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Character development recitatif
Grade 11 short stories analysis
Character development recitatif
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Prologue: Crash There he was, Tobias Radner himself, laying down on the floor of his small, dirty room; a shaking mess of sweat and tears. The darkest parts of his past flooding through him. “You okay?” asked one of his crew mates, forcing Tobias out of the episode. It was all fuzzy, but Tobias was still able to faintly see around him, even if he couldn’t quite make out the man’s face. “Crash?” “Just… get me some patches,” replied Tobias, his voice that of a wounded animal. “I just- need patches… then I’ll- be fine.” “You know those are really bad for you, right?” the man tells Tobias, “How ‘bout you get up first, then I’ll consider it.” He lends Tobias a friendly hand, it takes a minute to register, but Tobias takes the hand gratefully. …show more content…
He looks around, making sure he and Vek have at least some distance between the rats. But instead of distance, he finds that they are behaving… oddly; they’re all just standing there, waiting for there chance to attack. “Umm… why aren’t they doing anything?” Asks Tobias. “JUST PULL YOUR DAMN LEG OUT!” Wails Vek, well someone’s afraid of mice, Crash says to himself. He then grasps his leg, and yanks it out of it’s wooden sarcophagus. “Happy now?” “THIS IS NOT THE TIME FOR SARCASM! HELP ME KILL THESE FUCKING RATS!” Vek shrieks, yep, he’s afraid of rats. “Ya know your the only one here with a weapon right? Or well, at least one that won’t make a crater in the ship.” “Oh yeah… my bad,” Vek, his fear lessoning, draws his sword out of the metallic sheath covering his lower left side. “How do I always forget about this thing?” Vek goes berserk and runs to the first rat we saw, and then slashes it’s entire body in two, crimson stains the elegant sword. “I HATE RATS!” Vek throws his sword, piercing both the wall of the ship, and two of the rats. “DIE-” “Wait,” Tobias cuts off Vek, noticing a strange behavior in the rats. “Something’s not …show more content…
But he quickly forgot about it when he noticed Talmiya is reading a book— actually, two books at once. “What exactly are you doing?” now he was the one asking the questions. Talmiya denied to answer, but instead closed her book, and waved her hand back and forth. Then suddenly, her hand ignited with a magenta flame, and she began some sort of spell. “Et cum hoc incantatores, resurrecturos homines isti sensu permoti,” chanted Talmiya, as she said it, the flame traveled to each of the dead rats. Then, all of a sudden, the killers were reanimated, their eyes glowing the same color as Talmiya’s hand. “Nunc ergo audieritis vocem meam, usque in finem!” All the rats bowed before their queen, their glowing eyes begin to fade to a natural black. But unlike the rats, Talmiya’s skin turns paler than before “What the fu-” began Vek. “They are- under command, that’s what- I wanted Hatchet to- tell you.” Said Talmiya, her normally smooth yellow body turning to a clammy grey. “Are you… okay?” asked Tobias, who was scared for the poor snake. “I’m- fine… I just need some- rest. You see, m-magic that p-owerful can r-really zap a- your will,” She answered, but Tobias had the nagging feeling that she was lying—As did
In the falling action, the men wait for help when the rats attempt to get to them.
Evidence: Prior to discovering the secrets of his family history, the narrator has a dream of a man he despises being devoured by “a mighty swarm of rats” (22).
He said, “Why don’t we poison the rats? I think I might have some bottles of rat killer poison in this old rusty belt of mine.”
Although I have watched the movie, Crash, many times, I had never looked at it through a sociological perspective. It blew my mind how much you can relate this movie to sociology, but also the more I got to thinking about it, the more it seemed to make sense. Everywhere I looked I found someway to connect this movie to some sort of sociological term, which I thought was pretty cool.
It is the self-proclaimed savior of the world , which , when the slaughter is over, " mutually come in " into the enclosure. Some intend to poison the rats by the smallest possible pain to maintain a balance within nature , others are committed to the rats . Rats are ultimately animals. And who should decide whether a bird or a rat may live ? Who gives people the right to shoot sheep, their overpopulation causes they eat an island bald?
“Just stop, we both know that they need your strength, and more importantly your heart. I’m done for I was hit,” Nerrek lifted up his coat, blood was trickling out, “It’s deep, we don’t have time to patch it up”
“No, I want to help. I just…I’ve never cut a heart out before. You have to take the arteries out, right?” Maison didn’t look away from Felix’s mangled body, head tilting a little trying to understand the anatomy of the read mass in front of them.
“Clothes, blankets, cookware, furniture, firewood, and food, definitely food. But that’s not all. She needs help, Gwaine. Her roof needs fixing, the pigs need to be tended to…”
Aston placed a firm hand on top of hers as he scolded, “That’s enough of that. Now I want you to listen to me — and no arguments until I’m finished. You’re not dangerous, and you’re sure as hell not a snake, or a mass of them. You’re different now, so what-”
“Hurry, Gilbert your friends need you,” said the little white rat. “Their lives are in danger.”
Meg: “ We were trying to protect and keep you safe from people using you for your talents.”
“She is so pissed.” Petra snorted. “Locked herself in the bedroom to hunt for this super hacker. You know she has this whole I’m-better-than-thou thing going, right?”
He was in a washable house, but he wasn't sure. Now about those rats, he kept saying to himself. He meant the rats that the Professor had driven crazy by forcing them to deal with problems which were beyond the scope of rats, the insoluble problems. He meant the rats that had been trained to jump at the square card with the circle in the middle, and the card (because it was something it wasn't) would give way and let the rat into a place where the food was, but then one day it would be a trick played on the rat, and the card would be changed, and the rat would jump but the card wouldn't give way, and it was an impossible situation (for a rat) and the rat would go insane and into its eyes would come the unspeakably bright imploring look of the frustrated, and after the convulsions were over and the frantic racing around, then the passive stage would set in and the willingness to let anything be done to it, even if it was something else.
That evening Daryl and Jasper were heading down to the showers to wash all of the animal blood and guts from their bodies. They had just returned from a successful hunting trip, and even though he was 9 years old, Jasper was proving to be a quick study. He was light on his feet, quiet and he was quick. Jasper had caught a total of 10 squirrels with his bow. Daryl couldn’t have asked for a better hunting partner. He was damn proud of the boy.
“Ok, but I don’t want to get close. Let’s stay back, we don’t know what they are or if they are dangerous.” Brando proposed.