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Recommended: An essay about wolves
The wolf was far older than him, he perceived, its great body made by fell sorceries and dwimmercraft, a demon corrupted into wolf-shape. He felt its dark mastery and wondered if once again he would fall by the teeth of this dread-beast, as he had fallen by the fire of the Valarauco many ages ago before Beleriand was lost to the sea. It pushed its head from his grasp, and in mockery of a hound’s affection it bent and nuzzled his cheek before baring its razor-teeth. He felt them scrape against his skin and heard it speak. “Now, Laurëfindil, do you understand? Twice you have sought to slay an Umaia. Twice now you will fail.” He threw his arms around the wolf’s neck, crushing it to him. The paws of the beast scrabbled frantically against his …show more content…
The wolf hröa lay still on his chest. Slaver and blood were in his eyes. Tears that he did not remember shedding burned his cheeks. Hands were rolling away from the great corpse, and the evening air was painfully sweet in his chest. A high plaining cut through the twilit silence. The leaves quivered in the windless night, and Glorfindel stood up tremblingly, braced by Laineth’s shoulder. Her eyes were scanning the forest, her body was a lean mass of corded muscle, ready to fight or flee. “What is that?” “The fëa,” he murmured. “It is calling to us. Do not …show more content…
No echoes remained in their ears, it was gone away, forever. It was a heavy, solemn silence. Like lark-notes sinking from the sky, when a falcon’s shadow falls upon them, their voices were hushed. Glorfindel spat out blood onto the trampled moss, looking at the hröa. It was stiff and aberrant, a preternatural puppet whose strings were cut. Vespertine birds began to sing, a hesitant murmur that steadily grew to a glad chorus. Elladan took his other arm, so he hung between Laineth and the Half-Elf like a trussed deer. Almost smiling at the ignominy in which he was placed, they went slowly along the path, Tawarian, and Avadion as the vanguard. As they drew near the camp, they were challenged by a young Elf. “Halt! Who goes there?” “I do,” said Elladan, without venturing another explanation. “Let us by.” “Lord Elladan?” came the inquiry. “Aye.” He pushed forward, leaving Tawarian to enlighten the guard and report to Helgon. He seemed ready to let Laineth take Glorfindel to the healer’s tent when Glorfindel stopped him. “Take me to Elrohir.” The tent was lit as they approached. Elladan’s pace quickened and flinging back the tent, entering, heedless of his stumbling burden. Her silver hair glinting in the lamplight, Celebrían knelt over Elrohir, bathing his
One night he sprang from sleep with a start, eager-eyed, nostrils quivering and scenting, his mane bristling in recurrent waves. From the forest came the call(or one note of it, for the call was many noted), distinct and definite as never before—a long-drawn howl, like, yet unlike, any noise made by husky dog. And he knew it, in the old familiar way, as for as sound heard before. He sprang through the sleeping camp and in swift silence dashed through the woods. As he drew closer to the cry
He went on down the hill, toward the dark woods within which the liquid silver voices of the birds called unceasing - the rapid and urgent beating of the urgent and quiring heart of the late spring night. He did not look
“…but the raven winging/ darkly over the doomed will have news, / tidings for the eagle of how
‘Instantly, in the emptiness of the landscape, a cry arose whose shrillness pierced the still air like a sharp arrow flying strait to the very heart of the land; and, as if by enchantment, streams of naked human beings – with spears in their hands, with bows, with shields, with wild glances and savage movements, were poured into the clearing by the dark – faced and pensive forest.... ... middle of paper ... ... This demonstrates the lack of communication skills between each other, with dire consequences.
While the monsters of the poem are the antagonists of the poem, the author still manages to make the reader feel traces of sympathy for them. Grendel’s human depiction, exile and misery tugs at the heart of readers and indeed shows a genuine side to the figure, while Grendel’s mother and the dragon are sympathetic mainly because they were provoked into being attacked over things they both had a deep affection for. Their actions make us question whether they are as evil as they seem.
Estelil's eyes then lowered to her hand as Marak place his upon it. She gazed back up at the goblin with a slight tilt of her head. Listening to his words, her eyes grew wide at the mention of elven history.
The fragment of ore was covered in thorns of a cactus as it had oozed out the horror that was the she-wolf. The sword itself was sharper than a pointy needle, and if one found themselves struck by it, they surely would have writhed in agony, as it would be worse than even the mightiest of paper cuts. The blade’s hilt would feel as if you were holding a boulder, as the weight of what it can do would weigh heavy in anyone’s hand. The spit of snake venom sticking to the blade would burn supremely than touching the surface of even Venus after it’s baked in the sun. The boiling poison of Grendel’s russet liquid is the opposition to that of a rose petal. It in no way would be soft as a fluffy pillow or cool as the purest of fresh-fallen snow. The rusty and freshly drawn blood on the blade signifies the victory of Beowulf, and the defeat of the prickly monster, which is pertinent to the overall menacing mood, as it signifies the battle is over, and that good has beaten out evil. Though the monster’s bodily fluid may have present as a reminder of a nail that had been sitting out in the sun and rain for far too long, it contributes to the reader’s perception of inevitable
Jacob was cooking a stew, Esau came in from the open, famished. He said to
It begins with the narrator stating, “Slowly I slip into oncoming twilight in unutterable silence of fog and green light” (Stanza 1). Thus, the foggy atmosphere represents her loneliness now that her man has vanished. When the narrator lays her, “back against the ancient elms until they shiver with their age,” (Stanza 2) she reminisces the memories of her love. Larsen demonstrates how the elms are growing old just like her lover, and she slowly illustrates the memorial in the background as the stanzas continue. As the memorial becomes more visible, the narrator recounts, “I watch him light on a blade of grass and he stays without breath, without motion,” (Stanza 4). Using the firefly to represent the deceased, Larsen also compares the forest to a memorial through her description of the atmosphere and visuals faded behind her
The Creature That Opened My Eyes Sympathy, anger, hate, and empathy, these are just a few of the emotions that came over me while getting to know and trying to understand the creature created by victor frankenstein in Mary Shelley’s Frankenstein. For the first time I became completely enthralled in a novel and learned to appreciate literature not only for the great stories they tell but also for the affect it could have on someones life as cliché as that might sound, if that weren’t enough it also gave me a greater appreciation and understanding of the idiom “never judge a book by its cover.” As a pimply faced, insecure, loner, and at most times self absorbed sophomore in high school I was never one to put anytime or focus when it came time
It begins with the narrator stating, “Slowly I slip into oncoming twilight in unutterable silence of fog and green light” (Stanza 1). The dark foggy atmosphere represents her loneliness now that her lover has vanished. When the narrator lays her, “back against the ancient elms until they shiver with their age,” (Stanza 2) she reminisces the memories of her lover. Larsen demonstrates how the elms are shivering with age just like her lover did, and she slowly starts illustrating the memorial in the background as the reader continues. As the memorial becomes more visible, the narrator recounts, “I watch him light on a blade of grass and he stays without breath, without motion,” (Stanza 4). Using the firefly to represent the deceased, Larsen also compares the forest to a memorial through her description of the atmosphere and visuals faded behind her
He said nothing to her. Rather he watched her praying over his patient’s health. He could clearly see her concern. He sensed that she felt more for the prone servant than just simple friendship. It is as Lord Aethelred feared.
He felt a cold wind blow through the pines and hit his face. His eyes tearing from the cold, he felt as if there was a pull coming from the Mountain. As if it was drawing him, tempting him to come to the Mountain. He shivered and turned and looked at the dying fire.
They travel eight leagues and the time nears to rest. A raven stares down upon the group with his beady eyes. There is a large manse not far ahead.
I clutched the railing as I watched him pause for a moment, tucking the lily into the cord that held his armor together, over his heart. He looked at me one last time before facing ahead and continuing on his walk to the temple. "Mother, he looked at me!" I cried. "Lower your voice," Mother