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Paleolithic artworks
Life during paleolithic age essay
Paleolithic artworks
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Cosquer Cave
In 1985, while scuba diving in Cape Morgiou, near Marseilles, France, Henri Cosquer discovered a narrow 175-meter, air-filled tunnel 37 meters below the sea (“The Cosquer Cave”). The tunnel, unbeknownst to him, lead to one of the world’s most treasured Paleolithic art-filled caves.
During the Paleolithic age, Cosquer cave was much more accessible than it is today. Researchers say that at the times the art was created, the cave was probably only 11 kilometers from the coast and 80 meters above sea level (Jaobs). Since then, the giant glaciers of the period have melted and the Mediterranean Sea has risen, preserving this magnificent display of ancient art.
Oblivious to the historical importance of his find, Cosquer kept the cave secret until a return visit in July of 1991 when he sighted what seemed to be a red, stenciled human hand painted on the side of the cave (Clottes 14). Excited by this discovery, Cosquer invited several fellow divers including Yann Gogan, Jean-Claude Cayol, Pascal Oriol, Cendrine Cosquer, and Thierry Pélissier to further examine the cave with him (Clottes 14). The hand, as it turned out, was only the first of approximately 142 ancient paintings and engravings that appear on the walls and ceilings of Cosquer cave (“Accessing Cosquer Cave”).
The cave consists of several narrow tunnels, some of which are less than one meter high, and two main chambers that are covered with calcite crystals (Clottes 48). Throughout the cave are finger grooves, which the artists were able to carve into the weather-softened stone walls (Clottes 59).
After recording proof of the discovery, Henri Cosquer informed the French Ministry of Culture. They assigned Jean Clottes and Jean Courtin to study the cave for further research.
In the last nine years scientists and archaeologists have performed approximately two dozen radiocarbon datings (Jaobs). This makes Cosquer the most extensively dated cave in the world (“Accessing Cosquer Cave”).
Through these thorough studies, researchers have discovered that the images were created during two separate phases. The first phase dates around –27,000, and includes the handprints and some geometric designs that were found (Duckeck). After that, there is an 8000 year gap in which no one seems to have used the cave (Jaobs). The second phase is between -19,000 and –18,000. It was in this phase that the animal images were created (Duckeck).
Of the images depicted in the cave, over two-thirds are engraved and most are of horses (Duckeck).
The paper talked about the new mud glyph cave art site the was discovered in northern Alabama. It is believe that the artifacts and the images that is located in the cave linked back to the Early and Middle Woodland periods. The cave was named “19th Unnamed Cave” by a naming system that was used be University of Tennessee. Other main points in this paper include the 19th Unnamed Cave, the mud glyph art that it contains, and how the mud glyph contributes to the understanding of mud glyph assemblage preservation, and it helps illuminates the chronological placement of the art form. The cave is located in northern Alabama with a cave mouth of 25 m in diameter and with more than 5 km of underground passageways.
A prime example of the possible contributions of underwater archaeology is the Ulu Burun shipwreck. The Ulu Burun shipwreck is the remains of a Late Bronze Age (~1600 – 1050 BCE) trading vessel dated to about 1300 BCE. The shipwreck was discovered in 1982 off the coast of Ulu Burun, near the modern city of Kas, Turkey. This fifty-foot long vessel was resting at the bottom of the Mediterranean Sea at a depth of approximately 150 feet. Eleven sets of excavations were conducted from 1984 to 1994 in order to deliver the artifacts to the surface for analysis. From this wreck site, archaeologists now have a more detailed and precise understanding about the trade and distribution of commodities in the Late Bronze Age.
The entire tour requires a lot of walking, so wearing tennis shoes is recommended. Dress prepared for a cool environment because while inside the cave you will experience temperatures from 50-60 degrees. As you walk along the tour of the Bristol Caverns, a tour guide will inform you about the history of the cave: such as the original entrance place to the caverns used by the Cherokee Indians and how an early pioneer would store his fruit in the cave for extended freshness (tour guide). While the guide leads you through the cave of the caverns, you can view many formations and scenes. The formations are called stalagmites and stalagtites, which are created by the moisture and minerals in the cave hardening. One inch of these formations lengths can take from 150-300 years to form (tour guide). During the tour you will venture through different levels of the cave.
In July of 2001, a group of archeologists discovered the skull and jaw bone of the oldest member of the human family. The skull is a new discovery and was found in the Djurab Desert of Northern Chad by a group of archeologists lead by Michel Brunet, and is thought to be six to seven million years old (Walton). The age of the skull and jaw bone were approximated through the association of the fauna that were found with the fossils (Brunet). The skull is a major find for archeologists because they now have a new piece of the puzzle that shows the evolution of humans from apes and it provides information to a period that scientists had very little knowledge about because of the lack of evidence (Whitfield).
The cavern is personified as a yawning mouth. This makes sense because the cave is a large, gaping hole similar to a wide open mouth.
The ginormous volcano at Akrotiri on the island of Thera during the Bronze Age was devastating, and is speculated to be related to the fall of the Minoan civilization. Starting in 1867, archeologists discovered pottery, a buried city and frescoes. These discoveries are the most significant as the pottery and the buried city helped historians learn about the art, trade and societal aspects of Akrotiri, and the frescoes found revealed more information about Akrotiri’s art and religion.
Not too far away from the town of Montignac, in the western Massif Central and Northern Pyrenees, the cave of Lascaux was discovered. Four teenage boys and their dog discovered it. The four boys, Marcel Ravidat, Jacques Marsal, Georges Agnel and Simon Coenccus, were out on an expedition, but they found more than they bargained for that day. Their dog wandered away and they searched for him. In the process, the four boys discovered a cave that had been right below their feet for the past 17,000 years. They were not able to venture down into the 250-meter deep cave on the first day so they came back the next day prepared to enter the cave. When the boys first wiggled their way down into the cave they did not find anything. It was not until they reached an oval room that they first discovered paintings on the walls. These boys had uncovered paintings dating back to the Aurignacian (30,000-18,000 B.C.E.) (Laming, 34-41) and Magdalenian (15,000-10,000 B.C.E.) periods. It is believed that many of the paintings found in Lascaux were created between 16,000 and 14,000 B.C.E. The boys could no longer keep this cave a secret, so they told one of their teachers, Monsieur Laval. After accompanying the boys down to the cave, M. Laval started alerting historians to this new discovery. Within five days three historians were already on their way to visit the site. On September 17, 1940 three experts on Paleolithic art, Abbé Breuil, Dr. Cheynier and Abbé Bouyssonnie, crawled down into the cave; it was at this point the cave became authenticated.
Some say it is because the people believed by painting or engraving the animals on the cave walls put the beast under their control. “Some scholars have even hypothesized that rituals or dances were performed in front of the images and that these rites served to improve the luck the community’s hunters (Kleiner,21). Another explanation is that the animals served as a teaching tool. It allowed them to teach new hunters about the different characteristics each species had that they would encounter. At the other end of the spectrum some experts believe the art in the caves was created in hopes of the species survival. The people in this time period relied on their survival because they depended on them for their food supply and clothes. There are many different theories, but almost all of them have been discredited. To this day, the meaning behind the art work on the cave walls remains a mystery. One may not know exactly why they made the images, but one does know how they created them in the dark caves. “To illuminate the cave walls and ceilings while working, Paleolithic painters lit fires on cave floors and used stone lamps filled with marrow or fat, with a wick, perhaps of moss, as well as simple torches” (Kleiner, 20). In order to draw the paintings, they used many different types of minerals and they used large flat stones as palettes. As for brushes, they used a wide array of objects.
W. Raymond Johnson, The Journal of Egyptian Archaeology, (1996), pp. 65-82, Date viewed 19th may, http://www.jstor.org/stable/pdfplus/3822115.pdf?&acceptTC=true&jpdConfirm=true
War and Peace illustrates the conflict between the reality of war and the pretense of peace postured in Russia during the Napoleonic Wars and depicts a social dilemma of society’s prioritization of personal interests above the concerns of others. Throughout the novel, Tolstoy stresses the inauthenticity and selfishness ...
The Lascaux Cave in Dordogne, France is important to scientists because it explains the civilization’s culture and history in painting and the people’s artistic talents and use of paints. Further, the quality and bright paintings show animals, bison, deer, bears [Fig.1-4] and large mammoth animals. The cave and the paintings are significant because there are generations of paintings amongst one another. For instance [Fig.5] shows a horse that was painted over of the bull and then some smaller horses that were painted over that. Therefore, the paintings were done over a long period of time with many different painters and represents different time periods; archeologists saw that the people lived in a cave beside this one, so this cave could have been more spiritual and if there was many animals painted in the cave the people would believe that there would be enough food for them in the forests (Bolman, n.d.) It also supports animism, which is the belief that natural objects, natural phenomena, and the universe itself possess souls (Animism, 2014). The paintings reflect the development...
Otzi had various clothes and hand tools, which helped archaeologists figure out what his life may have been like. A cooper ax for chopping firewood, a six-foot bow with 14 arrows for hunting game, a woven grass cape for extra warmth, a deerskin coat for protection from the cold, a flint knife with a leather case for cutting, and leather pants of animal skins and leather boots insulated with grass to keep the legs and feet warm. These are the reasons Otzi was considered a significant artifact of this time period. Cave paintings also helped improve our understanding of what life was like for early man in the Paleolithic Age. On September 12, 1940, in the Lascaux cave (in Lascaux, France), 4 teenagers discovered a collection of prehistoric paintings (over 600). According to archaeologists, the Paleolithic people found a way to express themselves through their artwork. It was the first art in global history. In addition, the paint came from iron dust, sand, clay, crushed rocks, fruits, charcoal, and blood. Their artwork conveys different messages. The moving animals shows that they were
Clottes, Jean. “Paleolithic Cave Art in France.” Bradshaw Foundation. Bradshaw Foundation. n.d. Web. 08 Mar. 2014.
The Lascaux cave paintings is a series of caves that are decorated with ancient cave paintings, near the village of Montignac, France. The cave’s interior walls and ceilings are
One of the most key examples of understanding human culture through archaeology is the topic of climate and the environment. As seen through history, there is an intricate relationship between the environment and life on earth. Through extensive research, archaeologists have the ability to take note of minor cultural changes that can be attributed to the environment during a particular time period. These changes include, shifts in methods of food collection, changes in the artwor...