydice, learns of her son's death. She becomes despondent and takes her own life: "She drove home to the heart with her own hand, once she learned her son was dead" (Antigone 1440-1441). Her words do end many things. The law is banished. Her brother is allowed to be buried, but now he is accompanied by three others.
In the play, Antigone, two brothers are killed in battle. One of them, Polyneices, is considered to be a rebel by the new ruler of Thebes, Creon. The corrupt and prideful king, Creon, created an edict that states that nobody could bury Polynices’s body because he was a traitor to Thebes and his family and denies the sanctification and burial of Polyneices's body because of his rebellion and intends to leave him to become the meal of wild animals. Polyneices's sister, Antigone, defies Creon by giving her brother a proper burial, no matter the consequences. Both King and Antigone sought to do what they thought was the right thing to do, even if it was against the law. Though King and Antigone are two completely different people from two completely different times, they were actually quite similar in that they both were minorities at a disadvantage, and lacking power and credibility among those in control. King and Antigone both fought for injustice and what they believed in, however, not necessarily in the same
In the play Antigone Sophocles presents the tragic consequence of a bloated ego. The play is set in Thebes, Greece before the Common Era. King Oedipus renounces his throne after discovering that he has unknowingly married his mother and inadvertently killed his father leaving the thrown to his wife’s brother, Creon (725). Oedipus’s two sons, Eteocles and Polyneices, die in war. The newly crowned King Creon, buries Eteocles with full honors for his support of Thebes and refuses the burial of Polyneices as punishment for fighting against Thebes. The play’s name sake and daughter of Oedipus, Antigone, is forced to go against the command of her uncle to bury her brother and is sentenced to imprisonment until death for defying his command. Haimon, Creon’s son, hears of his future bride’s sentence and attempts to reason with his father. However, blinded by rage and ego Creon will not listen to reason.
Antigone did the right thing by defileing Creon's strict orders on burying Polynices because the unalterable laws of the gods and our morals are higher than the blasphemous laws of man. Creon gave strict orders not to bury Polynices because he lead a rebellion, which turned to rout, in Thebes against Creon, their omnipotent king. Antigone could not bare to watch her brother become consumed by vultures' talons and dogs. Creon finds out that somebody buried Polynices' body and sent people out to get the person who preformed the burial. Antigone is guilty and although she is to be wed to Creon's son, Haemon. He sentences her to be put in a cave with food and water and let the gods decide what to do with her. He was warned by a blind profit not to do this, but he chooses to anyway, leaving him with a dead son, a dead wife, and self-imposed exile.
After being locked up in a dark, damp cave, Antigone was fed up with wallowing in her own pity, and takes her own life by “hang[ing] by the neck in a fine linen noose, strangled in her veils,” (1347–1348). Seeing the graceful young woman embraced in the arms of his own son, Creon immediately swells with anger towards un-masculine Haemon because of his display of love, and the significance of Antigone’s death goes straight over his head. Her strong sense of self – knowing who she is, what she values, and what makes her happy – enables her to make regretless decisions that alter her time to come. One of those decisions instigated Haemon’s fate to be sealed as well, prompting Eurydice, mother of the prince, to join her son in the underworld. Not long after becoming aware of her child’s downfall, Eurydice sacrifices her life at the heart of the palace, and “raised a cry for the noble fate of Megareus, the hero killed in the first assault, then for Haemon, then with her dying breath she called down torments on [Creon’s] head–[Creon] killed her sons,” (1429–1432). Creon’s heart fills with grief, for the fault of these three deaths lies with him, and pathetic self-pities are the only thoughts running through his mind. Despite the three-deceased’s blood lying
The opening events of the play Antigone, written by Sophocles, quickly establish the central conflict between Antigone and Creon. Creon has decreed that the traitor Polynices, who tried to burn down the temple of gods in Thebes, must not be given proper burial. Antigone is the only one who will speak against this decree and insists on the sacredness of family and a symbolic burial for her brother. Whereas Antigone sees no validity in a law that disregards the duty family members owe one another, Creon's point of view is exactly opposite. He has no use for anyone who places private ties above the common good, as he proclaims firmly to the Chorus and the audience as he revels in his victory over Polynices.
Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is portrayed as frivolous when it leads her to directly disobey Creon’s orders. She buries her brother Polynices because of her obedience to family and to the gods, claiming to follow “the gods’ unfailing, unwritten laws” (Sophocles 456-457). CONTINUE
Creon a new king of Thebes, demanded that Antigone shall not bury her brother Polyneices and yet she buried him anyway. Creon thinks that Polyneices is a betrayer and he did not deserve to be buried and should be fed to the animals. Antigone follows orders from the gods, but she does not seem to listen to Creon's laws. This causes Antigone to hang herself and her husband after that, hangs himself too. The only one left of her family is her sister who escapes the curse, but she has to deal with the suffering of her family. After hearing about her son’s death, Eurydice(Creon’s wife) kills herself too. In the end the chorus learned that Creon made a mistake not letting Antigone bury her brother. On page 55 it says, “Future is in greater hands.” This is saying your fate can not be changed and your fate is chosen before you are even
Conflict of law, presents the initial disturbance within Thebes. Creon, King of Thebes, refuses to bury the body of Polynices, for in his eyes Polynices is 'his country's enemy' Antigone pg.131. Thus, despite breaking the laws of the gods, Creon holds his power higher than that of God and heavens and enforces his law. As the story follows, Sophocles expands on the ignorance presented by Creon and Antigone, and it is also found that it is impossible to defeat an ignorant man, or woman in argument. It is this ignorance, that establishes the notion of the sin and punishment that both Creon and Antigone face due to their stubbornness and self will.
In Antigone, Creon becomes king of Thebes after Polynices and Eteocles commit fratricide in battle. Antigone commits her ‘crime of reverence(74)' by burying Polynices after a direct order from Creon dictating that everyone leave him on the ground, unburied. Creon first accuses the council of elders of being stupid and old (281) when they suggest that the gods were behind Polynices' burial. After this, he goes on a tirade against men who supposedly were not happy with his leadership and therefore paid off the watchmen to bury the body. Creon blames the watchman of burying the body for money and the watchman tells him that, "It's terrible when false judgment guides the judge (323)."
Using Creon and Antigone, Sophocles illustrates the way that nomos and physis support their opposing viewpoints. When Antigone's two brothers, Eteocles and Polyneices, kill each other in battle, Creon, her uncle, succeeds to the throne. Once in power, he makes a law that no one can bury Polyneices because he was un-loyal to his native land. If anyone defied his new law by burying him, then the perpetrator would be killed and left unburied. However, Antigone felt that both of her brothers should have a proper burial, and disobeyed Creon's law by burying Polynneices knowing she would have to suffer the consequences. When brought before Creon, she defended her actions through phys...
"I would not count any enemy of my country as a friend." In the play Antigone, written by Sophocles, Antigone finds herself torn apart between divine law and state law. The play opens up at the end of a war between Eteocles and Polyneices, sons of Oedipus and brothers of Antigone and Ismene. These brothers, fighting for control of Thebes, kill each other, making Creon king of Thebes. Creon, as king, gives an important speech to the citizens of Thebes, announcing that Eteocles, who defended Thebes, will receive a proper burial, unlike his brother Polyneices, who brought a foreign army against Thebes. This speech introduces the major conflict of divine law versus state law. Furthermore, Creon cherishes order and loyalty above all else. He cannot bear to be disobeyed or watch the laws of the state be broken by anyone, especially by a woman. However, Antigone places her individual conscience and love for her brother Polyneices above and against the power and authority of the state, which costs her life.
In the play Creon goes against the Gods by making it illegal to bury Polyneices, Antigone’s brother because he is deemed a traitor. The burying of a dead body is seen as a necessity by all of Greece as it is an unspoken law of the Gods. Antigone goes to bury her brother so his afterlife will be better. She does it in spite of the law that Creon has made. “It is the dead, not the living, who make the longest demands” (192) She tries to explain to her sister, Ismene, that they must bury Polyneices, but even that close relationship has trouble because of the law. Ismene is unwilling to suffer the consequences of the law, to save her brother’s soul “Forgive me but I am helpless: I must yield to those in authority” (192) Even the two sisters who have just lost both of their brothers have different views on the matter. One will not stray from the law and what is deemed right by their king, while the other will accept any punishment, even death just to do what she believes is right.
When Antigone is caught and brought to Creon the guard tells him, “I saw her burying the very corpse you / forbade” (412-413). Creon is baffled why his son’s own future spouse would go against his commands. He does not want to punish her like he had promised would happen to anyone who had buried the body, however, he knows that she was the one who defied him. Creon realizes the magnitude of her disloyalty to him when he