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Creon as protagonist
Creon antigone character analysis paper
Creon antigone character analysis paper
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A tragic hero is the essential constituent part in every tragedy, supporting the entire plot with his or her miserable fate. Thinking about this term in play and book, in Shakespeare’s play Hamlet, the protagonist Danish Prince Hamlet is the tragic hero due to his irresolution and his skepticism, leading to his death; in F. Scott Fitzgerald’s book The Great Gatsby, because of the conflicting desire of earning money and winning love of Daisy, Gatsby keeps living in the worry that his lies may be revealed. Specifically, Creon, the tragic hero in Antigone written by Sophocles, causes the misfortune and ruins others’ lives because of his stubbornness and arrogance. First of all, Creon’s hubris is showed in his attempt to establish a law that announces …show more content…
Eteocles will receive a formal burial and be buried as a hero but not to bury Polynices with proper ritual. At the open of the play, Antigone tells her sister Ismene what Creon does to their brothers’ death with extreme rage, “hasn’t Creon graced one with all the rites, disgraced the other? Eteocles…has been given full military honors…goes with glory down among the dead. But the body of Polynices…forbids anyone to bury him, even mourn him”(27-34). According to the religion of Ancient Greek, a dead body needs to receive a necessary rite and a proper burial in order to be accepted by the afterlife or heaven.
Antigone’s words indicate that Creon “[graces Eteocles’s body] with all the …show more content…
rites [and] military honors” because Eteocles is on his side in the war. On the contrary, Creon breaks the natural law and the Ancient Greek religion, forbidding his citizens to “bury [Polynices], even mourn him”. In Greek, people must obey the rules of their religion, and they don’t have any rights and power to violate the orders, but Creon ignores the law of nature; he doesn’t accept and admit any power higher than that of himself. Creon’s tyranny and monarchism make up the tragic flaws in his personality, which leads the entire play to a sorrowful ending; also, his neglect and disdain toward the Greek religion exacerbate the melancholy atmosphere of the play. What’s more, obstinacy is another crucial factor that makes Creon a tragic hero.
Knowing that Antigone is his son Haemon’s fiancé, Creon still persists to in executing Antigone as traitor. When Creon quarrels with his son, in his great rage, he commands the sentry to kill Antigone right away, “Take her away, quickly! Wall her up in the tomb, you have your orders. Abandon her there, alone”(971-973). This is too much for Haemon to take. Haemon, as the fiancé of Antigone and a righteous person, tries his best to persuade his father to reconsider his order; however, Haemon fails to do so due to Creon’s stubbornness and disorder. Besides Haemon, Tiresias also warns and persuades Creon not to kill Antigone, “take these things to heart, my son, I warn you. All men make mistakes, it is only human. But once the wrong is done, a man can turn his back on folly, misfortune too, if he tries to make amends, however low he's fallen, and stops his bullnecked ways. Stubbornness brands you for stupidity—pride is a crime”(1131-1137). But Creon disregards Tiresias’s warning, and still insists his decision on killing Antigone. Finally, his stubbornness leads his family to the doom of
death. In a word, Creon is the tragic hero, which is portrayed in Sophocles’s play Antigone. His hamartia consists of excessive pride and obstinacy taking over the logical and rational part on his mind; that also causes him to violate the natural law and humanity. Creon’s flaw in his personality results to the downfall of his own life, also the death of Antigone and loss of his family. Therefore, Creon is the tragic hero in Antigone.
Antigone is a great Greek tragedy by Sophocles. The story is about a young woman who has buried her brother by breaking king’s decree, and now she is punished for obeying God’s law. There are many arguments about who is the tragic hero in Sophocles’ Antigone. Some believe that it is Creon because he also has the characteristics of a tragic hero. Others believe that it is Antigone because the play bears her name. Antigone is the perfect hero, to exemplify the meaning of a tragic hero. In order to determine whether Antigone is the tragic hero, one will have to answer the question, what is a tragic hero? According to Aristotle, “The tragic hero is a character of noble stature and has greatness, he/she is not perfect, the hero's downfall and it is partially his/her own fault, and the hero's misfortunate is not wholly deserved.” (Aristotle) Antigone is a tragic hero because she has a high social standing in Thebes, she neither good nor bad, and her suffering appears to be unjust and unfair to the audience.
Antigone, which was written by Sophocles, is possibly the first written play that still exists today (www.imagi... 1). There is much controversy between who the 'tragic hero' is in the play. Some people say Antigone, some say Creon, others even say Heamon. I believe Creon displays all of the characteristics of a 'tragic hero'. He receives compassion through the audience, yet recognizes his weaknesses, and his downfalls from his own self-pride, stubbornness, and controlling demands. He is the true protagonist.
Creon believes that his laws are absolute and must be followed above all else, even Divine Law. Therefore when Antigone, in accordance with divine law, goes against Creons edict by burying her brother she is forcefully imprisoned and sentenced to death by Creon. In Creons opening speech he says, “Of course you cannot know a man completely, his character, his principles, sense of judgment … Experience, there’s the test” (Sophocles, p. 67). How Creon handles Antigones unlawful actions serves as his first test as the new king of Thebes and ends up showing the Thebans a glimpse of his true nature, that of a tyrannical ruler. This can be seen again when Haemon comes to Creon with the hope of dissuading him from his current course of action. He does this by trying to make Creon understand that the citizens of Thebes don’t agree with his use of power and planned execution of Antigone. Again Creons authoritarian nature comes to light in his response to Haemon, “And is Thebes about to tell me how to rule… Am I to rule this land for others – or myself?” (Sophocles, p. 97). To which Haemon counters by saying that “its no city at all, owned by one man alone” (Sophocles, p. 97). Creon, being the tyrant he is, fails to heed the wisdom of his sons’ words, which ultimately leads to his downfall. Creon, like Machiavelli, believed that it was
Haemon’s words, actions, and ideas contrast with Creon’s character of differing greatly and leading him to the death of his son at fault. “They say all women here, she least deserves the worst deaths for her most glorious act. When in the slaughter her own brother died, she did not just leave him there unburied, to be ripped apart by carrion dogs or birds.”(Lines 788-791) Haemon starts to reveal that he believes that Antigone, his fiance, deserves to not be killed over an act that she has not committed whether or not Creon think is was right. However, Antigone was following the law of the Gods, while Creon was abiding by the law of man. “A man who thinks that only he is wise, that he can speak and think like no one else, when such men are exposed, then we can all see their emptiness inside.”(Lines 803-806) However, when Haemon started to attempt to inform his father, Creon, whose refusal was so high to even consider not killing Antigone that he was only thinking of himself and that one death would lead to another. “Then she’ll die and in her death kill someone else.”(Lines 859) Creon then, only thought of his son as a woman slave. “You woman’s slave, don’t try and win over me.”(Lines 845-855) At first, Haemon looked up to his father, but now after his unsuitable behavior he has chosen not to follow his stubborn
Antigone is a Greek tragic piece that stresses the use of power and morality versus the law written by Sophocles. Both Antigone and Creon, the main characters in the play, could represent the tragic hero. A tragic hero is a character who is known for being dignified and has a flaw that assists to his or her downfall. In my opinion, Creon best qualifies for being the tragic hero and fitting the definition read in the previous sentence. The things he said, did, and the comments that were made by those around him show how a man with everything could lose it all due to his own behavior.
The hubris resonating throughout the play, ‘Antigone’ is seen in the characters of Creon and Antigone. Their pride causes them to act impulsively, resulting in their individual downfalls. In his opening speech, Creon makes his motives clear, that “no man who is his country’s enemy shall call himself my friend.” This part of his declaration was kept to the letter, as he refused burial for his nephew, Polynices. However, when the situation arises where it is crucial that Creon takes advice, he neglects the part of the speech where he says “a king... unwilling to seek advice is damned.” This results in Creon’s tragic undoing.
It is clear that Creon's tragic flaw was his pride, arrogance and beliefs of a leader that cause his downfall. His downfall began when he denied the burial of Polyneices and was firm when he condemned Antigone for her objection to his law. Creon represents the laws of the land and the divine ruler of society. He remains loyal in upholding his laws and trying to overpower the laws of the gods, until the end when he realizes that the divine laws are stronger than his own. His regards for the laws of the city cause him to abandon all other beliefs. He feels that all should obey the rules set forth by him, even if other beliefs, moral or religious, state otherwise. This is proven when he says, "As long as I am King, no traitor is going to be honored with the loyal man. But whoever shows by word and deed that he is on the side of the State-he shall have my respect while he is living and my reverence when he is dead" (40).
Creon required the support of the Chorus of Theban elders, and for his verdict considering what to do with Polyneices' body. When Creon came to know of Antigone’s plan he called for her and when she did not deny of the fact that she buried her dishonorable brother’s body he grew angry and assumed Ismene her younger sister had helped her. Ismene being the good sister that she is lied and said she had helped Antigone, after that Creon ordered for them to be locked up. Haemon, Creon's son and Antigone's fiancé, promised to be loyal to his father and not talk to Antigone but he tried his best to persuade his father to spare her life, but they end...
A tragic hero can be defined as someone with a substantial personality flaw that causes them to endure great suffering with a reversal of character near the end. Antigone possesses certain traits that could potentially render her the tragic hero, but Creon truly embodies all characteristics. Creon is the tragic hero in “Antigone” due to several qualities he displays throughout the play; he can’t accept a diminished view of himself, he endures great suffering and he is enlightened in the end. In the beginning of the play Creon presents a strong confident image, although it becomes apparent self-doubt is present due to his inability to accept a diminished view of himself. Whilst giving the orders to murder anyone who tries to bury Antigone’s brother, Creon refuses the advice of his trusted council because they suggest he may be in the wrong.
A tragic hero is a person of noble birth or potentially heroic qualities. The role of a tragic hero is common in many of Shakespeare's plays such as Macbeth. The character of Macbeth is a classic example of a Shakespearean tragic hero. A tragic hero often has a noble background. This person is predominantly good, but suffers a terrible fate falling out due to glitches in their personality. The tragic hero has a monstrous downfall, brought out by their fatal flaw. Macbeth is named a tragic hero because he learns through suffering, he is isolated, and he exhibits personal courage in his acceptance of death.
A person once said, “The Antigone [is] one of the most sublime and in every respect most excellent works of art of all time” (Hegel). The play Antigone [is] written in the 6th century by the writer Sophocles (Willocks). Sophocles is a play writer and he made tragedies more complex. A tragedy always ends in defeat or death, has a hero who is confronted by hostile forces and has a tragic hero who has to make a choice difficult moral choice. The main character is usually the tragic heroine. A tragic hero is a person who has a dramatic change in fortune, morally good, heroic in stature or social position, true to life and consistent (Willocks). Creon is the king and he believes whatever he said should be obeyed. He did not listen to the Greek
Antigone was caught and death was the price to pay as ordered by Creon, not to her surprise. Death to Antigone seemed wanted, it was the only thing left as honor for her. Haemon, the son of Creon and Antigone’s fiancé has enough respect for his father that he does not interfere with Creon's decision to put Antigone to death.
In the play Antigone, the debate over who is the real tragic hero is and the controversy of Greek ideals in the Antigone continues on to this day. Who is the tragic hero in Antigone? Is it Antigone herself or is it Creon the ruler of Thebes? The belief that Antigone is, is a strong one. Still there are people who think Creon is the tragic hero. Antigone is widely thought as the tragic her. The play is named after her. In addition, she is the antagonist in it. Many people usually associate the antagonist, the good guy as a tragic hero. Look at much television shows, especially cartoons, the good person usually wins. Then there are those who might think Creon was the tragic hero because the gods were against him, and that he truly loved his country. There are five criteria or standards you must meet first in order to be a tragic hero. First, you must be a person of high character or status. The character must not be too overwhelmingly evil or good. Then they must be brought from happiness to misery. Then brought from happiness to misery. Second, the hero enacts a harmartia, "wrong act." This either may be a flaw in judgment or an error. Third, the hero experiences a perpateia, reversal of fortune. This is the tragic downfall or plot twist in the story. Fourth, the hero recognizes his or her responsibility. Fifth, the story ends with a catastrophe. The catastrophe either may be an emotional event, this even may be a death.
Over time, history has given society many to whom we call true heroes. There are many reasons these heroes have been looked up to such as: bravery, dedication, confidence, and inspiration. However, a tragic hero requires a few different qualities. Aristotle describes a tragic hero as a “member of royalty,” someone who “must fall from tremendous good fortune,” and someone who creates pity for him or herself (“Connections: A Theory” 2000). In Greek drama, Sophocles’ Antigone and Euripides’ Medea both contain several possible tragic heroes including Medea, Jason, and Creon. More specifically, in Antigone Creon exemplifies the qualities of a tragic hero best due to his prominent power as king of Thebes, the way he holds strong to his stubborn pride, and the sympathy felt for him in his tragic downfall.
Throughout literary history, tragic heroes have been defined as a great or virtuous character in a dramatic tragedy who is destined for downfall, suffering, or defeat. However, philosophers such as Aristotle tried to find connections between tragic heroes in Greek plays. This in-depth analysis of tragic heroes lead Aristotle to create six criteria for a true tragic hero: He or she has to be a Noble figure of royalty and noble in character, has to be imperfect by design, has a flaw or error that is a choice, is punished excessively for this choice flaw, has to undergo a downfall that leads to a realization, and the story of this tragic hero has to make the audience reach a moment of catharsis or purging of emotions. A prime example of a tragic hero that fits all of these criteria is Creon from the play Antigone, written by Sophocles in 441 BC. The story of Antigone is a tragedy that describes a stubborn and proud king named Creon who refuses to allow a burial for the brother of Antigone. Creon’s excessive pride leads to a series of unfortunate events resulting in the death of Antigone, his son Haemon, and his wife Eurydice. Throughout the course of the play, Creon undergoes each standard that is required by Aristotle’s terms to be a tragic hero.